[Frameworks] Experimental films with bodily sounds

Albert Alcoz albertalcoz at gmail.com
Sat Jan 7 09:31:06 CST 2023


"YYAA" by Wojciech Bruszewski

You can find it online. It was included with the dvd The Workshop of the
Film Form released by the Electronic Arts Intermix

El vie., 6 ene. 2023 20:29, Kornelia Boczkowska <
kornelia.boczkowska at gmail.com> escribió:

> Blow-up (Siegfried A. Fruhauf, 2001) – breath
>
> Sighscape (Duncan Cowles, 2022) – the sound of someone sighing or some
> other non-verbal utterance
>
> W dniu 06.01.2023 o 16:58, Simon Håkansson pisze:
>
> Hermeto Pascoal - Mistérios do Corpo
> https://youtu.be/UPMPye2gg3o
> ------------------------------
> *From:* Frameworks <frameworks-bounces at film-gallery.org>
> <frameworks-bounces at film-gallery.org> on behalf of Josh B Mabe
> <jb.mabe at gmail.com> <jb.mabe at gmail.com>
> *Sent:* Friday, January 6, 2023 4:53:10 PM
> *To:* Experimental Film Discussion List <frameworks at film-gallery.org>
> <frameworks at film-gallery.org>
> *Subject:* [Frameworks] Experimental films with bodily sounds
>
> Peter Kubelka’s Pause!
> Mara Mattuschka’a I Have Been Very Pleased
> That Andy Warhol indigestion medication commercial
>
> On Friday, January 6, 2023, Gabriele Jutz <gabriele.jutz at uni-ak.ac.at>
> wrote:
>
> Hello Frameworkers,
>
> I’m preparing an academic article on experimental films with soundtracks
> that have their source in the human body, that is, primarily non-linguistic
> bodily sounds (or a more “primitive” form of language).
> Valie Export’s performance video *i turn over the pictures of my voice in
> my head* (2009)
>
> shows a close up-of the artist’s larynx from the inside out, while she
> strenuously reflects on the relevance of the voice (
> https://www.sixpackfilm.com/en/catalogue/1765/).
>
> The soundtrack of Daichi Saito’s *earthearthearth* (2021) consists of an
>
> improvisation by saxophonist Jason Sharp, in which his heartbeat and
> breathing play a prominent role.
>
> Purely auditory examples (though without video – I am searching for films
> with image and sound tracks) are the sound poems of Henri Chopin. In *Mes
> bronches *(1968), for instance, he swallowed small microphones in order
> to record his bronchial cavities (
> https://on-air.caricomassimo.org/en/airchive/mes-bronches).
>
>
>
> I wonder if anyone here could suggest more experimental films whose soundtracks
> involve the artist’s physical/bodily presence as a central element? Any
> suggestion will be appreciated.
>
> Best,
>
> Gabriele Jutz
>
>
>
>
>
> -----------------------------------------
>
>
> *Univ. Prof. Mag. **Dr. Gabriele Jutz*
> Universität für angewandte Kunst
> Abteilung für Medientheorie
>
> T +43 699 12 10 81 44
>
> dieangewandte.at
>
> medientheorie.ac.at
> Postsparkasse
>
> Georg-Coch-Platz 2
> <https://www.google.com/maps/search/Georg-Coch-Platz+2?entry=gmail&source=g>
>
> HP Raum 022
> 1010 Wien / Austria
>
>
>
> http://www.resettheapparatus.net
>
>
>
>
> --
> Kornelia Boczkowska, Ph.D.
> Assistant Professor
> Department of Studies in Culture
> Faculty of English | Adam Mickiewicz University in Poznańhttps://www.researchgate.net/profile/Kornelia_Boczkowskahttps://orcid.org/0000-0003-0875-9209
>
> --
> Frameworks mailing list
> Frameworks at film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
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