[Frameworks] This Week in Avant Garde Cinema: March 19 - 27, 2022

Sat Mar 19 06:07:24 UTC 2022

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*This Week [March 19 - 27, 2022] in Avant Garde Cinema*

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*DEADLINES APPROACHING*
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___________________________________________________________________________________
*sorted by submission deadline*
Ongoing Films for Ukrainian Border Crossings
<bccffpoland at gmail.com?subdir=calls&filename=2.ann&accepts=yes%0a?subdir=calls&filename=2.ann&accepts=yes%20?subdir=calls&filename=2.ann&accepts=yes>
(No Dialogue + PG)
03.20.2022 Videoart.Ist International Video Art Screening Program
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2c9aece3b2&e=857b71a9cb>
03.20.2022 CFMDC + Archive/Counter-Archive
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03.25.2022 Chicago Underground Film Festival
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(Late Deadline)
03.27.2022 Tonnau Short Film Festival
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03.31.2022 Braziers International Film Festival
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(Late Deadline)
03.31.2022 San Diego Underground Film Festival
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(Early Deadline)
03.31.2022 FIDMarseille
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04.01.2022 Fracto Experimental Film Encounter
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04.03.2022 Mimesis Documentary Festival
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(Early Deadline)
04.04.2022 Oak Cliff Film Fest
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(Late Deadline)
04.11.2022 Experimental Film & Video Festival in Seoul (EXIS)
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04.11.2022 Berwick Film & Media Arts Festival
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(2022 Films)
04.30.2022 Antimatter [media art]
<http://filmfreeway.com/AntimatterMediaArt> (Early Deadline)
04.30.2022 Analogica
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(Regular Deadline)
05.16.2022 Edinburgh Short Film Festival
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(Regular Deadline)
05.20.2022 Coney Island Film Festival
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(Late Deadline)
05.20.2022 New Orleans Film Festival
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(Late Deadline)
06.01.2022 Engauge Experimental Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=17e7d1f278&e=857b71a9cb>

*EVENTS*
**** Enter your event announcements here
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*

This week's programs (summary):

   - Jonas Mekas 100!
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5407a0841f&e=857b71a9cb>
[November
   1, 2021-January 25, *2023*, worldwide]
   - aCinema: Bones of the Future
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a7c78e2fea&e=857b71a9cb>
[March
   1-31, online]
   - seen only, heard only through someone else’s description
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b7ebeb31e1&e=857b71a9cb>
[March
   5-April 30, San Francisco]
   - X~PERI~MENTAL ANIMATION
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=688cc977ff&e=857b71a9cb>
[March
   19, San Francisco]
   - Basement Films
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0268a84cc1&e=857b71a9cb>
[March
   19, Santa Fe]
   - Luis Macías: Your Eyes Are Spectral Machines, Film & Live Expanded
   Cinema
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6ea753dcf2&e=857b71a9cb>
[March
   21, New York]
   - 60th Ann Arbor Film Festival
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b00b7b187b&e=857b71a9cb>
[March
   22-27, Ann Arbor, Michigan]
   - Art and Experiment
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=45792e9512&e=857b71a9cb>
[March
   25, Toronto]
   - Optronica1
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a77258473&e=857b71a9cb>
[March
   26, San Francisco]
   - Gearwax: Old vinyl, Repurposed
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3af8ba25ca&e=857b71a9cb>
[March
   27, online]
   - The Long Conversation
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c021c8641d&e=857b71a9cb>
   [ongoing, online]
   - 6x6 Project: Artists' Moving Image Works — Edition Nº 27
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5758de5d2d&e=857b71a9cb>
[ongoing,
   online]
   - Ecstatic Static Screenings
   <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=058a69e6ce&e=857b71a9cb>
[ongoing,
   online]

*STARTING BEFORE MARCH 19, 2022*

*November 1 - January 25, 2023*
Venue type: *Both physical and online*
Jonas Mekas 100!
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=68406e5b19&e=857b71a9cb>
times and locations vary, see below
Event URL: https://jonasmekas100.com/
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*Jonas Mekas 100!*
In 2022, the world and Lithuania celebrate the life and work of Jonas
Mekas, one of the country’s most prominent cultural figures of the 20th and
21st centuries and a global cultural phenomenon in his own right,
considered by many to be the “godfather of avant-garde cinema”.

Throughout his life, Mekas always emphasized and cherished his Lithuanian
roots. After fleeing the foreign occupation of his native land, he arrived
in New York City, in his own words “at exactly the right moment”, joining
thousands of others escaping the devastation wrought by destructive
ideologies and tyrannical regimes in Europe. One might say that Mekas left
one village, his native Semeniškiai in northern Lithuania, and immersed
himself in the life of another – the Village thriving in and around lower
Manhattan, and in its landmark publication, the Village Voice, helping to
shape American and global culture so profoundly in the latter half of the
20th century.

This centennial celebration, Jonas Mekas 100!, seeks to expand global
recognition of his work and encourage a deeper exploration of Mekas’
prolific contributions to cinema, film criticism, cultural organization,
and, in particular, his body of poems and prose, now published in
Lithuanian, French, German, English, Japanese, Hebrew, and many other
languages.

The centennial program features over 50 events in an expanding list of
countries, including: Belgium, Denmark, Finland, France, Germany, Greece,
Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan,
Ukraine, the United Kingdom, and the United States. The vast scope of
Mekas’ contribution to global cultural is examined through film screenings
and retrospectives, exhibitions, readings, workshops, new publications and
translations of Mekas’ writings, and concerts celebrating the spirit of his
work, among other events.

The centennial program is a joint international collaboration between
leading art and cinema organisations, curators, publishers, the global
network of Lithuanian cultural attachés, the Estate of Jonas Mekas, and the
Lithuanian Culture Institute.
*___________________________________________________________________*

*March 1 - 31*
Venue type: *Virtual, online event*
aCinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bd3993bf42&e=857b71a9cb>
streaming 24/7,
Event URL: https://www.acinema.space/current-program
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*aCinema: Bones of the Future*

*A Juncture of Pleasures* • Jacarrea Garraway, 3 min 36 sec • video
*Hojas (Leaves)* • Camila García, 2 min 23 sec • video
*Roserade* • Véro Marengère, 4 min 44 sec • video
*Volatilis* • Jenna Eriksen (with Anna Seymour; performer), 11 min • video
*SO NATURAL* • Tara Olayeye, 1 min 18 sec • 16mm to video
*De las Cenizas (From the Ashes)* • Donna Conlon, video • 2 min 56 sec

aCinema is a monthly exhibition dedicated to the screening of works by
moving image artists from around the globe for audiences during the 9 month
period of September to May. aCinema also organizes a yearly festival
programmed from an open call for works titled, aDifferent festival. Through
the exhibition of artists -- historical and contemporary, emerging and
established -- in curated programs, aCinema creates a platform for artists
of all career statuses to share a common exhibition space.

Through the curatorial themes and independent thoughts expressed within the
works, aCinema hopes to inspire and expand audiences' views of the moving
image, fostering an arts educational space, where audiences are free to
engage in discussion with curators and artists (when present) following the
screenings.

*___________________________________________________________________*

*March 5 - April 30*
Venue type: *Live, physical event*
McEvoy Foundation for the Arts
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=06bd1f126b&e=857b71a9cb>
Wed - Sat, 11am-6pm PT,
McEvoy Foundation for the Arts, 1150 25th Street, Building B, San Francisco
*seen only, heard only through someone else’s description*
Short films offer new temporal spaces for considering how images and
narratives construct meaning, artifice, and memory.
*seen only, heard only through someone else’s description* engages
filmmakers and artists whose interdisciplinary practices draw from
performance, film, photography, research, and writing. The program’s title
stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha
(1951–1982)—a poem, performance, and mail art piece that uses language to
unravel dynamics of distance, visibility, hearing, and communication.

The program is organized in two sessions of experimental short films by
women and nonbinary artists from the 1970s through the 2010s. *Sometimes We
Stand Alone* explores personal identity and history through experimental
processes and found footage. *Drawing Energy* is concerned with communities
of women and their collective power to document and deeply engage with
artistic, cultural, or familial lineages. The collected works interweave
varied perspectives to probe formal tensions between the moving image and
still photography. *Sometimes We Stand Alone* screens daily from January 14
through March 4, 2022. *Drawing Energy* debuts March 5 and runs through
April 30, 2022.

Guest curated by Gina Basso in conjunction with Image Gardeners, an
exhibition of modern and contemporary photography from the McEvoy Family
Collection.

---- March 5 – April 30, 2022 /// Drawing Energy ----
Ilene Segalove, *Mom in Famous Women*, 1978
sair goetz, *me and my army*, 2017
Deborah Stratman, *Vever (For Barbara)*, 2019
Onyeka Igwe, *Her Name in My Mouth*, 2017
Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019
Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020

*___________________________________________________________________*

*March 16 - 20*
Venue type: *Live, physical event*
Museum of the Moving Image
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=837a87f9a2&e=857b71a9cb>
times vary,
Museum of the Moving Image, 36-01 35 Ave, Astoria, NY
*FIRST LOOK 2022*
First Look, the Museum’s acclaimed festival of innovative new international
cinema, introduces New York audiences to formally inventive works that seek
to redefine the art form while engaging in a wide range of subjects and
styles. The festival’s eleventh edition, First Look 2022 will take place in
the Museum’s two theaters, with filmmakers appearing either in person or
via live video. The *Working on It*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=818df484c3&e=857b71a9cb>
program, which offers a lab-like environment for works-in-progress
screenings, workshops, and discussions, will take place during the day on
March 16, 17, and 18.

Opening Night, on Wednesday, March 16, presents the New York City premiere
of Antoneta Alamat Kusijanović’s *Murina*, a simmering, sexually charged
coming-of-age tale set in scenic coastal Croatia that won the Caméra d’Or
(Best First Feature) at the 2021 Cannes Film Festival and was executive
produced by Martin Scorsese, preceded by the New York premiere of Tsai
Ming-liang’s sorrowful ode to Hong Kong, *The Night*. The Closing Night
selection, on Sunday, March 20, is the New York premiere of Pawel
Lozinski’s delightful and insightful documentary *The Balcony Movie*.
Recipient of the Grand Prix at the 2021 Locarno Film Festival’s Critics
Week (Semaine de la critique), the film was shot entirely from the balcony
of Lozinski’s Warsaw apartment, which proves to be a uniquely advantageous
perch for encountering the struggles and moods of the times. Moving outside
the traditional cinema space, two works by First Look alums will be
presented in the Museum’s galleries: Deniz Tortum and Kathryn Hamilton’s *Our
Ark* in the Video Screening Amphitheater and Charlie Shackleton’s *As Mine
Exactly*, a live virtual reality experience.

*SATURDAY, MARCH 19, 2022*

Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=417e69ba8e&e=857b71a9cb>
8pm PT,
Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
*X~PERI~MENTAL ANIMATION*
COLBURN + FLEMING + PÄRN +
Our annual experimental animation extravaganza irrepressibly pops back up,
come Ides of March, with a wildly diverse program, that includes thee
Martha Colburn mid-career retro, as occasioned by her selection as the Ann
Arbor Film Festival's Penny Stamps Speaker! PLUS new pixillated pieces by
Michael Fleming, Salise Hughes, and John Knecht. AND revivals of OC faves
from Len Lye, Lewis Klahr, Sally Cruikshank, and even the 1949 hybrid live
action/animation curiosity *Alice in Wonderland* by Dallas Bower.
Overlooked Estonian animator Priit Pärn's 1978 *...Ja teeb trikke (...And
Plays Tricks)* also adorns our program, in the good company of Sharon Liu
and Wayne Thiebaud (1952)!! ALSO Mary Ellen Bute, Marv Newland, John
Klacsmann, and more!

*___________________________________________________________________*

Venue type: *Live, physical event*
NO NAME CINEMA
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5314f30b81&e=857b71a9cb>
6:30pm MST,
NO NAME CINEMA, 2013 Piñon Street, Santa Fe, NM
*Basement Films*
16mm prints from the Albuquerque-based film archive & shorts from the
annual EIC festival!
Since 1991 Basement Films has been a volunteer-run screening series, film
archive (of over 8,000 16mm films), residency program & annual festival
supporting experimental and under-represented forms of media-making through
public screenings, performances, workshops, and lectures. NNC is excited to
welcome them to Santa Fe for this special presentation!

*MONDAY, MARCH 21, 2022*

Venue type: *Live, physical event*
Microscope Gallery
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2dfe8ff60d&e=857b71a9cb>
7:30 pm ET,
525 West 29th Street, 2nd Floor, NYC
*Luis Macías: Your Eyes Are Spectral Machines, film & live expanded cinema*
Microscope welcome back Spanish artist and filmmaker Luis Macías for a
special evening of films and live expanded cinema performance. The event is
reschedule from March 17, 2020.

In the three works in the program which involve in various combinations
multiple 16mm and 35mm slide projections, Macías proposes and investigates
what he refers to as “spectral cinema,” or something to be revealed and
achieved via the manipulations of the projection device, as well as the
photochemical processes in the lab, and by re-photographing existing images
on film via optical printer, among others. Macías aims at heightening the
sense of the spectrality of cinema — an art form “ghostly” by design, if
considered as the disembodiment of images encapsulated within a celluloid
strip into beams of light. A Q&A with the artist follows the screening and
performance. Advance Ticket Link:https://tinyurl.com/dvew4nv8 General
Admission:$10, Member Admission: $8

*The eyes empty and the pupils burning of rage and desire, *2 x 16mm
projectors, silent, color-b&w, 25 minutes
*The Kiss*, 35mm (screening in video HD), sound, b/w, 9 minutes
*Spectral Landscape*, 3 x 35mm slide projectors, silent, color-b&w, 25
minutes, Sound by Alfredo Costa Monteiro

Please note: The event has a limited capacity of 30 on-site, with proof of
vaccination for Covid-19 and masks required.

*TUESDAY, MARCH 22, 2022*

*March 22 - 27*
Venue type: *Both physical and online*
Ann Arbor Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=91dec655e1&e=857b71a9cb>
6:30pm ET,
Michigan Theater, 603 E Liberty St, Ann Arbor, MI 48104
Event URL:
https://prod3.agileticketing.net/websales/pages/list.aspx?epguid=f3c48a74-5bc1-4953-b2e2-68f08008e0a3&
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4766aac79f&e=857b71a9cb>
*60th Ann Arbor Film Festival*
IN-PERSON AND ONLINE - The 60th Ann Arbor Film Festival will be a hybrid
festival, with both in-person and online opportunities for
attendees. In-Person Festival: Features in Competition, Shorts in
Competition, Juror Presentations, Special Programs, After Parties, Panels &
Discussions, Off The Screen! Installations, & access to the online
festival. Online Festival: Features in Competition, Shorts in Competition,
Juror Presentations, Online Film Forum, Filmmaker Interviews. Online
content will be available through Wednesday, March 31st, 2022. COVID
PRECAUTIONS - AAFF is following Michigan Theater COVID requirements to
ensure a safe environment for our attendees. This includes wearing a mask,
and proof of vaccination or a recent negative COVID test. We will continue
to adapt to changes in partnership with the theater. Of note, the theater
HVAC systems have been upgraded to guarantee a high level of outside air
flow to greatly reduce recirculation within the theater. To see the
Michigan Theater's current policy: https://michtheater.org/covid-safety-plan.
FESTIVAL PASSES - NOW AVAILABLE

*FRIDAY, MARCH 25, 2022*

Venue type: *Live, physical event*
PIX FILM Gallery
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8b284cd727&e=857b71a9cb>
7pm ET,
1411 Dufferin St Unit C, Toronto
*Art and Experiment*
Double screening program presenting some of the most interesting filmmakers
currently working at the interface between film and art from the Film
Archives of the International Short Film Festival Oberhausen 2020 and
2021. Free Event

Starting at 7pm window screening + Hot Chocolate !
8pm indoor at PIX FILM Gallery

*SATURDAY, MARCH 26, 2022*

Venue type: *Live, physical event*
Other Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b1a6aaf04f&e=857b71a9cb>
8pm PT,
Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco
*OPTRONICA1*
STARK + KUC + TBD +
Using found family photographs (mostly 35mm slides), Scott Stark cracks
open the family archive to generate imaginative and at times illogical
narratives. *The Last Forever* (in collaboration with Polish
filmmaker Kamila Kuc) unravels a story of a missing spouse and possible
murder, while *Underlying Persistent Volumes* populates an instructional
video for software development with photos of birthday parties, road trips
and Christmas rituals. Plus an exercise video and (LIVE!) musical
interludes.

*SUNDAY, MARCH 27, 2022*

Venue type: *Virtual, online event*
*GearWax*
https://www.gearwax.org/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=905c1dfe49&e=857b71a9cb>
6pm-8pm PT,
*GEARWAX: OLD VINYL, REPURPOSED*
A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm
records. Hosted by Kathleen and Scott from San Francisco. Every other
Sunday, 6-8pm PT!

*ONGOING*

Venue type: *Virtual, online event*
*Riverwest Radio*
https://www.riverwestradio.com/show/the-long-conversation/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=97f49a3d8c&e=857b71a9cb>
streaming 24/7
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!

*___________________________________________________________________*

Venue type: *Virtual, online event*
*6x6 Project*
https://6x6project.com/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=24babc2f59&e=857b71a9cb>
streaming 24/7
*Artists' Moving Image Works — Edition Nº 26*
6x6 project is an online artists' community that serves as a platform for
disseminating artists' moving image works, and to create
an ever-growing network among peers.

To date, there have been twenty-seven editions with six different artists.
There are now a total of one hundred and sixty-two artists’ profiles and
more than four hundred artists’ film and moving image works available to
view on the website.

Edition Nº 27 includes works by Krzysztof Honowski, Tilly Shiner, André
Santos Martins, Deniz Şimşek, João Pedro Faro, Clara Helbig

*___________________________________________________________________*

Venue type: *Virtual, online event*
*Ecstatic Static*
https://www.ecstaticstatic.com/screenings/
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2983a3a561&e=857b71a9cb>
streaming 24/7
*ECSTATIC STATIC SCREENINGS*
We host regular online screenings of artists’ films and videos on the
landing page, as a way to share work both new and rare, that may otherwise
have a limited release. For more information on each artist and ways on how
to support their work, please see the links below.

*Screening No. 12: Five Films by Nazlı Dinçel*
Nazlı Dinçel, *Between Relating and Use*. 2018, 9 min
Nazlı Dinçel, *Instructions on How to Make a Film*. 2018, 13 min
Nazlı Dinçel, *Hands Oxes*. 2017, 1 min
Nazlı Dinçel, *Solitary Acts #5*. 2015, 6 min
Nazlı Dinçel, *Leafless. 2011*, 8 min

------------------------------

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