[Frameworks] Books on the History of Avant-Garde film in US

[Andy Ditzler]

Steve Anker, et al, Radical Light: Alternative Film and Video in the San
Francisco Bay Area, 1945-2000
Bart Testa, Back and Forth: Early Cinema and the Avant-Garde
A. L. Rees et al, Expanded Cinema: Art, Performance, Film
Robin Blaetz, Women’s Experimental Cinema: Critical Frameworks
Scott MacDonald's edited volumes of primary documents on Art in Cinema and
Cinema 16
Robert Pike, A Critical Study of the West Coast Experimental Film Movement
(UCLA dissertation, 1960)
Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde
Film
Stephen Dwoskin, Film Is: The International Free Cinema
David E. James, Allegories of Cinema

-- 

Andy Ditzler
www.filmlove.org
www.johnq.org
Graduate Institute of the Liberal Arts, Emory University

On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt <
hinterland.movies at gmail.com> wrote:

> I'm sure I'm forgetting something, so please help!
>
> Histories of avant-garde film in the United States:
>
>
>
>
>
> Lewis Jacobs, “Experimental Cinema in America 1921-1947” in *The Rise of
> the American Film* (1948)
>
> Roger Manvell, *Experiment in the Film* (1949)
>
>
>
> Gregory Battcock, *The New American Cinema* (1967)
>
>
>
> Sheldan Renan, *An Introduction to the American Underground Film *(1967)
>
>
>
> Parker Tyler, *The Underground Film: A Critical History* (1698)
>
>
>
> Gene Youngblood, *Expanded Cinema* (1970)
>
>
>
> David Curtis, *Experimental Cinema *(1971)
>
>
>
> Amos Vogel, *Film as a Subversive Art* (1976)
>
>
>
> P. Adams Sitney, *Visionary Film* (1974)
>
>
>
> Maureen Turin, *Abstraction in Avant-Garde Films* (1978/85)
>
>
>
> William Wees, *Light Moving in Time: Studies in the Visual Aesthetics of
> Avant-Garde Film *(1992)
>
>
>
> Scott MacDonald, *Avant-Garde Film Motion Studies* (1993)
>
>
>
> James Peterson, *Dreams of Chaos, Visions of Order* (1994)
>
>
>
> Jan-Christopher Horak, *Lovers of Cinema: The First American Film
> Avant-garde, 1919-1945* (1998)
>
>
>
> Joan Hawkins, *Cutting Edge: Art-Horror and the Horrific Avant-Garde*
> (2000)
>
>
>
> Bruce Posner, *Unseen Cinema: Early American Avant-Garde Film 1893-1941*
> (2001)
>
>
>
> Lauren Rabinovitz, *Points of Resistance: Women, Power, and Politics in
> the New York Avant-garde Cinema, 1943-71* (2003)
>
>
>
> David E. James, *The Most Typical Avant-Garde: History and Geography of
> Minor Cinemas in Los Angeles* (2005)
>
>
>
> Paul Arthur, *Line of Sight: American Avant-Garde Film Since 1965* (2005)
>
>
>
> Alexander Graf, ed., *Avant-Garde Film (Avant-Garde Critical Studies 23)*
> (2007)
>
>
>
> A. L. Rees, *A History of Experimental Film and Video* (2011)
>
>
>
> Michael Betancourt
> Savannah, GA USA
>
>
> michaelbetancourt.com
> twitter.com/cinegraphic | vimeo.com/cinegraphic
> www.cinegraphic.net | the avant-garde film & video blog
>
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>
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