[Frameworks] This Week in Avant Garde Cinema: March 2 - 10, 2024

Wed Mar 6 01:14:11 UTC 2024

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> On Mar 3, 2024, at 2:21 PM, This Week <thisweek.in.avantgardecinema at gmail.com> wrote:
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> This Week
> [March 2 - 10, 2024]
> in Avant Garde Cinema
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> To receive the weekly listing directly via email rather than through Frameworks, just hit Subscribe <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb>.
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> DEADLINES APPROACHING
> *** Enter upcoming calls for entry here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=94b4a4cd86&e=857b71a9cb> ***
> ___________________________________________________________________________________
> sorted by submission deadline
> 
> 03.03.2024	Film Farm <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c38979f015&e=857b71a9cb>
> 03.10.2024	Mimesis Doc Fest <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a99ce371af&e=857b71a9cb> (Regular Deadline)
> 03.15.2024	RPM Fest - Revolutions Per Minute Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a0cd481d63&e=857b71a9cb> (Late Deadline)
> 03.15.2024	Found Footage Magazine <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=efe800261e&e=857b71a9cb>
> 03.22.2024	Crescent City Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f92944dfcd&e=857b71a9cb> (Extended Deadline)
> 03.25.2024	Oak Cliff Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0711e488f&e=857b71a9cb> (Regular Deadline)
> 03.30.2024	Braziers International Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0652d10d75&e=857b71a9cb> (Regular Deadline)
> 03.30.2024	Cauldron International Film and Video Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=896a07fa8a&e=857b71a9cb> (Late Deadline)
> 03.31.2024	Experimental Film & Video Festival in Seoul (EXiS) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=86faa4bf88&e=857b71a9cb>
> 03.31.2024	Laterale Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e4b0ef15fd&e=857b71a9cb> (Sixth Deadline)
> 04.01.2024	Analogica <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f7b33a33ba&e=857b71a9cb> (Late Deadline)
> 04.01.2024	Chicago Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c9850d0731&e=857b71a9cb> (Late Deadline)
> 04.01.2024	Sans Souci Festival of Dance Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88b8735d16&e=857b71a9cb> (Regular Deadline)
> 04.01.2024	The Franklin Furnace FUND for Performance Art <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=801d033866&e=857b71a9cb>
> 04.05.2024	VSW Project Space Residency <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff42032d8c&e=857b71a9cb>
> 04.18.2024	Locarno Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=02c7e1e439&e=857b71a9cb> (Regular Deadline)
> 05.17.2024	Edinburgh Short Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea2d755c61&e=857b71a9cb> (Regular Deadline)
> 05.31.2024	San Diego Underground Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4a76114651&e=857b71a9cb> (Early Deadline)
> 06.01.2024	Engauge Experimental Film Festival <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=41c09e40a6&e=857b71a9cb>
>  	 
> EVENTS
> *** Enter your event announcements here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e71d1d2f2&e=857b71a9cb> ***
> ___________________________________________________________________________________
> complicated sorting but a true attempt, enjoy!
> 
> This week's programs (summary):
> 
> Mono No Aware In Residency @ Whammy! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c67b63a2ba&e=857b71a9cb> [February 23 - March 3, Los Angeles, CA]
> Ken Jacobs – From Orchard Street To The Museum of Modern Art <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08139a0147&e=857b71a9cb> [March 1-3, New York, NY]
> 48 <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2340db6e32&e=857b71a9cb> [March 2, Berkeley, CA]
> Gravitational Lensing - Prequel Screening & Fundraiser <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=34273680ee&e=857b71a9cb> [March 3, Oakland, CA]
> Afterimage: Counter Cinema, Radical Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=693e355777&e=857b71a9cb> [March 4-17, New York, NY]
> Open Air Screening Series Presents : Moon Cycle, 2024 By Justine Lai <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9fd5eabec9&e=857b71a9cb> [March 8-10, Brooklyn, NY]
> The Long Conversation <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b52036575d&e=857b71a9cb> [ongoing, online]
> 6x6 Project: Artists' Moving Image Works <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a40d67fe8b&e=857b71a9cb> [ongoing, online]
>  
> STARTING BEFORE MARCH 2, 2024February 23 - March 3
> Venue type: Live, physical event
> Whammy! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=64c02a12f9&e=857b71a9cb>
> times vary, see below,
> Whammy! 2514 Sunset Blvd. Los Angeles, CA (Entrance in rear off Rampart!)
> MONO NO AWARE IN RESIDENCY @ WHAMMY!
> This is a collaboration between Mono No Aware and Whammy! and T.A.P.E. and the 818 Darkroom.
> 
> FRI * February 23rd  Presentation on MONO NO AWARE & Screening program <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2ecd669c80&e=857b71a9cb>
> 7 PM Meet & Greet, 8 PM : Conversation with Founder / Director of MONO Steve Cossman and 16mm projections of commissioned works.
> 
> SAT * SUN * February 24-25th  Two-Day intensive Intro to 16MM color filmmaking on Bolex Camera <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5ba526f7e0&e=857b71a9cb>
> 12 - 6 PM An introduction to the Bolex Camera and a traditional Film to Film workflow ending with a projectable color print & scan!
> 
> SAT * February 24th  Projection Basics for 16MM Tabletop models <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2b0a51e1e7&e=857b71a9cb>
> 7 - 10 PM Learn to set up, load, operate and maintain an EIKI tabletop projector for standard and expanded cinema projections.
> 
> SUN * February 25th  Macro Cinematography on 16MM film <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=356b187508&e=857b71a9cb>
> 7 - 10 PM Learn to calculate proper exposure compensation and to measure focal distances in order to film in extreme close-up on film!
> 
> MON * February 26th  Motion Picture Film as Still Film for Photography <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3380690798&e=857b71a9cb>
> 7 - 10 PM Learn how to spool down motion picture film short ends and identify film stock properties, then upcycle them into still film canisters!
> 
> TUES * February 27th  Color Photograms on 16mm color print stock <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47a91aca15&e=857b71a9cb>
> 7 - 10 PM Learn to paint with light on motion picture film, develop the film by hand and project. Includes 100 of 16mm film to take home!
> 
> WED * February 28th  Test It Yourself ! T.I.Y. Super 8mm camera workshop and hand processing B&W film <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c61bb2f67c&e=857b71a9cb>
> 7 - 10 PM - Bring a new or used camera to test. We'll cover all functions of the camera, how to clean and fix minor issues, then film a test roll, develop & project!
> 
> THURS * February 29th  Desktop Cinema : Print digital images directly onto 16MM film from your home printer <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff5619df44&e=857b71a9cb>
> 7 - 10 PM - Download, learn and use software that allows for multiple techniques printing large image patterns and videos directly onto film.
> 
> FRI * March 1st  BYOB/W - Non-toxic developing workshop & Community mixer <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b4a670f052&e=857b71a9cb>
> 7 - 10 PM - Learn to mix a non-toxic developer using beer and coffee then develop ANY format still or moving image black and white film !
> 
> SAT * March 2nd  The complete 16MM film to film workflow for B/W film; titles, camera, developing, contact printing & projection <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fbbeb81f88&e=857b71a9cb>
> 11 AM - 8 PM - This is a one day intensive designed to carefully illustrate how one can create, duplicate, archive and exhibit on 16mm film at home.
> 
> SUN * March 3rd  Moving Image Phytograms on 16MM film <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56747df6f2&e=857b71a9cb>
> 11 AM - 3 PM - Forage for plant life then learn the technique of rendering detailed chemical traces of plants directly on photographic emulsion.
> 
> SUN * March 3rd  FREE COMMUNITY SCREENING PARTY @ WHAMMY! <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5439744850&e=857b71a9cb>
> 7 PM Screening Premiere of ALL the films made through the residency this week. Bring friends and family out to celebrate these new 16mm films.
> 
> ___________________________________________________________________
> 
> March 1 - 3
> Venue type: Live, physical event
> Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3907214790&e=857b71a9cb>
> 7:30pm ET each night,
> 32 Second Avenue, New York, NY
> KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART
> Fred Riedel, 2023, 98 min, DCP
> Film Trailer here <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=975b1871b3&e=857b71a9cb>
> 
> Ken Jacobs is one of the titans of American experimental cinema, whose ever-expanding body of work encompasses everything from anarchic underground short films made in collaboration with Jack Smith and others beginning in the late 1950s, the structuralist landmark TOM, TOM, THE PIPER’S SON (1969), and the epic, politically impassioned assemblage STAR SPANGLED TO DEATH (1956-2004), to his Nervous System and Nervous Magic Lantern live cinema performances and his numerous experiments with different forms of 3D image making. The enormity of Jacobs’s artistic accomplishment, the freedom with which he’s explored new technologies, new forms, and new ideas, and the degree of influence he’s exerted on other artists are such that it’s hard to believe he’s never been the subject of a feature-length documentary film portrait until now. Happily, Fred Riedel has righted that wrong with the completion of KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART, which comprises a sort of illustrated guided tour through Jacobs’s life and work. Combining an extended and sometimes disarmingly personal interview with Ken and his partner in life and art, Flo Jacobs, with copious excerpts from his astonishingly multi-faceted body of moving-image work, Riedel’s film demonstrates not only Jacobs’s creative accomplishments but also his restless intelligence, his inimitable personality, and his unheralded verbal genius.
> 
> “This is the third film in a series I’ve made exploring the creative process in a purposefully low-key manner that permits me an unusual degree of one-on-one intimacy with my subject over a long period of time. I have known Ken Jacobs since I was a student of his in the 1970s. I later distributed several of his films and curated screenings and collections in NY (at P.S.1, the Bleecker Street Cinema, NYPL, etc.) which included his work. It was primarily his films, especially TOM, TOM, THE PIPER’S SON (1969), that changed my view of cinema and led me back to his art again and again. At an outdoor screening Ken presented at MoMA during the pandemic I was struck by the sudden realization that I needed to make this film.” –Fred Riedel
> 
> Plus: Ken Jacobs DR. JEKYLL AND MR. HYDE 2023, 8.5 min, digital
> 
> Total running time: ca. 110 min.
> 
> Director Fred Riedel will be here in person for all three screenings, and will be joined by Ken Jacobs on Sat, Mar 2
>  
> SATURDAY, MARCH 2, 2024 Venue type: Live, physical event
> Pacific Film Archive <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6c7e35166b&e=857b71a9cb>
> 4PM PST, 2155 Center St, Berkeley, CA 94720
> 48
> Susana de Sousa Dias, B&W, DCP, 93min, 2009, Portuguese with English subtitles
> 
> Susana de Sousa Dias’s remarkable, hypnotic film is composed of photographs from the archive of the Portuguese army, taken upon the arrest of political prisoners during the forty-eight years of dictatorial regime in Portugal and its colonies (1926–74). As prisoners stare out at us, we hear their reflections on their time in prison, recorded by de Sousa Dias decades after the Carnation Revolution, and are invited to contemplate what a photograph reveals and what it conceals. A sequence featuring testimony of Mozambican anticolonial resistance fighters, accompanied by slowed army footage shot in Guinea-Bissau, acknowledges what is missing from the archives. Sousa Dias reflected, “I came to realize that there is a reason for the colonial wars having been a kind of taboo in Portugal for the first three decades after the Revolution: The people who had been in Africa fighting in the colonies were the very same people who carried out the revolution.”
>  
> SUNDAY, MARCH 3, 2024 Venue type: Live, physical event
> Shapeshifters Cinema <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b39223515&e=857b71a9cb>
> 6pm PST,
> 567 5th St, Oakland, CA
> GRAVITATIONAL LENSING - PREQUEL SCREENING & FUNDRAISER
> March is Women's History month! And we are kicking off this month's programming with a stellar screening of films made over the past 50 years that speak to a spectrum of women's issues including mother-child relationships, mental health and self-determination.
> 
> This very special screening will include the films Schmeerguntz (1965) by Gunvor Nelson & Dorothy Wiley, Anything You Want to Be (1971) by Liane Brandon, Women and Children at Large (1973) by Freude, Killing Time (1979) by Fronza Woods, Artificial Paradise (1986) by Chick Strand, Chronicles of a Lying Spirit by Kelly Gabron (1992) by Cauleen Smith, Noa, Noa (2006) by Lynne Sachs, Our Voices in Reverse (2013) by Nadia Shihab, The Way Light Keeps its Shadow (working title/WIP) by Vanessa Woods, and Edge of Alchemy (2017) by Stacey Steers.
> 
> We will also have a raffle for prizes including DVDs, books, handmade art and more! All proceeds from the event will go towards supporting the forthcoming series Gravitational Lensing: Feminist Film Dialogues, that we will be launching at Shapeshifters beginning in April. Many thanks to the filmmakers and to Canyon Cinema, Pacific Film Archive and Women Make Movies for loaning films for this event!
>  
> MONDAY, MARCH 4, 2024March 4 - 17
> Venue type: Live, physical event
> Anthology Film Archives <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=63e9447190&e=857b71a9cb>
> times vary, see below,
> 32 Second Avenue, New York, NY
> AFTERIMAGE: COUNTER CINEMA, RADICAL CINEMA
> “This series of screenings celebrates the publication by The Visible Press of “The Afterimage Reader”, a selection of editorials, essays, interviews, and filmmakers’ statements from the British film journal Afterimage, which was published irregularly between 1970 and 1987. Afterimage was founded on the principle of an on-going commitment to avant-garde cinema, to radical cinema, to ‘new’ cinema understood both aesthetically and politically.
> 
> Afterimage emphasized the importance of the writings of filmmakers themselves. Over 13 issues, alongside critical essays by important critics such as Noël Burch, B. Ruby Rich, and Regina Cornwell, it published manifestoes, scripts, theoretical texts, polemical essays from filmmakers Jean-Luc Godard, Glauber Rocha, Julio García Espinosa, Hollis Frampton, Paul Sharits, Peter Wollen and Laura Mulvey, Malcolm Le Grice, Yvonne Rainer, Raúl Ruiz, Stephen Dwoskin, Jan Švankmajer, and many others, as well as by important precursors for a radical cinema like Dziga Vertov and Jean Epstein. Special issues were devoted to Michael Snow and to Derek Jarman. Each publication was effectively a special issue around a theme or filmmaker.
> 
> Presenting this series at Anthology Film Archives offers the opportunity to acknowledge how indebted Afterimage was to Film Culture magazine. It was a model for us of a partisan publication that came to be deeply committed to the promotion and representation of the New American Cinema and its rich avant-garde manifestations of the 1960s and 1970s.
> 
> Afterimage similarly prided itself on its design. So just as important was our admiration of the handsome issues of Film Culture designed by Fluxus founder George Maciunas. As a consequence of this influence every issue of Afterimage had a distinctive and different design with title pages and full-bleed images.
> 
> If the first six issues circled around the ‘two avant-gardes’ and debates in cinema theory, later issues continued the commitment to new, radical cinema but also considered ‘neglected’ works and figures, like BORDERLINE in the past and – at the time of publication – Raúl Ruiz.
> 
> Toward the end of Afterimage’s run, new editorial energies steered us in the direction of ‘troublesome cases’: first a festschrift on Derek Jarman, then our final issue featuring the Quay Brothers, Švankmajer, Bokanowski, and other visionary animators.” –Simon Field
> 
> “The Afterimage Reader” will be available at Anthology for a discounted price during the series. For more details on this and other books from The Visible Press, visit www.thevisiblepress.com <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0e342ca8f&e=857b71a9cb>
> 
> “Afterimage: Counter Cinema, Radical Cinema” is curated by Simon Field and Mark Webber with Jed Rapfogel. Special thanks to Haden Guest (Harvard Film Archive).
> 
> Simon Field and Mark Webber will be here in person to introduce selected screenings!
> 
> Thanks as well to Bret Berg (AGFA); Hanan Coumal (LUX); Jack Durwood (Paramount); Matthieu Grimault (Cinémathèque française); ISKRA; Brett Kashmere & Seth Mitter (Canyon Cinema); James Mackay; Laura Mulvey; Beth Rennie (George Eastman Museum); Elena Rossi-Snook (NYPL); Emily Russo (Zeitgeist Films); Valeria Sarmiento; Katie Trainor & James Layton (MoMA); Pedro Lijeron Vargas (Fundación Grupo Ukamau); George Watson (BFI); Todd Wiener & Steven Hill (UCLA Film & Television Archive); and Klaus Wyborny.
> 
> Upcoming Screenings
> AFTERIMAGE NO. 1, PGM 1: BRITISH SOUNDS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cdfba152f1&e=857b71a9cb>
> March 4 at 7:00 PM
> March 15 at 7:00 PM
> March 17 at 5:30 PM
> 
> AFTERIMAGE NO. 1, PGM 2: THE BIG FLAME <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=caf769e843&e=857b71a9cb>
> March 4 at 9:00 PM
> March 15 at 8:30 PM
> 
> AFTERIMAGE NO. 2: MARE'S TAIL <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b5252408b6&e=857b71a9cb>
> March 5 at 7:00 PM
> 
> AFTERIMAGE NO. 3: BLOOD OF THE CONDOR <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=097841312a&e=857b71a9cb>
> March 6 at 7:00 PM
> March 11 at 6:45 PM
> 
> AFTERIMAGE NO. 4: FOR A NEW CINEMA: HOLLIS FRAMPTON / PAUL SHARITS <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff439c2a4f&e=857b71a9cb>
> March 7 at 7:00 PM
> 
> AFTERIMAGE NO. 5: SECRET BEYOND THE DOOR <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7cd2e42cd1&e=857b71a9cb>
> March 7 at 9:00 PM
> March 11 at 8:45 PM
> 
> AFTERIMAGE NO. 6: PENTHESILEA <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=24cef39352&e=857b71a9cb>
> March 8 at 6:30 PM
> March 12 at 7:30 PM
> March 16 at 8:30 PM
> 
> AFTERIMAGE NO. 7: KRISTINA TALKING PICTURES <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b23ae3b775&e=857b71a9cb>
> March 8 at 9:15 PM
> March 13 at 6:45 PM
> 
> AFTERIMAGE NO. 8/9, PGM 1: THE BIRTH OF A NATION (Klaus Wyborny) <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=514e5e9d13&e=857b71a9cb>
> March 9 at 4:00 PM
> March 16 at 6:45 PM
> 
> AFTERIMAGE NO. 8/9, PGM 2: PERSPECTIVE CORRECTION <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8928d0b0bc&e=857b71a9cb>
> March 9 at 6:00 PM
> March 17 at 7:15 PM
> 
> AFTERIMAGE NO. 10: THE HYPOTHESIS OF THE STOLEN PAINTING <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88f471a74c&e=857b71a9cb>
> March 9 at 8:30 PM
> March 13 at 9:00 PM
> 
> AFTERIMAGE NO. 11: SIGHTING SNOW <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=defaa59306&e=857b71a9cb>
> March 10 at 4:00 PM
> 
> AFTERIMAGE NO. 12: IMAGINING OCTOBER + BORDERLINE <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5d1b876c3f&e=857b71a9cb>
> March 10 at 6:00 PM
> March 14 at 9:00 PM
> 
> AFTERIMAGE NO. 13: THE ANGEL <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fc3b7906a3&e=857b71a9cb>
> March 10 at 8:30 PM
> March 14 at 7:00 PM
>  
> FRIDAY, MARCH 8, 2024March 8 - 10
> Venue type: Live, physical event
> MONO NO AWARE <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fdc1835ca7&e=857b71a9cb>
> Dusk until Dawn EST US, 72 Rockwell Place, Brooklyn, New York
> OPEN AIR SCREENING SERIES PRESENTS : MOON CYCLE, 2024 BY JUSTINE LAI
> PROGRAM INCLUDES : MOON CYCLE , Justine Lai, 2024 (16MM Color Film, Sound, 2 Min) “Moon Cycle is a 16MM direct animation based on the TV series Sailor Moon, recreating the girl-to-superheroine transformation sequences (also known as henshin) that are reused every episode to save on production. Justine Tamiko Lai is an artist and filmmaker based in Queens, NY. Raised in Sacramento, CA, she received a BA in English and Studio Art from Stanford University and an MFA in Painting from Cranbrook Academy of Art. Her work has been exhibited at Asian Art Museum (San Francisco, CA), Asian Arts Initiative (Philadelphia, PA), and Gawker Media (New York, NY). She has been an Open AIR Artist-In-Residence at the Missoula Public Library Makerspace (Missoula, MT).
> 
> With this series we ask that each presenting artist identify a non-profit they wish to bring attention to and support through this screening. Justine has selected City Harvest. Every year City Harvest will rescue more than 77 million pounds of food and deliver it, free of charge, to hundreds of food pantries and soup kitchens across the five boroughs to help feed New Yorkers experiencing food insecurity.
> 
> Please consider making a donation to support these efforts. <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=31effb3dde&e=857b71a9cb>
> 
> The OPEN AIR SCREENING SERIES allows for 16mm film projection viewing with social and physical distance guidelines in place. 16mm film prints are projected, on loop, from dusk until dawn. Each artist receives an honorarium to support their practice and a new print of the work. Each artist is asked to select a non-profit for a portion of the proceeds to benefit, a donation will be made in their name. And, YOU the audience are invited to enjoy the work, take part in the conversation and we ask that you consider making a donation as it directly supports the artist and the organization with which they share concern. This screening series is supported by the New York State Council for the Arts (NYSCA).
>  
> ONGOING
> Venue type: Virtual, online event
> Riverwest Radio <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e927cddea7&e=857b71a9cb>
> streaming 24/7
> THE LONG CONVERSATION
> THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite hold. But... all episodes from the last year and a half are streaming!!!
> 
> ___________________________________________________________________
> 
> Venue type: Virtual, online event
> 6x6 Project <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=72ddb3922c&e=857b71a9cb>
> streaming 24/7
> Artists' Moving Image Works
> 6x6 project is an online artists' community that serves as a platform for disseminating artists' moving image works, and to create
> an ever-growing network among peers.
> 
> There are now more than four hundred artists’ film and moving image works available to view on the website.
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