[Frameworks] ERROR ON DATE Re: 16mm films from the Estate of Susan Brockman Screening 6/7

[Chelsea Spengemann]

Apologies - I gave you the wrong date! Correction below.

Thanks!


Introduction to Susan Brockman

Anthology Film Archives
<http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=6&year=2022#showing-54645>

32 Second Ave, NYC, 10003

Monday, June 6th

7:30 PM

SPECIAL SCREENING – ARCHIVAL 16MM PRINTS!

PURCHASE TICKETS HERE
<https://ticketing.uswest.veezi.com/purchase/1183?siteToken=bsrxtagjxmgh2qy0b6p646xdcr>

>
> Susan Brockman & Sally Gross LEE’S FERRY (1983, 7.5 min, 16mm)
>
> Susan Brockman HOTHOUSE FLOWER (1978, 13 min, 16mm)
>
> Susan Brockman DEPOT (1975, 11.5 min, 16mm)
>
> Peter Moore STOCKHAUSEN’S ORIGINALE: DOUBLETAKES (1964/94, 30 min, 16mm,
> Edited by Susan Brockman)
>
>
>
> Susan Brockman (1937-2001) was a filmmaker and photographer active in NYC
> and East Hampton from the 1960s-90s. As a member of the collective
> Women/Artist/Filmmakers, she made several short films on themes of beauty,
> desire, and close observation. Sometimes inspired by literary, performance,
> or fine arts sources, Brockman’s films conjure deep emotions through her
> exquisite photography and skillful editing. In the three films selected for
> this screening – DEPOT (1975), HOTHOUSE FLOWER (1978), and LEE’S FERRY
> (1983, with Sally Gross) – Brockman explores interior environments of both
> physical and mental realms. In Brockman’s vision, imagination and
> dreaming are integral parts of the women’s creative process.
>
>
> Filmed by photographer Peter Moore in 1964, STOCKHAUSEN’S ORIGINALE:
> DOUBLETAKES documents a performance composed and scripted by Karlheinz
> Stockhausen, directed by Allan Kaprow, and starring Nam June Paik. Moore
> filmed two performances held at Judson Hall during Charlotte Moorman’s 2nd
> Annual New York Avant Garde Festival but left the footage unedited for 30
> years. Having recently edited works by Danny Seymour and Robert Frank,
> Brockman offered to complete the film. When Barbara Moore decided to
> produce the film in 1994, following her husband’s death, Brockman was
> brought on as editor.
>
>
>
> The screening will be introduced by Richard Brockman, Susan Brockman’s
> brother; Mirra Bank, filmmaker, close friend, and sister-in-law of
> Brockman; and curator Chelsea Spengemann.
>
>
> --
>
> *Chelsea Spengemann, Director*
> Stan VanDerBeek Archive
> 917-803-3620
>


-- 

*Chelsea Spengemann, Director*
Stan VanDerBeek Archive
917-803-3620
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