[Frameworks] This Week in Avant Garde Cinema: October 16 - 24, 2021
This Week
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*This Week [October 16 - 24, 2021] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
Enter upcoming calls for entry here
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___________________________________________________________________________________
*sorted by submission deadline*
10.31.2021 Rencontres Internationales Sciences & Cinémas (RISC)
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(Late Deadline)
10.31.2021 Braziers International Film Festival
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(Early Deadline)
11.01.2021 Experiments in Cinema
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11.05.2021 Images Festival
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11.08.2021 Visions du Réel
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11.09.2021 San Francisco International Film Festival
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11.26.2021 Alchemy Film and Moving Image Festival
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(Regular Deadline)
11.30.2021 Interbay Cinema Society Lightpress Grants
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01.07.2021 Coney Island Film Festival
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(Early Deadline)
02.01.2022 International Short Film Festival Oberhausen
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*EVENTS*
Enter your event announcements here
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Night Reels: Stacey Steers Exhibition
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[August
19-October 17, Montreal]
- Jeanne Liotta: the World Is A Picture of the World
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d4e613c62f&e=857b71a9cb>
[September
9-October 16, New York]
- The Decay of Fiction By Pat O'Neill
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=03425822bd&e=857b71a9cb>
[September
9-October 23, New York]
- Crossroads 2021
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[September
17-October 21, San Francisco + online]
- aCinema:
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1fa7e81969&e=857b71a9cb>The
Mist That Carries Phantoms
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[October
1-31, online]
- Festival Des Cinémas Différents et Expérimentaux de Paris
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[October
6-17, Paris]
- 24th Antimatter [media art]
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=80995e7885&e=857b71a9cb>
[October
14-24, Victoria, British Columbia]
- Adrift: Sasha Litvintseva and Beny Wagner
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[October
15-19, online]
- Imagine Science Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6267a045c&e=857b71a9cb>
[October
15-22, online]
- Athens International Film + video Festival 2020/21
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[October
15-24, Athens, OH]
- Fabric of Photography: Material Matters
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[October
15-November 13, Oxford]
- Psycho-Geography3
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[October
16, San Francisco]
- EC: The Text of Light by Stan Brakhage
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[October
16, New York]
- Amos Vogel Centenery: Program 2 By Scott Macdonald
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[October
16, New York]
- EC: The Pittsburgh Trilogy by Stan Brakhage
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[October
17, New York]
- Lausanne Underground Film & Music Festival
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[October
20, Lausanne, Switzerland]
- Fracto Experimental Film Encounter - 5th Edition
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[October
21-24, Berlin]
- Confessional Cinema: Part of Persistent Visions
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[October
22, Astoria, New York]
- Sight Unseen: Swarm Season, By Sarah Christman
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[October
22, Baltimore]
- The Two Sights (An Dà Shealladh), By Joshua Bonnetta
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[October
22-28, New York]
- Animal Spirits1
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[October
23, San Francisco]
- Gearwax: Old vinyl, Repurposed
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[October
24, online]
- The Long Conversation
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[ongoing, online]
- Ecstatic Static Screenings
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[ongoing,
online]
*STARTING ON OR BEFORE OCTOBER 16, 2021*
*August 19 - October 17*
Venue type: *Live, physical event*
Cinémathèque québécoise
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M-F 12-9pm, SaSu 2-9pm ET, 335, boul. De Maisonneuve Est
*Night Reels: Stacey Steers Exhibition*
In a mystical and dreamlike atmosphere, the observation of the moon and the
stars joins the magic of the pre-cinema. This fall, the world of Stacey
Steers will enchant the two exhibition rooms of the Cinémathèque. The
exhibition "focuses on three series that the American artist created around
her latest films: *PHANTOM CANYON* (2006), *NIGHT HUNTER* (2011), and *EDGE
OF ALCHEMY* (2017). In this triptych exhibition bringing together animated
films, collages, astronomy instruments, and sculptures, Stacey Steers
explores the world of cinema, its technological history, its imaginary, its
icons. She pays tribute to emblematic female figures of early cinema, such
as Lillian Gish or Janet Gaynor, whom she reintroduces into vegetal or
surreal settings inspired by 19th century engravings." In conjunction with
the exhibition, a retrospective of Steers' films will screen on Thursday
9/9.
*___________________________________________________________________*
*September 9 - October16*
Venue type: *Live, physical event*
Microscope Gallery
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Tue-Sat, 12-6pm ET
525 West 29th Street, 2nd Floor
*Jeanne Liotta: The World is a Picture of the World*
Microscope Gallery is very pleased to present The World is a Picture of the
World, the second solo exhibition at the gallery by Jeanne Liotta,
featuring a new body of work incorporating drawing, collage, photography
and projection that are inspired by and often include among their materials
20th Century NASA 35mm slides of the universe that were frequently offered
in planetarium and other similar gift shops.
Through the works on view — an 80-image handmade 35mm slide composition,
several single-slide projections on graphite drawings, and a series of
colored photographic gels on photogram works — Liotta recognizes that
humanity’s visual understanding of the universe is based on its
photographic reproductions of what exists beyond what the eye can see. The
artist considers the ways these pictures have been used to inspire us, both
positively and negatively, and draws connections among nature, astronomy,
and the photographic process, all dependent on light and time.
Proof of Covid-19 vaccination is required for all visitors in accordance
with current NYC regulations.
*___________________________________________________________________*
*September 9 - October 23*
Venue type: *Live, physical event*
Mitchell-Innes & Nash
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M-F 10am-6pm, ET, 534 W 26th Street
*The Decay of Fiction by Pat O'Neill*
Mitchell-Innes & Nash is pleased to present *The Decay of Fiction* by Pat
O’Neill, the Los Angeles-based artist and experimental filmmaker, whose
work has been represented by the gallery since 2015. O’Neill has
transformed his 2002 film of the same title into a five-channel
installation, digitally scanning and recombining individual sections into a
distinct, new work. Premiering in 2018, this will be the first showing in
New York.
For the five-channel presentation, O’Neill has rearranged the film into
distinct components across which settings and actors recur alongside
special effects such as animations and split screens. Set to an unremitting
soundscape of moving traffic and birds, they offer an almost hallucinogenic
amalgamation of now and then, and real and imagined. Their simultaneous
unfolding offers further permutations of the composite imagery, eliminating
for good any possibility of a linear narrative.
A portrait of an architectural site facing imminent demolition, the
multichannel installation embodies a hybrid genre where history and
artifice coexist. Through its layered approach to documentation and
collective memory, *The Decay of Fiction* honors the Ambassador Hotel as
its own purveyor of fictions: a site for the production of illusions that,
as O’Neill notes, “sometimes provided [people] with respite from their real
lives, allowed fantasies to be developed and nurtured, and taught lessons
about how to be human.”
*___________________________________________________________________*
*September 17 - October 21*
Venue type: *Both physical and online*
San Francisco Cinematheque
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varies, Roxie Theater
*CROSSROADS 2021*
presented by San Francisco Cinematheque
curated by Steve Polta
#xrds21
CROSSROADS 2021 is the twelfth manifestation of Cinematheque’s annual film
festival. CROSSROADS 2021 features 61 works of film and video by 66 artists
representing 22 countries and territories presented in 9 curated programs.
Get the thrill of the online festival experience by joining us for a series
of scheduled *livestreams September 17–23* and/or join us *at San
Francisco’s Roxie Theater October 16 & 17* as Cinematheque returns to
theatrical screenings!
All online programs available on a view-when-desired basis September
23–October 21
*FEATURED ARTISTS*
Devin Jie Allen | Ben Balcom | Dianna Barrie | Gina Basso | Alix Blevins |
Madison Brookshire | Anthony Buchanan | Peter Burr | Michael Campos-Quinn |
Julien Champagne | Charlotte Clermont | Alexandra Cuesta | Susan
DeLeo | Julia Dogra-Brazell | Dana Berman Duff | Erin Espelie | Kevin
Jerome Everson | Thorston Fleisch | Federica Foglia | Guta Galli | Amir
George | Pere Ginard | Adrian Garcia Gomez l Morrison Gong | Bea
Haut | Bettina Hoffman | Philip Hoffman | Mike Hoolboom | Onyeka Igwe |
Kamila Kuc | Simon Liu | Cherlyn Hsing-Hsin Liu | Jennie MaryTai Liu | Jan
Locus | Azucena Losana | J.M. Martínez | Ross Meckfessel | Isiah Medina |
Jeremy Moss | Vasilios Papaioannu | Michael Pisaro | John Porter | Mike
Rollo | Noah Rosenberg | Tulapop Saenjaroen | Niyaz Saghari | Daïchi
Saïto | Ale Samaniego | Rajee Samarasinghe | Talena Sanders | Sylvia
Schedelbauer | Linda Scobie | Milton Secchi | Anne Lesley Selcer | Erica
Sheu | Vicky Smith | Courtney Stephens | Takahiro Suzuki | Paige
Taul | Douglas Urbank | Pamela Vail | Emily Margaret Van Loan | Tashi
Wada | Kyle Whitehead | Liyan Zhao | Anne Lesley Selcer | Antoinette
Zwirchmayr
Saturday, October 16 at 1:30 — CROSSROADS at the ROXIE 1
*in the distance*
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SCREENING: *earthearthearth* (2021) by Daïchi Saïto (Canada/Japan); *Recursive
Lattice* (2020) by J.M. Martínez (US); *Displaced* (2020) by Bettina
Hoffmann (Germany/Canada); *Primavera* (2020) by Adrian Garcia Gomez (US); *The
Pendulum* (2021) by Linda Scobie (US); *June July* (2021) by Kevin Jerome
Everson (US); *The House Is Empty* (2021) by Dana Berman Duff (US).
*Sunday, October 17 at 1:30 —
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CROSSROADS
at the ROXIE
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2
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need falls away
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=42260dce41&e=857b71a9cb>*
SCREENING: *untitled (teeming)* (2021) by Gina Basso (US); *The Mouth is
Still a Wild Door* (2020) by Guta Galli (Brazil) & Anne Lesley Selcer (US);
*Rehearsal* (2020) by Talena Sanders (US); *absolving the valve* (2021) by
Alix Blevins (US); *Zero Length Spring* (2021) by Ross Meckfessel (US); *Blue
Distance* (2021) by Devin Jie Allen (US); *Not (a) part* (2019) by Vicky
Smith (UK); *Oceano Mare* (2020) by Antoinette Zwirchmayr (Austria); *Labor
of Love* (2020) by Sylvia Schedelbauer (Germany).
*___________________________________________________________________*
*October 1 - 31*
Venue type: *Virtual, online event*
aCinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3ae6fb9e50&e=857b71a9cb>
streaming 24/7, Event URL: https://www.acinema.space/current-program
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*The Mist That Carries Phantoms*
OCTOBER 2021 PROGRAM
*Post Soviet Zones [series 1]*, Jane Efremova, 2019 - (ongoing), video
*Pandamonium*, Anna Joos + Ana Edwards, 2019, HD video, found footage +
screen recordings
*CHOREOGRAPHIC PATTERNS – Subliminal Message*, Ana Trincão, 2016, video
*Lungs of Flowers*, Arvo Leo
*Post Soviet Zones [series 2]*, Jane Efremova, 2019 - (ongoing), video
*Toothless Resistance • The Friendship Tree*, Polina Kanis, 2021, video
aCinema is a monthly exhibition dedicated to the screening of works by
moving image artists from around the globe for audiences during the 9 month
period of September to May. aCinema also organizes a yearly festival
programmed from an open call for works titled, aDifferent festival.
Through the exhibition of artists -- historical and contemporary, emerging
and established -- in curated programs, aCinema creates a platform for
artists of all career statuses to share a common exhibition space. Through
the curatorial themes and independent thoughts expressed within the works,
aCinema hopes to inspire and expand audiences' views of the moving image,
fostering an arts educational space, where audiences are free to engage in
discussion with curators and artists (when present) following the
screenings.
*___________________________________________________________________*
*October 6 - 17*
Venue type: *Live, physical event*
Collectif Jeune Cinema
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times and locations vary
*FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPÉRIMENTAUX DE PARIS*
The Paris Festival for Different and Experimental cinema is an annual
international event organized by the Collectif Jeune Cinéma, a structure
dedicated to the distribution and diffusion of experimental image and film
practices.
The theme of each edition is submitted to the vote of CJC’s members. The
films’ selection is a collective process led by a group of CJC filmmakers
who, with their expertise, select experimental films from a large number of
films submitted every year from all over the world. The festival promotes
cinematographies which focus on the creative act and endeavors to guide
audiences by producing editorial contents. Since 1999, the festival is
increasingly recognized internationally.
This event is supported by the Region Île-de-France, the DRAC Île-de-France
and the City of Paris. The history of this festival is strongly linked to
the history of Collectif Jeune Cinéma, a Paris based filmmakers cooperative
for distribution.
*___________________________________________________________________*
*October 14 - 24*
Venue type: *Both physical and online*
Antimatter [media art]
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varies, Deluge Contemporary Art, 636 Yates St
Event URL: https://antimatter.squarespace.com/
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*24th Antimatter [media art]*
Encompassing screenings, installations, performances and media hybrids,
Antimatter provides a noncompetitive setting in Victoria, British Columbia,
free from commercial and industry agendas.
Once again Antimatter is a hybrid IRL/online event: nightly in-person
screenings at Deluge Contemporary Art will be followed by online access to
each program for 24 hours the next day. Full schedule and details are
available on the website or by downloading a PDF of the *2021 Program Guide*
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.
*___________________________________________________________________*
*October 15 - 19*
Venue type: *Virtual, online event*
*Los Angeles Filmforum*
streaming, Event URL:
https://watch.eventive.org/aaaestrella/play/6147db12d746b7004cdeab7c
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=80f9b43c77&e=857b71a9cb>
*Adrift: Sasha Litvintseva and Beny Wagner*
*Live Q&A with Filmmaker and Programmers on October 17, 1:00 pm PT*
*Adrift* is a residency program curated by *Bahía Colectiva* in
collaboration with *Los Angeles Filmforum* where filmmakers connect with
audiences and other practitioners by sharing a virtual archive of the
process materials behind their film and video works. The materials
showcased may include: texts, images, sounds, music, research notes,
drawings, sculpture, found objects, film references, food recipes, news
reports, text messages, accidental encounters, inspirations, conversations,
arguments, dreams, etc. Existing in virtuality, *Adrift* is a borderless
space for community building and broadening collective knowledge between
filmmakers, artists, curators and enthusiasts.
We are excited to announce Sasha Litvintseva and Beny Wagner as our artists
in residence this week. Working collaboratively since 2017, their films,
texts and lectures focus on the moving image as a tool for the active
production of new worlds. Their practice has been driven by questions about
the thresholds between the body and its surroundings, knowledge regimes and
power, modes of organizing and perceiving the natural world. The archive of
unseen materials will be accessible through Bahía Colectiva’s online
platform. The film screening and discussion on the exposed archive will be
streamed through Los Angeles Filmforum’s website.
Programmed by Bahía Colectiva.
*Ticketing for **Sasha Litvintseva and Beny Wagner: Sliding** Scale,
requested $12 for general admission, $8 students/seniors, $0 for Filmforum
members, at **https://watch.eventive.org/aaaestrella/play/6147db12d746b7004cdeab7c
<https://watch.eventive.org/aaaestrella/play/6147db12d746b7004cdeab7c>*
*Bilateria*, 2019, Digital, color, sound, 13 min
*Outside*, Germany, Netherlands, 2019, Digital, color, sound, 14 min
*Every Rupture*, Russia, U.K., 2020, Digital, color, sound, 13 min
*A Demonstration*, Germany, Netherlands, U.K., 2020, Digital, color,
sound, 25 min
Total Runtime: 65 mins
*___________________________________________________________________*
*October 15 - 22*
Venue type: *Virtual, online event*
Imagine Science Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1bd0f43195&e=857b71a9cb>
varies, Event URL: https://www.imaginesciencefilms.org/ny14/schedule
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*Imagine Science Film Festival*
The 14th Annual Imagine Science Film Festival will take place from *Oct
15-22, 2021*. The festival will be hosted online and all of our films will
be hosted on our partnering platform *Labocine.com*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=acbad79471&e=857b71a9cb>.
Imagine Science 2021will include more than 20 film programs spread out over
8 days.
*8 days / 28 programs / 18 features / 45 shorts*
6 World Premieres / 1 International Premiere / 18 US Premieres / 10 East
Coast Premieres/ 10 New York Premieres
We will have two in-person special events including the *Science New Wave
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networking
event on October 16 co-presented by *OneFifty | WarnerMedia*
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and
the Symbiosis Closing Night supported by *Science Sandbox*
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on
October 22.
*The festival theme is "RESISTANCE"*
We're currently living in a time where resistance seems to be part of our
everyday life. The act of swimming against the current - not for futile
reasons but to spark change and awareness. For our 14th annual festival, we
will be exploring the act of resisting from both a micro and macro
perspective. How does one withstand opposing forces that sometimes feel
overwhelming? How does resistance measure a material's ability to resist
the flow of electrons through it? How do organisms resist harmful
influences such as disease, toxic agents or infection? How do we all
express our resistance, either internally or externally?
Though this subject is the special focus of this year's festival, we'll be
featuring films, installations, and hybrid works of any and all other
genres, methodologies, and subjects, as always that push the boundaries of
the science narrative and embrace the spirit of the *Science New Wave
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.
Over the course of the festival, the Symbiosis competition will be in full
swing. Six pairs of scientists and filmmakers will be making films on the
theme of RESISTANCE. More info on competition on our *Symbiosis page*.
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*___________________________________________________________________*
*October 15 - 24*
Venue type: *Live, physical event*
Athens International Film + Video Festival
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varies, Athena Cinema, 20 South Court Street
*Athens International Film + Video Festival 2020/21*
Founded in 1974, the AIFVF has been presenting the best in international
film for 46 years. Known globally as a festival that supports cinema from
underground and marginalized populations, the AIFVF represents the values
that we share as a community. It is a champion of justice and provides a
voice for underrepresented artists and viewpoints on a global level. For
four decades, Athens International has embraced experimental, narrative,
short-form, feature length, and documentary films from every corner of the
globe, offering filmmakers a stellar platform for public exposure and an
environment that values artistry above marquee names and industry
relationships.
*___________________________________________________________________*
*October 15 - November 13*
Venue type: *Live, physical event*
Old Fire Station, Oxford
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varies, 40 George Street
*Fabric of Photography: Material Matters*
Twelve experimental photographic artists exhibit their work in Oxford as
part of Photo Oxford Festival opening in the Main Gallery, The Old Fire
Station, central Oxford, from the 15th of October until 13th of November.
Each artist focuses on materiality within their practice. They are inspired
by historical processes invented in the 19th Century, and work with the
fundamental elements of the photographic medium: Light, Time and Material.
The exhibition brings together artists from Australia, France, Holland,
Poland, Ukraine, the United States, and the United Kingdom. The artists
explore the materiality of the photograph through experimentation.
Neil Ayling | John A Blythe | Sylvie Bonnot | Ellen Carey | Alice Cazenave
| Karel Doing | Nettie Edwards | Hannah Fletcher | Anna Luk | Rita Rodner |
Megan Ringrose | Kateryna Snizhko
More details at: https://www.fabricofphotography.com/who
*SATURDAY, OCTOBER 16, 2021*
*October 16*
Venue type: *Live, physical event*
Artists Television Access
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8:00pm, 992 Valencia st
http://www.othercinema.com/
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*PSYCHO-GEOGRAPHY3*
Local hero *Mark Brecke* introduces an exquisite *exemplar* of his
enormously ambitious, planet- spanning quest, *Somalia in the Picture*. He
shares the back-story of that country's founding father, then to the fate
of the tragically lost internationally epic that would narrate that
history. From Spokane, *Matt McCormick* sends in his *Deepest Hole**, *on
the Cold War contest to dig the biggest! UK *auteur **Ben Rivers *affords
to California the debut of his *Distant Episode*, his giddy meta-cinematic
take on an Moroccan movie shoot. Oaxacan*-*based *Charles Fairbanks* maps
out the cultural reverberations of his Meso-American *Volcan**,* while
the Swiss two-women crew *U5 *also focus their *Double Bind * on volcanoes,
and bottom-up agricultural in Indonesia. PLUS a pair of *premieres*, one
from Turkey (Merve Çaşkurlu’s *Happy Fishbowl*, on Istanbul
gentrification), and the other from Chile (Anto Astudillo’s *Golpes*, their
hi-con perspective on the architecture of power in Santiago). $8
*___________________________________________________________________*
Venue type: *Live, physical event*
Anthology Film Archives
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5:30pm ET, 32 Second Avenue
*EC: THE TEXT OF LIGHT by Stan Brakhage*
“All that is, is light.” –Johannes Scotus Erigena “[Brakhage shot] *THE
TEXT OF LIGHT* in (through) a large crystal ashtray. This magnificent film
– a slow montage of iridescent splays of light and shifting landscapes of
sheer color, which acknowledges debts to Turner and American Romantic
landscape painters as well as to James Davis, the pioneer film-maker of
light projections – is the culmination of Brakhage’s exploration of
anamorphosis.” –P. Adams Sitney, VISIONARY FILM
1974, 67 min, 16mm, silent
*___________________________________________________________________*
Venue type: *Live, physical event*
Roxy Cinema
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3pm ET, THE ROXY CINEMA, 2 6TH AVENUE CELLAR LEVEL OF THE ROXY HOTEL
*AMOS VOGEL CENTENERY: PROGRAM 2 BY SCOTT MACDONALD*
Experimental / 1948 - 1964 / 97 minutes
Program assembled and presented in-person by Scott MacDonald.
*Eaux d'artifice* by Kenneth Anger (1953, 12min)
A man dressed in an elegant period dress wanders through the water gardens
at the Villa d'Este.
*In the Street* by Helen Levitt, James Agee and Janice Loeb (1948, 16min)
Images of street life in New York's Spanish Harlem during the 1940s.
*A Man and His Dog Out for Air* by Robert Breer (1960, 3min)
Abstract figures rapidly shape-shift until finally settling into the form
of a man and his dog, but only for a moment.
*Three Pickup Men for Herrick* by Melvin Van Peebles (1958, 9min)
A portrait of a group of men hoping to be picked for day-labor jobs.
*Go! Go! Go!* by Marie Menken (1964, 12min)
A tour de force of rapid camera movement and single-frame activity -- films
of boats taken at the harbor in single frames, from a moving automobile, on
the streets of New York, at a body-builders convention, and at other
locations.
*Cosmic Ray* by Bruce Conner (1962, 15min)
black-and-white footage of a nude woman with a pearl necklace, Mickey Mouse
cartoons, and newsreel footage of atomic bomb explosions, all set to Ray
Charles's "What'd I Say".
*Pull My Daisy* by Robert Frank and Albert Leslie (1959, 30min)
Adapted by Jack Kerouac from the third act of his play, Beat Generation.
Kerouac also provides improvised narration.
*SUNDAY, OCTOBER 17, 2021*
Venue type: *Live, physical event*
Anthology Film Archives
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4:45pm ET, 32 Second Avenue
*EC: THE PITTSBURGH TRILOGY by Stan Brakhage*
*EYES* (1970, 36 min, 16mm, silent)
“After wishing for years to be given the opportunity of filming some of the
more ‘mystical’ occupations of our Times – some of the more obscure Public
Figures which the average imagination turns into ‘bogeymen’... viz.:
Policemen, Doctors, Soldiers, Politicians, etc.: – I was at last permitted
to ride in a Pittsburgh police car, camera in hand, the final several days
of September 1970.” –Stan Brakhage
*DEUS EX* (1971, 34 min, 16mm, silent)
“I have been many times very ill in hospitals; and I drew on all that
experience while making DEUS EX in West Penn. Hospital of Pittsburgh; but I
was especially inspired by the memory of one incident in an emergency room
of San Francisco’s Mission District: while waiting for medical help, I had
held myself together by reading an April-May 1965 issue of ‘Poetry
Magazine’: and the following lines from Charles Olson’s ‘Cole’s Island’ had
especially centered the experience, ‘touchstone’ of DEUS EX, for me:
Charles begins the poem with the statement ‘I met Death –’ And then: ‘He
didn’t bother me, or say anything. Which is / not surprising, a person
might not, in the circumstances; / or at most a nod or something. Or they
would. But they wouldn’t, / or you wouldn’t think to either, / it was
Death. And / He certainly was, the moment I saw him.’” –Stan Brakhage
*THE ACT OF SEEING WITH ONE’S OWN EYES* (1971, 32 min, 16mm, silent)
“Brakhage, entering, with his camera, one of the forbidden, terrific
locations of our culture, the autopsy room. It is a place wherein,
inversely, life is cherished, for it exists to affirm that no one of us may
die without our knowing exactly why. All of us, in the person of the
coroner, must see that, for ourselves, with our own eyes.” –Hollis Frampton
Total running time: ca. 105 min.
*WEDNESDAY, OCTOBER 20, 2021*
*October 20 - 24*
Venue type: *Live, physical event*
LUFF
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various times, various locations
*Lausanne Underground Film & Music Festival*
LUFF is like a weed. No matter how hard you try to get rid of it, it keeps
coming back. It has been every October for twenty years. A bastard species.
Doubly crossbred, both in form and in substance: a festival of cinema and
music, an established and authorized institution that showcases recent
creative work and artists that navigate under the radars, official or
commercial, be it intentionally or not. As time goes by, we understand that
this hybridity and its paradoxes offer potential for resistance and
adaptation. Like a weed, LUFF is the product of multiple crossbreedings. It
mocks all notions of purity, and is ever persistant.
It is often said that LUFF represents an elitist culture, reserved only for
some. Yet it is an instrument - amongst others - of resistance against all
attempts to eliminate our differences. A tool several generations of
volunteers and staff have used to promote an awareness of different ways to
live, love, and coexist in spite of our diverging viewpoints. This rhetoric
seems almost obvious today, as neo-liberal violence, careless
discrimination and rejection keep blowing up in our faces at every instant
of our lives, governed as they are by bio-political frameworks.
To this blatant fact, LUFF retorts that when we speak of an “outcry”, we
are not talking in metaphors. We speak of human and non-human screams that
pierce the physical and psychological barriers of our docile and eager
bodies. To amplify and to project this shout from across the world, from
inside and outside the Casino de Montbenon, is to turn our eyes and ears to
what has been repressed. It is opening the storm drain of our unconscious,
it’s taking in a good whiff of the colon that is inside all of us. These
cries, Lydia Lunch has been making them heard for 40 years. Her friend and
director Beth B created a film about her that both artists will come to
present at LUFF: The Was is Never Over. A title that could very well give
its name to the 20th edition of LUFF.
*THURSDAY, OCTOBER 21, 2021*
*October 21 - 24*
Venue type: *Live, physical event*
FRACTO Experimental Film Encounter
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12 to 22 CEST, Kunsthaus ACUD - Veteranenstrasse 21, Berlin Mitte
*FRACTO Experimental Film Encounter - 5th Edition*
FRACTO Experimental Film Encounter announces its fifth edition and invites
Berlin audiences to immerse themselves in 4 days of film screenings, talks
and performances, taking place between the 21st and the 24th of October
2021 at Kunsthaus ACUD, in Berlin Mitte.
The underlying theme of the 2021 edition is Appropriation, where we explore
how our contemporary realities and their environment are lensed,
configured, contextualised and re-contextualised. The Selection for 2021
comprises nearly 30 films curated in 5 programmes which reflect the diverse
terrain of contemporary filmmaking practices associated with Experimental
film.
The upcoming line up includes artists Alexandra Cuesta, Blanca García,
Bruno Delgado Ramo, Charlotte Pryce, Clara Pistner, Collectif Rébenty
(Carole Thibaud), Daniel A. Swarthnas, Deborah S. Phillips, Distruktur
(Melissa Dullius & Gustavo Jahn), Doplgenger, Erica Sheu, Eva Giolo, James
Edmonds, Jorge Suárez-Quiñones Rivas, Josef Graßl, Lena Ditte Nissen, Mika
Taanila, Nicky Hamlyn, Pablo Marin, Pablo Mazzolo, Philipp Fleischmann,
Ralitsa Doncheva, Rebecca Jane Arthur, Ross Meckfessel, Ryan Marino, Ute
Aurand, Vicky Smith, Yan Wai Yin, Zachary Epcar. The special programme
focuses on the Austrian avant-garde filmmaker Peter Tscherkassky in
conversation with curator and historian Federico Rossin, around the idea of
Found Footage as a peculiar film technique to explore media imagery as a
resource to be raided and reused. Fracto presents it in a 2-night all
analog programme. In addition, the Finnish artist and curator Kari
Yli-Annala, presents Scorched Ground - Appropriation and Found Footage in
Finnish Artists’ Moving Images, a compilation where the original materials
have been given a new life, and the use of technology by humans as well as
the scars or scorched marks of history are paid special attention. The
programme includes works by Miia Rinne, Mika Taanila, Seppo Renvall, Sami
van Ingen, Saara Ekström, Elina Oikari, Juha van Ingen and Jarkko Räsänen.
Q&As will be held with attending filmmakers Mika Taanila, Seppo Renvall,
Saara Ekström and Sami van Ingen. The digital project textîles – threading
speculative archipelagoes makes landfall at FRACTO 2021 as a performative
space where facts and fictions about textile artifacts and practices can be
reclaimed from an archipelago of alternate worlds and spun anew. Finally,
the Labor Berlin Workshop The Banal Image Re-envisioned Appropriating Home
Movies, held by members Maja Milic and Christin Turner, aims to create a
collaborative film assembled from fragments, in which each participant
projects their personal memories onto found images of the collective. This
process utilizes analogue editing of super8 film material using the tools
of projectors, viewers, and splicers.
The 2021 edition of FRACTO is funded by Frame Contemporary Art Finland,
AVEK, TAIKE Arts Promotion Center Finland, the Finnland-Institut in
Deutschland and the Österreichisches Kulturforum Berlin, in cooperation
with ACUD, Lightcone, LaborBerlin and Occulto.
*FRIDAY, OCTOBER 22, 2021* Venue type: *Live, physical event*
Museum of the Moving Image
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7pm ET, Museum of the Moving Image – Bartos Screening Room, 36-01 35 Avenue
*Confessional Cinema: Part of Persistent Visions*
*With James N. Kienitz Wilkins, Lori Felker, and Joanna Raczynska in person*
Mediated confrontations, revelations, apologies, and other emotional
proclamations have become commonplace in contemporary culture thanks to
internet videos and social media. However, artists have long used the
cinematic form to create confessionals to be shared in the dark sanctuary
of the public cinema. In this latest program of the Persistent Visions
screening series, we present a selection of bold, funny, vulnerable, and
aggressively personal films that break the fourth wall. Each is a one-sided
conversation, manifesting cathartic release. From contemporary
stream-of-consciousness musings in James N. Kienitz Wilkins’s *This Action
Lies* and moving and radically honest works from Lori Felker and Joanna
Raczynska, to ruminations on the cascading political and personal affects
of the Canadian extraction industry in Thriza Cuthand's *Extractions* and
Curt McDowell’s 1971 queer masterpiece *Confessions*, these films ruminate
on what hasn’t or couldn’t be said in private, instead shared lovingly with
humor and beauty in the safety of a movie theater.
Program (TRT 75 mins):
*This Action Lies*. James N. Kienitz Wilkins. 2018, 32 mins. 16mm.
*Extractions.* Thriza Cuthand. 2019, 15 mins. Digital format.
*Nonfunctional Seasonal Confessional*. Joanna Raczynska. 2003, 3 mins.
Digital format.
*Spontaneous*. Lori Felker. 2020, 14 mins. Digital format.
*Confessions*. Curt McDowell. 1971, 11 mins. 16mm.
*I'm Too Sad To Tell You. *Bas Jan Ader. 1971, 3.5 mins. Digital format.
Tickets: $15 / $11 senior and students / $9 youth (ages 3–17) / discounted
for MoMI members ($7–$11)
*___________________________________________________________________*
Venue type: *Live, physical event*
Sight Unseen
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6:30pm ET, Current Space Courtyard, 421 Tyson St
*Sight Unseen: SWARM SEASON, by Sarah Christman*
*SWARM SEASON*
A film by Sarah Christman
2019 / USA / 86 min
On the remote volcanic island of Hawaii, 10-year-old Manu and her mother
collect wild, endangered bees in order to breed disease-resistant colonies.
Her father is protesting on the sacred mountain Mauna Kea against the
establishment of a gigantic telescope. On a neighboring mountain, six NASA
scientists practice living on Mars, and under the ground and the water, the
Kilauea volcano quivers fatefully.
The scientific view of the world and the cosmology of the indigenous people
are both components of Sarah Christman's feature debut. With an artist's
eye for details and plenty of time for amazement, Swarm Season draws
fascinating parallels between the micro- and macrocosm, and challenges our
understanding of nature, the world and ourselves. The form is sensory,
impressionistic and free, with space for our own interpretations, while
also razor-sharp, when Christman observes the bees, their necessary
swarming and the intricate engineering of their hives as a prism to look at
all life around us. If honey bees - one of the most robust and cooperative
species on this planet - are threatened with extinction, what future does
humanity have on Earth?
Sight Unseen is a Baltimore based film series that focuses on contemporary
image based work that explore innovative ways of working with materiality,
sound & narrative. Sight Unseen has been running since 2012 and is curated
by Margaret Rorison.
6:30PM doors | 7PM screening
Proof of vaccination required!
Tickets $12 general admission / $9 members
*___________________________________________________________________*
*October 22 - 28*
Venue type: *Live, physical event*
Anthology Film Archives
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times vary, see description, 32 Second Avenue
*THE TWO SIGHTS (AN DÀ SHEALLADH), by Joshua Bonnetta*
The first solo feature from Joshua Bonnetta, THE TWO SIGHTS (AN DÀ
SHEALLADH) explores the disappearing tradition of second sight in the Outer
Hebrides of Scotland. Devoting the soundtrack to locals’ accounts of
haunting experiences – phantom horses, ghost voices, and other supernatural
phenomena – Bonnetta connects their testimonies with striking 16mm images
and a carefully-curated sonic montage of the physical and aural environment
of these enchanted islands. THE TWO SIGHTS is an ethnographic marvel of
non-fiction filmmaking that thrills the eyes and ears and invites us into
the extra-sensory beyond.
Fri-Thurs, Oct 22-28 at 6:45 & 9:00 nightly. Additional screenings on Sat
Oct 23 & Sun Oct 24 at 4:30.
Immediately following the week-long engagement of THE TWO SIGHTS, Anthology
will present the series “Folk Horror” (Oct 28-Nov 11). That program will
highlight a subgenre of horror films that could almost be kissing cousins
of THE TWO SIGHTS, which evokes some of the same atmosphere in a
nonfictional context.
*SATURDAY, OCTOBER 23, 2021*
*October 23*
Venue type: *Live, physical event*
Artists Television Access
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8:00pm, 992 Valencia st
Event URL: http://www.othercinema.com/
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*ANIMAL SPIRITS1*
An *ornithologist*'s dream show! Lovers and allies of *birds* demonstrate
the pleasures of attending to our feathered friends, in all their beauty
and odd behavior. Headlining is master pixillator *Jeremy Rourke*, letting
fly a new and very original animation *Birds and Movements*, as well as
earlier *Jazzy Birds* and *Ashland Birds*. Complementing his stop-motion
fantasies is *Dan Johnson*'s exhaustive first-person update on
the California Condors of nearby Pinnacles Peaks, in an intimate account of
their ongoing precarity called *The* *Lost Crowd*. AND
cameraman/conservationist *Mark Lipman* offers a delightfully detailed
diary of the now-famous *Glen Canyon owlettes*. PLUS* Lauren DeFilippo*'s
post-Hitchcockian *Life of Birds*, Disney's *It's Tuff Being a Bird*, and a
flock of avian educationals! $8.88
*SUNDAY, OCTOBER 24, 2021*
Venue type: *Virtual, online event*
*GearWax*
https://www.gearwax.org/
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6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday, 6-8pm PT!
*ONGOING*
Venue type: *Virtual, online event*
*Riverwest Radio*
https://www.riverwestradio.com/show/the-long-conversation/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef06bf4b2b&e=857b71a9cb>
8pm ET,
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!
*___________________________________________________________________*
Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b4e8899d24&e=857b71a9cb>
streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.
*Screening No. 5: Five Films by Andrés Baron*
Andrés Baron, *Red Logics*. 2020, 2 min, 45 sec.
Andrés Baron, *Portals*. 2019, 6 min.
Andrés Baron, *Mirror Travelling*. 2017, 3 min.
Andrés Baron, *Bettina and White Background*, 2017, 2 min, 45 sec.
Andrés Baron, *Printed Sunset*, 2017, 6 min, 20 sec.
*Sara Cwynar – Glass Life (Trailer)*
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
Sara Cwynar, *Glass Life (Trailer)*. 2021, 42 sec.
*Screening No. 4: I Remember*
Bani Abidi, *Funland (Karachi Series II)*. 2014, 12 min, 48 sec
Luis Arnías, *Punky Eye / Ojo Malcriado*. 2018, 15 min
Tinne Zenner, *Sleeping District*. 2014, 12 min
Miko Revereza, *Distancing*. 2019, 10 min
Catarina Vasconcelos, *Metaphor or Sadness Inside Out*. 2013, 31 min
Leonardo Mouramateus, *A Festa e os cães*. 2015, 25 min
*Screening No. 3: W,O,R,D,S*
Erica Sheu, *first draft*. 2017, 3 min
Anna Thew, *Lost for Words*. 1980, 25 min
Abigail Child, *Mutiny*. 1983, 11 min
Yann Beauvais, *SID A IDS*. 1992, 5 min, 30 sec
Rhea Storr, *Junkanoo Talk*. 2017, 11 min, 36 sec
John Smith, *Steve Hates Fis*h. 2015, 5 min
Jenny Brady, *Wow and Flutter*. 2013, 13 min, 3 sec
Eva Giolo, *A Tongue Called Mother*. 2019, 18 min
*Screening No. 2: Five Films by Jodie Mack*
Jodie Mack, *Wasteland #1: Ardent, Verdant*. 2017, 4min, 30 sec
Jodie Mack, *Something Between Us*. 2015, 9 min, 30 sec
Jodie Mack, *Razzle Dazzle*. 2014, 5 min
Jodie Mack, *Undertone Overture*. 2013, 10 min, 30 sec
Jodie Mack,* Blanket Statement #1: Home is Where the Heart is*. 2012, 3 min
*Screening No. 1: The Ecstatic Static*
Luca Werner, *Schöngeising*. 2020, 1 min, 10 sec
Kersti Jan Werdal, *Slow Shapes*. 2017, 12 min, 54 sec
Taiyo Onorato & Nico Krebs, *Wrestlers*. 2015, 7 min
Beatriz Santiago Muñoz, *Black Beach/Horse/Camp/The Dead/Forces*. 2016, 8
min
Simon Liu, *Signal 8*. 2019, 14 min
Anna Marziano, *La Veglia*. 2010, 2 min
Andrea Franco, *East Los Angeles Punk*. 2012, 7 min
Jeano Edwards, *Familiar Strangers*. 2020, 2 min, 22 sec.
Melanie Smith with Rafael Ortega, *Parres Trilogy*. 2004, 12 min, 56 sec
Gillian Garcia, *YDS*. 2021, 3 min, 49 sec
------------------------------
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