[Frameworks] This week [July 21 - 29, 2012] in avant garde cinema
Weekly Listing
weeklylisting at hi-beam.net
Sun Jul 22 10:24:02 CDT 2012
This week [July 21 - 29, 2012] in avant garde cinema
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NEW CALLS FOR ENTRIES:
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Last Vacancies 2012 Portugal Rural Artistic Residencies (Tondela, Portugal; Deadline: September 15, 2012)
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VIDEODRONE (London, UK; Deadline: July 30, 2012)
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The 8 Fest (Toronto, Ontario, Canada; Deadline: September 01, 2012)
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(Re)Capturing Womanhood (Carbondale, IL, USA; Deadline: October 01, 2012)
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FLEX Fest (Gainesville, FL, USA; Deadline: October 15, 2012)
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DEADLINES APPROACHING:
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BASEMENT MEDIA FEST (Brooklyn, NY, USA; Deadline: July 29, 2012)
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PollyGrind Underground Film Festival of Las Vegas (Las Vegas, NV, USA; Deadline: August 13, 2012)
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Space 1026 (Philadelphia, Pa; Deadline: July 22, 2012)
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FLEFF (Ithaca, NY, USA; Deadline: August 15, 2012)
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"Then, what if?" (Hartford CT USA; Deadline: August 01, 2012)
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Ingenuity Fest (Cleveland, OH USA; Deadline: August 01, 2012)
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VIDEODRONE (London, UK; Deadline: July 30, 2012)
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Soundings: Films By James Herbert [July 21, Chicago, Illinois]
* Essential Cinema: Hollis Frampton Program [July 21, New York, New York]
* Cut & Paste Program 2 [July 21, New York, New York]
* Soundings: Films By James Herbert [July 22, Chicago, Illinois]
* L.A. Filmforum Presents GlóRia, Directed By Manuela viegas [July 22, Los Angeles, California]
* Essential Cinema: Maya Deren Program [July 22, New York, New York]
* Stratman Program 1 [July 22, New York, New York]
* Stratman Program 2 [July 22, New York, New York]
* Nathaniel Dorsky + Susan Howe [July 23, Brooklyn, NY]
* Stratman Program 3 [July 23, New York, New York]
* Essential Cinema: Zvenigora [July 26, New York, New York]
* Not A Memory ( ) Something Personal [July 26, San Francisco, California]
* Orbit(Film) [July 27, Chicago, Illinois]
* Essential Cinema: Arsenal [July 28, New York, New York]
* Conrad Schnitzler Program 1 [July 28, New York, New York]
* L.A. Filmforum Presents the Reach of Resonance, Directed By Steve Elkins [July 29, Los Angeles, California]
* Essential Cinema: Earth [July 29, New York, New York]
* Conrad Schnitzler Program 2 [July 29, New York, New York]
Events are sorted by CITY within each DATE.
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SATURDAY, JULY 21, 2012
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7/21
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
5:00 PM, National Pastime Theater, 941 W. Lawrence Ave.
SOUNDINGS: FILMS BY JAMES HERBERT
Co-presented with National Pastime Theater as part of their "Naked July"
Festival. For The National Pastime Theater's "Naked July: Art Stripped
Down" summer festival, Chicago Filmmakers is presenting a retrospective
of work by James Herbert. Although he was better known for the music
videos he directed for R.E.M. (It's The End of The World As We Know It),
Herbert made a series of amazing short films and a few acclaimed
features. Each of these films is a highly stylized nude study of
beautiful young heterosexual couples in decayed settings in the American
south (Herbert is based in Athens, Georgia) that suggest new beginnings
from old ruins: Automan (1988, 20 min.) takes place in the back seat of
a broken down car, Piano (1988, 20 min.) in a crumbling theater, and
Soundings (1986, 20 min.) in an old prairie house. Unlike the others,
Frontiers (1984, 20 min.) is shot in a studio, but the juxtaposition of
sexual contact with the audio recording of a recent argument conveys a
similar interest in cycles of struggle and evolution. (1984-88, 80 min.
total, 16mm) Admission: $8
7/21
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:00 pm, 32 2nd Avenue
ESSENTIAL CINEMA: HOLLIS FRAMPTON PROGRAM
ZORNS LEMMA 1970, 60 minutes, 16mm, color. "A major poetic work. Created
and put together by a very clear eye-head, this original and complex
abstract work moves beyond the letters of the alphabet, beyond words and
beyond Freud. If you don't understand it the first time you see it,
don't despair, see it again! When you finally 'get it,' a small light,
possibly a candle, will light itself inside your forehead." –Ernie Gehr
& HAPAX LEGOMENA I: (nostalgia) 1971, 36 minutes, 16mm, b&w. "Nostalgia,
beginning as an ironic look upon a personal past, creates its own filmic
time, a past and future generated by the expectations elicited by its
basic disjunctive strategy." –Annette Michelson "In nostalgia the time
it takes for a photograph to burn (and thus confirm its
two-dimensionality) becomes the clock within the film, while Frampton
plays the critic, asynchronously glossing, explicating, narrating,
mythologizing his earlier art, and his earlier life, as he commits them
both to the fire of a labyrinthine structure; for Borges too was one of
his earlier masters, and he grins behind the facades of logic,
mathematics, and physical demonstrations which are the formal metaphors
for most of Frampton's films." –P. Adams Sitney Total running time: ca.
100 minutes.
7/21
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
CUT & PASTE PROGRAM 2
PROGRAM 2: Harry Smith [OUTTAKES FROM HARRY SMITH'S OZ] ca. 1962, 23.5
minutes, 35mm. Much to our surprise, Anthology recently recovered a
number of original 35mm negative camera rolls by revered
animator/alchemist/ethnomusicographer Harry Smith. The reels had been,
unknown to all, sitting in a lab since 1967. The footage contains
camera, focus, and exposure tests for OZ, Smith's amazing, abandoned
feature-length adaptation of L. Frank Baum's classic tale. While
Anthology has preserved and regularly presents Smith's NO. 16: OZ, THE
TIN WOODMAN'S DREAM (1967), which contains the completed excerpt THE
APPROACH TO EMERALD CITY, much of the material in these two reels is
different. Raw footage that was never intended to be viewed as anything
other than dailies, these alluring outtakes are resoundingly beautiful,
and like all things Smith, deeply mysterious. & Lawrence Jordan SOPHIE'S
PLACE 1986, 90 minutes, 16mm. "[T]he greatest epic animation film ever,
yr wondrous SOPHIE'S PLACE…" –Stan Brakhage "Full hand-painted cut-out
animation. … I call it an 'alchemical autobiography.' The film begins in
a paradisiacal garden. It then proceeds to the interior of the Mosque of
St. Sophia. More and more the film develops into episodes centering
around one form or another of Sophia, an early Greek and Gnostic
embodiment of spiritual wisdom. She is seen emanating light waves and
symbolic objects. (But I must emphasize that I do not know the exact
significance of any of the symbols in the film any more than I know the
meaning of my dreams, nor do I know the meaning of the episodes. I hope
that they – the symbols and the episodes – set off poetic associations
in the viewer. I mean them to be entirely open to the viewer's own
interpretation.)" –L.J.
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SUNDAY, JULY 22, 2012
---------------------
7/22
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
8:00 PM, National Pastime Theater, 941 W. Lawrence Ave.
SOUNDINGS: FILMS BY JAMES HERBERT
See July 21st listing for details.
7/22
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm (box office opens 6:30, doors open 7), Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
L.A. FILMFORUM PRESENTS GLóRIA, DIRECTED BY MANUELA VIEGAS
GLÓRIA Directed by Manuela Viegas. With Jean Christophe Bouvet,
Francisco Relvas, Raquel Marques. Portugal/France/Spain 1999, 35mm,
color, 110 min. Portuguese with English subtitles. Possibly the Los
Angeles premiere. The first and only feature film to date by influential
editor Manuela Viegas (Costa's O Sangue, João Cesar Monteiro's
Silvestre) is a stylish coming of age tale and a moving portrait of the
slow death of a rural Portuguese town. Co-written by Viegas and Joaquim
Sapinho, Glória is a nuanced exploration of first love's dangerous
exhilaration, awakened in the eponymous thirteen-year-old by the release
from prison and homecoming of the stationmaster's older and enigmatic
son. A central figure of the Portuguese film scene of the 1980s and
1990s, Viegas taught alongside Reis in the Escola Superior. Tickets: $10
general; $6 students/seniors; free for Filmforum members. Available at
Brown Paper tickets: http://www.brownpapertickets.com/event/257702 Part
of THE FILMS AND LEGACY OF ANTÓNIO REIS AND MARGARIDA CORDEIRO,
Presented in association with the UCLA Film & Television Archive. Please
note: The first three programs in this series will be presented by the
UCLA Film & Television Archive on July 6, 7, and 9. Please visit their
website at http://www.cinema.ucla.edu/calendar for tickets and more
information. This series has been adapted from a program curated by
Haden Guest, director of the Harvard Film Archive. Program notes adapted
from notes written by Haden Guest.
7/22
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA: MAYA DEREN PROGRAM
MAYA DEREN MESHES OF THE AFTERNOON 1943, 14 minutes, 16mm, b&w.
Co-directed by Alexander Hammid. Music by Teiji Ito from 1959. AT LAND
1944, 15 minutes, 16mm, b&w, silent. Photographed by Hella Heyman and
Alexander Hammid. A STUDY IN CHOREOGRAPHY FOR CAMERA 1945, 3 minutes,
16mm, b&w, silent. By Maya Deren and Talley Beatty. RITUAL IN
TRANSFIGURED TIME 1946, 15 minutes, 16mm, b&w, silent. Choreographic
collaboration with Frank Westbrook. Photographed by Hella Heyman. With
Rita Christiani and Frank Westbrook. Total running time: ca. 55 minutes.
7/22
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:00 pm, 32 2nd Avenue
STRATMAN PROGRAM 1
PROGRAM 1: ON THE VARIOUS NATURE OF THINGS (1995, 25 minutes, 16mm) HOW
AMONG THE FROZEN WORDS (2005, 44 seconds, video) IT WILL DIE OUT IN THE
MIND (2006, 4 minutes, video) THE MAGICIAN'S HOUSE (2007, 6 minutes,
16mm) & FROM HETTY TO NANCY 1997, 44 minutes, 16mm. The stoic beauty of
the Icelandic landscape forms a backdrop for a series of witty and
caustic letters written at the turn of the century by a woman named
Hetty as she treks with her companion Masie, four school girls, and
their school marm. Total running time: ca. 90 minutes
7/22
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Avenue
STRATMAN PROGRAM 2
PROGRAM 2: …THESE BLAZEING STARRS! (2011, 14 minutes, 16mm) WAKING
(1994, 7 minutes, video) RAY'S BIRDS (2010, 7 minutes, video) VILLAGE,
SILENCED (2012, 7 minutes, video) UNTIED (2001, 3 minutes, 16mm) & IN
ORDER NOT TO BE HERE 2002, 33 minutes, 16mm. An uncompromising look at
the ways privacy, safety, convenience, and surveillance determine our
environment. Shot entirely at night, the film confronts the hermetic
nature of white-collar communities, dissecting the fear behind
contemporary suburban design. Total running time: ca. 80 minutes.
---------------------
MONDAY, JULY 23, 2012
---------------------
7/23
Brooklyn, NY: Light Industry
http://www.lightindustry.org/
7:30, 155 Freeman Street
NATHANIEL DORSKY + SUSAN HOWE
One of America's preeminent contemporary poets, Susan Howe has published
a series of writings, since the 1970s, that combine autobiography and
historical research—on such topics as Emily Dickinson, Charles S.
Peirce, and the 17th century utopian sect The Labadie Tract. In addition
to their roles as scholarship and memoir, Howe's works are also notable
for their highly idiosyncratic page design, frequently involving complex
typography, line placement, and other visual patterning that point to
the influence of her initial training as a painter. Identified with the
Language poets early in her career, Howe has created a body of essays
and poetry that invoke deep emotional resonance while operating at the
highest levels of formal experimentation. - For this event at Light
Industry, Howe will read selections from her writing, chosen with the
work of filmmaker Nathaniel Dorsky in mind, particularly Devotional
Cinema, his series of lectures on the possibility of film as a
meditative, curative and transcendent experience. The reading will be
followed by a screening of Dorsky's Alaya, a silent study of grains of
sand, captured from a multitude of viewpoints, that transforms its
relatively simple subject matter into a mesmerizing, ever-shifting
landscape. - "Alaya manages a perfection of 'musical' light across
a space of time greater in length than would seem possible (consider how
brief most such perfected works are, such as Peter Kubelka, say)...and
with minimal means of line and tone....After about three minutes I began
to be aware of the subtlety of rhythm, within each shot and
shot-to-shot, which carried each cut, causing each new image to sit
in-the-light of those several previous...a little short of a miracle.
Bravo!" - Stan Brakhage - Alaya, Nathaniel Dorsky, 16mm, 1987, 28
mins - Tickets - $7, available at door. - Please note: seating is
limited. First-come, first-served. Box office opens at 7pm.
7/23
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
STRATMAN PROGRAM 3
PROGRAM 3: SHRIMP CHICKEN FISH (2010, 5 minutes, video) ENERGY COUNTRY
(2003, 14.5 minutes, video) & KUYENDA N'KUBVINA 2010, 40 minutes, video.
Looks at how thought and culture propagate in Malawi. The video was
instigated by the filmmaker's relative ignorance about the people and
culture of southeast Africa, and accompanies her as she seeks out
individuals and infrastructures that channel and articulate Malawian
identity. Total running time: ca. 65 minutes.
-----------------------
THURSDAY, JULY 26, 2012
-----------------------
7/26
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
ESSENTIAL CINEMA: ZVENIGORA
by Alexandr Dovzhenko No English intertitles (English synopsis
available), 1928, 96 minutes, 35mm, b&w, silent Dovzhenko's second film,
attacked by Soviet critics for being so beautifully rendered as to
actually lessen its political impact, remains today a "cinematic poem"
as the director named it. Episodic, folkloric, and allegorical, it is a
mythic search for hidden treasure by two brothers. Dovzhenko wrote: "I
did not so much make the picture as sing it out like a songbird."
7/26
San Francisco, California: Roxie Theater
http://carlelsaesser.com
9:15, Roxie Theater 16th and Valencia
NOT A MEMORY ( ) SOMETHING PERSONAL
We cordially invite you to the premier of Not a Memory( )Something
Personal. Shot up in the backwoods of Alaska and wastelands of a salmon
processing camp, Not A Memory( )Something Personal follows two friends
on their way home. They stop and camp out for the night, waiting,
catching up on rest. The following morning one of them is missing with
no explanation. The film was shot simultaneously on Super 8, standard
definition and HD to pull apart and examine the character's
intersections between identity, memory, love and projection. As one
searches for meaning without a past, the other struggles with his
obsessive desires when they confuse memories. "Sometimes I forget that I
am not you and you are not me". Mark your calenders: JULY 26th at 9:15PM
At the Roxie Theater in the heart of the Mission, San Francisco Tickets
are only Five dollars and are starting to sell, so buy yours online now!
The Trailer can be seen here: //youtu.be/E4ZaS4P_SRg Tickets can be
bought here:http://roxie.com The facebook page is here:
http://www.facebook.com/events/132618200209999/
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FRIDAY, JULY 27, 2012
---------------------
7/27
Chicago, Illinois: Chicago Filmmakers
http://www.chicagofilmmakers.org/
7:30 PM, Adler Planetarium, 1300 S. Lake Shore Dr.
ORBIT(FILM)
Co-sponsored by the Adler Planetarium. In Orbit(film), every planet in
our solar system is represented by a short film, each made by a
different filmmaker, dealing with the science of outer space through
creative and emotional storytelling and visual poetry. Some of the
original source material comes from NASA footage, reinterpreted by each
filmmaker to make a portrait of the respective planet. Non-planet films
cover the sun, moon and comets. The series is co-produced by Mike Plante
(Cinemad) and Mark Elijah Rosenberg (Rooftop Films), and contributing
filmmakers include Bill Brown (Uranus), Brian Cassidy and Melanie
Shatzky (The Moon), Ben Coonley (Mercury), Michael Gitlin and Jacqueline
Goss (Saturn), Brent Hoff (The Sun), Jessica Oreck (Venus), Mike Plante
(Earth), Poseidon (Neptune), Mark Elijah Rosenberg (Mars), Kelly Sears
(Jupiter), Deborah Stratman (Comets), and Travis Wilkerson (Pluto and
re-entry). (2010-11, 85 min. total). Admission: $10
-----------------------
SATURDAY, JULY 28, 2012
-----------------------
7/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA: ARSENAL
by Alexandr Dovzhenko No English intertitles (English synopsis
available), 1928-29, 87 minutes, 35mm, b&w, silent One of Dovzhenko's
few completely independent films, from script to screen. ARSENAL is a
civil war epic envisioned in unusual, painterly images: a fallen soldier
– drunk on the enemy's laughing gas – his frozen body still baring its
teeth long after the battle and his life are over.
7/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
CONRAD SCHNITZLER PROGRAM 1
PROGRAM 1: FILM/VIDEO (1970-1980) Schnitzler's early films explode with
energy. During this time CON, as he liked to be called, was making
intermedia art – street performances, gallery installations, and
explosive new music – all influenced by free jazz and psychedelic rock.
For these live actions, CON wore black and white make-up, dressed in
white leather, and mounted a megaphone on a black motorcycle helmet. The
films from this period are fast paced, high contrast, hypnotic
explorations of energy with abstract imagery or CON the
magician/performer as subject matter. Jürgen Boettcher RÄUME INSZENIERTE
UND GEFUNDENE ENVIRONMENTS (1970, 3 minutes, video) Wolfgang Seidel
FAHRSTUHL (1971, 3 minutes, video) WALKMAN (4 minutes, video) ZAUBERER
(7 minutes, video) FORTSCHITT (3 minutes, video) DIE NIE ALT WERDEN (4
minutes, video) UNTITLED FILM #1 (6 minutes, 8mm, silent) ZWOLF JAHR KUR
FÜR MICHELANGELO (9 minutes, video) SCHWARZER DOM (8 minutes, video,
b&w) ZYLINDER (2 minutes, video) SCHWARZE HAND (3 minutes, video) WER IM
LADEN DIE SCHUHSCHACHTELN ZÄHLT (4 minutes, video) MEHR SPASS (6
minutes, video) UPER (8 minutes, video) NATURLICH (5 minutes, video)
TAKE OFF (1980, 4 minutes, video) Julien Perrin PREMIER CON/TACT (2009,
12 minutes, video) Total running time: ca. 100 minutes.
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SUNDAY, JULY 29, 2012
---------------------
7/29
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30pm (box office opens 6:30, doors open 7), Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
L.A. FILMFORUM PRESENTS THE REACH OF RESONANCE, DIRECTED BY STEVE ELKINS
Los Angeles Filmforum presents the fabulous debut film of Steve Elkins,
The Reach of Resonance, on July 29. A meditation on the meaning of
music, featuring John Luther Adams, Kronos Quartet, Miya Masaoka, Bob
Ostertag, Jon Rose, the film is a unique exploration of acoustic
possibilities of the world, and the zones where composers merge sound
and politics. Previously screened at the Angel City Jazz Festival to a
standing ovation, "The Reach Of Resonance" was awarded "Best Film Essay"
at Montreal's International Festival Of Films On Art, and the Temps
D'Image Film For Art Award at the Temps D'Image Film Festival in Lisbon,
Portugal "for a film which reflects the importance of arts in human
society in the most original way." Director Steve Elkins will appear in
person! Tickets: $10 general; $6 students/seniors; free for Filmforum
members. Available at Brown Paper tickets:
http://www.brownpapertickets.com/event/258638
7/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:15 pm, 32 2nd Avenue
ESSENTIAL CINEMA: EARTH
by Alexandr Dovzhenko No English intertitles (English synopsis
available), 1929-30, 82 minutes, 35mm, b&w, silent (ZEMLYA) A poetic
expression of love for both nature and Ukrainian culture by the man who
was alternatively branded a deserter by Ukrainians and a Ukrainian
nationalist by Russian Soviets. Dovzhenko champions the progression of
life, class struggle, and new attitudes for a town changed by a tractor
and a fallen hero.
7/29
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Avenue
CONRAD SCHNITZLER PROGRAM 2
PROGRAM 2: FILM/VIDEO (1975-1986) After leaving the art scene to focus
on composing, CON's musical scores take precedence. He is no longer the
subject; the pieces become longer and more focused. CON produced hours
of cinematic meditations using primitive computer graphics, dissolving
shapes and abstract washes of color and light. One can imagine the
reclusive CON sitting back in his chair, observing the transformation of
a blowing curtain into an abstract landscape, as his wild symphony
unfolds. In all his work, the precise tonalities sculpted by his
electronic instruments inform the vision. Erika Lippki DIE SPUR DIE
KARAWANE (1977, 7 minutes, video) UNTITLED FILM #2 (4 minutes, 8mm,
silent) LUX CONCERT (1979, 29 minutes, video) SCHATTEN III (1982, 3
minutes, 8mm, b&w) LICHTPUNKT UND SCHWARZE ZEICHEN (1978, 24 minutes,
video, b&w) DAS CAS CON VIDEO I (1986, 21 minutes, video) Total running
time: ca. 95 minutes.
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at http://www.hi-beam.net/cgi-bin/thisweek.pl
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