[Frameworks] This Week in Avant Garde Cinema: March 12 - 20, 2022
This Week
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Sat Mar 12 18:22:16 UTC 2022
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*This Week [March 12 - 20, 2022] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
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___________________________________________________________________________________
*sorted by submission deadline*
Ongoing Films for Ukrainian Border Crossings
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(No Dialogue + PG)
03.20.2022 Videoart.Ist International Video Art Screening Program
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03.25.2022 Chicago Underground Film Festival
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(Late Deadline)
03.31.2022 Braziers International Film Festival
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(Late Deadline)
03.31.2022 San Diego Underground Film Festival
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(Early Deadline)
03.31.2022 FIDMarseille
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04.01.2022 Fracto Experimental Film Encounter
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04.03.2022 Mimesis Documentary Festival
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(Early Deadline)
04.04.2022 Oak Cliff Film Fest
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(Late Deadline)
04.11.2022 Experimental Film & Video Festival in Seoul (EXIS)
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04.11.2022 Berwick Film & Media Arts Festival
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(2022 Films)
04.30.2022 Antimatter [media art]
<http://filmfreeway.com/AntimatterMediaArt> (Early Deadline)
04.30.2022 Analogica
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(Regular Deadline)
05.16.2022 Edinburgh Short Film Festival
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(Regular Deadline)
05.20.2022 Coney Island Film Festival
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(Late Deadline)
06.01.2022 Engauge Experimental Film Festival
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*EVENTS*
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Jonas Mekas 100!
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[November
1, 2021-January 25, *2023*, worldwide]
- The Autobiographical Animal
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b6724b7679&e=857b71a9cb>
[February
4-March 12, online]
- aCinema: Bones of the Future
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[March
1-31, online]
- seen only, heard only through someone else’s description
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[March
5-April 30, San Francisco]
- Aktionism
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[March
12, San Francisco]
- EC: Hollis Frampton
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[March
12, New York]
- EC: Ernie Gehr
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[March
13, New York]
- Gearwax: Old vinyl, Repurposed
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[March
13, online]
- Art+Film: Artist Film Workshop
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[March
15, Melbourne, Australia]
- Cowboy Up (or Lay there Crying)
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[March
15, online]
- Fern Silva's *Rock Bottom Riser*
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[March
15-17, San Francisco
- First Look 2022
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[March
16-20, Astoria, New York]
- Visions 18.03.2022 : Luis Macias
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[March
18, Montreal]
- X~PERI~MENTAL ANIMATION
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[March
19, San Francisco]
- Basement Films
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[March
19, Santa Fe, NM]
- The Long Conversation
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[ongoing, online]
- 6x6 Project: Artists' Moving Image Works — Edition Nº 27
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[ongoing,
online]
- Ecstatic Static Screenings
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[ongoing,
online]
*STARTING BEFORE MARCH 12, 2022*
*November 1 - January 25, 2023*
Venue type: *Both physical and online*
Jonas Mekas 100!
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times and locations vary, see below
Event URL: https://jonasmekas100.com/
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*Jonas Mekas 100!*
In 2022, the world and Lithuania celebrate the life and work of Jonas
Mekas, one of the country’s most prominent cultural figures of the 20th and
21st centuries and a global cultural phenomenon in his own right,
considered by many to be the “godfather of avant-garde cinema”.
Throughout his life, Mekas always emphasized and cherished his Lithuanian
roots. After fleeing the foreign occupation of his native land, he arrived
in New York City, in his own words “at exactly the right moment”, joining
thousands of others escaping the devastation wrought by destructive
ideologies and tyrannical regimes in Europe. One might say that Mekas left
one village, his native Semeniškiai in northern Lithuania, and immersed
himself in the life of another – the Village thriving in and around lower
Manhattan, and in its landmark publication, the Village Voice, helping to
shape American and global culture so profoundly in the latter half of the
20th century.
This centennial celebration, Jonas Mekas 100!, seeks to expand global
recognition of his work and encourage a deeper exploration of Mekas’
prolific contributions to cinema, film criticism, cultural organization,
and, in particular, his body of poems and prose, now published in
Lithuanian, French, German, English, Japanese, Hebrew, and many other
languages.
The centennial program features over 50 events in an expanding list of
countries, including: Belgium, Denmark, Finland, France, Germany, Greece,
Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan,
Ukraine, the United Kingdom, and the United States. The vast scope of
Mekas’ contribution to global cultural is examined through film screenings
and retrospectives, exhibitions, readings, workshops, new publications and
translations of Mekas’ writings, and concerts celebrating the spirit of his
work, among other events.
The centennial program is a joint international collaboration between
leading art and cinema organisations, curators, publishers, the global
network of Lithuanian cultural attachés, the Estate of Jonas Mekas, and the
Lithuanian Culture Institute.
*___________________________________________________________________*
*February 4 - March 12*
Venue type: *Virtual, online event*
Deluge Contemporary Art
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streaming 24/7,
Event URL: https://deluge.squarespace.com/now
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*The Autobiographical Animal*
An online exhibition comprising four works considering hypotheses of
post-human narrative via moving image. Animals do not produce autobiography
in any sense we can even begin to comprehend, so the human imagination
steps in to create it. The artists in this exhibition approach an often
frustrated desire for interspecies communication and equity in surprising
and open-ended ways, employing the POV of the protagonists while avoiding
the coercion and sentimentality of anthropomorphism—deprivileging their own
status in favour of the other. Occurring on built sets and Saskatchewan
prairies, in virtual environments and appropriated cinematic landscapes,
these films allow for the failure of connection as well as success,
accepting delusions of wildness and power, limitations of human empathy and
vast possibilities of the sensory and perceptual surrounding what we know
about animal consciousness.
*Best of Breed*, VALENTINA GAL | 2017 | 7 MIN
*Horsey*, FRÉDÉRIC MOFFETT | 2018 | 9 MIN
*aen loo pawatamihk*, DIANNE OUELLETTE | 2020 | 6 MIN
*The animal that therefore I am (L’ animal que donc je suis)*, BEA DE
VISSER | 2019 | 11 MIN
*___________________________________________________________________*
*March 1 - 31*
Venue type: *Virtual, online event*
aCinema
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streaming 24/7,
Event URL: https://www.acinema.space/current-program
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*aCinema: Bones of the Future*
*A Juncture of Pleasures* • Jacarrea Garraway, 3 min 36 sec • video
*Hojas (Leaves)* • Camila García, 2 min 23 sec • video
*Roserade* • Véro Marengère, 4 min 44 sec • video
*Volatilis* • Jenna Eriksen (with Anna Seymour; performer), 11 min • video
*SO NATURAL* • Tara Olayeye, 1 min 18 sec • 16mm to video
*De las Cenizas (From the Ashes)* • Donna Conlon, video • 2 min 56 sec
aCinema is a monthly exhibition dedicated to the screening of works by
moving image artists from around the globe for audiences during the 9 month
period of September to May. aCinema also organizes a yearly festival
programmed from an open call for works titled, aDifferent festival. Through
the exhibition of artists -- historical and contemporary, emerging and
established -- in curated programs, aCinema creates a platform for artists
of all career statuses to share a common exhibition space.
Through the curatorial themes and independent thoughts expressed within the
works, aCinema hopes to inspire and expand audiences' views of the moving
image, fostering an arts educational space, where audiences are free to
engage in discussion with curators and artists (when present) following the
screenings.
*___________________________________________________________________*
*March 5 - April 30*
Venue type: *Live, physical event*
McEvoy Foundation for the Arts
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Wed - Sat, 11am-6pm PT,
McEvoy Foundation for the Arts, 1150 25th Street, Building B, San Francisco
*seen only, heard only through someone else’s description*
Short films offer new temporal spaces for considering how images and
narratives construct meaning, artifice, and memory.
*seen only, heard only through someone else’s description* engages
filmmakers and artists whose interdisciplinary practices draw from
performance, film, photography, research, and writing. The program’s title
stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha
(1951–1982)—a poem, performance, and mail art piece that uses language to
unravel dynamics of distance, visibility, hearing, and communication.
The program is organized in two sessions of experimental short films by
women and nonbinary artists from the 1970s through the 2010s. *Sometimes We
Stand Alone* explores personal identity and history through experimental
processes and found footage. *Drawing Energy* is concerned with communities
of women and their collective power to document and deeply engage with
artistic, cultural, or familial lineages. The collected works interweave
varied perspectives to probe formal tensions between the moving image and
still photography. *Sometimes We Stand Alone* screens daily from January 14
through March 4, 2022. *Drawing Energy* debuts March 5 and runs through
April 30, 2022.
Guest curated by Gina Basso in conjunction with Image Gardeners, an
exhibition of modern and contemporary photography from the McEvoy Family
Collection.
---- March 5 – April 30, 2022 /// Drawing Energy ----
Ilene Segalove, *Mom in Famous Women*, 1978
sair goetz, *me and my army*, 2017
Deborah Stratman, *Vever (For Barbara)*, 2019
Onyeka Igwe, *Her Name in My Mouth*, 2017
Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019
Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020
*SATURDAY, MARCH 12, 2022* Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e29e9b0310&e=857b71a9cb>
8pm PT,
Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
*AKTIONISM*
NATALIA MOUNT & FRIENDS + AKTIONISTS +
Our fave East Bay art-provocateur Natalia Mount, the brave and brilliant
curator expanding the re-booted Pro Arts Gallery into a Performing (and
Publishing) Commons, re-invigorates the covid-neutered with a healthy dose
of orgone energy! Here's the festive launch of her break-out
brainstorm/confession/love-letter, *The Commons: of Friends & Lovers*,
written as an experimental dialog with Marc Herbst, the legendary
editor of *Journal
of Aesthetics and Protest*. In a wild and wide-ranging textual exchange,
these two sex-positive protagonists excavate their roiling libidos in an
enlightened effort to connect them to the macro-politics of community
activism. Not only taking the “personal essay” to the next level
of interpersonal correspondence, in fact Ms. Mount tops even that in
tonight's performative and A/V-enhanced reading. Body-doubling
for Herbst in the enacted dialectic is the much-missed Praba Pilar, a
reknown UCD performance artist in her own right. Their live-action back-and
forth of the book's raddest pages proposes new libidinal economies that
fuse Eros and Polis. The supporting hour is a veritable hothouse
(bath-house?) of orgiastic shorts, featuring the transgressive work of
infamous Aktionists Kurt Kren, Otto Muehl, and Hermann Nitsch! PLUS
sizzlers from Erotic Psy. *$9
*___________________________________________________________________*
Venue type: *Live, physical event*
Anthology Film Archives
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6pm ET,
32 Second Avenue, New York
*EC: HOLLIS FRAMPTON*
*ZORNS LEMMA* (1970, 60 min, 16mm. Preserved by Anthology Film Archives.)
“A major poetic work. Created and put together by a very clear eye-head,
this original and complex abstract work moves beyond the letters of the
alphabet, beyond words and beyond Freud. If you don’t understand it the
first time you see it, don’t despair, see it again! When you finally ‘get
it,’ a small light, possibly a candle, will light itself inside your
forehead.” –Ernie Gehr
*HAPAX LEGOMENA I: (nostalgia)* (1971, 36 min, 16mm. Preserved by Anthology
Film Archives, MoMA, and the NYU Moving Image Archiving and Preservation
Program, with funding from the National Film Preservation Foundation.)
“In *(nostalgia)* the time it takes for a photograph to burn (and thus
confirm its two-dimensionality) becomes the clock within the film, while
Frampton plays the critic, asynchronously glossing, explicating, narrating,
mythologizing his earlier art, and his earlier life, as he commits them
both to the fire of a labyrinthine structure; for Borges too was one of his
earlier masters, and he grins behind the facades of logic, mathematics, and
physical demonstrations which are the formal metaphors for most of
Frampton’s films.” –P. Adams Sitney
Total running time: ca. 100 min.
*SUNDAY, MARCH 13, 2022* Venue type: *Live, physical event*
Anthology Film Archives
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4pm ET,
32 Second Avenue, New York
*EC: ERNIE GEHR*
“Ernie Gehr [makes] cinematic magic, often from the least likely materials.
Indeed, Gehr’s most famous film, *SERENE VELOCITY* (1970), in which the
filmmaker transforms an institutional hallway in the basement of a
classroom building at the State University of New York at Binghamton into a
nexus of visual and conceptual energy, merely by adjusting his stationary
camera’s zoom lens every four frames for twenty-three minutes, can be read
as Gehr’s manifesto. For Gehr the most everyday spaces and the most mundane
actions offer the imaginative filmmaker the most interesting potential. No
other filmmaker, with the exception of Michael Snow, has so relentlessly
and so productively explored the capacity of filmmaking to develop the
visual (and auditory) opportunities afforded by the cinematic apparatus
itself.” –Scott MacDonald, A CRITICAL CINEMA 5
Brand new prints!
*REVERBERATION* (1969, 23 min, 16mm)
*SERENE VELOCITY* (1970, 23 min, 16mm, silent)
*STILL* (1971, 54 min, 16mm)
Total running time: ca. 105 min
*___________________________________________________________________*
Venue type: *Virtual, online event*
*GearWax*
https://www.gearwax.org/
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6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday, 6-8pm PT!
*TUESDAY, MARCH 15, 2022*
Venue type: *Live, physical event*
Artist Film Workshop + Australian Center for the Moving Image
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b32282ce40&e=857b71a9cb>
6:30pm (GMT+11),
Cinema 2, Level 2 ACMI, Fed Square, Melbourne, Australia
*ART+FILM: Artist Film Workshop*
Join members of Melbourne’s Artist Film Workshop as they introduce and
screen their recent short films. All shot on 16mm film, these films
celebrate the pleasures of working with celluloid.
Tickets include a drink on arrival and bookings are essential.
ACMI's ART+FILM program showcases short and feature-length films by leading
Australian and international artists. With a focus on single-channel works
that harness the unique conventions of cinema, the program comprises
internationally significant works from the ever-expanding field of artist
films.
*a clearing* | Sabina Maselli | 16mm | colour | 11 min 45 sec | 2022
*Is Anybody Coming Over To Dinner?* | Audrey Lam | 16mm | colour | 9 min |
2022
*Self Portrait With Bag* | Dianna Barrie | 16mm | 6 min | 2020
*Galaxies [a love letter]* | Melody Woodnutt | 16mm | colour | 3 min 40 sec
| 2020
*Mesmo Rio - Same River* | Richard Tuohy | 16mm | colour | 13 min | 2019
*Cottonwood Ranges: right of reply* | Tuffy Morwitzer | 16mm | colour |
4'15" | 2022
*WINDOW* | Artist Film Workshop | 16mm | 20 min | 2021
*___________________________________________________________________*
Venue type: *Virtual, online event*
PIX FILM Collective
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7d73a924b8&e=857b71a9cb>
7pm ET,
Event URL: https://www.twitch.tv/ponyhaus
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*Cowboy Up (or lay there crying)*
~~ online music x digital art out of the stables and into your hearts ~~
WARNING: Our shows may contain images that could trigger seizures for those
with photosensitive epilepsy.
Broadcasting from PIX FILM Gallery
In Partnership with PIX FILM Collective
Supported By the Canada Council for the Arts.
*___________________________________________________________________*
*March 15 - 17*
Venue type: *Live, physical event*
Roxie Theater
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times vary, see below,
Roxie Theater, 3117 16th Street, San Francisco
*Fern Silva's ROCK BOTTOM RISER (35MM)*
Co-Presented by San Francisco Cinematheque and Canyon Cinema
Hawaii’s swirling, roiling flow of volcanic lava provides the anchor for
this energetic, visually and sonically bold cinematic essay by experimental
filmmaker Fern Silva. Filled with astounding telescopic imagery and
engaging digressions into philosophically related phenomena, Rock Bottom
Riser breaks temporal and generic boundaries, touching upon everything from
astronomy to geology to ethnography, from the origins of the universe to
colonialism’s remapping of our planet. Silva erupts all notions of what one
might expect from “nature documentary” filmmaking, and shows viewers
familiar worlds made alien.
70 minutes. 35mm.
March 15, 6:30 PM
March 16, 7:00 PM
March 17, 7:00 PM
*WEDNESDAY, MARCH 16, 2022*
*March 16 - 20*
Venue type: *Live, physical event*
Museum of the Moving Image
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times vary,
Museum of the Moving Image, 36-01 35 Ave, Astoria, NY
*FIRST LOOK 2022*
First Look, the Museum’s acclaimed festival of innovative new international
cinema, introduces New York audiences to formally inventive works that seek
to redefine the art form while engaging in a wide range of subjects and
styles. The festival’s eleventh edition, First Look 2022 will take place in
the Museum’s two theaters, with filmmakers appearing either in person or
via live video. The *Working on It*
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program, which offers a lab-like environment for works-in-progress
screenings, workshops, and discussions, will take place during the day on
March 16, 17, and 18.
Opening Night, on Wednesday, March 16, presents the New York City premiere
of Antoneta Alamat Kusijanović’s *Murina*, a simmering, sexually charged
coming-of-age tale set in scenic coastal Croatia that won the Caméra d’Or
(Best First Feature) at the 2021 Cannes Film Festival and was executive
produced by Martin Scorsese, preceded by the New York premiere of Tsai
Ming-liang’s sorrowful ode to Hong Kong, *The Night*. The Closing Night
selection, on Sunday, March 20, is the New York premiere of Pawel
Lozinski’s delightful and insightful documentary *The Balcony Movie*.
Recipient of the Grand Prix at the 2021 Locarno Film Festival’s Critics
Week (Semaine de la critique), the film was shot entirely from the balcony
of Lozinski’s Warsaw apartment, which proves to be a uniquely advantageous
perch for encountering the struggles and moods of the times. Moving outside
the traditional cinema space, two works by First Look alums will be
presented in the Museum’s galleries: Deniz Tortum and Kathryn Hamilton’s *Our
Ark* in the Video Screening Amphitheater and Charlie Shackleton’s *As Mine
Exactly*, a live virtual reality experience.
*FRIDAY, MARCH 18, 2022*
Venue type: *Live, physical event*
VISIONS
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6:45pm ET,
7080 Rue Alexandra #506, Montréal, QC
*VISIONS 18.03.2022 : LUIS MACIAS*
VISIONS et la lumière collective présentent, en collaboration avec Double
Négatif et OK LÀ : Luis Macias
Filmmaker present | En présence du cinéaste
Projection 16mm, 35mm et numérique | 16mm, 35mm and digital projection
+ info : https://visionsmtl.com/2022/luis-macias-2/
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PROGRAMME
*The eyes empty and the pupils burning of rage and desire*
2 x 16mm | couleur et N&B | sans son | 25 mins
*The Kiss*
2014 | 35mm à numérique | N&B | son | 9 mins
*Spectral Landscape*
3 x projecteurs à diapositives 35mm | couleur et N&B | sans son | 25 mins
*SATURDAY, MARCH 19, 2022*
Venue type: *Live, physical event*
Other Cinema
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8pm PT,
Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
*X~PERI~MENTAL ANIMATION*
COLBURN + FLEMING + PÄRN +
Our annual experimental animation extravaganza irrepressibly pops back up,
come Ides of March, with a wildly diverse program, that includes thee
Martha Colburn mid-career retro, as occasioned by her selection as the Ann
Arbor Film Festival's Penny Stamps Speaker! PLUS new pixillated pieces by
Michael Fleming, Salise Hughes, and John Knecht. AND revivals of OC faves
from Len Lye, Lewis Klahr, Sally Cruikshank, and even the 1949 hybrid live
action/animation curiosity *Alice in Wonderland* by Dallas Bower.
Overlooked Estonian animator Priit Pärn's 1978 *...Ja teeb trikke (...And
Plays Tricks)* also adorns our program, in the good company of Sharon Liu
and Wayne Thiebaud (1952)!! ALSO Mary Ellen Bute, Marv Newland, John
Klacsmann, and more!
*___________________________________________________________________*
Venue type: *Live, physical event*
*NO NAME CINEMA*
6:30pm MST,
NO NAME CINEMA, 2013 Piñon Street, Santa Fe, NM
Event URL: https://www.nonamecinema.org/
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*Basement Films*
16mm prints from the Albuquerque-based film archive & shorts from the
annual EIC festival!
Since 1991 Basement Films has been a volunteer-run screening series, film
archive (of over 8,000 16mm films), residency program & annual festival
supporting experimental and under-represented forms of media-making through
public screenings, performances, workshops, and lectures. NNC is excited to
welcome them to Santa Fe for this special presentation!
*ONGOING*
Venue type: *Virtual, online event*
*Riverwest Radio*
https://www.riverwestradio.com/show/the-long-conversation/
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streaming 24/7
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!
*___________________________________________________________________*
Venue type: *Virtual, online event*
*6x6 Project*
https://6x6project.com/
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streaming 24/7
*Artists' Moving Image Works — Edition Nº 26*
6x6 project is an online artists' community that serves as a platform for
disseminating artists' moving image works, and to create
an ever-growing network among peers.
To date, there have been twenty-seven editions with six different artists.
There are now a total of one hundred and sixty-two artists’ profiles and
more than four hundred artists’ film and moving image works available to
view on the website.
Edition Nº 27 includes works by Krzysztof Honowski, Tilly Shiner, André
Santos Martins, Deniz Şimşek, João Pedro Faro, Clara Helbig
*___________________________________________________________________*
Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
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streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.
*Screening No. 12: Five Films by Nazlı Dinçel*
Nazlı Dinçel, *Between Relating and Use*. 2018, 9 min
Nazlı Dinçel, *Instructions on How to Make a Film*. 2018, 13 min
Nazlı Dinçel, *Hands Oxes*. 2017, 1 min
Nazlı Dinçel, *Solitary Acts #5*. 2015, 6 min
Nazlı Dinçel, *Leafless. 2011*, 8 min
------------------------------
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