[Frameworks] Film sequences which feature characters 'deep listening'
jimmyschaus1
jimmyschaus at gmail.com
Sun Apr 24 16:50:55 CDT 2022
Some scenes from recent films that come to mind are *Topology of Sirens*, *Kimi
*(itself something of an "update" on *The Conversation*), *Lords of Salem*,
and *Memoria*
On Sun, Apr 24, 2022 at 2:27 PM curtis tamm <curtis.tamm at gmail.com> wrote:
> Hi everyone
>
> ––I'm working on a sound project which will compile audio from film
> sequences (from avant-garde to blockbuster) featuring characters in a state
> of intentional or "deep" listening. An obvious example of this is the
> 'listening scene' from The Conversation (1974) ––
> https://www.youtube.com/watch?v=mlBXlDh3dCg
> <https://www.youtube.com/watch?v=mlBXlDh3dCg>
>
> Any other recommendations would be greatly appreciated.
> Thank you!
>
> On Sun, Apr 24, 2022 at 10:00 AM <frameworks-request at film-gallery.org>
> wrote:
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>> *EVENTS*
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>> ___________________________________________________________________________________
>> *complicated sorting but a true attempt, enjoy!*
>>
>> This week's programs (summary):
>>
>> - Jonas Mekas 100!
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=878140c66f&e=857b71a9cb
>> >
>> [November
>> 1, 2021-January 25, *2023*, worldwide]
>> - seen only, heard only through someone else?s description
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce8545f39e&e=857b71a9cb
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>> [March
>> 5-April 30, San Francisco, CA]
>> - Jordan Belson LANDSCAPES
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9d3aea5383&e=857b71a9cb
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>> [March
>> 11-April 24, New York, NY]
>> - Early Blossoms/Perilous Thirds
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6a8fd65d9e&e=857b71a9cb
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>> [March
>> 26-May 7, Baltimore, MD]
>> - Jodie Mack: Matter Matters
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b062e21502&e=857b71a9cb
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>> [March
>> 29-June 19, Rochester, NY]
>> - aCinema: KIRISAME
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bffe776f75&e=857b71a9cb
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>> [April 1-30, online]
>> - I Am Here: Home Movies and Everyday Masterpieces
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c734985447&e=857b71a9cb
>> >
>> [April
>> 13-August 14, Toronto, Canada]
>> - Machinalive: Nomadica At Laba 2022
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6c0baa2e7&e=857b71a9cb
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>> [April
>> 21-25, Brescia, Italy]
>> - Friedl Kubelka Vom Gr?ller
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ddff7df63&e=857b71a9cb
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>> [April
>> 21-26, New York, NY]
>> - Psycho-Geo2: Calexico
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=58f23d890a&e=857b71a9cb
>> >
>> [April
>> 23, San Francisco, CA]
>> - Barbara Hammer's My Babushka: Searching Ukrainian Identities
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e7782a5f9&e=857b71a9cb
>> >
>> [April
>> 23-May 30, online]
>> - ??Whatever Norm Bruns Decides To Bring?: A Norm Bruns Retrospective
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=65d4b944eb&e=857b71a9cb
>> >
>> [April
>> 24, New York, NY]
>> - Gearwax: Old vinyl, Repurposed
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f5b8359667&e=857b71a9cb
>> >
>> [April
>> 24, online]
>> - Ieva Balode. Loop of Fear. Solo Show
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=23990bc999&e=857b71a9cb
>> >
>> [April
>> 30 - June 12, Riga, Latvia]
>> - Psycho-Geo3: Southwest
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=720b702077&e=857b71a9cb
>> >[April
>> 30, San Francisco, CA]
>> - Reversing Reversal: A Filmmaking Workshop
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=922cf24092&e=857b71a9cb
>> >
>> [May
>> 1, Oakland, CA]
>> - Southern Climes: Films From AFW Melbourne
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b89aa323e&e=857b71a9cb
>> >
>> [May
>> 1, Oakland, CA]
>> - The Long Conversation
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b0cc38da99&e=857b71a9cb
>> >
>> [ongoing, online]
>> - 6x6 Project: Artists' Moving Image Works ? Edition N? 27
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=524fdb4b00&e=857b71a9cb
>> >
>> [ongoing,
>> online]
>> - Ecstatic Static Screenings
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=844f74d9d7&e=857b71a9cb
>> >
>> [ongoing,
>> online]
>>
>>
>> *STARTING BEFORE APRIL 23, 2022*
>>
>> *November 1 - January 25, 2023*
>> Venue type: *Both physical and online*
>> Jonas Mekas 100!
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c51652ba18&e=857b71a9cb
>> >
>> times and locations vary, see below
>> Event URL: https://jonasmekas100.com/
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db2bcfc1e9&e=857b71a9cb
>> >
>> *Jonas Mekas 100!*
>> In 2022, the world and Lithuania celebrate the life and work of Jonas
>> Mekas, one of the country?s most prominent cultural figures of the 20th
>> and
>> 21st centuries and a global cultural phenomenon in his own right,
>> considered by many to be the ?godfather of avant-garde cinema?.
>>
>> Throughout his life, Mekas always emphasized and cherished his Lithuanian
>> roots. After fleeing the foreign occupation of his native land, he arrived
>> in New York City, in his own words ?at exactly the right moment?, joining
>> thousands of others escaping the devastation wrought by destructive
>> ideologies and tyrannical regimes in Europe. One might say that Mekas left
>> one village, his native Semeni?kiai in northern Lithuania, and immersed
>> himself in the life of another ? the Village thriving in and around lower
>> Manhattan, and in its landmark publication, the Village Voice, helping to
>> shape American and global culture so profoundly in the latter half of the
>> 20th century.
>>
>> This centennial celebration, Jonas Mekas 100!, seeks to expand global
>> recognition of his work and encourage a deeper exploration of Mekas?
>> prolific contributions to cinema, film criticism, cultural organization,
>> and, in particular, his body of poems and prose, now published in
>> Lithuanian, French, German, English, Japanese, Hebrew, and many other
>> languages.
>>
>> The centennial program features over 50 events in an expanding list of
>> countries, including: Belgium, Denmark, Finland, France, Germany, Greece,
>> Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan,
>> Ukraine, the United Kingdom, and the United States. The vast scope of
>> Mekas? contribution to global cultural is examined through film screenings
>> and retrospectives, exhibitions, readings, workshops, new publications and
>> translations of Mekas? writings, and concerts celebrating the spirit of
>> his
>> work, among other events.
>>
>> The centennial program is a joint international collaboration between
>> leading art and cinema organisations, curators, publishers, the global
>> network of Lithuanian cultural attach?s, the Estate of Jonas Mekas, and
>> the
>> Lithuanian Culture Institute.
>> *___________________________________________________________________*
>>
>> *March 5 - April 30*
>> Venue type: *Live, physical event*
>> McEvoy Foundation for the Arts
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab6c008b93&e=857b71a9cb
>> >
>> Wed - Sat, 11am-6pm PT,
>> McEvoy Foundation for the Arts, 1150 25th Street, Building B, San
>> Francisco
>> *seen only, heard only through someone else?s description*
>> Short films offer new temporal spaces for considering how images and
>> narratives construct meaning, artifice, and memory.
>> *seen only, heard only through someone else?s description* engages
>> filmmakers and artists whose interdisciplinary practices draw from
>> performance, film, photography, research, and writing. The program?s title
>> stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha
>> (1951?1982)?a poem, performance, and mail art piece that uses language to
>> unravel dynamics of distance, visibility, hearing, and communication.
>>
>> The program is organized in two sessions of experimental short films by
>> women and nonbinary artists from the 1970s through the 2010s. *Sometimes
>> We
>> Stand Alone* explores personal identity and history through experimental
>> processes and found footage. *Drawing Energy* is concerned with
>> communities
>> of women and their collective power to document and deeply engage with
>> artistic, cultural, or familial lineages. The collected works interweave
>> varied perspectives to probe formal tensions between the moving image and
>> still photography. *Sometimes We Stand Alone* screens daily from January
>> 14
>> through March 4, 2022. *Drawing Energy* debuts March 5 and runs through
>> April 30, 2022.
>>
>> Guest curated by Gina Basso in conjunction with Image Gardeners, an
>> exhibition of modern and contemporary photography from the McEvoy Family
>> Collection.
>>
>> ---- March 5 ? April 30, 2022 /// Drawing Energy ----
>> Ilene Segalove, *Mom in Famous Women*, 1978
>> sair goetz, *me and my army*, 2017
>> Deborah Stratman, *Vever (For Barbara)*, 2019
>> Onyeka Igwe, *Her Name in My Mouth*, 2017
>> Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019
>> Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020
>>
>> *___________________________________________________________________*
>>
>> *March 11 - April 24*
>> Venue type: *Live, physical event*
>> Matthew Marks Gallery
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ecf05174a4&e=857b71a9cb
>> >
>> Tue-Sat 10am - 6pm ET,
>> 526 West 22nd Street, New York, NY
>> *Jordan Belson LANDSCAPES*
>> Jordan Belson: Landscapes features a series of collages made between 1970
>> and 1973. Exhibited here for the first time, Belson?s collages were
>> created
>> from torn paper painted in various colors. They were inspired in part by
>> the 1000-year-old Japanese art of chigiri-e, which uses torn paper to
>> create images of landscapes and flowers.
>>
>> Jordan Belson (1926?2011) is a seminal figure in twentieth-century
>> avant-garde cinema. He studied painting as a young man, receiving a degree
>> in studio art from the University of California, Berkeley, in 1946. He
>> initially achieved some success as a painter, exhibiting his work at
>> SFMOMA
>> and the Guggenheim Museum in the late 1940s. After 1950, however, he
>> focused primarily on filmmaking, and although he continued to make
>> paintings and drawings for the remainder of his life, he never publicly
>> exhibited this part of his work again during his lifetime.
>>
>> All works are Untitled, c. 1970?73, paper collage and mixed media mounted
>> on board.
>>
>> *___________________________________________________________________*
>>
>>
>> *March 26 - May 7*
>> Venue type: *Live, physical event*
>> Current Space
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8c86c905ca&e=857b71a9cb
>> >
>> various times, see below,
>> Current Space, 421 N Howard St, Baltimore, MD
>> *Early Blossoms/Perilous Thirds*
>> Current Space is proud to present "Early Blossoms/Perilous Thirds." an
>> exhibition of works by Stephanie Barber, Patrick David, and Josh Dorman;
>> curated by Andrew Shenker, Michael Benevento, and Julianne Hamilton.
>> Please
>> join us for the opening reception!
>>
>> Opening Reception: March 26th, 6-9pm
>> Exhibition Duration: March 26th ? May 7th
>> Gallery Hours: Fridays & Saturdays, 1-5pm
>>
>> "The work from these three artists presents questions of the narrative
>> image, an experience that opens an associative window??what does a line
>> you
>> once recognized become as it breaks, what does a body?
>> The conversation arrives in threes, triangulates the snake in the garden
>> and holds it to the glass.
>> A symbol contorts to reflect itself in the eye that catches it. To take
>> the
>> icon out of its rank, the head from its neck, to weigh how small or smooth
>> the evidence of a hand in the world it creates.
>> Broken time, things in place, place in things."
>> - Caroline Preziosi
>>
>> "\[Shared most of all, perhaps, is a meditative and uncanny mood at the
>> edge of the sayable, close to oblivion; a dreamlike warmth (and
>> horror).\]"
>> - Andrew Shenker
>>
>> *___________________________________________________________________*
>>
>> *March 29 - June 19*
>> Venue type: *Live, physical event*
>> George Eastman Museum
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=70181eeb43&e=857b71a9cb
>> >
>> Tue-Sat,10-5pm + Sun 11-5pm ET,
>> Multipurpose Hall, George Eastman Museum, 900 East Avenue, Rochester, NY
>> *JODIE MACK: MATTER MATTERS*
>> The George Eastman Museum is pleased to present selected experimental
>> animated films by Jodie Mack (UK, b. 1983), an artist who has developed a
>> remarkable filmmaking style that provides new perspectives on a variety of
>> familiar materials. Mack?s subjects often include captivating decorative
>> objects and vintage, ornate textiles. Her films invite viewers to
>> contemplate the objects? significance and the nature of disposability.
>>
>> Mack often works with a Bolex camera and 16mm film, and her films explode
>> with dizzying displays of colors, shapes, and patterns. While her mastery
>> of traditional stop-motion animation technique is highly precise and
>> sometimes abstract, Mack?s films have a joyful, handmade quality that
>> radiates humor and human warmth.
>>
>> The following film descriptions are provided by the artist.
>>
>> A program of four animated short films. Originally shot in 16mm the films
>> will be screened digitally in this presentation on a loop (21 min. total)
>> during museum hours.
>>
>> *Posthaste Perennial Pattern* (US 2010, 4 min.). Rapid-fire florals and
>> morning birdsong bridge interior and exterior, design and nature.
>> *Blanket Statement #1: Home is Where the Heart is* (US 2012, 3 min.).
>> Discordant dysfunction down to the nitty-gritty.
>> *Blanket Statement #2: All or Nothing* (US 2013, 4 min.). A battle of
>> extreme extremes.
>> *Something Between Us* (US 2015, 10 min.). A choreographed motion study
>> for
>> twinkling trinkets: costume jewelry and natural wonders join forces to
>> perform plastic pirouettes, dancing a luminous lament until the tide comes
>> in.
>>
>> *___________________________________________________________________*
>>
>> *April 1 - 30*
>> Venue type: *Virtual, online event*
>> aCinema
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4b888316&e=857b71a9cb
>> >
>> streaming 24/7,
>> Event URL: https://www.acinema.space/current-program
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56eb0f3e4f&e=857b71a9cb
>> >
>> *aCinema: KIRISAME*
>>
>> *Chiyo* ? Chiemi Shimada ? 12 min 39 sec ? video
>> *bakufuu, hinoumi: bomb wind, ocean fire* ? Sancia Miala Shiba Nash ? 22
>> min 18 sec ? video
>>
>> aCinema is a monthly exhibition dedicated to the screening of works by
>> moving image artists from around the globe for audiences during the 9
>> month
>> period of September to May. aCinema also organizes a yearly festival
>> programmed from an open call for works titled, aDifferent festival.
>> Through
>> the exhibition of artists -- historical and contemporary, emerging and
>> established -- in curated programs, aCinema creates a platform for artists
>> of all career statuses to share a common exhibition space.
>>
>> Through the curatorial themes and independent thoughts expressed within
>> the
>> works, aCinema hopes to inspire and expand audiences' views of the moving
>> image, fostering an arts educational space, where audiences are free to
>> engage in discussion with curators and artists (when present) following
>> the
>> screenings.
>>
>> *___________________________________________________________________*
>>
>> *April 13 - August 14*
>> Venue type: *Live, physical event*
>> Art Gallery of Toronto
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1642bdaec5&e=857b71a9cb
>> >
>> during gallery hours,
>> 317 Dundas Street West, Toronto, Ontario
>> *I AM HERE: HOME MOVIES AND EVERYDAY MASTERPIECES*
>> >From the earliest cave paintings to TikTok, humans have found creative
>> ways
>> to document their day-to-day lives. *I AM HERE: Home Movies and Everyday
>> Masterpieces*, a major new AGO exhibition opening in April of 2022, is a
>> revealing look at our universal need to capture, share and cherish the
>> everyday. Featuring lost-and-found home movies from the Prelinger
>> Archives,
>> alongside celebrated artworks by the likes of David Hockney, Patti Smith,
>> Claes Oldenburg, Annie Pootoogook, Arthur Jafa and Mary Pratt, as well as
>> snapshots, photo albums, letters, television, grocery lists, and social
>> media, *I AM HERE* brings together a broad range of personal records from
>> different time periods and locales to explore the shared human impulse to
>> document life as it happens.
>>
>> Co-curated by Jim Shedden, the AGO?s Manager of Publishing, and Alexa
>> Greist, AGO Associate Curator and R. Fraser Elliott Chair, Prints &
>> Drawings, in collaboration with archivist, scholar and writer Rick
>> Prelinger, the exhibition is a celebration of daily life and human
>> creativity, replete with music and creative prompts. Among the artworks on
>> display will be a digital collage of the more than 3000 submissions
>> received from around the world as part of the AGO?s 2021 Portraits of
>> Resilience exhibition. The exhibition will be accompanied by a catalogue
>> co-published by the AGO and DelMonico Books/D.A.P
>>
>> *___________________________________________________________________*
>>
>>
>> *April 21 - 25*
>> Venue type: *Live, physical event*
>> Nomadica at LABA 2022
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f81f1354ed&e=857b71a9cb
>> >
>> times vary, visit website,
>> Spazio Contemporanea, Nuovo Cinema Eden, Indica-Spazio Idra, Brescia,
>> Italy
>>
>> *MACHINALIVE: Nomadica at LABA 2022*
>> Libera Academy of Fine Arts (LABA)
>> Artist film lab
>> screenings, performances & exhibitions
>>
>> Five days of radical immersion in international experimental and artist
>> cinema, with film screenings, focuses, seminars, tributes, meetings, and
>> workshops. Artistic activities and open discussions will create
>> opportunities for informal exchange between viewers, students, filmmakers,
>> artists, and curators.
>>
>> A unique event organized by Nomadica and LABA to discover dozens of
>> off-the-grid works from the past and the future and from all corners of
>> the
>> world.
>>
>> with films, performances, installations, seminars by
>> AA++ / Angel RUEDA and Ana DOM?NGUEZ, Dianna BARRIE, Yonay BOIX, Dietmar
>> BREHM, Giulia CALIGNANO, S?lvia DAS FADAS, Manuela DE LABORDE, Claudia
>> LARCHER, James EDMONDS, Benjam?n ELLENBERGER, Zachary EPCAR, Morgan
>> FISHER,
>> Philipp FLEISCHMANN, Siegfried FRUHAUF, Paolo GIOLI, Teo HERNANDEZ, Baba
>> HILLMAN, Shun IKEZOE, Andrew KIM, Sandra LAHIRE, Christian LEBRAT, Mikhail
>> LYLOV, Luis MACIAS, Elke MARH?FER, Pablo MAR?N, Jean Jacques MARTINOD,
>> Yuri
>> MURAOKA, Daniel MURPHY, Lydia NSIAH, OJOBOCA / Anja DORNIEDEN and Juan
>> David GONZALES MONROY, Jun'ichi OKUYAMA, Jacques PERCONTE, Charlotte
>> PRYCE,
>> Sofia RUSSO, Lucy RAVEN, Jorge SU?REZ-QUI?ONES RIVAS, Michael ROBINSON,
>> Karen RUSSO, Luca SANTESE / CESURA, Gianni SERRA, Suneil SANZGIRI, Paul
>> SHARITS, Francesco VESPIGNANI, Bretta C. WALKER, WARSHADFILM / Tiziano
>> DORIA and Samira GUADAGNOLO, Josh WEISSBACH, Chris WELSBY, Andrew Norman
>> WILSON, and many more ...
>>
>> *___________________________________________________________________*
>>
>> *April 21 - 26*
>> Venue type: *Live, physical event*
>> Anthology Film Archives
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=569556d63b&e=857b71a9cb
>> >
>> times vary, see below,
>> 32 Second Avenue, New York
>> *FRIEDL KUBELKA VOM GR?LLER*
>> Astonishingly prolific both as a photographer (under the name Friedl
>> Kubelka) and a filmmaker (as Friedl vom Gr?ller, since 2009), Friedl
>> Kubelka vom Gr?ller has been active since the 1960s, but the majority of
>> her moving-image work has emerged in the years since 2000, with a nonstop
>> flood of short films whose refreshing but deceptive brevity (they rarely
>> exceed 3 minutes in length) belies their formal variety, thematic
>> richness,
>> and vibrant spontaneity. Though her films encompass a wide range of ideas
>> and approaches, they very often gravitate around the practice of
>> portraiture. Indeed, even if she had never made a motion picture herself,
>> Kubelka vom Gr?ller?s photographic body of work would be vitally important
>> within the realm of experimental cinema thanks to her commitment to
>> producing extraordinary portraits of many of the most important
>> avant-garde
>> filmmakers of her time, including her ex-husband Peter Kubelka, Jonas
>> Mekas, Bruce Baillie, Kenneth Anger, Hollis Frampton, Shigeko Kubota, Stan
>> Brakhage, Ken & Flo Jacobs, George Landow, and many others (as well as
>> numerous artists, friends, and strangers).
>>
>> But of course, Kubelka vom Gr?ller has made many films of her own ? in
>> fact, more than 120 and counting. Though these works have cropped up in
>> various short film festivals and showcases of new avant-garde cinema in
>> the
>> U.S. over the years, they have rarely, if ever, been showcased all
>> together. Long overdue, this five-program survey of her work will take
>> place in conjunction with her month-long residency at the Deutsches Haus
>> at
>> NYU, a component of the ExtraVALUE Award that was bestowed on her film
>> L?AVENIR? DE F.V.G? at the 2019 Viennale film festival.
>>
>> The series ? which will combine her films with slides of selected
>> photographs from throughout her career ? has been guest-programmed by
>> Dietmar Schw?rzler, Austrian artist film distributor, representative of
>> the
>> distribution company Sixpack, and editor of the book Friedl Kubelka vom
>> Gr?ller ? *One Is Not Enough. Photography & Film II* (Buchverlag Walther
>> K?nig & Index 2018). Both Kubelka vom Gr?ller and Schw?rzler will be here
>> in person to present each program.
>>
>> This program is co-presented by Erste Bank, Deutsches Haus at NYU, the
>> Austrian Cultural Forum New York, and Sixpack. Special thanks to Juliane
>> Camfield & Sarah Girner (Deutsches Haus at NYU); Christian J. Ebner
>> (Austrian Cultural Forum New York); Ruth Goubran (Erste Bank); Eva
>> Sangiorgi & Paolo Calamita (Viennale); and Gerald Weber (Sixpack).
>>
>> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 1
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a97fb133d&e=857b71a9cb
>> >
>> April 21 at 7:30 PM
>>
>> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 2
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84691231a1&e=857b71a9cb
>> >
>> April 22 at 7:30 PM
>>
>> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 3
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8608465a94&e=857b71a9cb
>> >
>> April 23 at 7:30 PM
>> April 26 at 6:30 PM
>>
>> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 4
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=272e061676&e=857b71a9cb
>> >
>> April 24 at 7:30 PM
>> April 26 at 8:30 PM
>>
>> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 5
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fe6259573&e=857b71a9cb
>> >
>> April 25 at 7:30 PM
>>
>>
>> FILMMAKER IN PERSON!
>> *SATURDAY, APRIL 23, 2022* Venue type: *Virtual, online event*
>> Other Cinema
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2342f23351&e=857b71a9cb
>> >
>> 8pm PT,
>> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
>> *PSYCHO-GEO2: CALEXICO*
>> HODO + SCOTT + WATTS TOWERS +
>> OC presents the first of a dual-citizenship double-header locus-focused on
>> the Southwest of the continent, with a compelling cadre of makers
>> from Mexico as well as an audio-visual feast of provocative shorts from
>> the North. Greg Berger's outrageous Joe T Hodo project demonstrates how
>> a SF expat activist has managed to construct a potent satirical character
>> on the margins of contemporary Mexican politics, Charles Fairbanks/Saul
>> Kak's *Echoes of the Volcano* surveys the Oaxacan soundscape, and
>> the Postcommodity Collective bisects the border wall with beautiful
>> balloons! Whereas the psycho-politics of the LA area, layered in time and
>> grounded on Simon Rodia's landmark sculpture hand-wrought in Watts, is
>> echoed in Noah Purifoy's junk-art-park in the desert of Joshua Tree and
>> reverberates through the mesmerizing Cali-fire reveries of San Luis
>> Obispo's Lana Z Caplan. PLUS the legendary Matt Wolf/Guadalupe
>> Rosales coverage of Latinx resistance to neighborhood gentrification
>> in Boyle Heights, Georg Koszulinski's rhapsodic on-the-road
>> collage-essay *Continental
>> Drifts*, and Jake Scott's transformative farewell-to-Frisco hybrid
>> performance.
>>
>> *___________________________________________________________________*
>>
>> *April 23 - May 30*
>> Venue type: *Virtual, online event*
>> Electronic Arts Intermix
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bae74efe68&e=857b71a9cb
>> >
>> streaming 24/7,
>> Event URL:
>> https://fifty.eai.org/video-features/barbara-hammer-my-babushka
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef18b0241b&e=857b71a9cb
>> >
>> *Barbara Hammer?s My Babushka: Searching Ukrainian Identities*
>> Electronic Arts Intermix (EAI) and the Estate of Barbara Hammer have made
>> Hammer?s 2001 personal documentary My Babushka: Searching Ukrainian
>> Identities available to view through May 30th. As the artist writes, this
>> timely video ?centers on the questions of civil liberties and cultural
>> differences in a society beginning to open as one woman searches for her
>> own ethnic roots, identity and family history in Ukraine.?
>>
>> *My Babushka: Searching for Ukranian Identities*
>> 2001, 53:16 min, color, sound
>>
>> ?The current news is full of Ukraine and the Ukrainians who claim it as
>> home. However, many people in the world admit they know little of either.
>> The video, made in 2001, provides a glimpse into the people who were
>> struggling at that time for identity in a divided and economically
>> depressed country.
>>
>> Following her natural curiosity and love of adventure, Hammer went to
>> Ukraine in 2000 to trace her roots and find family members. As with most
>> of
>> her work, Hammer wanted to uncover hidden histories, so she sought out
>> information about anti-Semitism and homophobia among Ukrainians. Hammer
>> discovered that old political, societal and cultural barriers were
>> collapsing but without new ways to replace them. Fast forward to 2022 and
>> we see ruin, death, renewed poverty, and destruction, but we also see
>> strong people fighting for their country and their future. There will be
>> many more questions for others to research and art to be made, but we felt
>> it important to show this film now.?
>>
>> - Florrie Burke, Spouse and Executor of Hammer Estate
>> Louky Keijsers Koning, Director, Estate of Barbara Hammer
>>
>> *SUNDAY, APRIL 24, 2022* Venue type: *Live, physical event*
>> Anthology Film Archives
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c82d3635a&e=857b71a9cb
>> >
>> 4:30pm ET,
>> 32 Second Avenue, New York
>> *??WHATEVER NORM BRUNS DECIDES TO BRING?: A NORM BRUNS RETROSPECTIVE*
>> Norm Bruns was a singular figure in the 1980s Chicago experimental film
>> scene. His filmography includes elaborate bargain-basement set pieces and
>> effects worthy of Jack Smith or James Bidgood?s *PINK NARCISSUS*;
>> eccentrically rumpled eroticism akin to the brothers Kuchar, with a touch
>> of Warhol; and some visual witticisms that recall Stuart Sherman. He used
>> such palpably simple symbolic elements with such a pure-hearted twist of
>> legerdemain that the films seem out-of-time. Bruns worked at a blazing
>> pace
>> with startling boldness: after purchasing a Super-8mm camera in 1980, he
>> created 11 films in 10 months. In the words of Barbara Scharres, writing
>> in
>> the Chicago Reader in 1981, these early films are ?strikingly in the
>> tradition of Jean Cocteau and of American avant-garde filmmakers like Maya
>> Daren and Curtis Harrington in their concern with personal ritual and the
>> replication of dreamlike states.?
>>
>> Most of Bruns?s films are in swirling black-and-white, and show a natural
>> confidence in his skill and vision. As he developed as a filmmaker, his
>> sets, costumes, and complicated superimpositions and laboratory techniques
>> expanded his palette and allowed for a deepening of his focus on bodies,
>> city life, dreams, and rituals. Sadly, Norm passed away in 1990, and his
>> films went unseen for 30 years until librarian and filmmaker Josh B Mabe
>> tracked down the prints, which had been residing with family members in
>> the
>> far western side of Illinois. The films were shown virtually as part of
>> the
>> Onion City Experimental Film + Video Festival in 2020, but this
>> presentation at Anthology represents their first screening on Super-8mm
>> since Bruns?s death, and quite possibly their first ever appearance in New
>> York City.
>>
>> Guest-programmed and presented by Josh B Mabe.
>>
>> *THEATRE OF THE HORSE AND MOON* (ca. 1980-81, 13 min, Super-8mm, silent)
>> *SWIM *(ca. 1980-81, 7 min, Super-8mm)
>> *BED DESERT* (ca. 1980-81, 5 min, Super-8mm, silent)
>> *FIGURE WITH 14 TRAINS* (ca. 1980-81, 7 min, Super-8mm)
>> *BINGO* (ca. 1980-81, 6 min, Super-8mm, silent)
>> *BLUE AURA* (ca. 1980-81, 4 min, Super-8mm)
>> *DUCK* (ca. 1980-81, 3 min, Super-8mm, silent)
>> *THE POET AND THE POND* (ca. 1980-81, 6 min, Super-8mm)
>> *SCREEN TEST* (ca. 1980-81, 3 min, Super-8mm, silent)
>> *THE UNUSUAL BOOK *(ca. 1980-81, 10 min, Super-8mm)
>>
>> Total running time: ca. 70 min.
>>
>> *___________________________________________________________________*
>>
>> Venue type: *Virtual, online event*
>> *GearWax*
>> https://www.gearwax.org/
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0189ef7186&e=857b71a9cb
>> >
>> 6pm-8pm PT,
>> *GEARWAX: OLD VINYL, REPURPOSED*
>> A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
>> records. Hosted by Kathleen and Scott from San Francisco. Every other
>> Sunday, 6-8pm PT!
>>
>> *SATURDAY, APRIL 30, 2022*
>>
>> *April 30 - June 12*
>> Venue type: *Live, physical event*
>> Latvian National Museum of Art
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47f1b0d818&e=857b71a9cb
>> >
>> Tu-Th 11am-6pm, F 10am-8pm, Sa-Su 10am-5pm (GMT+3)
>> 1 Ja?a Rozent?la laukums, Riga, Latvia
>> *Ieva Balode. Loop of Fear. Solo Show*
>> Loop of Fear turns to the subject of fear in society, which is
>> particularly
>> relevant today, after two years of the pandemic and the current horrors of
>> the war in Ukraine. Fear has always existed in a variety of gradations and
>> forms: fear of the unknown, fear of the dark, fear of the enemy, fear of
>> death. Since the beginnings of mankind fear has been both a driving force
>> for humanity and a stumbling block. It is an instinctive force that has
>> made humanity form communities for safety and shelter from the danger that
>> is lurking in darkness. The fear of death has compelled civilisations to
>> build temples and for people to dedicate their lives to preparing society
>> for the afterlife.
>>
>> Likewise, the medium of analogue photography and analogue cinema, which
>> Ieva Balode uses in this exhibition, embodies this same fear ? the fear to
>> lose and forget what once took place or was alive. It is the propensity to
>> make the world immortal, the propensity to freeze time in a capsule for
>> eternity, which, through the lens of the camera, leaves an instant's
>> impression on the light-sensitive surface of the film. Here light serves
>> as
>> a record on the surface of a film, which, by dispelling darkness in the
>> body of the camera, captures what is in front of it through the glass of
>> the lens, similar to the human eye.
>>
>> The exhibition presents 16 mm film loops and spatial image projections.
>> Their mechanical nature interacts with the architecture of the space to
>> create a slight sense of alarm, reminding us of the fragility and
>> mortality
>> of the material world. The exposition gives visitors the opportunity to
>> become familiar with the photochemical film stock as a kinetic object
>> which, together with several other analogue projectors, illuminate the
>> museum's gallery in a different light.
>>
>> About the artist
>> Ieva Balode is an artist and analogue film activist who works with
>> analogue
>> film and image. She earned her BA and MA from the Department of Visual
>> Communication at the Art Academy of Latvia. Her interest in analogue media
>> resides in its relationship to nature, memory and human perception. The
>> artist's works have been exhibited in art galleries Platform, Munich
>> (2020), Den Frie, Copenhagen (2019), Villa Vassilieff, Paris (2018),
>> Latvian National Museum of Art (2018?2020), Latvian Museum of Photography
>> (2018), LCCA Office Gallery, Riga (2016), Daugavpils Mark Rothko Art
>> Centre
>> (2018), ??k?, Leipzig (2016), 1st Riga International Biennial of
>> Contemporary Art (2018), Riga Photomonth as well as international film
>> festivals: Harkat 16mm film festival (India, 2021), 65th International
>> Short Film Festival Oberhausen (Germany, 2019), KRAAK (Belgium, 2019),
>> Luminous Void (Ireland, 2018?2019), MIEFF (Russia, 2018), Riga IFF
>> (Latvia,
>> 2017?2021), EFF Process (Latvia, 2017?2021), Kinoskop (Serbia, 2017?2019),
>> TIFF Wavelength series (Canada, 2017), Zabroffka (Poland, 2013), Oslo
>> Screen Festival (Norway, 2012) and others.
>>
>> As a cinema activist Ieva Balode is the founder of Baltic Analog Lab ? an
>> artist collective providing a space and platform for the production,
>> research and education of analogue cinema. Since 2017 she is also a
>> director of the Riga-based experimental film festival Process.
>> *___________________________________________________________________*
>>
>> Venue type: *Virtual, online event*
>> Other Cinema
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f983fd299c&e=857b71a9cb
>> >
>> 8pm PT,
>> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
>> *PSYCHO-GEO3: SOUTHWEST*
>> PLANTE's WITH EARP CAME THE WEST + C/W GEMS +
>> After the moment of the Gunfight at the OK Corral in late 1881, Wyatt
>> Earp became famous in his own time. He was already known within the
>> Western
>> territories as a tough lawman. The gunfight represented the epitome of
>> what
>> the wild west stood for: good guys against bad guys in a thrilling duel.
>> The real event was 30 seconds long. The motivations behind it have
>> complicated details. But Wyatt wanted us to forget all that. He was never
>> shot in a gunfight and lived into old age. By chance, at a championship
>> boxing match at the turn of the century, he saw the power of cinema in
>> action. He decided he could rewrite history through the magic of movies,
>> hanging out in Hollywood in the 1920s to try to get a movie made about his
>> life. And it actually worked.The Western theme is set by a rousing
>> half-hour of classic 16mm C/W tunes, from Gene Autry to Elvis Presley,
>> from Tex Ritter to Spike Jones. $8.88
>>
>> *SUNDAY, MAY 1, 2022*
>>
>> Venue type: *Virtual, online event*
>> Shapeshifters Cinema + San Francisco Cinematheque
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67bc2aa482&e=857b71a9cb
>> >
>> 11am - 4pm PT,
>> Shapeshifters Cinema, 567 5th Street Oakland, CA
>> *Reversing Reversal: A Filmmaking Workshop*
>> This one-day workshop, led by Paddy Hay, a member of the Melbourne,
>> Australia-based Artist Film Workshop, will be geared towards anyone
>> interested in Super-8 filmmaking, and especially for those interested in
>> learning B&W negative processing for the first time. Participants will
>> shoot on B&W reversal film, but process as a negative. Why B&W negative?
>> In
>> a nutshell, it gives greater exposure latitude (especially good for dodgy,
>> old S-8 cameras) and a faster processing time. Also much safer? no bleach!
>> (Potassium Dichromate, the essential ingredient of B&W bleach mixture, is
>> a
>> highly toxic carcinogen.) Various techniques for shooting film and
>> recording sound will be discussed. The workshop aims to equip participants
>> with a better understanding of how to approach small-gauge film ideas that
>> might rely upon sync sound (documentary ideas, for instance). People with
>> little or zero experience with these mediums are very welcome and
>> encouraged to participate! Space is limited. Register Now!
>>
>> This all-day workshop (11am?4pm) will be followed by a 7:30pm
>> screening?Southern Climes: Films from AFW Melbourne?also presented by
>> Paddy
>> Hay, of films produced by members of Artist Film Workshop, Melbourne. The
>> Workshop and screening are ticketed separately. Full screening details
>> here.
>>
>> *___________________________________________________________________*
>>
>> Venue type: *Virtual, online event*
>> Shapeshifters Cinema + San Francisco Cinematheque
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f8df03863&e=857b71a9cb
>> >
>> 7:30pm PT,
>> Shapeshifters Cinema, 567 5th Street Oakland, CA
>> *Southern Climes: Films from AFW Melbourne*
>> Initiated by filmmakers Richard Tuohy and Dianna Barrie in 2009, Artist
>> Film Workshop (AFW) is a film collective and not-for-profit organization
>> which provides access to knowledge and resources for filmmakers and
>> artists
>> in Melbourne, Australia. AFW holds regular screenings and workshops for
>> people interested in film or working with sound and vision.
>>
>> Visiting as part of an epic west coast tour, AFW member Paddy Hay will
>> present a selection of recent and brand-new 16mm film works produced by
>> members of AFW. The program reflects the diversity of interests,
>> methodologies and technologies investigated by AFW members, showcasing a
>> wide variety of filmmaking styles across forms of abstraction, archival/
>> found footage, audio-vision and lo-fi documentary. Techniques including
>> contact and optical printing, DIY cameras and traditional lens-based
>> photography are among the methods and approaches explored. ALL FILMS TO BE
>> PRESENTED ON 16MM.
>>
>> SHAPESHIFTERS CINEMA FILMMAKING WORKSHOP: This screening will be preceded
>> by an all-day filmmaking workshop?Reversing Reversal: A Filmmaking
>> Workshop?also presented by Paddy Hay. Workshop details here.
>>
>> *Valpi* (2019) by Richard Tuohy; 16mm, color, sound, 9 minutes;
>> *Is Anybody Coming Over to Dinner* (2022) by Audrey Lam;
>> *Self Portrait With Bag* (2020) by Dianna Barrie;
>> *Southern Climes* (2018) by Hanna Chetwin;
>> *4000 Frames from Hobart to Queenstown* (2020) by Ilona Schneider;
>> *Window* (2020) by Rowena Crowe;
>> *Fade* (2017) by Callum Ross-Thomson;
>> *Landing* (2019) by Sabina Maselli;
>> *Sensor Lights in Flemington* (2022) by Lucas Haynes;
>> *The Gardens* (2022) by Paddy Hay & Giles Fielke.
>>
>> TRT: 74 minutes
>>
>> *ONGOING*
>>
>> Venue type: *Virtual, online event*
>> *Riverwest Radio*
>> https://www.riverwestradio.com/show/the-long-conversation/
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=51c405b11f&e=857b71a9cb
>> >
>> streaming 24/7
>> *THE LONG CONVERSATION*
>> THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on
>> indefinite
>> hold. But... all episodes from the last year and a half are streaming!!!
>>
>> *___________________________________________________________________*
>>
>> Venue type: *Virtual, online event*
>> *6x6 Project*
>> https://6x6project.com/
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a9d2c262e&e=857b71a9cb
>> >
>> streaming 24/7
>> *Artists' Moving Image Works ? Edition N? 26*
>> 6x6 project is an online artists' community that serves as a platform for
>> disseminating artists' moving image works, and to create
>> an ever-growing network among peers.
>>
>> To date, there have been twenty-seven editions with six different artists.
>> There are now a total of one hundred and sixty-two artists? profiles and
>> more than four hundred artists? film and moving image works available to
>> view on the website.
>>
>> Edition N? 27 includes works by Krzysztof Honowski, Tilly Shiner, Andr?
>> Santos Martins, Deniz ?im?ek, Jo?o Pedro Faro, Clara Helbig
>>
>> *___________________________________________________________________*
>>
>> Venue type: *Virtual, online event*
>> *Ecstatic Static*
>> https://www.ecstaticstatic.com/screenings/
>> <
>> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8836811f23&e=857b71a9cb
>> >
>> streaming 24/7
>> *ECSTATIC STATIC SCREENINGS*
>> We host regular online screenings of artists? films and videos on the
>> landing page, as a way to share work both new and rare, that may otherwise
>> have a limited release. For more information on each artist and ways on
>> how
>> to support their work, please see the links below.
>>
>> *Screening No. 14: ???*
>> Mohamad Hafeda, *Sewing Borders*. 2018, 25 min
>> Irene Guti?rrez, *Diarios de Frontera (Border Diaries)*. 2013, 25 min
>> Ryan Ferko, *Hrvoji, Look at You From the Tower*. 2019, 17 min
>> Jumana Emil Abboud , *Smuggling Lemons*. 2006, 20 min
>> Randa Maroufi, *Bab Sebta (Ceuta's Gate)*. 2019, 19 min
>> Chen Chieh-jen, *Empire's Borders I*. 2009, 26 min, 50 sec
>> Annemarie Jacir, *Like Twenty Impossibles*. 2003, 17 min
>> Alia Syed, *On a Wing and a Prayer*. 2016, 19 min
>>
>>
>> ------------------------------
>>
>>
>>
>> *Let us know about your alternative film/video event!*
>>
>> Enter your event announcements by going to the Flicker Weekly Listing Form
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>> >
>> .
>>
>>
>>
>> To receive the weekly listing directly via email rather than through
>> Frameworks, just hit Subscribe
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>> .
>>
>>
>>
>>
>>
>> *Copyright ? 2020 Flicker, All rights reserved.*
>> Longtime recipient of This Week in Avant Garde Cinema
>>
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>>
>> End of Frameworks Digest, Vol 67, Issue 4
>> *****************************************
>>
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