[Frameworks] Recommendations for 16mm optical sound

[Anna Biller]

Ha ha. L.A. really does have a lot of smart people who make things.  
SERIOUSLY.


On Oct 11, 2010, at 8:31 AM, Bernard Roddy wrote:

> Seriously?  A lot?  Where are these films screened?  I don't mean  
> the restoration work.  I mean the new work.
>
> Bernie
>
> From: Mark Toscano <fiddybop at yahoo.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Sent: Mon, October 11, 2010 3:43:04 AM
> Subject: Re: [Frameworks] Recommendations for 16mm optical sound
>
> I've used DJ Audio (not DJ Sound) for tons of restoration track  
> negatives and my own work, and they're great.  I know a lot of L.A.  
> independent filmmakers like NT Audio as well, including a few who  
> are particularly meticulous and exacting.
>
> Mark Toscano
>
>
> --- On Sun, 10/10/10, 40 Frames <info at 40frames.org> wrote:
>
> From: 40 Frames <info at 40frames.org>
> Subject: Re: [Frameworks] Recommendations for 16mm optical sound
> To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com 
> >
> Date: Sunday, October 10, 2010, 7:33 PM
>
>
>
> On Sun, Oct 10, 2010 at 7:57 AM, Chris Brabant <chris.brabant at gmail.com 
> > wrote:
> Chris Millar at Noise & Light in Seattle does an amazing job  
> creating 16mm optical tracks.  It's hard to find any info but I  
> believe (hope) he's still making them. No problems with sending him  
> a digital file or CD, that's usually the route I go.
>
> Contact is: noiseandlight1 at hotmail.com
>
> -cj brabant
>
>
>
>
> Chris Millar (Noise & Light) is no longer shooting optical tracks.  
> 40 Frames has the old Noise & Light equipment. We are preparing to
> to offer this service in 2011.
>
> In the meantime, try Gibbs Chapman (Non Productions) in San  
> Francisco, or DJ Sound or NT Audio in LA.
>
>
> Alain
>
>
>
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