[Frameworks] film/digtial hybrid

Daina Krumins perkonss at yahoo.com
Thu Dec 8 13:18:08 CST 2011


Perhaps they are making the stocks NOW, but at that moment the stocks I needed for bluescreen stuff were only available in 35mm.  I know, I checked it out at that time.

I might have been able to use some other stocks from Japan or Europe, but the whole question was academic since I was stuck taking care of people and couldn't afford all those dupes, intermediate generations, etc.

Adobe After Effects is a HOOT!  Make a mistake, wipe it out.  Make a mistake on the optical printer and it's $$$ down the drain right quick.

Daina


--- On Thu, 12/8/11, 40 Frames <info at 40frames.org> wrote:

From: 40 Frames <info at 40frames.org>
Subject: Re: [Frameworks] film/digtial hybrid
To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>
Date: Thursday, December 8, 2011, 1:14 PM



On Thu, Dec 8, 2011 at 10:04 AM, eric stewart <e.l.j.stewart at gmail.com> wrote:

And a couple intermediate stocks!
-

Yes, yes, yes!
Alain




 

On Thu, Dec 8, 2011 at 10:02 AM, 40 Frames <info at 40frames.org> wrote:



On Thu, Dec 8, 2011 at 9:57 AM, Tim Halloran <televisual at hotmail.com> wrote:








Just a tangential question sparked by Daina's story--since Kodak no longer makes printing stocks, what do people use these days for "print stocks" when working on an optical printer? Or even when just making dupe prints? 




 


Since when? 
http://motion.kodak.com/motion/Products/Distribution_And_Exhibition/index.htm



Kodak makes color and black & white print stocks, as does ORWO (B/W) and Fuji (color). 
Alain






  




Date: Thu, 8 Dec 2011 09:35:22 -0800
From: perkonss at yahoo.com
To: frameworks at jonasmekasfilms.com



Subject: Re: [Frameworks] film/digtial hybrid






Around 2002 I completed a film called "Summer Light" which was begun by shooting on 16mm film about 10 years earlier.  I had hoped to complete it by optical printing but Kodak stopped making the 16mm optical printing stocks and I also didn't have access to an optical printer.




Daina Krumins





--- On Thu, 12/8/11, Ji-hoon Felix Kim <jihoonfelix at gmail.com> wrote:


From: Ji-hoon Felix Kim <jihoonfelix at gmail.com>
Subject: [Frameworks] film/digtial hybrid
To: "Experimental Film Discussion List" <frameworks at jonasmekasfilms.com>



Date: Thursday, December 8, 2011, 6:10 AM


Hi Frameworkers,

As part of my research, I've been compiling a group of contemporary filmmakers who have employed hand-processing of film and digital visual effects in hybrid ways.
The filmmakers I've caught up with thus far include Johanna Vaude, Stephanie Maxwell, Jurgen Reble (for Materia Obscura), Kerry Laitra. I'd like any of you to raise



more similar filmmakers who come to your mind, so that I will bring more cases together to my list. 

Thank you in advance,
 
-- 
Ji-hoon Kim
Assistant Professor, Division of Broadcast & Cinema Studies



Wee Kim Wee School of Communication and Information
Nanyang Technological University
Room 02-08, 31 Nanyang Link
Singapore 637718
Office phone: (65) 6514-8351
Mobile: (65) 9720-8484




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Alain LeTourneau
Pam Minty

40 FRAMES
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-- 
40 FRAMES
Alain LeTourneau
Pam Minty

40 FRAMES
5232 North Williams Avenue
Portland, Oregon 97217
USA

+1 503 231 6548
www.40frames.org

www.16mmdirectory.org
www.emptyquarterfilm.org



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