[Frameworks] Experimental films with bodily sounds

[jimmyschaus1]

Laida Lertxundi "Vivir para Vivir"--the sound of the filmmaker's heartbeat
gradually segues into the West Coast Experimental Pop band's "I Won't Hurt
You".  In another part the shape of the sound waves of a sound recording of
a woman's orgasm are fed into a synthesizer and thus rendered
electronically.

On Sat, Jan 7, 2023 at 10:32 AM Albert Alcoz <albertalcoz at gmail.com> wrote:

> "YYAA" by Wojciech Bruszewski
>
> You can find it online. It was included with the dvd The Workshop of the
> Film Form released by the Electronic Arts Intermix
>
> El vie., 6 ene. 2023 20:29, Kornelia Boczkowska <
> kornelia.boczkowska at gmail.com> escribió:
>
>> Blow-up (Siegfried A. Fruhauf, 2001) – breath
>>
>> Sighscape (Duncan Cowles, 2022) – the sound of someone sighing or some
>> other non-verbal utterance
>>
>> W dniu 06.01.2023 o 16:58, Simon Håkansson pisze:
>>
>> Hermeto Pascoal - Mistérios do Corpo
>> https://youtu.be/UPMPye2gg3o
>> ------------------------------
>> *From:* Frameworks <frameworks-bounces at film-gallery.org>
>> <frameworks-bounces at film-gallery.org> on behalf of Josh B Mabe
>> <jb.mabe at gmail.com> <jb.mabe at gmail.com>
>> *Sent:* Friday, January 6, 2023 4:53:10 PM
>> *To:* Experimental Film Discussion List <frameworks at film-gallery.org>
>> <frameworks at film-gallery.org>
>> *Subject:* [Frameworks] Experimental films with bodily sounds
>>
>> Peter Kubelka’s Pause!
>> Mara Mattuschka’a I Have Been Very Pleased
>> That Andy Warhol indigestion medication commercial
>>
>> On Friday, January 6, 2023, Gabriele Jutz <gabriele.jutz at uni-ak.ac.at>
>> wrote:
>>
>> Hello Frameworkers,
>>
>> I’m preparing an academic article on experimental films with soundtracks
>> that have their source in the human body, that is, primarily non-linguistic
>> bodily sounds (or a more “primitive” form of language).
>> Valie Export’s performance video *i turn over the pictures of my voice
>> in my head* (2009)
>>
>> shows a close up-of the artist’s larynx from the inside out, while she
>> strenuously reflects on the relevance of the voice (
>> https://www.sixpackfilm.com/en/catalogue/1765/).
>>
>> The soundtrack of Daichi Saito’s *earthearthearth* (2021) consists of an
>>
>> improvisation by saxophonist Jason Sharp, in which his heartbeat and
>> breathing play a prominent role.
>>
>> Purely auditory examples (though without video – I am searching for
>> films with image and sound tracks) are the sound poems of Henri Chopin. In
>>  *Mes bronches *(1968), for instance, he swallowed small microphones in
>> order to record his bronchial cavities (
>> https://on-air.caricomassimo.org/en/airchive/mes-bronches).
>>
>>
>>
>> I wonder if anyone here could suggest more experimental films whose soundtracks
>> involve the artist’s physical/bodily presence as a central element? Any
>> suggestion will be appreciated.
>>
>> Best,
>>
>> Gabriele Jutz
>>
>>
>>
>>
>>
>> -----------------------------------------
>>
>>
>> *Univ. Prof. Mag. **Dr. Gabriele Jutz*
>> Universität für angewandte Kunst
>> Abteilung für Medientheorie
>>
>> T +43 699 12 10 81 44
>>
>> dieangewandte.at
>>
>> medientheorie.ac.at
>> Postsparkasse
>>
>> Georg-Coch-Platz 2
>> <https://www.google.com/maps/search/Georg-Coch-Platz+2?entry=gmail&source=g>
>>
>> HP Raum 022
>> 1010 Wien / Austria
>>
>>
>>
>> http://www.resettheapparatus.net
>>
>>
>>
>>
>> --
>> Kornelia Boczkowska, Ph.D.
>> Assistant Professor
>> Department of Studies in Culture
>> Faculty of English | Adam Mickiewicz University in Poznańhttps://www.researchgate.net/profile/Kornelia_Boczkowskahttps://orcid.org/0000-0003-0875-9209
>>
>> --
>> Frameworks mailing list
>> Frameworks at film-gallery.org
>> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>>
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