[Frameworks] film/digtial hybrid

[Jason Halprin]

Myself and my students have used everything from recent camera stocks such as Vision 3 and Ektachrome to intermediate stocks to outdated print stock for Optical Printing. There's a gamma shift in almost all cases, but those are the breaks!

-Jason Halprin



________________________________
 From: 40 Frames <info at 40frames.org>
To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com> 
Sent: Thursday, December 8, 2011 12:14 PM
Subject: Re: [Frameworks] film/digtial hybrid
 




On Thu, Dec 8, 2011 at 10:04 AM, eric stewart <e.l.j.stewart at gmail.com> wrote:

And a couple intermediate stocks!
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Yes, yes, yes!

Alain




 

>
>On Thu, Dec 8, 2011 at 10:02 AM, 40 Frames <info at 40frames.org> wrote:
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>>On Thu, Dec 8, 2011 at 9:57 AM, Tim Halloran <televisual at hotmail.com> wrote:
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>>Just a tangential question sparked by Daina's story--since Kodak no longer makes printing stocks, what do people use these days for "print stocks" when working on an optical printer? Or even when just making dupe prints? 
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>>Since when? 
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>>http://motion.kodak.com/motion/Products/Distribution_And_Exhibition/index.htm
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>>Kodak makes color and black & white print stocks, as does ORWO (B/W) and Fuji (color). 
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>>Alain
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>>>________________________________
>>> Date: Thu, 8 Dec 2011 09:35:22 -0800
>>>From: perkonss at yahoo.com
>>>To: frameworks at jonasmekasfilms.com
>>>Subject: Re: [Frameworks] film/digtial hybrid
>>>
>>>
>>>
>>>Around 2002 I completed a film called "Summer Light" which was begun by shooting on 16mm film about 10 years earlier.  I had hoped to complete it by optical printing but Kodak stopped making the 16mm optical printing stocks and I also didn't have access to an optical printer.
>>>
>>>Daina Krumins
>>>
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>>>
>>>--- On Thu, 12/8/11, Ji-hoon Felix Kim <jihoonfelix at gmail.com> wrote:
>>>
>>>
>>>>From: Ji-hoon Felix Kim <jihoonfelix at gmail.com>
>>>>Subject: [Frameworks] film/digtial hybrid
>>>>To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>
>>>>Date: Thursday, December 8, 2011, 6:10 AM
>>>>
>>>>
>>>>
>>>>Hi Frameworkers,
>>>>
>>>>As part of my research, I've been compiling a group of contemporary filmmakers who have employed hand-processing of film and digital visual effects in hybrid ways.
>>>>The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you to raise
>>>>more similar filmmakers who come to your mind, so that I will bring more cases together to my list. 
>>>>
>>>>Thank you in advance,
>>>> 
>>>>-- 
>>>>Ji-hoon Kim
>>>>Assistant Professor, Division of Broadcast & Cinema Studies
>>>>Wee Kim Wee School of Communication and Information
>>>>Nanyang Technological University
>>>>Room 02-08, 31 Nanyang Link
>>>>Singapore 637718
>>>>Office phone: (65) 6514-8351
>>>>Mobile: (65) 9720-8484
>>>>
>>>>
>>>>
-----Inline Attachment Follows-----
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>>>>
>>>>
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>>>
>>>_______________________________________________ FrameWorks mailing list FrameWorks at jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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>>
>>
>>
>>-- 
>>40 FRAMES
>>Alain LeTourneau
>>Pam Minty
>>
>>40 FRAMES
>>5232 North Williams Avenue
>>Portland, Oregon 97217
>>USA
>>
>>+1 503 231 6548
>>www.40frames.org
>>www.16mmdirectory.org
>>www.emptyquarterfilm.org
>>
>>
>>_______________________________________________
>>FrameWorks mailing list
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>>
>
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>


-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
5232 North Williams Avenue
Portland, Oregon 97217
USA

+1 503 231 6548
www.40frames.org
www.16mmdirectory.org
www.emptyquarterfilm.org


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