[Frameworks] Recommendations for 16mm optical sound

[Bernard Roddy]

Seriously?  A lot?  Where are these films screened?  I don't mean the 
restoration work.  I mean the new work.

Bernie




________________________________
From: Mark Toscano <fiddybop at yahoo.com>
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Sent: Mon, October 11, 2010 3:43:04 AM
Subject: Re: [Frameworks] Recommendations for 16mm optical sound


I've used DJ Audio (not DJ Sound) for tons of restoration track negatives and my 
own work, and they're great.  I know a lot of L.A. independent filmmakers like 
NT Audio as well, including a few who are particularly meticulous and exacting.

Mark Toscano


--- On Sun, 10/10/10, 40 Frames <info at 40frames.org> wrote:


>From: 40 Frames <info at 40frames.org>
>Subject: Re: [Frameworks] Recommendations for 16mm optical sound
>To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>
>Date: Sunday, October 10, 2010, 7:33 PM
>
>
>
>
>
>On Sun, Oct 10, 2010 at 7:57 AM, Chris Brabant <chris.brabant at gmail.com> wrote:
>
>Chris Millarat Noise & Light in Seattle does an amazing job creating 16mm 
>optical tracks.  It's hard to find any info but I believe (hope) he's still 
>making them. No problems with sending him a digital file or CD, that's usually 
>the route I go.  
>
>>
>>Contact is: noiseandlight1 at hotmail.com 
>>
>>-cj brabant 
>> 
>>
>>


Chris Millar (Noise & Light) is no longer shooting optical tracks. 40 Frames has 
the old Noise & Light equipment. We are preparing to 
to offer this service in 2011. 

In the meantime, try Gibbs Chapman (Non Productions) in San Francisco, or DJ 
Sound or NT Audio in LA. 


Alain
> 



      
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