[Frameworks] Color separation experiment

Albert Alcoz albertalcoz at gmail.com
Wed Mar 15 17:08:57 CDT 2023


Hello John,

Some other films that could be interesting for the color separation
experiment are *Colour Separation* by Chris Welsby
<https://lightcone.org/en/film-1532-colour-separation> and, as Eric Theise
suggested, Tomonari Nishikawa's *45 7 Broadway*
<https://vimeo.com/117525190>.

In 2015 I did an Ektachrome reversal super 8 film playing with different
colour filters. It was a freestyle procedure though and here are some
frames of the outcome: *Color Spectrum
<http://www.albertalcoz.com/2015/05/espectro-cromatico.html>*.

Best,
Albert

On Wed, Mar 15, 2023 at 8:24 PM Jeff Kreines <jeff at kinetta.com> wrote:

> If you’re shooting under artificial light consider using cycled R G B LED
> lights instead of filters. Less light loss and less heat to melt the ice.
>
> Jeff Kreines
> Kinetta
> jeff at kinetta.com
> kinetta.com
>
> Sent from iPhone.
>
> On Mar 15, 2023, at 1:11 PM, Eric Theise <erictheise at gmail.com> wrote:
>
> 
> Hi John,
>
> Since Andre mentioned the Cantrills, I will say that their Waterfall is
> perhaps my favorite color separation film. But more recently, there was Ben
> River's sloth film, Now, At Last! <https://vimeo.com/320467431>, and I
> believe Tomonari Nishikawa has made more than one. I doubt he's on
> Frameworks but I've always found him to be a friendly problem solver so you
> might want to reach out to him:
>
> https://www.tomonarinishikawa.com/contact.html
>
> Eric
>
>
> On Wed, Mar 15, 2023 at 11:59 AM <andre.colinet at telenet.be> wrote:
>
>> The films of The Cantrills in a desert of Australia.Time,colour,
>> separations.
>>
>>
>> ----- Mail d’origine -----
>> De: John Davis <0johndavis0 at gmail.com>
>> À: Experimental Film Discussion List <frameworks at film-gallery.org>
>> Cc: Renée Delores <reneedelores at hotmail.com>
>> Envoyé: Wed, 15 Mar 2023 18:05:44 +0100 (CET)
>> Objet: [Frameworks] Color separation experiment
>>
>> Hello Frameworkers,
>>
>> I am collaborating with, and writing on behalf of a friend who wants to
>> make a film using Ektachrome that will attempt to create a motion/color
>> separation effect. Here are her words:
>>
>> "I am seeking advice for shooting a three color separation in 16mm with
>> Ektachrome color reversal film.
>>
>>
>> The film will document three fixed-position nearly identical ice blocks
>> with embedded plant materials. I plan to shoot on the same film reels
>> doing
>> three consecutive passes, each pass documenting the three ice blocks as
>> they disintegrate. Using an Intervalometer for time-lapse, I am thinking I
>> would need to use three different filters/gels to isolate the colors for
>> each pass as the ice melts and the trapped matter/water fall out of
>> alignment. Any advice/experience with a process like this would be much
>> appreciated.
>>
>>
>> Some questions are:
>>
>>
>> 1. What RGB gels/filters would be recommended to filter out corresponding
>> colors and produce the positive RGB color separation effect?
>>
>> 2. As Ektachrome is a reversal film, would I use the complementary filters
>> for red (cyan), green (magenta) and blue (yellow)? Or should I be doing
>> the
>> opposite?
>>
>>
>> With the understanding there will need to be light tests, etc, any
>> additional advice on aperture compensation relative to a triple exposure
>> (with gels) would be much appreciated."
>>
>>
>> Sincerely,
>>
>>
>> John Davis
>>
>>
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>>
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-- 
http://albertalcoz.com/ <http://www.albertalcoz.com/>
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