[Frameworks] Books on the History of Avant-Garde film in US

[Robert Haller]

Crossroads: Avant-Garde film in Pittsburgh in the 1970s, by Robert Haller,
Anthology Film Archives, 2005
First Light: Abstract Light Forms, edited by Robert Haller, Anthology Film
Archives, 1998
-- R. Haller

From:  Andy Ditzler <andy at andyditzler.com>
Reply-To:  Experimental Film Discussion List
<frameworks at jonasmekasfilms.com>
Date:  Thu, 29 Jan 2015 13:53:24 -0500
To:  Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
Subject:  Re: [Frameworks] Books on the History of Avant-Garde film in US

Steve Anker, et al, Radical Light: Alternative Film and Video in the San
Francisco Bay Area, 1945-2000
Bart Testa, Back and Forth: Early Cinema and the Avant-Garde
A. L. Rees et al, Expanded Cinema: Art, Performance, Film
Robin Blaetz, Women¹s Experimental Cinema: Critical Frameworks
Scott MacDonald's edited volumes of primary documents on Art in Cinema and
Cinema 16
Robert Pike, A Critical Study of the West Coast Experimental Film Movement
(UCLA dissertation, 1960)
Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde
Film
Stephen Dwoskin, Film Is: The International Free Cinema
David E. James, Allegories of Cinema

-- 

Andy Ditzler
www.filmlove.org <http://www.filmlove.org/>
www.johnq.org <http://www.johnq.org/>
Graduate Institute of the Liberal Arts, Emory University

On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt
<hinterland.movies at gmail.com> wrote:
> I'm sure I'm forgetting something, so please help!
> 
> 
> Histories of avant-garde film in the United States:
>  
>  
> Lewis Jacobs, ³Experimental Cinema in America 1921-1947² in The Rise of the
> American Film (1948)
> Roger Manvell, Experiment in the Film (1949)
>  
> Gregory Battcock, The New American Cinema (1967)
>  
> Sheldan Renan, An Introduction to the American Underground Film (1967)
>  
> Parker Tyler, The Underground Film: A Critical History (1698)
>  
> Gene Youngblood, Expanded Cinema (1970)
>  
> David Curtis, Experimental Cinema (1971)
>  
> Amos Vogel, Film as a Subversive Art (1976)
>  
> P. Adams Sitney, Visionary Film (1974)
>  
> Maureen Turin, Abstraction in Avant-Garde Films (1978/85)
>  
> William Wees, Light Moving in Time: Studies in the Visual Aesthetics of
> Avant-Garde Film (1992)
>  
> Scott MacDonald, Avant-Garde Film Motion Studies (1993)
>  
> James Peterson, Dreams of Chaos, Visions of Order (1994)
>  
> Jan-Christopher Horak, Lovers of Cinema: The First American Film Avant-garde,
> 1919-1945 (1998)
>  
> Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde (2000)
>  
> Bruce Posner, Unseen Cinema: Early American Avant-Garde Film 1893-1941 (2001)
>  
> Lauren Rabinovitz, Points of Resistance: Women, Power, and Politics in the New
> York Avant-garde Cinema, 1943-71 (2003)
>  
> David E. James, The Most Typical Avant-Garde: History and Geography of Minor
> Cinemas in Los Angeles (2005)
>  
> Paul Arthur, Line of Sight: American Avant-Garde Film Since 1965 (2005)
>  
> Alexander Graf, ed., Avant-Garde Film (Avant-Garde Critical Studies 23) (2007)
>  
> A. L. Rees, A History of Experimental Film and Video (2011)
> 
> 
> Michael Betancourt
> Savannah, GA USA
> 
> 
> michaelbetancourt.com <http://michaelbetancourt.com>
> twitter.com/cinegraphic <http://twitter.com/cinegraphic>  |
> vimeo.com/cinegraphic <http://vimeo.com/cinegraphic>
> www.cinegraphic.net <http://www.cinegraphic.net>  | the avant-garde film &
> video blog
> 
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