[Frameworks] This Week in Avant Garde Cinema: May 6 - 14, 2023
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*This Week [May 6 - 14, 2023] in Avant Garde Cinema*
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*DEADLINES APPROACHING*
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*sorted by submission deadline*
Ongoing Films for Ukrainian Border Crossings
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(No Dialogue + PG)
05.07.2023 Istanbul International Experimental Film Festival
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(6th Deadline)
05.08.2023 FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPÉRIMENTAUX DE PARIS
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05.12.2023 Buffalo Int’l Film Festival
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(Regular Deadline)
05.12.2023 New Orleans Film Festival
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(Late Deadline)
05.14.2023 Braziers International Film Festival
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(Late Deadline)
05.19.2023 Edinburgh Short Film Festival
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(Regular Deadline)
05.31.2023 Interbay Cinema Society Lightpress Grants
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05.31.2023 ANALOGICA
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(Late Deadline)
05.31.2023 Laterale Film Festival
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(Extended Deadline)
05.31.2023 25FPS Festival
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06.01.2023 Reeling The Chicago LGBTQ+ International Film Festival
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(Late Deadline)
06.01.2023 Engauge Experimental Film Festival
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06.15.2023 Revolutions Per Minute Festival
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(Extended Deadline)
06.30.2023 Antimatter [media art]
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(Regular Deadline)
06.30.2023 Ji.hlava International Documentary Film Festival
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(rough cuts + pre world premiere)
06.30.2023 ULTRAcinema
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(Regular Deadline)
07.10.2023 Affective Intermediality International Conference
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*EVENTS*
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___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*
This week's programs (summary):
- Refresh
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[March
2022 - Spring 2023, Denver, CO]
- Natural Magic: Experiments In Photography
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[March
17-June 4, Oxford, UK]
- New Films On Re:Voir Online
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[April
29-May 6, online]
- Prismatic Ground
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[May
3-7, New York, NY]
- Untitled
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[May
6 + May 18, New York, NY]
- A Complete Retrospective, Program 4: It's A R(Eel) A(Nswer) P(Rints)!
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[May
6, Oakland, CA]
- Good Puppets
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[May
6, San Francisco, CA]
- Spotlight On Alee Peoples
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[May
6, San Francisco, CA]
- Mono No Aware Community Screening Program
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[May
7, New York, NY]
- Moving Focus - Live Soundtracks For Underground Short Films
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[May
7, Linz, Austria]
- Films By Sheri Wills - Artist In Person
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[May
8, New York, NY]
- VISIONS: Isiah Medina
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[May
10, Montreal, QC, Canada]
- Festival of (In)Appropriation Remixed 2023
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[May
10, Paris, France]
- Derek Jenkins: &Now Artist-In-Residence: Artist Talk
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[May
11, Hamilton, ON, Canada]
- Contact: Intervals – Sophie Clements, Tim Parkinson, Simon Payne
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[May
11, London, UK]
- Stitching The Future With Clues
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[May
11, San Francisco, CA]
- Man With A Movie Camera, With Live Score By Montopolis
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[May
12, Los Angeles, CA]
- Open Screen V.3
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[May
12, Santa Fe, NM]
- Jon Behrens's Seattle: A City In Four Parts
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[May
12, Seattle, WA]
- *O*PTR*O*NICA3
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[May
13, San Francisco, CA]
- Colección Privada: The Super-8 And 16mm Scene In Spain
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[May
13-14, New York, NY]
- The Long Conversation
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[ongoing, online]
- 6x6 Project: Artists' Moving Image Works
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[ongoing,
online]
*STARTING BEFORE MAY 6, 2023*
*March 2022 - Spring 2023*
Venue type: *Live, physical event*
Denver Museum of Nature & Science
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open during Museum hours,
The Summit Stage and Expedition Health, Denver Museum of Nature & Science,
2001 Colorado Blvd, Denver, CO
*REFRESH: *CYANOBACTERIA OFFER PERSPECTIVE ON OURSELVES
This art-science collaboration looks at the microscopic ways cyanobacteria
move, on an individual level and in colonies. If we study these organisms
and their varied forms, we might discover ways to improve our future.
On display at the Denver Museum of Nature & Science in the Summit Stage and
Expedition Health, March 2022 - Fall 2022
The cells in your body take in oxygen and sweep out waste products like
carbon dioxide (CO2). Microscopic cyanobacteria use photosynthesis to work
in reverse, breathing in CO2 and pumping out oxygen.
Three billion years ago, cyanobacteria created Earth’s oxygenfilled
atmosphere, supporting the evolution of creatures like us. Today, they
provide one-quarter of the planet’s oxygen, and cyanobacteria like
spirulina provide us with food.
Researchers believe that cyanobacteria —which need only sunlight, CO2, and
water to thrive— could offer solutions to our changing climate. They might
help reduce CO2 on a grand scale, contribute to biofuel production, and
support long-term space travel. This diverse group of organisms offers a
symbolic warning as well: when colonies of cyanobacteria become too dense
or stressed, they can run out of nutrients or be destroyed by their own air
pollution.
Made with the collaborative efforts of filmmaker Erin Espelie and the
Jeffrey Cameron Laboratory at the University of Colorado Boulder, which
created a customized microscope system specifically tailored for long-term
growth and quantitative imaging of cyanobacterial cells; with special
thanks to microbiologist and cinematographer Evan Johnson and artists Nima
Bahrehmand, Travis Austin, Will Alstetter, as well as NEST Studio for the
Arts.
*___________________________________________________________________*
*March 17 - June 4*
Venue type: *Live, physical event*
Bodleian Library
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Mo - Sa 10am-5pm, Su 11am-4pm GMT,
Transept, Weston Library, Bodleian Library, University of Oxford, Broad St,
Oxford, UK
*Natural Magic: Experiments in Photography*
Photography was invented by a network of chemical experimenters. Little by
little, they discovered the photosensitive properties of precious metals
and learned to capture images from life on a chemical emulsion of silver
nitrate, or iron, or gold, or ground up vegetables. Today’s digital
photography feels a long way from the experiments of the nineteenth
century, but an intrepid society of alchemists is reviving the processes of
the past and creating new approaches to darkroom photography.
*Natural Magic* features work by Megan Ringrose, Nettie Edwards, Karel
Doing, Andrés Pardo, and Garry Fabian Miller – artists who have spent a
lifetime exploring the chemical potentials of photography.
*___________________________________________________________________*
*April 29 - May 6*
Venue type: *Virtual, online event*
Re:Voir
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12pm, Event URL: ReVoir Online (app store
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/ google play
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)
*NEW FILMS ON RE:VOIR ONLINE*
Every week we add four new films to the Re:Voir Online database and
streaming platform. New films this week:
*Don’t Move* - Studio Eén, Marc Geerards (1996, 7 mins.)
*Departure on Arrival* - Studio Eén, Barbara Meter (1996, 22 mins.)
*Parkautomaat* - Stuio Eén, Francien van Everdingen (1996, 4 mins.)
*Le Château de Pointilly* - Adolpho Arrietta (1972, 39 mins)
* The ReVoir Online app is free to download and free for the first 30 days,
free to watch clips and trailers. Subscription 8€/month to watch all films.
Currently over 500 films available.
*___________________________________________________________________*
*May 3 - 7*
Venue type: *Live, physical event*
Prismatic Ground
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times vary, visit website,
various locations in NYC
*Prismatic Ground*
Prismatic Ground, an annual festival centered on experimental documentary
and avant-garde film and co-presented by Screen Slate, will hold its third
edition May 3-7, 2023, in-person across the Museum of the Moving Image,
Maysles Documentary Center, BAM Cinematheque, DCTV’s Firehouse Cinema,
Light Industry, and Anthology Film Archives. For the complete festival
program and schedule visit: prismaticground.com
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.
Opening Night will feature the hometown premiere of sibling duo Soda
Jerk’s *Hello
Dankness*. Comprised entirely of hundreds of film samples, *Hello
Dankness* bears
witness to the psychotropic spectacle of American politics from 2016 to
2021 and the mythologies and lore that took root around it, exemplifying
the festival’s commitment to politically and aesthetically abrasive new
forms.
The full lineup of roughly sixty films features recent work by dozens of
artists including Naomi Uman, Lawrence Lek, Jim Finn, Miryam Charles, Tsai
Ming-Liang, Collectif Faire-Part and Kimi Takesue; plus new restorations of
essential work by Raphael Montañez Ortiz, Julius-Amédée Laou, Arthur &
Corinne Cantrill, Maike Höhne and Bill Brand; and films screened in tribute
to late filmmakers Michael Snow, Takahiko Iimura, and Emma Wolukau-Wanambwa.
At least one out of every six selections will be projected on 16mm or 35mm
film, including Gaëlle Rouard’s *Darkness, Darkness, Burning Bright* and
the Closing Night presentation of Alexandre Larose’s *scènes de ménage*.
A small selection of films will be available to stream for free, worldwide
during the festival dates, alongside work by the recipient of this year’s
Ground Glass Award (TBA). A selection of short films from the first two
editions of Prismatic Ground can currently be streamed on the Criterion
Channel by subscribers in the US.
*SATURDAY, MAY 6, 2023*
*May 6 + May 18*
Venue type: *Live, physical event*
Anthology Film Archives
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May 6 @ 3:15pm & May 18 @ 7:30pm,
32 Second Avenue, New York, NY
*UNTITLED*
by Kathy Acker & Alan Sondheim, 1974, 55 min, video
“This black-and-white video [often referred to as *BLUE TAPE*, though that
title was applied only later] depicts a sexually explicit, emotionally
charged, and psychologically fraught encounter between a
twenty-six-year-old Acker and a thirty-one-year-old Sondheim that took
place over the course of a 48-hour period in Sondheim’s NYC loft. [It]
opens with a close-up shot of Acker as she recounts her initial meeting
with Sondheim several weeks prior and the subsequent unfolding of events
leading to the making of the work, including her practice of ‘memory
experiments,’ intended to ‘break through memory to desire.’ With the camera
framed tightly on Acker, Sondheim reads aloud a text she sent to him in
advance of their second meeting in which she ascribes to him the role of
her father, whom she never met. The text, and Sondheim’s out-of-view
recitation, set the stage for the exchange (of ideas, of roles, of pleasure
and its lack, of fluids) we bear witness to over the next 55 minutes.” –JOAN
Followed by:
*UNTITLED (TAPE 2)* by Kathy Acker & Alan Sondheim, 1974, 33 min, video
The day after recording the video piece that has come to be known as *BLUE
TAPE* (but which was never intended to have a title), Sondheim and Acker
made a second, related tape. Commenting on and structured after the first,
it similarly documents a charged intellectual and sexual encounter but with
Sondheim and Acker’s roles reversed. This tape had never been screened in
the U.S. until we showed it at Anthology as part of our Wilhelm
Reich-themed film series this past March!
Total running time: ca. 95 min.
*___________________________________________________________________*
Venue type: *Live, physical event*
Shapeshifters Cinema
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8pm PT,
Shapeshifters Cinema, 567 5th Street, Oakland, CA
*A Complete Retrospective, Program 4: It's a R(eel) A(nswer) P(rints)!*
This is the fourth and final screening of the complete retrospective of the
work of Dominic Angerame. Since 1968 Angerame has produced more than 30
films on 16mm and several newer works in digital format. Some of these
films have never had a public screening. Many of Angerame’s films show San
Francisco, the city he has lived and worked in since 1979, and its varying
cityscape as it looks and changes over time. He has also created short
comedies, short-form documentaries and many diary films. Angerame has
taught film in many schools and universities in the Bay Area as well as at
the University of Nevada, Reno. He was Executive Director of Canyon Cinema
from 1980-2012.
For this final screening we finish at the start, with 11 of his earliest
films dating back to 1968 including A *Ticket Home* (1982), *Freedom's
Skyway* (1980), *SFAI* (1980), *A Film* (1979), *Neptunian Space Angel*
(1977), *El Train Film* (1976), *Scratches, Inc.* (1975), *Delaware Park*
(1969-73), *Demonstration* (1968-74), *Putzo* (1972) and *10x17* (1971).
We will also be showing 8 short, diary films—all of which have never been
publicly screened before, including *At the Robert Fulton Estate, Newtown
Ct., Palm Sunday, Democratic Convention, No Nothing Cinema, Bruce Conner
playing piano, Erotica, Last Temptation of Christ, Susan’s portrait of
Dominic* and *Havana Diary*.
*___________________________________________________________________*
Venue type: *Live, physical event*
Other Cinema
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8pm PT,
ATA Gallery, 992 Valencia (@ 21st), San Francisco, CA
*GOOD PUPPETS*
GREER/FACING WEST's THE ENDLESS END + REINIGER + BICKFORD +
Following up on their first major museum exhibition at the San Jose
Institute of Contemporary Art, Lydia Greer's shadow ensemble brings its
“performative installation” up to big-City SF, for us locals to get a look!
In their immersive environment, shadow puppets play with hand-made
silhouettes, rear-screen projection, and a multi-dimensional soundscape.
Here whole species live and die over the span of a half-hour of looping
overlays. This marvelous sculptural environment situates *homo
sapiens* as animals within
a larger system, with humans as the primary predator. Supporting Greer's
shadow theater is *The Art of Lotte Reiniger*, certainly one of her primary
inspirations. ALSO: An opening cast call of hand-made mannequins, including
clips from DeeDee Halleck's doc on the Bread and Puppet outdoor pageant,
the premiere of Max Mueller's uncanny *Strange Bedfellows*, a harrowing
10-min. excerpt from Bruce Bickford's *Prometheus's Garden*, and the Mission's
own David Cox with his crafty *Puppenhead*. The luv-fest is festooned with
delightful glimpses of German, Hungarian and Slovakian puppetry.
*___________________________________________________________________*
*May 6 + May 7 *
Venue type: *Live, physical event*
Roxie
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May 6 @ 4pm PT, May 7 @ 1pm PT,
Roxie, 3125 16th Street, San Francisco, CA
*Spotlight on Alee Peoples*
Co-presented by Film on Film Foundation, Canyon Cinema and SF Cinematheque.
We welcome Peoples up from Los Angeles to present her complete body of 16mm
films along with selections from the Canyon Cinema collection. Alee’s films
are brim-ful of bold gestures, pointedly orchestrating performances and
camera movements, views and edits, sound and image. What are her films
about–planes, balloons, friends, traffic, pop music, the signs and
billboards of LA? Sure, these are among the recurring environmental and
cultural threads from which she weaves her cinematic scherzi. Most
importantly, she is always playing, and she takes it seriously.
*Them Oracles* (2012) 7 min
*Three Peonies* by Stephanie Barber (2017) 3 min
*Non-Stop Beautiful Ladies* (2015) 9 min
*Spotlight On A Brick Wall* by Peoples and Mike Stoltz (2016) 8 min
*Untitled* (double 8mm) (2014) 4 min
*If You Can’t See My Mirrors, I Can’t See You* (2016) 12 min
*Mutiny* by Abigail Child (1983) 11 min
*Decoy* (2018) 11 min
*Standing Forward Full* (2020) 6 min
All films on 16mm. Q&A follows.
*SUNDAY, MAY 7, 2023*
Venue type: *Live, physical event*
Anthology Film Archives
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12pm ET,
32 Second Avenue, New York, NY
*MONO NO AWARE COMMUNITY SCREENING PROGRAM*
Featuring the world premiere of films made locally with the support of MONO
in March and April 2023.
These programs will include films made through the educational initiatives
of MONO NO AWARE, a cinema-arts nonprofit organization and film positive
community working to promote connectivity through the cinematic experience.
Established in 2007 and based in downtown Brooklyn, MONO NO AWARE presents
monthly artist-in-person screenings, facilitates equipment rentals,
operates a film distribution initiative, maintains wet & dry lab
facilities, and hosts an annual exhibition for contemporary artists and
international filmmakers whose work incorporates Super-8mm, 16mm, 35mm, or
altered light projections.
For more info visit: www.mononoawarefilm.com
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*___________________________________________________________________*
Venue type: *Live, physical event*
afo architekturforum oö
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7pm GMT +2,
afo architekturforum oö, Herbert-Bayer-Platz 1 A-4020 Linz, Austria
*MOVING FOCUS - Live Soundtracks for Underground Short Films*
Second event of the MUSIK IM RAUM series 2023, 'Blurred Borders', in
cooperation with KINO PLEME / Belgrade:
Marko Milićević (zither & electronics, curator)
Petra Wurz (recorders)
Werner Puntigam (trombone & conch shell)
Karen Schlimp (waterphone, canoe piano)
Klaus Hollinetz (Electronics)
Georg Wilbertz (drums & percussion)
'Live Soundtrack' is a monthly audio-visual event series that has been
taking place in Belgrade since 2014 with a focus on film and music,
excitingly programmed with experimental ingredients of analog cinema and
animation. Musicians from different genres, from electronics and ambient to
electro-acoustic sound art and free-tonal improvisation, contribute highly
individual soundtracks to short films live on stage and in this way support
independent and underground filmmaking. In 2023, curator and organizer
Marko Milićević - himself a filmmaker, musician and music journalist from
Serbia - is now on tour with it in Europe and, in cooperation with
musicians from MUSIK IM RAUM, is presenting an exclusive version in Linz
entitled 'Moving Focus'.
Films from the following artists will be set to music live on this evening
in a wide variety of instrumental constellations:
*Lightmare* by Josh Drake
*Parts* by Michael Lyons
*Vacationland* by Alexander Bickford
*Luminae* by Dominic Angerame
*Press Bound to Connect* by Alexander Fingudt
*To All Those* by Jesse Johnson / Ben Balcom / Josh Weissbach
*Parenthesis* by Vasilios Papaioannu
*In Search of Mount Analogue* by Leonardo Pirondi
*The Fabricated Wild* by Nick Twardus
*Bookanima* by Shon Kim
*LDN 51.5072N 0.1276W* by Wen Pey Lim
*Catalyst* by Kent Tate
*lat.copiare* by Claudia Ungersback
*Hortus Conclusus* by Anna Kipervaser
With the kind support of Linz-Kultur, Kulturland OÖ, the Federal
Chancellery and afo architekturforum oö
*MONDAY, MAY 8, 2023*
Venue type: *Both physical and online*
Microscope Gallery
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7:30pm ET,
525 West 29th Street, 2nd Floor New York, NY
Event URL: https://microscopegallery.com/films-by-sheri-wills/
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*Films by Sheri Wills - Artist in person In-Person and Online*
Microscope is very pleased to present a screening of films and videos by
New York-based artist and filmmaker Sheri Wills. The event will be
accessible online as well, with a live streaming of the introduction and
Q&A from the gallery.
The program of short 16mm films and videos — some of which were shot on
Super 8mm — features nine works spanning more than 20 years and includes
Wills’ most recent work *SEAM* completed in 2021. In Wills’ work, subtle
abstractions flow gently across the screen at varying paces, morphing
seamlessly and at times dissolving into each other, as though each image
were developed and revealed while being projected. These shifting
compositions often covering the full color spectrum, are created through
camera-less exposure techniques stemming from the tradition of photogram
photography.
“For the past twenty years, I have been making photogram films, by laying
objects on unexposed film and flashing it with light. I am primarily
interested in the relationship between the directness of the object – the
trace it leaves on film – and the resulting image, which is barely
recognizable. These works speak to a conflation of memory and the present,
the physicality of the object and its seemingly abstract imprint. Light is
physical material, while the play of light and shadows creates an illusion
of reality – you can pass your hand right through it.” — Sheri Wills
Far from cold formal investigations, Wills’ films relate to the human
experience, activating and triggering the senses in calibrated ways.
Flickering yet disinterested in testing the limits of anyone’s perception,
they organically offer themselves to be fully embraced by our eyes, through
surprisingly fulfilling climaxes. Soundtracks are often sourced from
obsolete recording technologies such as wax cylinder phonographs or
audiotape answering machines, conveying a sense of materiality in sound, as
well. Breaking from abstraction is her 2004 video *Riderless*, an
enthralling reflection on transience using Sylvia Plath’s poem “Elm” as
both thematic inspiration and visual material.
“Just as peripheral vision is essential to survival, it is by paying
attention to the gaps, the margins, and the in-between personal moments
that we might gain a fuller understanding of others and of our relationship
to what lies outside our immediate perception.” — Sheri Wills
Wills will be available for a Q&A following the screening.
*WEDNESDAY, MAY 10, 2023*
Venue type: *Live, physical event*
VISIONS
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7pm & 9pm ET,
La lumière collective 7080, rue Alexandra, #506, Montréal [QC]
*VISIONS: ISIAH MEDINA*
VISIONS, in collaboration with Main Film and Everyday Ago, presents a
double programme by ISIAH MEDINA. Filmmaker in attendance.
Isiah Medina (b. 1991) currently lives in Toronto and makes films with his
company Quantity Cinema. His features include *88:88* (2015), *Inventing
the Future *(2020), and *Night is Limpid *(2022).
Programme 1: 7pm
*CARTE BLANCHE: TOWARDS A TRADITION OF QUANTITY*
A selection of shorts by Isiah Medina
Programme 2: 9pm
*INVENTING THE FUTURE* by Isiah Medina, 98 min, 2020
Take back control over our future and foster the ambition for a world more
modern than capitalism. Demand full automation, demand a reduced work week,
demand universal basic income, destroy the work ethic.
*___________________________________________________________________*
Venue type: *Live, physical event*
Garage Mu
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7pm CEST,
Garage Mu, 45 rue Léon, Paris, France
*Festival of (In)appropriation remixed 2023*
For the very first time since its creation, the Festival of
(In)appropriation is coming to Paris and will take over the Garage MU
on May 10th for an evening of experimental screenings.
Created in 2009 in Los Angeles, this festival celebrates works that
'inappropriately' redeploy existing films, videos, soundtracks and other
media. In the form of collages, clips, compilations, remixes and
détournements, these works of found footage give new life to fictional
films and state archives, family tapes and propaganda images, videos
gleaned from YouTube or educational films from the turn of the century. The
programme of eleven short films offers a panorama of works selected from
the last twelve editions and notably features works by Raquel Schefer,
Gregg Biermann, TT Takemoto, Jennifer Proctor and the Soda Jerk collective.
The films were selected by Charlie Hewison and Marie-Pierre Burquier
(co-curator of the last edition).
• Gerard Freixes Ribera, *Alone* (2008, Spain, 3:00)
• Gregg Biermann, *Magic Mirror Maze* (2012, US, 5:00)
• Caroline Koebel, *REPEAT PHOTOGRAPHY AND THE ALBEDO EFFECT *(2008, US,
8:00)
• Kelly Sears, *Voice on the Line* (2009, US, 7:00)
• Raquel Schefer, *Avó/Muidumbe* (2010, Portugal, 11:00)
• Clint Enns and Darryl Nepinak, *I FOR NDN* (2011, Canada, 1:34)
• Ken Paul Rosenthal, *In Light, In!* (2013, US, 12:00)
• TT Takemoto, *Looking for Jiro* (2011, US, 6:00)
• Guli Silberstein, *Cut Out *(2014, Israel/Palestine, 4:20)
• Jennifer Proctor, *Am I Pretty?* (2018, US, 10:00)
• Soda Jerk, *The Was* (2016, Australia, 14:00)
The call for films for the thirteenth edition of the festival is currently
open until June 1st.
*THURSDAY, MAY 11, 2023*
Venue type: *Live, physical event*
Factory Media Centre
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7pm ET,
Factory Media Centre, 1-366 Victoria Avenue, North Hamilton, ON, Canada
*DEREK JENKINS: &NOW ARTIST-IN-RESIDENCE: Artist Talk*
&NOW Artist-in-Residence Derek Jenkins is a motion picture photographer
whose practice is handmade, personal, and documentary, with an interest in
the reciprocal relationships between tools, materials, and ways of knowing.
His new multichannel project uses a single roll of film shot in 2016 to
consider form, reproduction, and desire.
*Train-ing: An Exaggeration* will be a technological analysis of the short
film work *Train-ing* (2016) as the filmmaker subjects the images to
various, entangled, and exaggerated methods of format migration and
auto-critical reflection.
Open Studio: May 8-12
Artist Talk: May 11 @ 7pm
*___________________________________________________________________*
Venue type: *Live, physical event*
Iklectik
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19:30 GMT+1,
Old Paradise Yard, 20 Carlisle Lane, SE1 7LG, London, England, UK
*CONTACT: INTERVALS – SOPHIE CLEMENTS, TIM PARKINSON, SIMON PAYNE*
A programme of new and recent experimental single-screen and expanded video
works by Sophie Clements and Simon Payne, alongside new music by the
composer Tim Parkinson, performed by the GBSR Duo. Sophie Clements’ work is
characterised by an attempt to capture elusive moments involving objects
affected by gravity, changing light conditions, wind and rain. Carefully
composed framings and highly edited sequences reveal chance arrangements.
Simon Payne’s abstract video works are predominantly orientated around bold
graphic forms and structured patterns that produce unexpected colour
combinations and conflicting planes. The systems that underpin his videos
involve the entirety of the screen and every edge. Tim Parkinson’s music
exhibits a collage approach, often juxtaposing the sounds of found objects,
various kinds of musical material, or snippets of speech: ‘What I want is a
large and unforeseen diversity of pitches and intervals – randomness,
patterns, shapes’.
*Edges: Waves*,Simon Payne (2018, 6 mins)
*Untitled 2021a*(for piano), Tim Parkinson, performed by Siwan Rhys
*On Letting Things Be (An Exercise)*, Sophie Clements (2020, 2 mins)
*Vice Versa Et Cetera*, Simon Payne (2010, 10mins)
*Sea/Frame *(work in progress), Sophie Clements, with live sound by James
Woodrow (12 mins)
– Interval
*There, After*,Sophie Clements (2011, 5 mins)
*Intervals,*Simon Payne (2023, 10 min, two-screen)
*Snow/Face* (work in progress),Sophie Clements,withsound by Romain Arnette
(8 mins, two-screen)
*Project 9000*(for piano, percussion and audio track), Tim Parkinson,
performed by GBSR Duo
*___________________________________________________________________*
Venue type: *Live, physical event*
Exploratorium
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7:30 p.m. PT,
Kanbar Forum, Pier 15, San Francisco, CA
*Stitching the Future With Clues*
by Allison Leigh Holt @oillyoowen.
An expanded cinema, neurodivergent-futurist manifesto, using audio and
visual feedback and animated diagrams beamed through a system of water
lenses. Looking at neurodivergence as a way of knowing, through a
cybernetic frame, it combines animated diagrams, video and audio feedback
processes, and expanded media techniques, drawing from Holt’s article "THE
CONVERSATION: Feedback Structures, Ways of Knowing, and Neurodivergence"
(PUBLIC Journal #59: Interspecies Communication) to consider feedback
systems as a medium for understanding the sensing, processing, and
exchanging of information happening not just in human minds and brains, but
within and between all scales of intelligent life. With text, animation,
performance, and editing by Allison Leigh Holt; video synthesis by Kit
Young @videoactive_avocado; and sound by electronic musician Amma Ateria
@amma_ateria, this film explores the post-humanist sense-making of
neurodivergence: differently-attuned to temporal, psychic, and
environmental embodied experience. Live camera: Paul Helzer @paulhelzer.
Shot @shapeshifterscinema at the height of lockdown and commissioned by
@fordfoundationgallery.
A post-screening dialogue will take place between artist Allison Leigh
Holt, neuroscientist Clifford Saron, PhD.
*FRIDAY, MAY 12, 2023*
Venue type: *Live, physical event*
Filmforum
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7:30 pm PT,
Secret Movie Club, 1917 Bay Street, 2nd Floor, LA, CA
*Man with a Movie Camera, with live score by Montopolis*
Presented by Secret Movie Club and Los Angeles Filmforum
A national tour of arthouse cinemas this spring will partner music group
Montopolis with relief organization The Bird of Light Ukraine to raise
awareness of the refugee crisis in Ukraine.
Montopolis will perform a live score to *Man with a Movie Camera*, a 1929
silent film depicting life in the cities of Odesa and Kyiv, Ukraine. One of
the most influential documentaries ever made, the film recently placed 8th
on the 2022 Sight and Sound Greatest films of all time poll. The live score
by Montopolis has been called "stunning and transcendent" by the Austin
Chronicle.
*___________________________________________________________________*
Venue type: *Live, physical event*
No Name Cinema
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7pm MT,
No Name Cinema, 2013 Pinon Street, Santa Fe, NM
*OPEN SCREEN v.3*
NNC's third bi-annual Open Screen event! A showcase of local artists
working in experimental, documentary, animation and personal filmmaking /
moving image art.
including short works by: raoul vehill, Rosemary Meza-DesPlas, Lane
Kneedler, adrian ennis, Ati Maier, Holly Adams, Teresa Finley, Charles
Smith, David Ashmore, kelechi agwuncha, Laine Wentworth, Ben Pawlowski,
HIGH DESERT BROADCAST SERVICE (Tony and Amy Calzaretta), Desmond Hayes,
Kaidin Jarjusey, Dusty Deen, Alonso Indacochea, and Nat Olmo.
*___________________________________________________________________*
Venue type: *Live, physical event*
Interbay Cinema Society
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7 PM PT,
Northwest Film Forum, 1515 12th Ave, Seattle, WA
*Jon Behrens's Seattle: A City in Four Parts*
A celebration of the Seattle-based filmmaker on what would have been his
59th birthday. Jon Behrens (1964-2022) was a tireless documentarian of the
Seattle scene and its iconic landscape. For almost forty years, Behrens
created experimental films that ranged from Super 8 visual recordings of
the early punk and grunge scenes, to documents of a vanishing Seattle
(perhaps his most famous film, *The Last Ten Minutes of Existence*,
captures the last moments before the Kingdome implosion), to celebrating
the ongoing beauty and mystery of our local landscape in double-exposed,
optically printed, hand-painted, sculptural films. Behrens died suddenly
last year at the age of 58, leaving behind a vast body of works on film,
including many that have rarely or never been seen. Curated by Caryn Cline,
executive director of the Interbay Cinema Society, which Behrens founded,
this program will include both 16mm and digital prints of previously
released and unreleased films.
Part 1
*Minute Movie #4* | 2013 | 16mm to digital | color/sound | 1 min
*Girl and a Bike* | 1995 | 16mm | b&w/sound | 15 min
*Proustian Neuroses* | 1999 | 16mm to digital | tinted b&w/sound | 5 min
*The Gits* | n.d. | 16mm to digital | color/silent | 3 min
Part 2
*Minute Movie #7* | 2013 | 16mm to digital | color/sound | 1 min
*Reflections* | 1992 | 16mm | tinted b&w/sound | 12 min
*The Movement of Light at Night *| 1996 | 16mm | color/sound | 7 min | made
with Steve Creson
Part 3
*Minute Movie #8* | 2013 | 16mm to digital | color/sound | 1 min
*Cinematic Abstractions* | 2002 | 16mm | color/sound | 6 min | made with
Ryan K. Adams
*The Six Arms* | 2005 | 16mm to digital | color/sound | 2 min
*A City in Four Parts* | 2016 | 16mm to digital | color/sound | 6 min
Part 4
*Driving Down to Alpha Cine One Last Time in the Rain in One Minute* | 2013
| 16mm to digital | b&w/sound | 1 min
*Revolve* | 2014 | 16mm to digital | color/sound | 8 min *⚠️ Sensory
advisory: This film has a strong flickering/strobing effect that could
affect photosensitive viewers*
*A Winter’s Song* | 2019 | 16mm to digital | b&w/sound | 3 min
*Kerry Park* | 2021 | 16mm to digital | color/sound | 3 min | made with
Dominique Tranchina
Additional Film TBA
*SATURDAY, MAY 13, 2023*
Venue type: *Live, physical event*
Other Cinema
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8pm PT,
ATA Gallery, 992 Valencia (@ 21st), San Francisco, CA
*OPTRONICA3*
BECKER + 99 HOOKER + RE-MIXERS
Our third iteration of the season's Optronicas is more
about video/performance and re-mixing, with a couple of the
country's heaviest hitters. Local hero Tommy Becker has finally readied his
long-form *Elective ART* performance, an energized video
song-cycle about Tommy's experiences as a high school Art teacher. AND the
second half is anchored by the nationally touring 99 Hooker, who reveals
his new *h9sh*, another crowning achievement by way of
quick-cutting live-laptop action. Between the two titans is an *assemblage* of
classic video cut-ups: Animal Charm, EBN, Rodney Ascher, Vicki Bennett/PLU,
and Davy Force/Gerald Casale in their breaking music video. PLUS Soda_Jerk,
both old and new! Come early for Russ Forster on sidewalk theremin!
*___________________________________________________________________*
*May 13 - 14*
Venue type: *Live, physical event*
Anthology Film Archives
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7:30pm ET,
32 Second Avenue, New York, NY
*COLECCIÓN PRIVADA: THE SUPER-8 AND 16MM SCENE IN SPAIN*
In the last fifteen years, Spanish cities have seen the flourishing of
heterogeneous communities devoted to maintaining analog film culture.
Through material exchange, mutual influence, informal screenings, and
friendship, three generations of filmmakers intermingle in Madrid,
Barcelona, and San Sebastian in an extraordinary moment for Spanish poetic
cinema. These programs survey the output of 23 filmmakers who continue to
work in 16mm and Super-8, cultivating a cinema in tension with the
quotidian in a drive to capture or conjure experience. The series will also
encompass an expanded cinema program which will take place at the Museum of
the Moving Image; for more details visit:
https://movingimage.us/event/coleccion-privada/
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This series is presented with generous support from Elías Querejeta Zine
Eskola (EQZE), the Martin Scorsese Department of Cinema Studies, the NYU
Moving Image Archiving and Preservation Program, the Orphan Film Symposium,
and the Cultural Department of the Consulate General of Spain. A reception
is provided courtesy of Bodegas Williams & Humbert. The screenings will be
presented in person by guest-curators Francisco Algarín Navarro and Carlos
Saldaña, from Revista Lumière.
All prints courtesy of the filmmakers.
--- May 13 @ 7:30pm ET - COLECCIÓN PRIVADA: PROGRAM 1: FREE VERSE ---
With filmmakers Juan Bufill, Blanca García, and Jorge Suárez-Quiñones Rivas
in person.
Daily life, travel diaries, representation of self, portraiture, and
subjective perception are threads that run through this first program on
recent Spanish lyrical cinema, covering an array of genres and editing
strategies. While featuring some experiments with montage, most filmmakers
explore in-camera editing in unique ways, ranging from an improvisatory
connection with a specific time and place to intricate versifications of
the real.
All films are screened in their original analog formats and most are
presented in their reversal originals for this rare occasion, including
five world premieres and eight North American premieres.
Pablo Marín *DENKBILDER* (2013, 5 min, Super-8mm)
Ana Pfaff *POMELL DE FLORS ESPIRITUALS* (2011, 3 min, Super-8mm)
Leonor Serrano Rivas *OIR FORMAS* (2022, 10 min, 16mm)
Elena Duque *COLECCIÓN PRIVADA* (2020, 13 min, Super-8mm)
Juan Bufill *VILLA DIONISIA* (2003-19, 5 min, Super-8mm)
Gadea Burgaz *¡BU! (CON ADMIRACIÓN)* (2023, 15 min, Super-8mm)
Jorge Suárez-Quiñones Rivas *AKIKONOMU* (2019, 3 min, Super-8mm)
Jorge Suárez-Quiñones Rivas *CHUBUSANGAKU* (2019, 3 min, Super-8mm)
Jorge Suárez-Quiñones Rivas *MURASAKI* (2019, 3 min, Super-8mm)
Blanca García *IPSAE (ABI)* (2021, 3 min, Super-8mm)
Blanca García *IPSAE (GUILLERMINA)* (2021, 3 min, Super-8mm)
Blanca García *IPSAE (MARIA)* (2021, 3 min, Super-8mm)
Blanca García *IPSAE (ANDREA)* (2021, 3 min, Super-8mm)
Yonay Boix *#005* (2020, 3 min, Super-8mm)
Yonay Boix *#006* (2021, 3 min, Super-8mm)
Yonay Boix & Ariadna Onofri *#007* (2021, 3 min, Super-8mm)
Claudio Sodi *SUEÑOS PARA EVA – PARTE 1* (2022, 22 min, 16mm)
Elena Duque *MAR DE CORAL* (2021, 11 min, Super-8mm)
Total running time: ca. 115 min.
--- May 14 @ 7:30pm ET - COLECCIÓN PRIVADA: PROGRAM 2: SPECIES OF SPACES ---
With filmmakers Valentina Alvarado Matos and Juan Bufill in person.
This second program on recent Spanish lyrical cinema showcases filmmakers
who work with visual concepts, preconceived camera devices, and objectual
mise-en-scène. Based on body gestures, transformations of matter,
philosophical writings, landscape, architecture, and the “maneuverable”
possibilities of the camera, these works offer a heterogeneous take on
modern explorations in analog film.
All the films in this program are screened in their original formats
(including a 16mm double-projection). Most are presented in their reversal
originals for this rare occasion, including five world premieres and five
North American premieres.
María Pipla *MANY EYES, MANY CENTERS, MOVING* (2022, 3 min, 16mm)
Valentina Alvarado Matos *PROPIEDADES DE UNA ESFERA PARALELA* (2020, 17
min, 16mm double-projection)
Céline Latil *LX VISAGES* (2022, 3 min, 16mm)
Laura Moreno *MONTE ULÍA* (2023, 3 min, 16mm)
Álvaro Feldman *DIORAMA* (2022, 3 min, Super-8mm)
Aldara Pagán *MARCAS* (2020, 10 min, Super-8mm)
Laura Ibáñez López *CORPÚSCULOS* (2022, 2 min, 16mm)
Albert Triviño *NIÀGARA* (2008, 3 min, Super-8mm)
Albert Triviño *BOMBOLLES* (Vanitas Sílvia) (2009, 3 min, Super-8mm)
Bruno Delgado Ramo *SPINOZA/ONGODIST* (2021, 11 min, Super-8mm)
Alba Sauleda *L’AUTORRETRAT REFILMAT* (IV) (2015, 3 min, Super-8mm)
Deneb Martos & Pablo Useros *WHITE SCREEN* (FOR AMY HALPERN) (2022, 5 min,
16mm)
Bruno Delgado Ramo *UNABRIDGED MANEUVER* (2022, 17 min, 16mm)
Juan Bufill *ARQUITECTURA 3. PUENTE* (2004, 5 min, Super-8mm)
Total running time: ca. 95 min.
*ONGOING*
Venue type: *Virtual, online event*
Riverwest Radio
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streaming 24/7
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!
*___________________________________________________________________*
Venue type: *Virtual, online event*
6x6 Project
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=161c630c0b&e=857b71a9cb>
streaming 24/7
*Artists' Moving Image Works*
6x6 project is an online artists' community that serves as a platform for
disseminating artists' moving image works, and to create
an ever-growing network among peers.
There are now more than four hundred artists’ film and moving image works
available to view on the website.
------------------------------
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