[Frameworks] Optical sound – Structural film

C Keefer keefco1 at gmail.com
Thu Feb 12 05:11:37 UTC 2015


Though earlier than your time period, Oskar Fischinger's Ornament Sound
experiments (c. 1932). On CVM's VOD channel on Vimeo:
https://vimeo.com/ondemand/26951

More recently, possibly some of Devon Damonte's work, though it's not 60s
or 70s.

best regards,
Cindy Keefer
Center for Visual Music (CVM)
www.centerforvisualmusic.org
CVM email = cvmaccess at gmail.com


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> -------- Forwarded message ----------
> From: Albert Alcoz <albertalcoz7 at yahoo.es>
> To: "frameworks at jonasmekasfilms.com" <frameworks at jonasmekasfilms.com>
> Cc:
> Date: Wed, 11 Feb 2015 08:46:09 +0000 (UTC)
> Subject: [Frameworks] Optical sound – Structural film
> Hello,
>
> Does anybody know structural or structural-materialist or minimal/abstract
> films from the sixties or seventies where the sound of the film comes
> directly from the graphic treatment on the optical sound area of the
> celluloid?
>
> Kurt Kren drew a line with ink in his film *Trees of Autumn* (1960) and
> Guy Sherwin shot pictures on the variable area of the soundtrack. Those
> films were collected on the *Optical Sound Films *(1971-2007) DVD.
>
> I thought the soundtrack of *Roh Film* (1968) by Birgit & Wilhelm Hein
> was done directly from the collage materials attached on the surface of the
> emulsion but it is not. It was done afterwards, as an autonomous noise
> piece by Christian Michelis.
>
> I'm thinking about films like *Dynamo Dresden* (1971) by Lis Rhodes or
> *Soundtrack* (1969) by Barry Spinello, but they are more abstract
> animation pieces following the visual music tradition than the structural
> or systemic patterns.
>
> Any suggestion will be appreciated.
>
> Thank you very much,
>
> Albert Alcoz
> --
> http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
> http://albertalcoz.com/ <http://www.albertalcoz.com/>
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