[Frameworks] Film sequences which feature characters 'deep listening'
curtis tamm
curtis.tamm at gmail.com
Sun Apr 24 18:22:00 UTC 2022
Hi everyone
––I'm working on a sound project which will compile audio from film
sequences (from avant-garde to blockbuster) featuring characters in a state
of intentional or "deep" listening. An obvious example of this is the
'listening scene' from The Conversation (1974) ––
https://www.youtube.com/watch?v=mlBXlDh3dCg
<https://www.youtube.com/watch?v=mlBXlDh3dCg>
Any other recommendations would be greatly appreciated.
Thank you!
On Sun, Apr 24, 2022 at 10:00 AM <frameworks-request at film-gallery.org>
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> *EVENTS*
> **** Enter your event announcements here
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> ___________________________________________________________________________________
> *complicated sorting but a true attempt, enjoy!*
>
> This week's programs (summary):
>
> - Jonas Mekas 100!
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=878140c66f&e=857b71a9cb
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> [November
> 1, 2021-January 25, *2023*, worldwide]
> - seen only, heard only through someone else?s description
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce8545f39e&e=857b71a9cb
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> [March
> 5-April 30, San Francisco, CA]
> - Jordan Belson LANDSCAPES
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9d3aea5383&e=857b71a9cb
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> [March
> 11-April 24, New York, NY]
> - Early Blossoms/Perilous Thirds
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6a8fd65d9e&e=857b71a9cb
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> [March
> 26-May 7, Baltimore, MD]
> - Jodie Mack: Matter Matters
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b062e21502&e=857b71a9cb
> >
> [March
> 29-June 19, Rochester, NY]
> - aCinema: KIRISAME
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bffe776f75&e=857b71a9cb
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> [April 1-30, online]
> - I Am Here: Home Movies and Everyday Masterpieces
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c734985447&e=857b71a9cb
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> [April
> 13-August 14, Toronto, Canada]
> - Machinalive: Nomadica At Laba 2022
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> [April
> 21-25, Brescia, Italy]
> - Friedl Kubelka Vom Gr?ller
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ddff7df63&e=857b71a9cb
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> [April
> 21-26, New York, NY]
> - Psycho-Geo2: Calexico
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=58f23d890a&e=857b71a9cb
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> [April
> 23, San Francisco, CA]
> - Barbara Hammer's My Babushka: Searching Ukrainian Identities
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e7782a5f9&e=857b71a9cb
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> [April
> 23-May 30, online]
> - ??Whatever Norm Bruns Decides To Bring?: A Norm Bruns Retrospective
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=65d4b944eb&e=857b71a9cb
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> [April
> 24, New York, NY]
> - Gearwax: Old vinyl, Repurposed
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f5b8359667&e=857b71a9cb
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> [April
> 24, online]
> - Ieva Balode. Loop of Fear. Solo Show
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=23990bc999&e=857b71a9cb
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> [April
> 30 - June 12, Riga, Latvia]
> - Psycho-Geo3: Southwest
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=720b702077&e=857b71a9cb
> >[April
> 30, San Francisco, CA]
> - Reversing Reversal: A Filmmaking Workshop
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=922cf24092&e=857b71a9cb
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> [May
> 1, Oakland, CA]
> - Southern Climes: Films From AFW Melbourne
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b89aa323e&e=857b71a9cb
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> [May
> 1, Oakland, CA]
> - The Long Conversation
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b0cc38da99&e=857b71a9cb
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> [ongoing, online]
> - 6x6 Project: Artists' Moving Image Works ? Edition N? 27
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=524fdb4b00&e=857b71a9cb
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> [ongoing,
> online]
> - Ecstatic Static Screenings
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=844f74d9d7&e=857b71a9cb
> >
> [ongoing,
> online]
>
>
> *STARTING BEFORE APRIL 23, 2022*
>
> *November 1 - January 25, 2023*
> Venue type: *Both physical and online*
> Jonas Mekas 100!
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c51652ba18&e=857b71a9cb
> >
> times and locations vary, see below
> Event URL: https://jonasmekas100.com/
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db2bcfc1e9&e=857b71a9cb
> >
> *Jonas Mekas 100!*
> In 2022, the world and Lithuania celebrate the life and work of Jonas
> Mekas, one of the country?s most prominent cultural figures of the 20th and
> 21st centuries and a global cultural phenomenon in his own right,
> considered by many to be the ?godfather of avant-garde cinema?.
>
> Throughout his life, Mekas always emphasized and cherished his Lithuanian
> roots. After fleeing the foreign occupation of his native land, he arrived
> in New York City, in his own words ?at exactly the right moment?, joining
> thousands of others escaping the devastation wrought by destructive
> ideologies and tyrannical regimes in Europe. One might say that Mekas left
> one village, his native Semeni?kiai in northern Lithuania, and immersed
> himself in the life of another ? the Village thriving in and around lower
> Manhattan, and in its landmark publication, the Village Voice, helping to
> shape American and global culture so profoundly in the latter half of the
> 20th century.
>
> This centennial celebration, Jonas Mekas 100!, seeks to expand global
> recognition of his work and encourage a deeper exploration of Mekas?
> prolific contributions to cinema, film criticism, cultural organization,
> and, in particular, his body of poems and prose, now published in
> Lithuanian, French, German, English, Japanese, Hebrew, and many other
> languages.
>
> The centennial program features over 50 events in an expanding list of
> countries, including: Belgium, Denmark, Finland, France, Germany, Greece,
> Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan,
> Ukraine, the United Kingdom, and the United States. The vast scope of
> Mekas? contribution to global cultural is examined through film screenings
> and retrospectives, exhibitions, readings, workshops, new publications and
> translations of Mekas? writings, and concerts celebrating the spirit of his
> work, among other events.
>
> The centennial program is a joint international collaboration between
> leading art and cinema organisations, curators, publishers, the global
> network of Lithuanian cultural attach?s, the Estate of Jonas Mekas, and the
> Lithuanian Culture Institute.
> *___________________________________________________________________*
>
> *March 5 - April 30*
> Venue type: *Live, physical event*
> McEvoy Foundation for the Arts
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab6c008b93&e=857b71a9cb
> >
> Wed - Sat, 11am-6pm PT,
> McEvoy Foundation for the Arts, 1150 25th Street, Building B, San Francisco
> *seen only, heard only through someone else?s description*
> Short films offer new temporal spaces for considering how images and
> narratives construct meaning, artifice, and memory.
> *seen only, heard only through someone else?s description* engages
> filmmakers and artists whose interdisciplinary practices draw from
> performance, film, photography, research, and writing. The program?s title
> stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha
> (1951?1982)?a poem, performance, and mail art piece that uses language to
> unravel dynamics of distance, visibility, hearing, and communication.
>
> The program is organized in two sessions of experimental short films by
> women and nonbinary artists from the 1970s through the 2010s. *Sometimes We
> Stand Alone* explores personal identity and history through experimental
> processes and found footage. *Drawing Energy* is concerned with communities
> of women and their collective power to document and deeply engage with
> artistic, cultural, or familial lineages. The collected works interweave
> varied perspectives to probe formal tensions between the moving image and
> still photography. *Sometimes We Stand Alone* screens daily from January 14
> through March 4, 2022. *Drawing Energy* debuts March 5 and runs through
> April 30, 2022.
>
> Guest curated by Gina Basso in conjunction with Image Gardeners, an
> exhibition of modern and contemporary photography from the McEvoy Family
> Collection.
>
> ---- March 5 ? April 30, 2022 /// Drawing Energy ----
> Ilene Segalove, *Mom in Famous Women*, 1978
> sair goetz, *me and my army*, 2017
> Deborah Stratman, *Vever (For Barbara)*, 2019
> Onyeka Igwe, *Her Name in My Mouth*, 2017
> Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019
> Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020
>
> *___________________________________________________________________*
>
> *March 11 - April 24*
> Venue type: *Live, physical event*
> Matthew Marks Gallery
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ecf05174a4&e=857b71a9cb
> >
> Tue-Sat 10am - 6pm ET,
> 526 West 22nd Street, New York, NY
> *Jordan Belson LANDSCAPES*
> Jordan Belson: Landscapes features a series of collages made between 1970
> and 1973. Exhibited here for the first time, Belson?s collages were created
> from torn paper painted in various colors. They were inspired in part by
> the 1000-year-old Japanese art of chigiri-e, which uses torn paper to
> create images of landscapes and flowers.
>
> Jordan Belson (1926?2011) is a seminal figure in twentieth-century
> avant-garde cinema. He studied painting as a young man, receiving a degree
> in studio art from the University of California, Berkeley, in 1946. He
> initially achieved some success as a painter, exhibiting his work at SFMOMA
> and the Guggenheim Museum in the late 1940s. After 1950, however, he
> focused primarily on filmmaking, and although he continued to make
> paintings and drawings for the remainder of his life, he never publicly
> exhibited this part of his work again during his lifetime.
>
> All works are Untitled, c. 1970?73, paper collage and mixed media mounted
> on board.
>
> *___________________________________________________________________*
>
>
> *March 26 - May 7*
> Venue type: *Live, physical event*
> Current Space
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8c86c905ca&e=857b71a9cb
> >
> various times, see below,
> Current Space, 421 N Howard St, Baltimore, MD
> *Early Blossoms/Perilous Thirds*
> Current Space is proud to present "Early Blossoms/Perilous Thirds." an
> exhibition of works by Stephanie Barber, Patrick David, and Josh Dorman;
> curated by Andrew Shenker, Michael Benevento, and Julianne Hamilton. Please
> join us for the opening reception!
>
> Opening Reception: March 26th, 6-9pm
> Exhibition Duration: March 26th ? May 7th
> Gallery Hours: Fridays & Saturdays, 1-5pm
>
> "The work from these three artists presents questions of the narrative
> image, an experience that opens an associative window??what does a line you
> once recognized become as it breaks, what does a body?
> The conversation arrives in threes, triangulates the snake in the garden
> and holds it to the glass.
> A symbol contorts to reflect itself in the eye that catches it. To take the
> icon out of its rank, the head from its neck, to weigh how small or smooth
> the evidence of a hand in the world it creates.
> Broken time, things in place, place in things."
> - Caroline Preziosi
>
> "\[Shared most of all, perhaps, is a meditative and uncanny mood at the
> edge of the sayable, close to oblivion; a dreamlike warmth (and horror).\]"
> - Andrew Shenker
>
> *___________________________________________________________________*
>
> *March 29 - June 19*
> Venue type: *Live, physical event*
> George Eastman Museum
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=70181eeb43&e=857b71a9cb
> >
> Tue-Sat,10-5pm + Sun 11-5pm ET,
> Multipurpose Hall, George Eastman Museum, 900 East Avenue, Rochester, NY
> *JODIE MACK: MATTER MATTERS*
> The George Eastman Museum is pleased to present selected experimental
> animated films by Jodie Mack (UK, b. 1983), an artist who has developed a
> remarkable filmmaking style that provides new perspectives on a variety of
> familiar materials. Mack?s subjects often include captivating decorative
> objects and vintage, ornate textiles. Her films invite viewers to
> contemplate the objects? significance and the nature of disposability.
>
> Mack often works with a Bolex camera and 16mm film, and her films explode
> with dizzying displays of colors, shapes, and patterns. While her mastery
> of traditional stop-motion animation technique is highly precise and
> sometimes abstract, Mack?s films have a joyful, handmade quality that
> radiates humor and human warmth.
>
> The following film descriptions are provided by the artist.
>
> A program of four animated short films. Originally shot in 16mm the films
> will be screened digitally in this presentation on a loop (21 min. total)
> during museum hours.
>
> *Posthaste Perennial Pattern* (US 2010, 4 min.). Rapid-fire florals and
> morning birdsong bridge interior and exterior, design and nature.
> *Blanket Statement #1: Home is Where the Heart is* (US 2012, 3 min.).
> Discordant dysfunction down to the nitty-gritty.
> *Blanket Statement #2: All or Nothing* (US 2013, 4 min.). A battle of
> extreme extremes.
> *Something Between Us* (US 2015, 10 min.). A choreographed motion study for
> twinkling trinkets: costume jewelry and natural wonders join forces to
> perform plastic pirouettes, dancing a luminous lament until the tide comes
> in.
>
> *___________________________________________________________________*
>
> *April 1 - 30*
> Venue type: *Virtual, online event*
> aCinema
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> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4b888316&e=857b71a9cb
> >
> streaming 24/7,
> Event URL: https://www.acinema.space/current-program
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56eb0f3e4f&e=857b71a9cb
> >
> *aCinema: KIRISAME*
>
> *Chiyo* ? Chiemi Shimada ? 12 min 39 sec ? video
> *bakufuu, hinoumi: bomb wind, ocean fire* ? Sancia Miala Shiba Nash ? 22
> min 18 sec ? video
>
> aCinema is a monthly exhibition dedicated to the screening of works by
> moving image artists from around the globe for audiences during the 9 month
> period of September to May. aCinema also organizes a yearly festival
> programmed from an open call for works titled, aDifferent festival. Through
> the exhibition of artists -- historical and contemporary, emerging and
> established -- in curated programs, aCinema creates a platform for artists
> of all career statuses to share a common exhibition space.
>
> Through the curatorial themes and independent thoughts expressed within the
> works, aCinema hopes to inspire and expand audiences' views of the moving
> image, fostering an arts educational space, where audiences are free to
> engage in discussion with curators and artists (when present) following the
> screenings.
>
> *___________________________________________________________________*
>
> *April 13 - August 14*
> Venue type: *Live, physical event*
> Art Gallery of Toronto
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1642bdaec5&e=857b71a9cb
> >
> during gallery hours,
> 317 Dundas Street West, Toronto, Ontario
> *I AM HERE: HOME MOVIES AND EVERYDAY MASTERPIECES*
> >From the earliest cave paintings to TikTok, humans have found creative
> ways
> to document their day-to-day lives. *I AM HERE: Home Movies and Everyday
> Masterpieces*, a major new AGO exhibition opening in April of 2022, is a
> revealing look at our universal need to capture, share and cherish the
> everyday. Featuring lost-and-found home movies from the Prelinger Archives,
> alongside celebrated artworks by the likes of David Hockney, Patti Smith,
> Claes Oldenburg, Annie Pootoogook, Arthur Jafa and Mary Pratt, as well as
> snapshots, photo albums, letters, television, grocery lists, and social
> media, *I AM HERE* brings together a broad range of personal records from
> different time periods and locales to explore the shared human impulse to
> document life as it happens.
>
> Co-curated by Jim Shedden, the AGO?s Manager of Publishing, and Alexa
> Greist, AGO Associate Curator and R. Fraser Elliott Chair, Prints &
> Drawings, in collaboration with archivist, scholar and writer Rick
> Prelinger, the exhibition is a celebration of daily life and human
> creativity, replete with music and creative prompts. Among the artworks on
> display will be a digital collage of the more than 3000 submissions
> received from around the world as part of the AGO?s 2021 Portraits of
> Resilience exhibition. The exhibition will be accompanied by a catalogue
> co-published by the AGO and DelMonico Books/D.A.P
>
> *___________________________________________________________________*
>
>
> *April 21 - 25*
> Venue type: *Live, physical event*
> Nomadica at LABA 2022
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f81f1354ed&e=857b71a9cb
> >
> times vary, visit website,
> Spazio Contemporanea, Nuovo Cinema Eden, Indica-Spazio Idra, Brescia, Italy
>
> *MACHINALIVE: Nomadica at LABA 2022*
> Libera Academy of Fine Arts (LABA)
> Artist film lab
> screenings, performances & exhibitions
>
> Five days of radical immersion in international experimental and artist
> cinema, with film screenings, focuses, seminars, tributes, meetings, and
> workshops. Artistic activities and open discussions will create
> opportunities for informal exchange between viewers, students, filmmakers,
> artists, and curators.
>
> A unique event organized by Nomadica and LABA to discover dozens of
> off-the-grid works from the past and the future and from all corners of the
> world.
>
> with films, performances, installations, seminars by
> AA++ / Angel RUEDA and Ana DOM?NGUEZ, Dianna BARRIE, Yonay BOIX, Dietmar
> BREHM, Giulia CALIGNANO, S?lvia DAS FADAS, Manuela DE LABORDE, Claudia
> LARCHER, James EDMONDS, Benjam?n ELLENBERGER, Zachary EPCAR, Morgan FISHER,
> Philipp FLEISCHMANN, Siegfried FRUHAUF, Paolo GIOLI, Teo HERNANDEZ, Baba
> HILLMAN, Shun IKEZOE, Andrew KIM, Sandra LAHIRE, Christian LEBRAT, Mikhail
> LYLOV, Luis MACIAS, Elke MARH?FER, Pablo MAR?N, Jean Jacques MARTINOD, Yuri
> MURAOKA, Daniel MURPHY, Lydia NSIAH, OJOBOCA / Anja DORNIEDEN and Juan
> David GONZALES MONROY, Jun'ichi OKUYAMA, Jacques PERCONTE, Charlotte PRYCE,
> Sofia RUSSO, Lucy RAVEN, Jorge SU?REZ-QUI?ONES RIVAS, Michael ROBINSON,
> Karen RUSSO, Luca SANTESE / CESURA, Gianni SERRA, Suneil SANZGIRI, Paul
> SHARITS, Francesco VESPIGNANI, Bretta C. WALKER, WARSHADFILM / Tiziano
> DORIA and Samira GUADAGNOLO, Josh WEISSBACH, Chris WELSBY, Andrew Norman
> WILSON, and many more ...
>
> *___________________________________________________________________*
>
> *April 21 - 26*
> Venue type: *Live, physical event*
> Anthology Film Archives
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=569556d63b&e=857b71a9cb
> >
> times vary, see below,
> 32 Second Avenue, New York
> *FRIEDL KUBELKA VOM GR?LLER*
> Astonishingly prolific both as a photographer (under the name Friedl
> Kubelka) and a filmmaker (as Friedl vom Gr?ller, since 2009), Friedl
> Kubelka vom Gr?ller has been active since the 1960s, but the majority of
> her moving-image work has emerged in the years since 2000, with a nonstop
> flood of short films whose refreshing but deceptive brevity (they rarely
> exceed 3 minutes in length) belies their formal variety, thematic richness,
> and vibrant spontaneity. Though her films encompass a wide range of ideas
> and approaches, they very often gravitate around the practice of
> portraiture. Indeed, even if she had never made a motion picture herself,
> Kubelka vom Gr?ller?s photographic body of work would be vitally important
> within the realm of experimental cinema thanks to her commitment to
> producing extraordinary portraits of many of the most important avant-garde
> filmmakers of her time, including her ex-husband Peter Kubelka, Jonas
> Mekas, Bruce Baillie, Kenneth Anger, Hollis Frampton, Shigeko Kubota, Stan
> Brakhage, Ken & Flo Jacobs, George Landow, and many others (as well as
> numerous artists, friends, and strangers).
>
> But of course, Kubelka vom Gr?ller has made many films of her own ? in
> fact, more than 120 and counting. Though these works have cropped up in
> various short film festivals and showcases of new avant-garde cinema in the
> U.S. over the years, they have rarely, if ever, been showcased all
> together. Long overdue, this five-program survey of her work will take
> place in conjunction with her month-long residency at the Deutsches Haus at
> NYU, a component of the ExtraVALUE Award that was bestowed on her film
> L?AVENIR? DE F.V.G? at the 2019 Viennale film festival.
>
> The series ? which will combine her films with slides of selected
> photographs from throughout her career ? has been guest-programmed by
> Dietmar Schw?rzler, Austrian artist film distributor, representative of the
> distribution company Sixpack, and editor of the book Friedl Kubelka vom
> Gr?ller ? *One Is Not Enough. Photography & Film II* (Buchverlag Walther
> K?nig & Index 2018). Both Kubelka vom Gr?ller and Schw?rzler will be here
> in person to present each program.
>
> This program is co-presented by Erste Bank, Deutsches Haus at NYU, the
> Austrian Cultural Forum New York, and Sixpack. Special thanks to Juliane
> Camfield & Sarah Girner (Deutsches Haus at NYU); Christian J. Ebner
> (Austrian Cultural Forum New York); Ruth Goubran (Erste Bank); Eva
> Sangiorgi & Paolo Calamita (Viennale); and Gerald Weber (Sixpack).
>
> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 1
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a97fb133d&e=857b71a9cb
> >
> April 21 at 7:30 PM
>
> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 2
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84691231a1&e=857b71a9cb
> >
> April 22 at 7:30 PM
>
> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 3
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8608465a94&e=857b71a9cb
> >
> April 23 at 7:30 PM
> April 26 at 6:30 PM
>
> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 4
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=272e061676&e=857b71a9cb
> >
> April 24 at 7:30 PM
> April 26 at 8:30 PM
>
> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 5
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fe6259573&e=857b71a9cb
> >
> April 25 at 7:30 PM
>
>
> FILMMAKER IN PERSON!
> *SATURDAY, APRIL 23, 2022* Venue type: *Virtual, online event*
> Other Cinema
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2342f23351&e=857b71a9cb
> >
> 8pm PT,
> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
> *PSYCHO-GEO2: CALEXICO*
> HODO + SCOTT + WATTS TOWERS +
> OC presents the first of a dual-citizenship double-header locus-focused on
> the Southwest of the continent, with a compelling cadre of makers
> from Mexico as well as an audio-visual feast of provocative shorts from
> the North. Greg Berger's outrageous Joe T Hodo project demonstrates how
> a SF expat activist has managed to construct a potent satirical character
> on the margins of contemporary Mexican politics, Charles Fairbanks/Saul
> Kak's *Echoes of the Volcano* surveys the Oaxacan soundscape, and
> the Postcommodity Collective bisects the border wall with beautiful
> balloons! Whereas the psycho-politics of the LA area, layered in time and
> grounded on Simon Rodia's landmark sculpture hand-wrought in Watts, is
> echoed in Noah Purifoy's junk-art-park in the desert of Joshua Tree and
> reverberates through the mesmerizing Cali-fire reveries of San Luis
> Obispo's Lana Z Caplan. PLUS the legendary Matt Wolf/Guadalupe
> Rosales coverage of Latinx resistance to neighborhood gentrification
> in Boyle Heights, Georg Koszulinski's rhapsodic on-the-road
> collage-essay *Continental
> Drifts*, and Jake Scott's transformative farewell-to-Frisco hybrid
> performance.
>
> *___________________________________________________________________*
>
> *April 23 - May 30*
> Venue type: *Virtual, online event*
> Electronic Arts Intermix
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bae74efe68&e=857b71a9cb
> >
> streaming 24/7,
> Event URL: https://fifty.eai.org/video-features/barbara-hammer-my-babushka
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef18b0241b&e=857b71a9cb
> >
> *Barbara Hammer?s My Babushka: Searching Ukrainian Identities*
> Electronic Arts Intermix (EAI) and the Estate of Barbara Hammer have made
> Hammer?s 2001 personal documentary My Babushka: Searching Ukrainian
> Identities available to view through May 30th. As the artist writes, this
> timely video ?centers on the questions of civil liberties and cultural
> differences in a society beginning to open as one woman searches for her
> own ethnic roots, identity and family history in Ukraine.?
>
> *My Babushka: Searching for Ukranian Identities*
> 2001, 53:16 min, color, sound
>
> ?The current news is full of Ukraine and the Ukrainians who claim it as
> home. However, many people in the world admit they know little of either.
> The video, made in 2001, provides a glimpse into the people who were
> struggling at that time for identity in a divided and economically
> depressed country.
>
> Following her natural curiosity and love of adventure, Hammer went to
> Ukraine in 2000 to trace her roots and find family members. As with most of
> her work, Hammer wanted to uncover hidden histories, so she sought out
> information about anti-Semitism and homophobia among Ukrainians. Hammer
> discovered that old political, societal and cultural barriers were
> collapsing but without new ways to replace them. Fast forward to 2022 and
> we see ruin, death, renewed poverty, and destruction, but we also see
> strong people fighting for their country and their future. There will be
> many more questions for others to research and art to be made, but we felt
> it important to show this film now.?
>
> - Florrie Burke, Spouse and Executor of Hammer Estate
> Louky Keijsers Koning, Director, Estate of Barbara Hammer
>
> *SUNDAY, APRIL 24, 2022* Venue type: *Live, physical event*
> Anthology Film Archives
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c82d3635a&e=857b71a9cb
> >
> 4:30pm ET,
> 32 Second Avenue, New York
> *??WHATEVER NORM BRUNS DECIDES TO BRING?: A NORM BRUNS RETROSPECTIVE*
> Norm Bruns was a singular figure in the 1980s Chicago experimental film
> scene. His filmography includes elaborate bargain-basement set pieces and
> effects worthy of Jack Smith or James Bidgood?s *PINK NARCISSUS*;
> eccentrically rumpled eroticism akin to the brothers Kuchar, with a touch
> of Warhol; and some visual witticisms that recall Stuart Sherman. He used
> such palpably simple symbolic elements with such a pure-hearted twist of
> legerdemain that the films seem out-of-time. Bruns worked at a blazing pace
> with startling boldness: after purchasing a Super-8mm camera in 1980, he
> created 11 films in 10 months. In the words of Barbara Scharres, writing in
> the Chicago Reader in 1981, these early films are ?strikingly in the
> tradition of Jean Cocteau and of American avant-garde filmmakers like Maya
> Daren and Curtis Harrington in their concern with personal ritual and the
> replication of dreamlike states.?
>
> Most of Bruns?s films are in swirling black-and-white, and show a natural
> confidence in his skill and vision. As he developed as a filmmaker, his
> sets, costumes, and complicated superimpositions and laboratory techniques
> expanded his palette and allowed for a deepening of his focus on bodies,
> city life, dreams, and rituals. Sadly, Norm passed away in 1990, and his
> films went unseen for 30 years until librarian and filmmaker Josh B Mabe
> tracked down the prints, which had been residing with family members in the
> far western side of Illinois. The films were shown virtually as part of the
> Onion City Experimental Film + Video Festival in 2020, but this
> presentation at Anthology represents their first screening on Super-8mm
> since Bruns?s death, and quite possibly their first ever appearance in New
> York City.
>
> Guest-programmed and presented by Josh B Mabe.
>
> *THEATRE OF THE HORSE AND MOON* (ca. 1980-81, 13 min, Super-8mm, silent)
> *SWIM *(ca. 1980-81, 7 min, Super-8mm)
> *BED DESERT* (ca. 1980-81, 5 min, Super-8mm, silent)
> *FIGURE WITH 14 TRAINS* (ca. 1980-81, 7 min, Super-8mm)
> *BINGO* (ca. 1980-81, 6 min, Super-8mm, silent)
> *BLUE AURA* (ca. 1980-81, 4 min, Super-8mm)
> *DUCK* (ca. 1980-81, 3 min, Super-8mm, silent)
> *THE POET AND THE POND* (ca. 1980-81, 6 min, Super-8mm)
> *SCREEN TEST* (ca. 1980-81, 3 min, Super-8mm, silent)
> *THE UNUSUAL BOOK *(ca. 1980-81, 10 min, Super-8mm)
>
> Total running time: ca. 70 min.
>
> *___________________________________________________________________*
>
> Venue type: *Virtual, online event*
> *GearWax*
> https://www.gearwax.org/
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0189ef7186&e=857b71a9cb
> >
> 6pm-8pm PT,
> *GEARWAX: OLD VINYL, REPURPOSED*
> A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
> records. Hosted by Kathleen and Scott from San Francisco. Every other
> Sunday, 6-8pm PT!
>
> *SATURDAY, APRIL 30, 2022*
>
> *April 30 - June 12*
> Venue type: *Live, physical event*
> Latvian National Museum of Art
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47f1b0d818&e=857b71a9cb
> >
> Tu-Th 11am-6pm, F 10am-8pm, Sa-Su 10am-5pm (GMT+3)
> 1 Ja?a Rozent?la laukums, Riga, Latvia
> *Ieva Balode. Loop of Fear. Solo Show*
> Loop of Fear turns to the subject of fear in society, which is particularly
> relevant today, after two years of the pandemic and the current horrors of
> the war in Ukraine. Fear has always existed in a variety of gradations and
> forms: fear of the unknown, fear of the dark, fear of the enemy, fear of
> death. Since the beginnings of mankind fear has been both a driving force
> for humanity and a stumbling block. It is an instinctive force that has
> made humanity form communities for safety and shelter from the danger that
> is lurking in darkness. The fear of death has compelled civilisations to
> build temples and for people to dedicate their lives to preparing society
> for the afterlife.
>
> Likewise, the medium of analogue photography and analogue cinema, which
> Ieva Balode uses in this exhibition, embodies this same fear ? the fear to
> lose and forget what once took place or was alive. It is the propensity to
> make the world immortal, the propensity to freeze time in a capsule for
> eternity, which, through the lens of the camera, leaves an instant's
> impression on the light-sensitive surface of the film. Here light serves as
> a record on the surface of a film, which, by dispelling darkness in the
> body of the camera, captures what is in front of it through the glass of
> the lens, similar to the human eye.
>
> The exhibition presents 16 mm film loops and spatial image projections.
> Their mechanical nature interacts with the architecture of the space to
> create a slight sense of alarm, reminding us of the fragility and mortality
> of the material world. The exposition gives visitors the opportunity to
> become familiar with the photochemical film stock as a kinetic object
> which, together with several other analogue projectors, illuminate the
> museum's gallery in a different light.
>
> About the artist
> Ieva Balode is an artist and analogue film activist who works with analogue
> film and image. She earned her BA and MA from the Department of Visual
> Communication at the Art Academy of Latvia. Her interest in analogue media
> resides in its relationship to nature, memory and human perception. The
> artist's works have been exhibited in art galleries Platform, Munich
> (2020), Den Frie, Copenhagen (2019), Villa Vassilieff, Paris (2018),
> Latvian National Museum of Art (2018?2020), Latvian Museum of Photography
> (2018), LCCA Office Gallery, Riga (2016), Daugavpils Mark Rothko Art Centre
> (2018), ??k?, Leipzig (2016), 1st Riga International Biennial of
> Contemporary Art (2018), Riga Photomonth as well as international film
> festivals: Harkat 16mm film festival (India, 2021), 65th International
> Short Film Festival Oberhausen (Germany, 2019), KRAAK (Belgium, 2019),
> Luminous Void (Ireland, 2018?2019), MIEFF (Russia, 2018), Riga IFF (Latvia,
> 2017?2021), EFF Process (Latvia, 2017?2021), Kinoskop (Serbia, 2017?2019),
> TIFF Wavelength series (Canada, 2017), Zabroffka (Poland, 2013), Oslo
> Screen Festival (Norway, 2012) and others.
>
> As a cinema activist Ieva Balode is the founder of Baltic Analog Lab ? an
> artist collective providing a space and platform for the production,
> research and education of analogue cinema. Since 2017 she is also a
> director of the Riga-based experimental film festival Process.
> *___________________________________________________________________*
>
> Venue type: *Virtual, online event*
> Other Cinema
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f983fd299c&e=857b71a9cb
> >
> 8pm PT,
> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
> *PSYCHO-GEO3: SOUTHWEST*
> PLANTE's WITH EARP CAME THE WEST + C/W GEMS +
> After the moment of the Gunfight at the OK Corral in late 1881, Wyatt
> Earp became famous in his own time. He was already known within the Western
> territories as a tough lawman. The gunfight represented the epitome of what
> the wild west stood for: good guys against bad guys in a thrilling duel.
> The real event was 30 seconds long. The motivations behind it have
> complicated details. But Wyatt wanted us to forget all that. He was never
> shot in a gunfight and lived into old age. By chance, at a championship
> boxing match at the turn of the century, he saw the power of cinema in
> action. He decided he could rewrite history through the magic of movies,
> hanging out in Hollywood in the 1920s to try to get a movie made about his
> life. And it actually worked.The Western theme is set by a rousing
> half-hour of classic 16mm C/W tunes, from Gene Autry to Elvis Presley,
> from Tex Ritter to Spike Jones. $8.88
>
> *SUNDAY, MAY 1, 2022*
>
> Venue type: *Virtual, online event*
> Shapeshifters Cinema + San Francisco Cinematheque
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67bc2aa482&e=857b71a9cb
> >
> 11am - 4pm PT,
> Shapeshifters Cinema, 567 5th Street Oakland, CA
> *Reversing Reversal: A Filmmaking Workshop*
> This one-day workshop, led by Paddy Hay, a member of the Melbourne,
> Australia-based Artist Film Workshop, will be geared towards anyone
> interested in Super-8 filmmaking, and especially for those interested in
> learning B&W negative processing for the first time. Participants will
> shoot on B&W reversal film, but process as a negative. Why B&W negative? In
> a nutshell, it gives greater exposure latitude (especially good for dodgy,
> old S-8 cameras) and a faster processing time. Also much safer? no bleach!
> (Potassium Dichromate, the essential ingredient of B&W bleach mixture, is a
> highly toxic carcinogen.) Various techniques for shooting film and
> recording sound will be discussed. The workshop aims to equip participants
> with a better understanding of how to approach small-gauge film ideas that
> might rely upon sync sound (documentary ideas, for instance). People with
> little or zero experience with these mediums are very welcome and
> encouraged to participate! Space is limited. Register Now!
>
> This all-day workshop (11am?4pm) will be followed by a 7:30pm
> screening?Southern Climes: Films from AFW Melbourne?also presented by Paddy
> Hay, of films produced by members of Artist Film Workshop, Melbourne. The
> Workshop and screening are ticketed separately. Full screening details
> here.
>
> *___________________________________________________________________*
>
> Venue type: *Virtual, online event*
> Shapeshifters Cinema + San Francisco Cinematheque
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f8df03863&e=857b71a9cb
> >
> 7:30pm PT,
> Shapeshifters Cinema, 567 5th Street Oakland, CA
> *Southern Climes: Films from AFW Melbourne*
> Initiated by filmmakers Richard Tuohy and Dianna Barrie in 2009, Artist
> Film Workshop (AFW) is a film collective and not-for-profit organization
> which provides access to knowledge and resources for filmmakers and artists
> in Melbourne, Australia. AFW holds regular screenings and workshops for
> people interested in film or working with sound and vision.
>
> Visiting as part of an epic west coast tour, AFW member Paddy Hay will
> present a selection of recent and brand-new 16mm film works produced by
> members of AFW. The program reflects the diversity of interests,
> methodologies and technologies investigated by AFW members, showcasing a
> wide variety of filmmaking styles across forms of abstraction, archival/
> found footage, audio-vision and lo-fi documentary. Techniques including
> contact and optical printing, DIY cameras and traditional lens-based
> photography are among the methods and approaches explored. ALL FILMS TO BE
> PRESENTED ON 16MM.
>
> SHAPESHIFTERS CINEMA FILMMAKING WORKSHOP: This screening will be preceded
> by an all-day filmmaking workshop?Reversing Reversal: A Filmmaking
> Workshop?also presented by Paddy Hay. Workshop details here.
>
> *Valpi* (2019) by Richard Tuohy; 16mm, color, sound, 9 minutes;
> *Is Anybody Coming Over to Dinner* (2022) by Audrey Lam;
> *Self Portrait With Bag* (2020) by Dianna Barrie;
> *Southern Climes* (2018) by Hanna Chetwin;
> *4000 Frames from Hobart to Queenstown* (2020) by Ilona Schneider;
> *Window* (2020) by Rowena Crowe;
> *Fade* (2017) by Callum Ross-Thomson;
> *Landing* (2019) by Sabina Maselli;
> *Sensor Lights in Flemington* (2022) by Lucas Haynes;
> *The Gardens* (2022) by Paddy Hay & Giles Fielke.
>
> TRT: 74 minutes
>
> *ONGOING*
>
> Venue type: *Virtual, online event*
> *Riverwest Radio*
> https://www.riverwestradio.com/show/the-long-conversation/
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=51c405b11f&e=857b71a9cb
> >
> streaming 24/7
> *THE LONG CONVERSATION*
> THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
> hold. But... all episodes from the last year and a half are streaming!!!
>
> *___________________________________________________________________*
>
> Venue type: *Virtual, online event*
> *6x6 Project*
> https://6x6project.com/
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a9d2c262e&e=857b71a9cb
> >
> streaming 24/7
> *Artists' Moving Image Works ? Edition N? 26*
> 6x6 project is an online artists' community that serves as a platform for
> disseminating artists' moving image works, and to create
> an ever-growing network among peers.
>
> To date, there have been twenty-seven editions with six different artists.
> There are now a total of one hundred and sixty-two artists? profiles and
> more than four hundred artists? film and moving image works available to
> view on the website.
>
> Edition N? 27 includes works by Krzysztof Honowski, Tilly Shiner, Andr?
> Santos Martins, Deniz ?im?ek, Jo?o Pedro Faro, Clara Helbig
>
> *___________________________________________________________________*
>
> Venue type: *Virtual, online event*
> *Ecstatic Static*
> https://www.ecstaticstatic.com/screenings/
> <
> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8836811f23&e=857b71a9cb
> >
> streaming 24/7
> *ECSTATIC STATIC SCREENINGS*
> We host regular online screenings of artists? films and videos on the
> landing page, as a way to share work both new and rare, that may otherwise
> have a limited release. For more information on each artist and ways on how
> to support their work, please see the links below.
>
> *Screening No. 14: ???*
> Mohamad Hafeda, *Sewing Borders*. 2018, 25 min
> Irene Guti?rrez, *Diarios de Frontera (Border Diaries)*. 2013, 25 min
> Ryan Ferko, *Hrvoji, Look at You From the Tower*. 2019, 17 min
> Jumana Emil Abboud , *Smuggling Lemons*. 2006, 20 min
> Randa Maroufi, *Bab Sebta (Ceuta's Gate)*. 2019, 19 min
> Chen Chieh-jen, *Empire's Borders I*. 2009, 26 min, 50 sec
> Annemarie Jacir, *Like Twenty Impossibles*. 2003, 17 min
> Alia Syed, *On a Wing and a Prayer*. 2016, 19 min
>
>
> ------------------------------
>
>
>
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>
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> End of Frameworks Digest, Vol 67, Issue 4
> *****************************************
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