[Frameworks] Superposition as editing practice

[Beebe, Roger W.]

Leighton Pierce has made a career of finding ways to “overcome the cut” as he once put it, primarily by using very complex systems of superimposition.  Some of his work can be found on his Vimeo channel.  There’s of course a long history of superimposition in experimental cinema—“Fall of the House of Usher” and “Lot in Sodom” are both early masterpieces in that idiom—but I’m supposed to be grading, so I really can’t fall down this rabbit hole now!

Best,
Roger

On Apr 17, 2014, at 9:50 PM, Kerekes Anna <kerekes.anna at gmail.com<mailto:kerekes.anna at gmail.com>> wrote:

Dear Franworkers,

I appeal to your expertise on superposition as editing practice. As an artist, I’m working on an installation project which calls me to set up a taxonomy of superposition in the field of moving images (film, video, digital moving images). I would very much appreciate your references relevant to this topic.

Thanks in advance for any suggestions you might have,
All the best,
Anna Kerekes

-
Anna Kerekes<http://www.linkedin.com/pub/anna-kerekes/2b/257/292>
+1 (438) 886-0824
kerekes.anna at gmail.com<mailto:kerekes.anna at gmail.com>












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