[Frameworks] Telecine question

[Myron Ort]

If it is a lab telecine transfer, what then?


On May 23, 2011, at 7:26 AM, David Tetzlaff wrote:

> Assuming a DIY (not lab) job: telecine it to 24P, using a Pana  
> DVX100, or an HD camcorder (and drop back to SD in software if you  
> need to, cropping to 4:3)
>
>
> On May 22, 2011, at 1:39 PM, Myron Ort wrote:
>
>> Standard definition,  Apple Pro Ress 422 HQ.
>>
>> If you telecine a film at 24fps, and then later remove the pull down
>> in fcp, do you end up with a file which can still play at a 24fps
>> rate but without the interlaced frames?  How does this work?
>> What is a good approach for transferring 24fps films so that you end
>> up eventually with something that avoids the compromised mess of
>> noticeable interlaced frames?
>>
>> Myron Ort
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