[Frameworks] Super8 200D reversal
Philippe Leonard
opticalfil at gmail.com
Sat May 25 19:43:59 UTC 2013
If any of you are on the filmlabs listserv as well you might know that a
big order as been made collectively in europe between the labs to buy some
of that stock in 16mm for a ridiculously low price directly from AGFA.
Maybe that approach should be initiated as well in US to avoid
the exorbitant cost of 45$ per roll.
Best,
Phil
Film | Photography | Cinematography | Performance | Visuals
www.philippe-leonard.com
On Sat, May 25, 2013 at 5:59 PM, Janis Lipzin <jlipzin at aol.com> wrote:
> mixed news on Pro-8's new color reversal s-8 stock.
> First, it's polyester based (like Fujichrome was) and that means cement
> splicing doesn't work and second, Pro-8 is only selling the film with
> processing included and the price is $45 a roll. Not great news for us
> hand-processors....
>
> Janis Crystal Lipzin
> On May 25, 2013, at 5:00 AM, frameworks-request@**jonasmekasfilms.com<frameworks-request at jonasmekasfilms.com>wrote:
>
> Send FrameWorks mailing list submissions to
>> frameworks at jonasmekasfilms.com
>>
>> To subscribe or unsubscribe via the World Wide Web, visit
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>> or, via email, send a message with subject or body 'help' to
>> frameworks-request@**jonasmekasfilms.com<frameworks-request at jonasmekasfilms.com>
>>
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>>
>> When replying, please edit your Subject line so it is more specific
>> than "Re: Contents of FrameWorks digest..."
>>
>>
>> Today's Topics:
>>
>> 1. Texts on appropriation, collage and ethics/fair use
>> (Adam R. Levine)
>> 2. Re: Texts on appropriation, collage and ethics/fair use
>> (Francisco Torres)
>> 3. Re: Texts on appropriation, collage and ethics/fair use
>> (Christian Gosvig Olesen)
>> 4. Re: Texts on appropriation, collage and ethics/fair use
>> (adeena.mey at unil.ch)
>> 5. Re: Texts on appropriation, collage and ethics/fair use
>> (Watter, Seth)
>> 6. Re: Texts on appropriation, collage and ethics/fair use
>> (William Wees, Dr.)
>> 7. Re: Texts on appropriation, collage and ethics/fair use
>> (David Tetzlaff)
>> 8. New Super 8 200D Reversal Stock!!! (Ken Paul Rosenthal)
>> 9. Re: New Super 8 200D Reversal Stock!!! (Roger Wilson)
>> 10. Re: Texts on appropriation, collage and ethics/fair use
>> (Fred Truniger)
>>
>>
>> ------------------------------**------------------------------**
>> ----------
>>
>> Message: 1
>> Date: Fri, 24 May 2013 09:50:34 -0700
>> From: "Adam R. Levine" <adamrl at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair
>> use
>> Message-ID:
>> <CAB-**OeP12TBwVWTwkKAXRAf3aWHp6bruhK**
>> 9V8nTCUBurOpBHMLQ at mail.gmail.**com<CAB-OeP12TBwVWTwkKAXRAf3aWHp6bruhK9V8nTCUBurOpBHMLQ at mail.gmail.com>
>> >
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Hello,
>>
>> I'm looking for any books or short texts that might offer a survey of the
>> history and practice of the appropriation and collage in the field of
>> moving images. In addition, if there is any such work that also address
>> questions of copyright, ethics and fair use, that would be great.
>>
>> Thanks,
>> Adam
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>> >
>>
>> ------------------------------
>>
>> Message: 2
>> Date: Fri, 24 May 2013 14:00:25 -0300
>> From: Francisco Torres <fjtorrespr at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID:
>> <CAEN6Uckf7bL42yAeocuuSLhuHwBG**rSuufLuODLRLW+CW5pePRQ at mail.**
>> gmail.com<CAEN6Uckf7bL42yAeocuuSLhuHwBGrSuufLuODLRLW%2BCW5pePRQ at mail.gmail.com>
>> >
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> this one is pretty good.
>>
>> http://www.amazon.com/Cutting-**Across-Media-Appropriation-**
>> Interventionist/dp/0822348225<http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225>
>> Cutting Across Media: Appropriation Art, Interventionist Collage, and
>> Copyright Law
>>
>>
>> On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com> wrote:
>>
>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of the
>>> history and practice of the appropriation and collage in the field of
>>> moving images. In addition, if there is any such work that also address
>>> questions of copyright, ethics and fair use, that would be great.
>>>
>>> Thanks,
>>> Adam
>>>
>>> ______________________________**_________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>
>>>
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>> >
>>
>> ------------------------------
>>
>> Message: 3
>> Date: Fri, 24 May 2013 19:05:03 +0200
>> From: Christian Gosvig Olesen <christian.gosvig at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID:
>> <CACmTcvqtvZdyD9hQxGV5v1_**gd96NR+01z95p5CnapGWUsYF69Q@**
>> mail.gmail.com<CACmTcvqtvZdyD9hQxGV5v1_gd96NR%2B01z95p5CnapGWUsYF69Q at mail.gmail.com>
>> >
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> This one is in french but is one of the most helpful I have come across:
>>
>> http://lucdall.free.fr/**workshops/IAV07/documents/**
>> found-footage_n_brenez.pdf<http://lucdall.free.fr/workshops/IAV07/documents/found-footage_n_brenez.pdf>
>>
>>
>> 2013/5/24 Francisco Torres <fjtorrespr at gmail.com>
>>
>> this one is pretty good.
>>>
>>>
>>> http://www.amazon.com/Cutting-**Across-Media-Appropriation-**
>>> Interventionist/dp/0822348225<http://www.amazon.com/Cutting-Across-Media-Appropriation-Interventionist/dp/0822348225>
>>> Cutting Across Media: Appropriation Art, Interventionist Collage, and
>>> Copyright Law
>>>
>>>
>>> On Fri, May 24, 2013 at 1:50 PM, Adam R. Levine <adamrl at gmail.com>
>>> wrote:
>>>
>>> Hello,
>>>>
>>>> I'm looking for any books or short texts that might offer a survey of
>>>> the
>>>> history and practice of the appropriation and collage in the field of
>>>> moving images. In addition, if there is any such work that also address
>>>> questions of copyright, ethics and fair use, that would be great.
>>>>
>>>> Thanks,
>>>> Adam
>>>>
>>>> ______________________________**_________________
>>>> FrameWorks mailing list
>>>> FrameWorks at jonasmekasfilms.com
>>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>>
>>>>
>>>>
>>> ______________________________**_________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>
>>>
>>> -------------- next part --------------
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>> >
>>
>> ------------------------------
>>
>> Message: 4
>> Date: Fri, 24 May 2013 20:58:34 +0200
>> From: adeena.mey at unil.ch
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID: <519fb85a.1240.5225b700.**10e81830 at unil.ch<519fb85a.1240.5225b700.10e81830 at unil.ch>
>> >
>> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>>
>> This book on Abigail Child:
>> http://www.metispresses.ch/ps_**child_anglais.html<http://www.metispresses.ch/ps_child_anglais.html>
>> Best,
>> A.
>>
>>
>>
>>
>> On vendredi 24/05/2013 at 18:51:52, Adam R. Levine a écrit:
>>
>>>
>>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of
>>> the history and practice of the appropriation and collage in the field
>>> of moving images. In addition, if there is any such work that also
>>> address questions of copyright, ethics and fair use, that would be
>>> great.
>>>
>>> Thanks,
>>> Adam__________________________**_____________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>
>>
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>> >
>>
>> ------------------------------
>>
>> Message: 5
>> Date: Fri, 24 May 2013 16:21:38 -0400
>> From: "Watter, Seth" <seth_watter at brown.edu>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID:
>> <CAABi6SP+**y1YMMmDj8fWG6PQAgDJ4nTSsr1EuMf**
>> p+DecVifHFTg at mail.gmail.com<CAABi6SP%2By1YMMmDj8fWG6PQAgDJ4nTSsr1EuMfp%2BDecVifHFTg at mail.gmail.com>
>> >
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> 'films beget films' by jay leyda is a classic, and might be the earliest
>> study of 'found footage' in film history.
>>
>> seth
>>
>>
>> On Fri, May 24, 2013 at 12:50 PM, Adam R. Levine <adamrl at gmail.com>
>> wrote:
>>
>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of the
>>> history and practice of the appropriation and collage in the field of
>>> moving images. In addition, if there is any such work that also address
>>> questions of copyright, ethics and fair use, that would be great.
>>>
>>> Thanks,
>>> Adam
>>>
>>> ______________________________**_________________
>>> FrameWorks mailing list
>>> FrameWorks at jonasmekasfilms.com
>>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>>>
>>>
>>> -------------- next part --------------
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>> >
>>
>> ------------------------------
>>
>> Message: 6
>> Date: Fri, 24 May 2013 20:22:18 +0000
>> From: "William Wees, Dr." <william.wees at mcgill.ca>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID:
>> <3EB76ACCC84C7B4DA862A9DBBF9D9**E6908A52D19 at exmbx2010-8.**
>> campus.MCGILL.CA<3EB76ACCC84C7B4DA862A9DBBF9D9E6908A52D19 at exmbx2010-8.campus.MCGILL.CA>
>> >
>>
>> Content-Type: text/plain; charset="utf-8"
>>
>> Recycled Images: The Art and Politics of Found-Footage Films by William
>> C. Wees, distributed by Anthology Film Archives.
>>
>> --Bill Wees
>>
>>
>> From: FrameWorks [mailto:frameworks-bounces@**jonasmekasfilms.com<frameworks-bounces at jonasmekasfilms.com>]
>> On Behalf Of Adam R. Levine
>> Sent: May 24, 2013 12:51 PM
>> To: Experimental Film Discussion List
>> Subject: [Frameworks] Texts on appropriation, collage and ethics/fair use
>>
>> Hello,
>>
>> I'm looking for any books or short texts that might offer a survey of the
>> history and practice of the appropriation and collage in the field of
>> moving images. In addition, if there is any such work that also address
>> questions of copyright, ethics and fair use, that would be great.
>>
>> Thanks,
>> Adam
>> -------------- next part --------------
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>> >
>>
>> ------------------------------
>>
>> Message: 7
>> Date: Fri, 24 May 2013 13:48:32 -0700
>> From: David Tetzlaff <djtet53 at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID: <01B588FE-38DF-494E-ADD6-**14DCFCD05AA4 at gmail.com<01B588FE-38DF-494E-ADD6-14DCFCD05AA4 at gmail.com>
>> >
>> Content-Type: text/plain; charset=us-ascii
>>
>> Not nec. film specific, but there's tons of stuff on appropriation,
>> collage, copyright and fair use. Much of it is related to audio collage as
>> both an avant garde practice and pop culture 'mashups'. The discussions are
>> generally applicable to found footage films, though.
>>
>> An essential text is Craig Baldwin's film "Sonic Outlaws".
>>
>> For the whole question of Fair Use of images, moving or otherwise, you'll
>> also want to check the essential materials available on the website of the
>> Center for Social Media at American University.
>>
>> Filmmakers working in collage and appropriation seem not to discuss the
>> issues surrounding their work as much as artists in other media do. You
>> might look into the websites, publications, videos etc. produced by
>> Negativland RTMark, Stay Free magazine, Public Works etc. Also the various
>> writings on 'Neoism'.
>>
>> The afore-cited "Cutting Across Media" should offer a list of
>> contributors whose other works are worth looking into, and be a good
>> starting place for a bibliography.
>>
>> (Again, none of this is really film specific, though...)
>>
>>
>>
>> ------------------------------
>>
>> Message: 8
>> Date: Fri, 24 May 2013 14:44:14 -0700
>> From: Ken Paul Rosenthal <kenpaulrosenthal at hotmail.com>
>> To: Frameworks Postings <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
>> Message-ID: <COL126-**W36291DA72D0D09E00B9DCBD3AB0@**phx.gbl>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>>
>> http://www.pro8mm.com/blog/**say-hello-to-color-reversal-**
>> super-8-film-again-pro8mm-**introduces-new-color-reversal-**film-stock/<http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/>
>>
>>
>> Ken
>> www.kenpaulrosenthal.comwww.**crookedbeauty.comwww.**
>> maddancementalhealthfilmtrilog**y.com<http://www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com>
>> -------------- next part --------------
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>> >
>>
>> ------------------------------
>>
>> Message: 9
>> Date: Fri, 24 May 2013 22:23:03 +0000
>> From: Roger Wilson <rogerdwilson at sympatico.ca>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] New Super 8 200D Reversal Stock!!!
>> Message-ID: <BAY173-**W1915FF9F8A948B7D262CB3B8AB0@**phx.gbl>
>> Content-Type: text/plain; charset="iso-8859-1"
>>
>> Awesome News Ken!
>>
>> Roger D. Wilson613 324 - 7504rogerdwilson at sympatico.**cahttp://
>> www.rogerdwilson.ca
>> Without failure you can never achieve success. I have based my process
>> and my career as an experimental film artist on this statement; and I
>> welcome it as it pushes me forward as an artist to try something different,
>> something new.
>>
>> From: kenpaulrosenthal at hotmail.com
>> To: frameworks at jonasmekasfilms.com
>> Date: Fri, 24 May 2013 14:44:14 -0700
>> Subject: [Frameworks] New Super 8 200D Reversal Stock!!!
>>
>>
>>
>>
>> NEW SUPER 8 200D REVERSAL STOCK from Pro 8mm:
>>
>> http://www.pro8mm.com/blog/**say-hello-to-color-reversal-**
>> super-8-film-again-pro8mm-**introduces-new-color-reversal-**film-stock/<http://www.pro8mm.com/blog/say-hello-to-color-reversal-super-8-film-again-pro8mm-introduces-new-color-reversal-film-stock/>
>>
>>
>> Ken
>> www.kenpaulrosenthal.comwww.**crookedbeauty.comwww.**
>> maddancementalhealthfilmtrilog**y.com<http://www.kenpaulrosenthal.comwww.crookedbeauty.comwww.maddancementalhealthfilmtrilogy.com>
>>
>> ______________________________**_________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.**webfaction.com/listinfo/**frameworks<https://mailman-mail5.webfaction.com/listinfo/frameworks>
>> -------------- next part --------------
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>> >
>>
>> ------------------------------
>>
>> Message: 10
>> Date: Sat, 25 May 2013 09:25:15 +0200
>> From: Fred Truniger <fred.truniger at gmail.com>
>> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.**com<frameworks at jonasmekasfilms.com>
>> >
>> Subject: Re: [Frameworks] Texts on appropriation, collage and
>> ethics/fair use
>> Message-ID: <290ACB6D-C50C-4FC3-8CBF-**48B6A87C6409 at gmail.com<290ACB6D-C50C-4FC3-8CBF-48B6A87C6409 at gmail.com>
>> >
>> Content-Type: text/plain; charset="windows-1252"
>>
>> hi all
>> this is an excerpt of a list I made a couple of years ago with materials
>> on ff-film. some of it is in german even for texts originally written in
>> english. you should be able to find these in english, too.
>> hope it helps,
>> fred
>>
>>
>> Arthur, Paul: Lost and Found: American Avant-Garde Film in the Eighties.
>> In: Nelly Voorhuis: A Passage Illuminated. The American Avant-Garde Film
>> 1980-1990. Amsterdam 1991. S. 15-29.
>> Arthur, Paul: The Status of Found Footage. In: Spectator, 20.1,
>> Fall/Winter 2000. Los Angeles 2000. S. 57-69.
>> Baldwin, Craig: From Junk to Funk to Punk to Link. In: Anker, Steve;
>> Geritz, Kathy; Seid Steve (Hrsg.): Radical Light. Alternative Film & Video
>> in the San Francisco Bay Area, 1945-2000. Berkeley 2010. S. 95-100.
>> Basilico, Stefano: Cut. Film as Found Object in Contemporary Video.
>> Milwaukee 2004.
>> Beauvais, Yann: Found Footage. Vom Wandel der Bilder. In: Blimp, Heft 16.
>> Graz 1991. S. 4-11.
>> Beauvais, Yann: Verloren und wiedergefunden. In: Cecilia Hausheer,
>> Christoph Settele: Found Footage Film. Luzern 1992. S. 8-25.
>> Blümlinger, Christa: Zwischen den Bildern/Lesen. In: Christa Blümlinger;
>> Constantin Wulff (Hrsg.): Schreiben Bilder Sprechen. Texte zum
>> essayistischen Film. Wien 1992.
>> Blümlinger, Christa: Kino aus zweiter Hand. Zur Ästhetik materieller
>> Aneignung im Film und in der Medienkunst. Berlin 2009.
>> Bovier, François (Hrsg.): Is This What You Were Born For? Strategies of
>> Appropriation and Audio-Visual Collage in the Films of Abigail Child.
>> Geneva 2011.
>> Cahill, James Leo: ...and Afterwards? Martin Arnold's Phantom Cinema. In:
>> Spectator, 27.3: Supplement 2007. Los Angeles 2007. S. 19-25.
>> Child, Abigail: This is Called Moving. A Critical Poetics of Film.
>> Tuscalosa, Alabama 2005.
>> Christine N. Brinckmann: Die poetische Verkettung der Bilder. In:
>> montage/av. 20/1/2011. Marburg 2012. S. 29-43.
>> Danks, Adrian: The Global Art of Found Footage Cinema. In: Linda Badley;
>> R. Barton Palmer; Steven Jay Schneider (Hrsg.): Traditions in World Cinema.
>> Edinburgh 2006.
>> Halter, Ed: Recycle it. Internet: http://www.movingimagesource.**
>> us/articles/recycle-it-**20080710<http://www.movingimagesource.us/articles/recycle-it-20080710>(Internetzugriff am: 1.2.2012).
>> Hauptmann, Jodi: Joseph Cornell. Stargazing the Cinema. New Haven 1999.
>> Hausheer, Cecilia; Settele, Christoph: Found Footage Film. Luzern 1992.
>> Hoolboom, Mike; MacKenzie, Alex: Loop, Print, Fade and Flicker. David
>> Rimmer's Moving Images. Vancouver 2009.
>> Horwath, Alexander; Loebenstein, Michael (Hrsg.): Peter Tscherkassky.
>> Wien 2005.
>> James, David E.: Allegories of Cinema. American Film in the Sixties.
>> Princeton 1989.
>> Kirchmann, Kay: Bildermüll und Wiederverwertung. Eine medientheoretische
>> Perspektive auf Formen und Funktionen des Bilderrecyclings im
>> Found-Footage-Film. In: Thomas Koebner; Thomas Meder (Hrsg.): Bildtheorie
>> und Film. München 2006. S. 497-512.
>> Leyda, Jay: Films beget Films. In: London. London 1964.
>> O'Pray, Michael: From Dada to Junk. Bruce Conner And the Found-Footage
>> Film. In: Monthly Film Bulletin. London 1987. S. 315-316.
>> Peterson, James: Bruce Conner and the Compilation Narrative. In: Wide
>> Angle, Vol. 8, Nr. 3/4. Special Issue Narrative/Non-Narrative. Ann Arbor
>> 1986. S. 53-62.
>> Peterson, James: Making Sense of Found Footage. In: Cecilia Hausheer,
>> Christoph Settele: Found Footage Film. Luzern 1992. S. 54-75.
>> Peterson, James: Dreams of Chaos, Visions of Order. Understanding the
>> American Avant-Garde Cinema. Detroit 1994.
>> Sandusky, Sharon: Archäologie der Erlösung. Eine Einführung in den
>> Archivkunstfilm. In: Blimp, Heft 16. Graz 1991. S. 14-22.
>> Sitney, P Adams: The Cinematic Gaze of Joseph Cornell. In: McShine,
>> Kynaston (Hrsg.): Joseph Cornell. München 1990. S. 69-89.
>> Sitney, P. Adams: Visionary Film: The American Avant-Garde. Oxford 1979.
>> Sitney, P. Adams: Eyes Upside Down. Oxford 2008.
>> Sjöberg, Patrik: The World in Pieces: A Study of Compilation Films.
>> Stockholm 2001.
>> Skoller, Jeffrey: Shadows, Specters, Shards. Making History in
>> Avant-Garde Film. Minneapolis 2005.
>> Taylor, Henry McKean: Der Krieg eines Einzelnen. Eine fimische
>> Auseinandersetzung mit der Geschichte. Zürich 1995.
>> Ursula Blickle Stiftung et. al. (Hrsg.): Bruce Conner. Die 70er Jahre.
>> Nürnberg 2010.
>> Vertov, Dziga: Kinoki – Umsturz. In: Texte zur Theorie des Films
>> (Reclam). Stuttgart 1979. S. 24-38.
>> Wees, William C: Recycled Images. New York 1993.
>> Wees, William C.: Old Images, New Meanings: Reontextualizing Archival
>> Footage of Nazism and the Holocaust. In: Spectator, 20.1, Fall/Winter 2000.
>> Los Angeles 2000. S. 70-76.
>> Zryd, Michael: Found Footage-Film als diskursive Metageschichte. Craig
>> Baldwins TRIBULATION 99. In: montage/av. 11/1/2002. Berlin 2002. S. 113-134.
>>
>>
>>
>> Am 24.05.2013 um 18:50 schrieb Adam R. Levine:
>>
>> Hello,
>>>
>>> I'm looking for any books or short texts that might offer a survey of
>>> the history and practice of the appropriation and collage in the field of
>>> moving images. In addition, if there is any such work that also address
>>> questions of copyright, ethics and fair use, that would be great.
>>>
>>> Thanks,
>>> Adam
>>> ______________________________**_________________
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>>>
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>>
>> Subject: Digest Footer
>>
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