[Frameworks] This Week in Avant Garde Cinema: December 9 - 17, 2023
This Week
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Tue Dec 12 06:41:51 UTC 2023
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*This Week [December 9 - 17, 2023] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
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___________________________________________________________________________________
*sorted by submission deadline*
Ongoing Films for Ukrainian Border Crossings
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(No Dialogue + PG)
12.21.2023 Onion City Film Festival
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(Regular Deadline)
12.31.2023 Laterale Film Festival
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(Third Deadline)
01.07.2024 Gravitational Lensing
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01.12.2024 Coney Island Film Festival
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(Regular Deadline)
01.15.2024 RPM Fest - Revolutions Per Minute Festival
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(Regular Deadline)
01.22.2024 ICDOCS - Iowa City International Documentary Film Festival
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(Early Deadline)
01.31.2024 Crossroads Film Festival
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(Early Deadline)
01.31.2024 Crescent City Film Festival
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(Regular Deadline)
01.31.2024 Cauldron International Film and Video Festival
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(Late Deadline)
02.01.2024 International Short Film Festival Oberhausen
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03.30.2024 Braziers International Film Festival
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(Regular Deadline)
*EVENTS*
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Inheritance
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[June
22, 2023-Feb 2024, New York, NY]
- Fragments of A Faith Forgotten: The Art of Harry Smith
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[October
4-January 28, 2024, New York, NY]
- Ephraim Asili Song For My Mother
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[October
5-January 28, 2024, Brooklyn, NY]
- Spectral Evidence - Expanded Cinema
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[December
9, San Francisco, CA]
- Incredibly Strange Religion
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[December
9, San Francisco, CA]
- Mono No Aware Community Screening Program
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[December
10, New York, NY]
- *The Garden* By Derek Jarman
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[December
10-18, New York, NY]
- Ephemerality
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[December
12, San Francisco, CA]
- Harry Smith's Early Abstractions + Uman, Povey, Behrens, Reeves
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[December
15, Oakland, CA]
- Rick Prelinger
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[December
15-17, Santa Fe + ABQ, NM]
- Avant To Live
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[December
16, San Francisco, CA]
- The Long Conversation
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[ongoing, online]
- 6x6 Project: Artists' Moving Image Works
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[ongoing,
online]
*STARTING BEFORE DECEMBER 9, 2023*
*June 22, 2023 - February 2024*
Venue type: *Live, physical event*
Whitney Museum of American Art
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99 Gansevoort St, New York, NY
*Inheritance*
Inheritance traces the profound impacts of legacy and the past across
familial, historical, and aesthetic lines. Featuring new acquisitions and
rarely-seen works from the Whitney collection by forty-three leading
artists, the exhibition includes paintings, sculptures, videos,
photographs, and time-based media installations from the 1970s to today.
This diverse array of works consider what has been passed on and how it may
shift, change, or live again.
Drawing inspiration from Ephraim Asili’s 2020 film of the same title,
Inheritance reflects on multiple meanings of the word, whether celebratory
or painful, from one era, person, or idea to the next. The exhibition takes
a layered approach to storytelling by interweaving narrative with
documentary and personal experiences with historical and generational
events. A group of works examining the cycle from birth to death opens the
exhibition, while other galleries take up different kinds of lineages, such
as how artists borrow from and remake art history or unspool legacies of
racialized violence and their recurrences.
The poet Rio Cortez speaks of being “framed by our future knowing”—even as
we sit in this moment, we slide backward and forward in time, between our
foremothers and the descendants we will never know. Rather than passively
accepting our current state, the artists whose work is on view here ask:
How did we get here, as individuals and as a society, and where are we
going?
Artists featured in this exhibition include Ephraim Asili, Sadie Barnette,
Kevin Beasley, Diedrick Brackens, Beverly Buchanan, Widline Cadet, Andrea
Carlson, Jonathan Lyndon Chase, Ralston Crawford, Mary Beth Edelson, John
Edmonds, Kevin Jerome Everson, Chitra Ganesh, Todd Gray, Wade Guyton, David
Hartt, Emily Jacir, Wakeah Jhane, Mary Kelly, Deana Lawson, An-My Lê,
Maggie Lee, Sherrie Levine, Dindga McCannon, Ana Mendieta, Thaddeus Mosley,
Lorraine O’Grady, Kambui Olujimi, John Outterbridge, Pat Phillips, Faith
Ringgold, Sophie Rivera, Carissa Rodriguez, Cameron Rowland, Sturtevant,
Hank Willis Thomas, Clarissa Tossin, Kara Walker, Joan Wallace, Carrie Mae
Weems, WangShui, and Bruce and Norman Yonemoto.
This exhibition is organized by Rujeko Hockley, Arnhold Associate Curator
at the Whitney Museum of American Art.
*___________________________________________________________________*
*October 4 - January 28, 2024*
Venue type: *Live, physical event*
Whitney Museum of American Art
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times vary, see below,
Whitney Museum of American Art, 99 Gansevoort St, New York, NY
*Fragments of a Faith Forgotten: The Art of Harry Smith*
Member Previews, Sept 28–Oct 2
Oct 4, 2023–Jan 28, 2024
Harry Smith (1923–1991), was a painter, filmmaker, folklorist,
musicologist, and collector as well as a radical nonconformist whose work
defies categorization. Although his creative output includes paintings,
films, poetry, music, and sound recordings, it also consists of extensive
collections of overlooked yet revealing objects, such as string figures and
found paper airplanes. His best-known work, a compilation of recordings
from the 1920s and 1930s titled the *Anthology of American Folk Music*,
achieved cultlike status among many musicians and listeners since it was
first published in 1952.
*Fragments of a Faith Forgotten: The Art of Harry Smith* puts the artist's
life on display alongside his art and collections. It follows him from an
isolated Depression-era childhood in the Pacific Northwest—a time when he
was immersed in ecstatic religious philosophies and Native American
ceremony—to his bohemian youth of marijuana, peyote, and intellectualism in
postwar Berkeley, California. The exhibition also traces his path through
the milieus of bebop and experimental cinema in San Francisco to his
decades in New York, where he was an essential part of the city's
avant-garde fringe.
Keenly attuned to changing technology, Smith embraced innovation and used
whatever was new and of the moment. At the same time, his lifelong interest
in abstract art, ancient traditions, metaphysics, spiritualism, folk art,
and world music came to the fore even as he devised ingenious ways of
collecting sounds and creating films. These concerns make Smith's work feel
increasingly prescient as collecting and sharing come into view as creative
acts that are necessary for drawing meaning from the glut of images and
juxtaposition of cultures we encounter every day.
*___________________________________________________________________*
*October 5 - January 28, 2024*
Venue type: *Live, physical event*
Amant
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times vary, visit website
Amant, Géza, 306 Maujer, Brooklyn, NY
*Ephraim Asili Song for My Mother*
Working across mediums, Ephraim Asili weaves together fragments of popular
culture and personal narrative to tell stories that situate individuals and
the ideas that inform them within broader historical contexts. In *Song for
My Mother* (2023), a new three-channel film installation, Ephraim takes
inspiration from his own story and charts a process of ancestral awakening
that arose out of a period of tremendous personal loss. By layering
gathered footage from across various sites, including unscripted interviews
and performances arising from chance encounters with members of the BCU
community, with archival materials and other cultural iconography, the
installation functions as a historical journey that crosses and connects
space and time to the past, present and future.
By relocating the personal within a wider context of what Ephraim calls
“Black radical collectivity,” *Song for My Mother* establishes a dialogue
with his first feature film *The Inheritance* (2020), a semi-fictional
documentary that follows the inner workings of a Black Marxist commune in
Philadelphia. Working in tandem, both films explore the nature of the
collective, from the interpersonal to the institutional, within the Black
American experience and its importance in establishing and maintaining safe
spaces for Black people to think outside of the constant reminders of a
racist society.
*Song for My Mother* is part of Rituals of Speaking, a film-led series that
explores how artists represent the voices of others through collective
storytelling.
*SATURDAY, DECEMBER 9, 2023* Venue type: *Live, physical event*
Shapeshifters Cinema
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12-2pm PT,
Yerba Buena Center for the Arts, 701 Mission St, San Francisco, CA
*Spectral Evidence - Expanded Cinema*
Spectral Evidence is an expanded cinema program featuring kinetic,
multi-projector and multi-media performances by Zack Parinella & Zekarias
Musele Thompson, Suki O’Kane & Andy Cowitt and Greta Snider & Headboggle.
Spectral Evidence is being organized by Shapeshifters Cinema and will take
place at Yerba Buena Center for the Arts on the occasion of Bay Area Now 9,
the ninth iteration of YBCA’s signature triennial exhibition highlighting
artists working throughout the Bay Area’s nine counties. This one day event
will take place in YBCA's screening room.
*___________________________________________________________________*
Venue type: *Live, physical event*
Other Cinema
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8pm PT, ATA Gallery, 992 Valencia (@ 21st), San Francisco, CA
*INCREDIBLY STRANGE RELIGION*
FINN: APOCALYPTIC CHRISTIAN THEOLOGY +
Calling all atheists, agnostics, and skeptics! We got a laff riot in store
for you this “holiday season”! Headlining is the West Coast premiere of
thee outrageous hour-plus psychedelic portrait of Apostle Paul, by none
other than the prolific comic provocateur outta Pratt, Jim Finn!
His fractured fairytale stars Linda Montano (!) as Christianity's first
missionary, sojourning through 16mm religious films (from OC Archives!),
cassette propaganda, board games, and animation, all to the tune of Roman
Empire doom metal. Finn sends in his personal intro via video. AND: Our
program's first half is as stuffed as a Xmas stocking with additional
anomalies: Max Oginz is in-person with the debut of his *Manifestation
Document*, Jodie Wille's teaser for her long-awaited Unarius ode, Eldridge
Cleaver in Jeremiah Films'* Cult Explosion*, and a Mormon clip that
finds Jesus atop the Mayan pyramids of Yucatan. Come early for eggnog and
glimpses of Rochemont's *Luther*.
*SUNDAY, DECEMBER 10, 2023* Venue type: *Live, physical event*
Anthology Film Archives
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1pm ET,
32 Second Avenue, New York, NY
*MONO NO AWARE COMMUNITY SCREENING PROGRAM*
Featuring the world premiere of films made locally with the support of MONO
in Fall 2023.
This program will include films made through the educational initiatives of
MONO NO AWARE, a cinema-arts nonprofit organization and film positive
community working to promote connectivity through the cinematic experience.
Established in 2007 and based in downtown Brooklyn, MONO NO AWARE presents
monthly artist-in-person screenings, facilitates equipment rentals,
operates a film distribution initiative, maintains wet & dry lab
facilities, and hosts an annual exhibition for contemporary artists and
international filmmakers whose work incorporates Super-8mm, 16mm, 35mm, or
altered light projections.
This will be the final MONO community screening of 2023!
For more info visit: www.mononoawarefilm.com
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*___________________________________________________________________*
*December 10 - 18*
Venue type: *Live, physical event*
Anthology Film Archives
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times vary, see below,
32 Second Avenue, New York, NY
*THE GARDEN by Derek Jarman*
1990, 92 min, Super-8mm-to-DCP
--- December 10 @ 9:15pm ET --- *and* --- December 18 @ 6:45pm ---
“Half waking dream and half fiery polemic, *THE GARDEN* was born of
director Jarman’s rage over continued anti-gay discrimination and the
sluggardly response to the AIDS crisis – he had been diagnosed HIV positive
in 1988. Starring Tilda Swinton, this uniquely kaleidoscopic film shows the
filmmaker’s genius at its most coruscating, making space in its breadth of
vision for an over-the-top Hollywood-style musical number, nightmare images
of tar-and-feather queer persecution, and footage of the particularly
menacing-looking nuclear power plant that overlooks Jarman’s own garden,
the point from which his film begins, and a cherished spot which he must
keep to tending even as his body begins to betray him. Writhing with sorrow
and anger, and yet so vividly alive to the loveliness of being, *THE GARDEN* is
a baleful and beautiful epistle from the brink of the beyond.” –Nick
Pinkerton
“This bizarre, poetic, queer story of the Passion follows a gay couple
mocked, abused, and murdered. But there is a lot of magic in between. The
film is graced with two Last Suppers. One is all-female with a young Tilda
Swinton as Madonna-Jesus. The other has male apostles with candles on their
heads and a gay couple as Jesus. ‘Old age came quickly for my frosted
generation,’ says the baritoned voiceover.” –Jim Finn
*TUESDAY, DECEMBER 12, 2023* Venue type: *Live, physical event*
SFAI Legacy Foundation + Archive
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7pm PT,
16 Sherman Street, San Francisco, CA
*Ephemerality*
A Program of 16mm Film Prints from the San Francisco Art Institute Legacy
Archives
Films by Kurt Kren, Marian Wallace, Marie Menken, Robert Breer, Guy
Sherwin, Joel Singer, and Stan Brakhage.
Curated by Linda Scobie, Mark Wilson, Steve Anker
DOOR OPENS AT 7 — CLOSES AT 7:30
Please try to arrive early. Seating is limited. Once the screening begins
no one will be available to monitor the entrance and the door will be
locked.
With Support from Jeff Gunderson and Becky Alexander of SFAI Legacy
Foundation, and Seth Mitter.
*FRIDAY, DECEMBER 15, 2023* Venue type: *Live, physical event*
Shapeshifters Cinema
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8pm PT,
567 5th St, Oakland, CA
*Harry Smith's Early Abstractions w/live music + Uman, Povey, Behrens &
Reeves*
As part of the centennial celebrations happening this year in honor of the
famously eclectic and spirited polymath Harry Smith, we are excited to
share a program of abstract, experimental and hand-made films. The program
centers around Smith's own Early Abstract Animations (six short films made
between 1946-1952) which will be presented on 16mm film and accompanied by
live, improv jazz music by Lisa Mezzacappa, Cory Wright, Brett Carson &
Kjell Nordeson.
Rounding out the program will be a selection of contemporary, abstract and
direct animation films (also presented on 16mm film), including *Hand Eye
Coordination* by Naomi Uman, *St. Louis* by Thad Povey and the Scratch Film
Junkies, *Stan's Salon* by Jon Behrens and *The Girl's Nervy* by Jennifer
Reeves.
*___________________________________________________________________*
*December 15-17*
Venue type: *Live, physical event*
No Name Cinema
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times vary, see below,
Venues vary, Santa Fe + ABQ, NM
*RICK PRELINGER*
Archivist, filmmaker, writer and educator. He began collecting "ephemeral
films" (films made for specific purposes at specific times, such as
advertising, educational and industrial films; more recently called "useful
cinema") in 1983. His collection of 60,000 films was acquired by Library of
Congress in 2002, and since that time Prelinger Archives has again grown to
include some 30,000 home movies and 7,000 other film items. Beginning in
2000, he partnered with Internet Archive to make a subset of the Prelinger
Collection (now over 8,700 films) available online for free viewing,
downloading and reuse. His archival feature Panorama Ephemera (2004) played
in venues around the world, and his feature project No More Road Trips?
received a Creative Capital grant in 2012. His 30 Lost Landscapes
participatory urban history projects have played to many thousands of
viewers in San Francisco, Detroit, Oakland, Los Angeles, New York and
elsewhere. He is a board member of Internet Archive and frequently writes
and speaks on the future of archives. With Megan Prelinger, he co-founded
Prelinger Library, an experimental research library in downtown San
Francisco, in 2004. It is still open to the public. He is currently Emerit
Professor of Film & Digital Media at UC, Santa Cruz.
--- DEC 15, 7pm - No Name Cinema (2013 Pinon St, Santa Fe) ---
*CENTERS AND EDGES 2: Home Movie Revelations and Provocations* (75 min,
digital scans from 8mm & 16mm film) - a program of unusual home movies from
a variety of North American communities, including a talk about how home
movies point toward thinking about cinema in different ways & how they
problematize both archives themselves & production in general. "If we could
edit the surviving body of North American home movies into a single,
endless film, we would experience a broad and bottomless self-portrait of
life, leisure, labor, celebration and performance between the 1920s and
1980s. This program attempts to do the same in 75 minutes, compiling
segments from home movies representing many different eras, places and
communities and demonstrating that home movies, whether predictable,
surprising or enigmatic, might be all the cinema we ever need."
--- DEC 16, 1pm - The Guild Cinema (3405 Central Ave, Albuquerque) ---
*NO MORE ROAD TRIPS?* - an “interactive” film (in which the audience is
encouraged to speak) taking place along US 66. [New frame-by-frame
restoration!]
--- DEC 17, 11am - Vladem Contemporary New Mexico Museum of Art (404
Montezuma Avenue, Santa Fe) ---
*NOISY ARCHIVES AND THE FUTURE OF MEMORY* - Beginning with what we think we
know about archives, history and the digital turn, this provocative talk
(with photos and archival clips) takes us on a contrarian and speculative
journey through archives and memory keeping. It argues that we need to
think beyond simple binaries like “analog” and “digital,” and proposes
archives with permeable walls, where records move in and out of archives
with ease and are freely available to all people and communities.
*SATURDAY, DECEMBER 16, 2023* Venue type: *Live, physical event*
Other Cinema
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8pm PT,
ATA Gallery, 992 Valencia (@ 21st), San Francisco, CA
*AVANT TO LIVE*
BECKER + DAVIS/EVANS + N.E.W.
A mini-fest of innovation in film form, this season's NEW Night boasts 15
cine-initiatives, with 12 artists in person! As to “Embodied Exhibition”,
in fact a live film-performance anchors each of the two halves of the
show: Tommy Becker's *Elective Art *and John Davis and Keith Evans'
*3**rd**Attractor:
Profile, Chorus, Break**.* AND Others in the flesh are Ellie Vanderlip
with *Elephant's
Foot,* Kathleen Quillian's *Ten-Dollar Bill*, Linda Scobie's *Tana*, Max
Oginz' *House of Imaginary Objects*, Anthony Buchanan's *Cutting Up*
Winston, T.T.
Takemoto's *Always Wanting*, Josh Harper's *The Green Hand,*Ivy Woods' *Handled
Handmade-Handfilm*, and Luis Booth*'*s *T,O,N,G,U,E* (with guitar
accompaniment). PLUS Mark Street's *Long Ago, Far Away*, Salise
Hughes' *Education
of Lulu*, *Jake Scott*'s *Cloud Studies*, and Alex Miller's *Incubate**.*Free
pencils!
*ONGOING*
Venue type: *Virtual, online event*
Riverwest Radio
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streaming 24/7
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!
*___________________________________________________________________*
Venue type: *Virtual, online event*
6x6 Project
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streaming 24/7
*Artists' Moving Image Works*
6x6 project is an online artists' community that serves as a platform for
disseminating artists' moving image works, and to create
an ever-growing network among peers.
There are now more than four hundred artists’ film and moving image works
available to view on the website.
------------------------------
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