[Frameworks] Fwd: [Klubvizija] [Labos] shooting 3383 print film with or without filter

[Sandy McLennan]

Scott writes: “Maybe you want this, I don't know.  It sure won't look
normal.”

It’s fun stuff to play with yet going for “realistic” colour is a
challenge. Here’s hoping you get what you want via play. As Robert and
Scott suggested, maybe the orange (colour negative clear base strip) at
both exposures is best bet.

Because it also wants a tungsten temperature light source and maybe you’re
shooting in daylight to get a lot of light, what about an 85 filter for the
camera exposure? It’s also been suggested to me to double the orange
negative strips (ISO .75?). Have tried this while hand-cranking 1/2 or
1-second shutter speeds, or longer. Obviously affects your action (or not)
to be recorded

Experimental, indeed. Glad it’s available and with relatively low price.

Sandy


On Sat, Mar 23, 2024 at 7:58 AM Scott Dorsey <kludge at panix.com> wrote:

> You're going to need it in both places.  Because 3383 -expects- a source
> that is orange-shifted, because it's intended for the source to be a
> negative
> film.  Then you're going to need it in printing, because the print stock
> you're printing it to will ALSO expect a source that is orange-shifted.
>
> You might consider shooting without the orange mask just because the stuff
> is
> so slow that you will want every bit of film speed at the expense of color
> rendition.  If you're shooting slow timelapse that might not be an issue
> but
> if you want to shoot 24 fps in bright sun you'll be at the edge of the
> envelope.
>
> If you don't shoot without the orange mask you'll find greens and cyans
> saturating and blocking up when yellows and oranges are properly exposed.
> Maybe you want this, I don't know.  It sure won't look normal.
> --scott
>
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