[Frameworks] Super8 200D reversal
Erin Weisgerber
erincw at gmail.com
Thu May 30 13:48:57 UTC 2013
Hi Phil,
This is Erin Weisgerber. I am a student at Concordia where we have met
before briefly.
I'm very interested in this bulk purchase of the new 16mm reversal stock by
labs in Europe.
If you could send along any information or links you have that could be
helpful.
Are individual filmmakers able to purchase from the labs? Must they put in
pre-orders? What is the final cost per foot (or per roll)?
I am working with Ralitsa Doncheva on a documentary that we plan to film at
the end of August/beginning of September in Bulgaria.
We want to shoot on colour reversal, but we only have limited quantities of
100D so we are looking for other affordable options. Ralitsa's project has
been supported by Main Film's Film Factory so we are also hoping to
convince them to purchase an alternate colour reversal stock for the
project.
Any information you could share would be greatly appreciated.
Thanks so much,
Erin
On Sat, May 25, 2013 at 3:43 PM, Philippe Leonard <opticalfil at gmail.com>wrote:
> If any of you are on the filmlabs listserv as well you might know that a
> big order as been made collectively in europe between the labs to buy some
> of that stock in 16mm for a ridiculously low price directly from AGFA.
> Maybe that approach should be initiated as well in US to avoid
> the exorbitant cost of 45$ per roll.
>
> Best,
>
> Phil
>
> Film | Photography | Cinematography | Performance | Visuals
> www.philippe-leonard.com
>
>
> On Sat, May 25, 2013 at 5:59 PM, Janis Lipzin <jlipzin at aol.com> wrote:
>
>> mixed news on Pro-8's new color reversal s-8 stock.
>> First, it's polyester based (like Fujichrome was) and that means cement
>> splicing doesn't work and second, Pro-8 is only selling the film with
>> processing included and the price is $45 a roll. Not great news for us
>> hand-processors....
>>
>> Janis Crystal Lipzin
>> On May 25, 2013, at 5:00 AM, frameworks-request@**jonasmekasfilms.com<frameworks-request at jonasmekasfilms.com>wrote:
>>
>> Send FrameWorks mailing list submissions to
>>> frameworks at jonasmekasfilms.com
>>>
>>> To subscribe or unsubscribe via the World Wide Web, visit
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>>> or, via email, send a message with subject or body 'help' to
>>> frameworks-request@**jonasmekasfilms.com<frameworks-request at jonasmekasfilms.com>
>>>
>>> You can reach the person managing the list at
>>> frameworks-owner@**jonasmekasfilms.com<frameworks-owner at jonasmekasfilms.com>
>>>
>>> When replying, please edit your Subject line so it is more specific
>>> than "Re: Contents of FrameWorks digest..."
>>>
>>>
>>> Today's Topics:
>>>
>>> 1. Texts on appropriation, collage and ethics/fair use
>>> (Adam R. Levine)
>>> 2. Re: Texts on appropriation, collage and ethics/fair use
>>> (Francisco Torres)
>>> 3. Re: Texts on appropriation, collage and ethics/fair use
>>> (Christian Gosvig Olesen)
>>> 4. Re: Texts on appropriation, collage and ethics/fair use
>>> (adeena.mey at unil.ch)
>>> 5. Re: Texts on appropriation, collage and ethics/fair use
>>> (Watter, Seth)
>>> 6. Re: Texts on appropriation, collage and ethics/fair use
>>> (William Wees, Dr.)
>>> 7. Re: Texts on appropriation, collage and ethics/fair use
>>> (David Tetzlaff)
>>> 8. New Super 8 200D Reversal Stock!!! (Ken Paul Rosenthal)
>>> 9. Re: New Super 8 200D Reversal Stock!!! (Roger Wilson)
>>> 10. Re: Texts on appropriation, collage and ethics/fair use
>>> (Fred Truniger)
>>>
>>>
>>> ------------------------------**------------------------------**
>>> ----------
>>>
>>> Message: 1
>>> Date: Fri, 24 May 2013 09:50:34 -0700
>>> From: "Adam R. Levine" <adamrl at gmail.com>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair
>>> use
>>> Message-ID:
>>> <CAB-**OeP12TBwVWTwkKAXRAf3aWHp6bruhK**
>>> 9V8nTCUBurOpBHMLQ at mail.gmail.**com<CAB-OeP12TBwVWTwkKAXRAf3aWHp6bruhK9V8nTCUBurOpBHMLQ at mail.gmail.com>
>>> >
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of the
>>> history and practice of the appropriation and collage in the field of
>>> moving images. In addition, if there is any such work that also address
>>> questions of copyright, ethics and fair use, that would be great.
>>>
>>> Thanks,
>>> Adam
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 2
>>> Date: Fri, 24 May 2013 14:00:25 -0300
>>> From: Francisco Torres <fjtorrespr at gmail.com>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID:
>>> <CAEN6Uckf7bL42yAeocuuSLhuHwBG**rSuufLuODLRLW+CW5pePRQ at mail.**
>>> gmail.com<CAEN6Uckf7bL42yAeocuuSLhuHwBGrSuufLuODLRLW%2BCW5pePRQ at mail.gmail.com>
>>> >
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> this one is pretty good.
>>>
>>> http://www.amazon.com/Cutting-**Across-Media-Appropriation-**
>>> Interventionist/dp/0822348225<http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225>
>>> Cutting Across Media: Appropriation Art, Interventionist Collage, and
>>> Copyright Law
>>>
>>>
>>> On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com>
>>> wrote:
>>>
>>> Hello,
>>>>
>>>> I'm looking for any books or short texts that might offer a survey of
>>>> the
>>>> history and practice of the appropriation and collage in the field of
>>>> moving images. In addition, if there is any such work that also address
>>>> questions of copyright, ethics and fair use, that would be great.
>>>>
>>>> Thanks,
>>>> Adam
>>>>
>>>> ______________________________**_________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>
>>>>
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 3
>>> Date: Fri, 24 May 2013 19:05:03 +0200
>>> From: Christian Gosvig Olesen <christian.gosvig at gmail.com>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID:
>>> <CACmTcvqtvZdyD9hQxGV5v1_**gd96NR+01z95p5CnapGWUsYF69Q@**
>>> mail.gmail.com<CACmTcvqtvZdyD9hQxGV5v1_gd96NR%2B01z95p5CnapGWUsYF69Q at mail.gmail.com>
>>> >
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> This one is in french but is one of the most helpful I have come across:
>>>
>>> http://lucdall.free.fr/**workshops/IAV07/documents/**
>>> found-footage_n_brenez.pdf<http://lucdall.free.fr/workshops/IAV07/documents/found-footage_n_brenez.pdf>
>>>
>>>
>>> 2013/5/24 Francisco Torres <fjtorrespr at gmail.com>
>>>
>>> this one is pretty good.
>>>>
>>>>
>>>> http://www.amazon.com/Cutting-**Across-Media-Appropriation-**
>>>> Interventionist/dp/0822348225<http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225>
>>>> Cutting Across Media: Appropriation Art, Interventionist Collage, and
>>>> Copyright Law
>>>>
>>>>
>>>> On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com>
>>>> wrote:
>>>>
>>>> Hello,
>>>>>
>>>>> I'm looking for any books or short texts that might offer a survey of
>>>>> the
>>>>> history and practice of the appropriation and collage in the field of
>>>>> moving images. In addition, if there is any such work that also address
>>>>> questions of copyright, ethics and fair use, that would be great.
>>>>>
>>>>> Thanks,
>>>>> Adam
>>>>>
>>>>> ______________________________**_________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks at jonasmekasfilms.com
>>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>>
>>>>>
>>>>>
>>>> ______________________________**_________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>
>>>>
>>>> -------------- next part --------------
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 4
>>> Date: Fri, 24 May 2013 20:58:34 +0200
>>> From: adeena.mey at unil.ch
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID: <519fb85a.1240.5225b700.**10e81830 at unil.ch<519fb85a.1240.5225b700.10e81830 at unil.ch>
>>> >
>>> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>>>
>>> This book on Abigail Child:
>>> http://www.metispresses.ch/ps_**child_anglais.html<http://www.metispresses.ch/ps_child_anglais.html>
>>> Best,
>>> A.
>>>
>>>
>>>
>>>
>>> On vendredi 24/05/2013 at 18:51:52, Adam R. Levine a écrit:
>>>
>>>>
>>>> Hello,
>>>>
>>>> I'm looking for any books or short texts that might offer a survey of
>>>> the history and practice of the appropriation and collage in the field
>>>> of moving images. In addition, if there is any such work that also
>>>> address questions of copyright, ethics and fair use, that would be
>>>> great.
>>>>
>>>> Thanks,
>>>> Adam__________________________**_____________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>
>>>
>>> -------------- next part --------------
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 5
>>> Date: Fri, 24 May 2013 16:21:38 -0400
>>> From: "Watter, Seth" <seth_watter at brown.edu>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID:
>>> <CAABi6SP+**y1YMMmDj8fWG6PQAgDJ4nTSsr1EuMf**
>>> p+DecVifHFTg at mail.gmail.com<CAABi6SP%2By1YMMmDj8fWG6PQAgDJ4nTSsr1EuMfp%2BDecVifHFTg at mail.gmail.com>
>>> >
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> 'films beget films' by jay leyda is a classic, and might be the earliest
>>> study of 'found footage' in film history.
>>>
>>> seth
>>>
>>>
>>> On Fri, May 24, 2013 at 12:50 PM, Adam R. Levine <adamrl at gmail.com>
>>> wrote:
>>>
>>> Hello,
>>>>
>>>> I'm looking for any books or short texts that might offer a survey of
>>>> the
>>>> history and practice of the appropriation and collage in the field of
>>>> moving images. In addition, if there is any such work that also address
>>>> questions of copyright, ethics and fair use, that would be great.
>>>>
>>>> Thanks,
>>>> Adam
>>>>
>>>> ______________________________**_________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>
>>>>
>>>> -------------- next part --------------
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 6
>>> Date: Fri, 24 May 2013 20:22:18 +0000
>>> From: "William Wees, Dr." <william.wees at mcgill.ca>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID:
>>> <3EB76ACCC84C7B4DA862A9DBBF9D9**E6908A52D19 at exmbx2010-8.**
>>> campus.MCGILL.CA<3EB76ACCC84C7B4DA862A9DBBF9D9E6908A52D19 at exmbx2010-8.campus.MCGILL.CA>
>>> >
>>>
>>> Content-Type: text/plain; charset="utf-8"
>>>
>>> Recycled Images: The Art and Politics of Found-Footage Films by William
>>> C. Wees, distributed by Anthology Film Archives.
>>>
>>> --Bill Wees
>>>
>>>
>>> From: FrameWorks [mailto:frameworks-bounces@**jonasmekasfilms.com<frameworks-bounces at jonasmekasfilms.com>]
>>> On Behalf Of Adam R. Levine
>>> Sent: May 24, 2013 12:51 PM
>>> To: Experimental Film Discussion List
>>> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair use
>>>
>>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of
>>> the history and practice of the appropriation and collage in the field of
>>> moving images. In addition, if there is any such work that also address
>>> questions of copyright, ethics and fair use, that would be great.
>>>
>>> Thanks,
>>> Adam
>>> -------------- next part --------------
>>> An HTML attachment was scrubbed...
>>> URL: <https://mailman-mail5.**webfaction.com/pipermail/**
>>> frameworks/attachments/**20130524/7f5270e8/attachment-**0001.html<https://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20130524/7f5270e8/attachment-0001.html>
>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 7
>>> Date: Fri, 24 May 2013 13:48:32 -0700
>>> From: David Tetzlaff <djtet53 at gmail.com>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID: <01B588FE-38DF-494E-ADD6-**14DCFCD05AA4 at gmail.com<01B588FE-38DF-494E-ADD6-14DCFCD05AA4 at gmail.com>
>>> >
>>> Content-Type: text/plain; charset=us-ascii
>>>
>>> Not nec. film specific, but there's tons of stuff on appropriation,
>>> collage, copyright and fair use. Much of it is related to audio collage as
>>> both an avant garde practice and pop culture 'mashups'. The discussions are
>>> generally applicable to found footage films, though.
>>>
>>> An essential text is Craig Baldwin's film "Sonic Outlaws".
>>>
>>> For the whole question of Fair Use of images, moving or otherwise,
>>> you'll also want to check the essential materials available on the website
>>> of the Center for Social Media at American University.
>>>
>>> Filmmakers working in collage and appropriation seem not to discuss the
>>> issues surrounding their work as much as artists in other media do. You
>>> might look into the websites, publications, videos etc. produced by
>>> Negativland RTMark, Stay Free magazine, Public Works etc. Also the various
>>> writings on 'Neoism'.
>>>
>>> The afore-cited "Cutting Across Media" should offer a list of
>>> contributors whose other works are worth looking into, and be a good
>>> starting place for a bibliography.
>>>
>>> (Again, none of this is really film specific, though...)
>>>
>>>
>>>
>>> ------------------------------
>>>
>>> Message: 8
>>> Date: Fri, 24 May 2013 14:44:14 -0700
>>> From: Ken Paul Rosenthal <kenpaulrosenthal at hotmail.com>
>>> To: Frameworks Postings <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
>>> Message-ID: <COL126-**W36291DA72D0D09E00B9DCBD3AB0@**phx.gbl>
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>>>
>>> http://www.pro8mm.com/blog/**say-hello-to-color-reversal-**
>>> super-8-film-again-pro8mm-**introduces-new-color-reversal-**film-stock/<http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/>
>>>
>>>
>>> Ken
>>> www.kenpaulrosenthal.comwww.**crookedbeauty.comwww.**
>>> maddancementalhealthfilmtrilog**y.com<http://www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com>
>>> -------------- next part --------------
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 9
>>> Date: Fri, 24 May 2013 22:23:03 +0000
>>> From: Roger Wilson <rogerdwilson at sympatico.ca>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] New Super 8 200D Reversal Stock!!!
>>> Message-ID: <BAY173-**W1915FF9F8A948B7D262CB3B8AB0@**phx.gbl>
>>> Content-Type: text/plain; charset="iso-8859-1"
>>>
>>> Awesome News Ken!
>>>
>>> Roger D. Wilson613 324 - 7504rogerdwilson at sympatico.**cahttp://
>>> www.rogerdwilson.ca
>>> Without failure you can never achieve success. I have based my process
>>> and my career as an experimental film artist on this statement; and I
>>> welcome it as it pushes me forward as an artist to try something different,
>>> something new.
>>>
>>> From: kenpaulrosenthal at hotmail.com
>>> To: frameworks at jonasmekasfilms.com
>>> Date: Fri, 24 May 2013 14:44:14 -0700
>>> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
>>>
>>>
>>>
>>>
>>> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>>>
>>> http://www.pro8mm.com/blog/**say-hello-to-color-reversal-**
>>> super-8-film-again-pro8mm-**introduces-new-color-reversal-**film-stock/<http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/>
>>>
>>>
>>> Ken
>>> www.kenpaulrosenthal.comwww.**crookedbeauty.comwww.**
>>> maddancementalhealthfilmtrilog**y.com<http://www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com>
>>>
>>> ______________________________**_________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>> -------------- next part --------------
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>>> >
>>>
>>> ------------------------------
>>>
>>> Message: 10
>>> Date: Sat, 25 May 2013 09:25:15 +0200
>>> From: Fred Truniger <fred.truniger at gmail.com>
>>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>>> >
>>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>>> ethics/fair use
>>> Message-ID: <290ACB6D-C50C-4FC3-8CBF-**48B6A87C6409 at gmail.com<290ACB6D-C50C-4FC3-8CBF-48B6A87C6409 at gmail.com>
>>> >
>>> Content-Type: text/plain; charset="windows-1252"
>>>
>>> hi all
>>> this is an excerpt of a list I made a couple of years ago with materials
>>> on ff-film. some of it is in german even for texts originally written in
>>> english. you should be able to find these in english, too.
>>> hope it helps,
>>> fred
>>>
>>>
>>> Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties.
>>> In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film
>>> 1980-1990. Amsterdam 1991. S. 15-29.
>>> Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1,
>>> Fall/Winter 2000. Los Angeles 2000. S. 57-69.
>>> Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve;
>>> Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film & Video
>>> in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100.
>>> Basilico, Stefano: Cut. Film as Found Object in Contemporary Video.
>>> Milwaukee 2004.
>>> Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft
>>> 16. Graz 1991. S. 4-11.
>>> Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer,
>>> Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25.
>>> Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger;
>>> Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum
>>> essayistischen Film. Wien 1992.
>>> Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller
>>> Aneignung im Film und in der Medienkunst. Berlin 2009.
>>> Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of
>>> Appropriation and Audio-Visual Collage in the Films of Abigail Child.
>>> Geneva 2011.
>>> Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema.
>>> In: Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25.
>>> Child, Abigail: This is Called Moving. A Critical Poetics of Film.
>>> Tuscalosa, Alabama 2005.
>>> Christine N. Brinckmann: Die poetische Verkettung der Bilder. In:
>>> montage/av. 20/1/2011. Marburg 2012. S. 29-43.
>>> Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley;
>>> R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema.
>>> Edinburgh 2006.
>>> Halter, Ed: Recycle it. Internet: http://www.movingimagesource.**
>>> us/articles/recycle-it-**20080710<http://www.movingimagesource.us/articles/recycle-it-20080710>(Internetzugriff am: 1.2.2012).
>>> Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999.
>>> Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992.
>>> Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David
>>> Rimmer's Moving Images. Vancouver 2009.
>>> Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky.
>>> Wien 2005.
>>> James, David E.: Allegories of Cinema. American Film in the Sixties.
>>> Princeton 1989.
>>> Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische
>>> Perspektive auf Formen und Funktionen des Bilderrecyclings im
>>> Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie
>>> und Film. München 2006. S. 497-512.
>>> Leyda, Jay: Films beget Films. In: London. London 1964.
>>> O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage
>>> Film. In: Monthly Film Bulletin. London 1987. S. 315-316.
>>> Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide
>>> Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor
>>> 1986. S. 53-62.
>>> Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer,
>>> Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75.
>>> Peterson, James: Dreams of Chaos, Visions of Order. Understanding the
>>> American Avant-Garde Cinema. Detroit 1994.
>>> Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den
>>> Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
>>> Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine,
>>> Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89.
>>> Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979.
>>> Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
>>> Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films.
>>> Stockholm 2001.
>>> Skoller, Jeffrey: Shadows, Specters, Shards. Making History in
>>> Avant-Garde Film. Minneapolis 2005.
>>> Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische
>>> Auseinandersetzung mit der Geschichte. Zürich 1995.
>>> Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre.
>>> Nürnberg 2010.
>>> Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films
>>> (Reclam). Stuttgart 1979. S. 24-38.
>>> Wees, William C: Recycled Images. New York 1993.
>>> Wees, William C.: Old Images, New Meanings: Reontextualizing Archival
>>> Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000.
>>> Los Angeles 2000. S. 70-76.
>>> Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig
>>> Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134.
>>>
>>>
>>>
>>> Am 24.05.2013 um 18:50 schrieb Adam R. Levine:
>>>
>>> Hello,
>>>>
>>>> I'm looking for any books or short texts that might offer a survey of
>>>> the history and practice of the appropriation and collage in the field of
>>>> moving images. In addition, if there is any such work that also address
>>>> questions of copyright, ethics and fair use, that would be great.
>>>>
>>>> Thanks,
>>>> Adam
>>>> ______________________________**_________________
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>>>>
>>>
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>>> ------------------------------
>>>
>>> Subject: Digest Footer
>>>
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>>> ------------------------------
>>>
>>> End of FrameWorks Digest, Vol 36, Issue 28
>>> ********************************************
>>>
>>
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