[Frameworks] Films that are mostly about an audience

Jess Hock jesshock1 at gmail.com
Wed Nov 3 18:30:57 UTC 2021


You could argue Nashville is about an audience.

On Wed, Nov 3, 2021 at 2:09 PM mary billyou <mbillyou at gmail.com> wrote:

> Sally Potter’s Goldiggers
>
> On Wed, Nov 3, 2021 at 1:40 PM jimmyschaus1 <jimmyschaus at gmail.com> wrote:
>
>> Abbas Kiarostami's *Shirin <https://www.youtube.com/watch?v=whHb4GUegDY>*
>>
>>
>>
>> On Wed, Nov 3, 2021 at 12:36 PM Rob Gawthrop <rob at robgawthrop.co.uk>
>> wrote:
>>
>>> *Auditorium* Ian Breakwell (with Ron Geesin) UK, 1993  32 minutes,
>>> Colour, Sound
>>>
>>> Rob.
>>>
>>
>>>
>>> On 3 Nov 2021, at 17:16, Michael Streicher Metzger <
>>> michael.metzger at northwestern.edu> wrote:
>>>
>>> Barbara Hammer’s AUDIENCE comes to mind, obviously! Love, love, love
>>> this film.
>>>
>>> Also, Sharon Lockhart’s TEATRO AMAZONAS.
>>> Tsai Ming-Liang’s GOODBYE, DRAGON INN.
>>> Owen Land’s REMEDIAL READING COMPREHENSION perhaps?
>>> Jodie Mack’s RAD PLAID, I’d argue.
>>>
>>> *From: *Frameworks <frameworks-bounces at film-gallery.org> on behalf of
>>> jaime cleeland <ethnomite at yahoo.co.uk>
>>> *Reply-To: *Experimental Film Discussion List <
>>> frameworks at film-gallery.org>
>>> *Date: *Tuesday, November 2, 2021 at 12:57 PM
>>> *To: *Experimental Film Discussion List <frameworks at film-gallery.org>
>>> *Subject: *[Frameworks] Films that are mostly about an audience
>>>
>>> Hi,
>>>
>>> Quite broad … even what an ‘audience’ is!
>>>
>>> Jaime
>>>
>>>
>>> Sent from Yahoo Mail for iPad
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-- 
Jess Hock
jesshock.com
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