[Frameworks] Rephotographing 16mm

Tue Jul 12 13:13:33 UTC 2016

Hey Morgan,

Optically printing is a possibility - you would have to run some tests
(using various exposures and filter combinations) in order to determine
what will work best in preventing overall detail loss in the image.
Depending on where you are and your access to a lab, you could also just
get a lab to strike an interneg from your dark original and have them push
the neg by a stop (or whatever you feel you need?) This may be a faster,
less laborious process than running your own tests/optically printing. All
this said, either way, you'll definitely risk losing image detail by
striking off of a dark original, which can be an interesting aesthetic, if
you're okay with it.

-C.

On Sun, Jul 10, 2016 at 8:00 AM, <frameworks-request at jonasmekasfilms.com>
wrote:

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> Today's Topics:
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>    1. This week [July 9 - 17, 2016] in avant garde cinema
>       (Flicker weekly listing)
>    2. Rephotographing 16mm (Morgan Hoyle-Combs)
>
>
> ---------- Forwarded message ----------
> From: Flicker weekly listing <weeklylisting at hi-beam.net>
> To: <frameworks at jonasmekasfilms.com>
> Cc:
> Date: Sat, 9 Jul 2016 15:54:39 +0000
> Subject: [Frameworks] This week [July 9 - 17, 2016] in avant garde cinema
>
>
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> This week [July 9 - 17, 2016] in avant garde cinema
>
> Enter your event announcements by going to the Flicker Weekly Listing Form
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>
> *Still from “Coffee Interviews” (Paul Bishow, 1984)
> <#m_-6198487410932917723_anchor1>* [July 9, Brooklyn, New York]
>
> *NEW CALLS FOR ENTRIES:*
> Grenada Afterglow Film Festival (Grenada, MS, USA; Deadline: July 15, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1884.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8d1d3c47e4&e=4e65756555>
> Winter Film Awards (New York NY USA; Deadline: November 15, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1885.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ca5f7abefd&e=4e65756555>
> ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1886.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e178613d88&e=4e65756555>
> HAXAN Festival (Bay Area, USA; Deadline: July 15, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1887.ann
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ff01ae8604&e=4e65756555>
> call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July
> 31, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1888.ann
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2f5ce17710&e=4e65756555>
> Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1889.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=804b1b3e18&e=4e65756555>
>
> *DEADLINES APPROACHING:*
> Shriekfest Film Festival (Los Angeles, CA USA; Deadline: July 10, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1842.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=984628e5f8&e=4e65756555>
> Punto y Raya Festival (Barcelona, Spain; Deadline: July 31, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1849.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f7c88966ce&e=4e65756555>
> Auckland Underground Film Festival (Auckland, New Zealand; Deadline:
> August 01, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1854.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2dabdde4f8&e=4e65756555>
> Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 22, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1859.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e360b5d0c9&e=4e65756555>
> UNXFEST 1.2 (Durham; Deadline: August 01, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1867.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=794ff68ecd&e=4e65756555>
> Light Field (San Francisco, California USA; Deadline: August 01, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1871.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6484bfa2ae&e=4e65756555>
> ARTErra (Tondela; Deadline: July 31, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1872.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=392ae2e294&e=4e65756555>
> 2016 Transient Visions: Festival of the Moving Image (Johnson City, NY,
> USA; Deadline: July 31, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1877.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=889dc8d1af&e=4e65756555>
> Consumer Grade Film Fest (Carbondale, IL, USA; Deadline: August 01, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1882.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f4bfd87b04&e=4e65756555>
> Grenada Afterglow Film Festival (Grenada, MS, USA; Deadline: July 15, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1884.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7da56cb2d6&e=4e65756555>
> ENSEMBLE / PARALLAX (Providence, RI, USA; Deadline: July 30, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1886.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=716743cf5e&e=4e65756555>
> HAXAN Festival (Bay Area, USA; Deadline: July 15, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1887.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7a49f5944e&e=4e65756555>
> call for video art | OFF THE WALL (Madison, Wisconsin, USA; Deadline: July
> 31, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1888.ann
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=61c0d63724&e=4e65756555>
> Kumu Art Film Festival (Tallinn, Estonia; Deadline: August 12, 2016)
>  http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1889.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9d10d9bbac&e=4e65756555>
>
> Events are sorted alphabetically *BY CITY* within each *DATE*.
>
> This week's programs (summary):
>
>    - I Am Eye Independent Film Forum (1982-1991): A Moment From the
>    Temporary Autonomous Zone <#m_-6198487410932917723_anchor1> [July 9,
>    Brooklyn, New York]
>    - Essential Cinema: Tom, Tom, the Piper's Son
>    <#m_-6198487410932917723_anchor2> [July 10, New York, New York]
>    - Ken Jacobs Short Films Program 1 <#m_-6198487410932917723_anchor3>
>    [July 10, New York, New York]
>    - Tentatively A Convenience Program 1 <#m_-6198487410932917723_anchor4>
>    [July 10, New York, New York]
>    - Shapeshifters Cinema: Sweeping, Swept, Out of My Head
>    <#m_-6198487410932917723_anchor5> [July 10, Oakland, CA]
>    - Lightship 103: Films By Alex Cunningham and Anna Kipervaser
>    <#m_-6198487410932917723_anchor6> [July 10, San Francisco, California
>    94102]
>    - Tentatively A Convenience Program 2 <#m_-6198487410932917723_anchor7>
>    [July 11, New York, New York]
>    - The New Black <#m_-6198487410932917723_anchor8> [July 14, Brooklyn,
>    New York 11211]
>    - Edge of Frame Programme Two: With Special Guest Chris King
>    <#m_-6198487410932917723_anchor9> [July 14, London, England]
>    - Five Artists: Billbobbillbillbob (Gunvor Nelson and Dorothy Wiley,
>    1971, Usa) // Eye On A Director: Canyon Cinema
>    <#m_-6198487410932917723_anchor10> [July 14, New York, NY]
>    - Lightship 103: Works By Anna Kipervaser and Alex Cunningham
>    <#m_-6198487410932917723_anchor11> [July 15, Austin, Texas 78702]
>    - Romani iii. Participatory Representations
>    <#m_-6198487410932917723_anchor12> [July 15, Paris, France]
>    - Romani iv. Romani Creations <#m_-6198487410932917723_anchor13> [July
>    15, Paris, France]
>    - Live Music and Film! Headboggle W/ Paul Clipson/Earth Jerks?Tender
>    Buttons <#m_-6198487410932917723_anchor14> [July 15, San Francisco,
>    California]
>    - The Sinema of Nick Zedd <#m_-6198487410932917723_anchor15> [July 16,
>    Los Angeles, California]
>    - Visions 16.07.15 = Robert Todd | Shorts
>    <#m_-6198487410932917723_anchor16> [July 16, Montreal, Quebec h2x2v1]
>    - Icp: Barr/Gibbons/Auder Program <#m_-6198487410932917723_anchor17>
>    [July 16, New York, New York]
>    - Icp: Barr/Gibbons/Auder Program <#m_-6198487410932917723_anchor18>
>    [July 17, New York, New York]
>
> *SATURDAY, JULY 9, 2016*
>
> 7/9
> Brooklyn, New York: *Microscope Gallery*
> http://www.microscopegallery.com
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0d89e273a0&e=4e65756555>
> 7:30pm, 1329 Willoughby Ave., #2B
> *I AM EYE INDEPENDENT FILM FORUM (1982-1991): A MOMENT FROM THE TEMPORARY
> AUTONOMOUS ZONE*
> (Repeat program from 6/26.) Super 8 and 16mm films from the co-founders
> and main participants of former Washington DC underground screening series
> founded in 1982 by Pam Kray, Paul Bishow and Pierre Devaux. “I AM EYE” held
> its first screening in March of that same year at dc space, a bar and
> performance venue in downtown DC, where Kray worked at the time and which
> she had approached about presenting “screenings that would be noncommercial
> nor hierarchical in nature”. With a founding principle that no one bringing
> a movie to screen would be turned away, I AM EYE’s low-key and inclusive
> atmosphere allowed for a maverick programming that quickly expanded from
> locals to under-the-radar filmmakers from New York such as Nick Zedd and
> Richard Kern’s “Cinema of Transgression” movement, as well as from
> Baltimore, Boston, San Francisco, and even France and Germany. It was also
> there that Jeff Krulick and Joyn Heyn's "Heavy Metal Parking Lot" made its
> debut in 1986. Over the course of 9 years, two Mondays per month, I AM EYE
> provided a quintessential outlet for DC based and visiting filmmakers to
> show their freshly completed films to friends and a wider audience at a
> time when the city was an extremely prolific laboratory of music, film, and
> theater. I AM EYE came to an halt in 1991 upon the closing of dc space,
> despite an attempt at keeping the series alive at other DC venues. Full
> Program: www.microscopegallery.com. Admission $8, Students $6 w/ valid
> ID. tel:347.925.144, info at microscopegallery.com. Jefferson St L (exit
> Starr St)
>
> *SUNDAY, JULY 10, 2016*
>
> 7/10
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c3de6b5404&e=4e65756555>
> 2:45 pm, New York, NY.
> *ESSENTIAL CINEMA: TOM, TOM, THE PIPER'S SON*
> by Ken Jacobs 1969, 115 min, 16mm, b&w/color, silent An absolute
> masterpiece from one of the most inspiring innovators of modern cinema.
> “Original 1905 film shot and probably directed by G.W. ‘Billy’ Bitzer,
> rescued via a paper print filed for copyright purposes with the Library of
> Congress. It is most reverently examined here, absolutely loved, with a new
> movie, almost as a side effect, coming into being.” –K.J
>
> 7/10
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d4ef8844f1&e=4e65756555>
> 5:30 pm, New York, NY.
> *KEN JACOBS SHORT FILMS PROGRAM 1*
> PERFECT FILM (1986, 22 min, 16mm, b&w) THE DOCTOR’S DREAM (1977, 24 min,
> 16mm, b&w. Preserved by SUNY Binghamton through the Avant-Garde Masters
> program funded by The Film Foundation and administered by the National Film
> Preservation Foundation.) KEATON’S COPS (1991, 23 min, 16mm) GLOBE (1969,
> 22 min, 16mm. Preserved by Anthology Film Archives through the Avant-Garde
> Masters Program funded by The Film Foundation and administered by the
> National Film Preservation Foundation.) HIS FAVORITE WIFE IMPROVED (2008, 2
> min, digital) Total running time: ca. 95 min.
>
> 7/10
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edb34536d6&e=4e65756555>
> 6:30 pm, New York, NY.
> *TENTATIVELY A CONVENIENCE PROGRAM 1*
> FILMMAKER IN PERSON! Coming to us from Pittsburgh, PA, tENTATIVELY, a
> cONVENIENCE is the greatest Sprocket Scientist alive according to
> absolutely no-one. That’s quite a rep to live up to. Don’t worry about it.
> Worry, instead, about the possibility of missing his 2 programs, he’s not
> planning to live forever no matter how many attractive offers he gets along
> those lines. He’s made 422 movies & that ain’t the half of it. Don’t expect
> ‘beautiful’ hi-def movies lacking content but abounding in budgets. Expect
> movies so packed with conceptual loudness that you’ll be hi-def-ened
> without having a single voice raised. tENTATIVELY, a cONVENIENCE is one
> stubborn cuss, too much to mishandle, & three’s a crowd. Making matters
> worse, he’ll present not 3 but SEVENTEEN shorts from a 37-year period
> starting with COMPUTER INTERVIEW (1977) & ending with I WOULDN’T MAKE A
> MOVIE LIKE THIS IF YOU FUCKING PAID ME. (2014). One could say that these
> are a bit off – as in he bit off more than he could eschew. COMPUTER
> INTERVIEW (w/Steve Estes) (1977, 3.5 min, digital) 3 MILE ISLAND
> (w/B.O.M.B.) (1979, 4 min, digital) PAPER DOLLS IN DAVA’S CLASS (1981, 2.5
> min, digital) A DOUBLE NEGATIVE AS NOT A POSITIVE (w/Hannah Aviva) (1982, 2
> min, 8mm-to-digital) NEOIST GUIDE DOG (w/Litvinov) (1984, 2.5 min, Super
> 8mm-to-digital) BALLING TIM ORE IS BEST (w/Dick Hertz) (1985, 16 min, Super
> 8mm-to-digital) PHILOSOPHER’S UNION MEMBER’S MOUTHPIECE: RICHARD TRYZNO
> ELLSBERRY (1988, 6 min, digital) A CUE STICK GUITAR DUET (w/Neil Feather)
> (1992, 3.5 min, digital) NATIONAL CANCER INSTITUTE DOCUMENTARY (1993, 3.5
> min, 16mm-to-digital) DISZEY SPOTS (1993-95, 11.5 min, digital) DEPARTMENT
> OF FAILURES (1995, 2.5 min, digital) HOW ORGONE CINEMA TREATS ITS VISITING
> FILMMAKERS (1995, 5.5 min, 16mm-to-digital) BACKGROUND MOVIE 2 (w/etta
> cetera & Dave Lahn) (1997, 1.5 min, digital) ANTI-NEOIST RALLY (w/etta
> cetera & Karen Eliot) (2000, 2 min, digital) HARPS & ANGLES (w/Michael
> Pestel) (2003, 28.5 min, digital) MULTIPLE PROJECTIONS (1978-2009, 10 min,
> digital) I WOULDN’T MAKE A MOVIE LIKE THIS IF YOU FUCKING PAID ME. (2014, 9
> min, digital) Total running time: ca. 120 min.
>
> 7/10
> Oakland, CA: *Shapeshifters Cinema*
> http://shapeshifterscinema.com/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d27bf53cc3&e=4e65756555>
> 8pm, 511 48th Street
> *SHAPESHIFTERS CINEMA: SWEEPING, SWEPT, OUT OF MY HEAD*
> Expanded cinema performance of sound, vision, movement, and brooms == *Suki
> O'Kane* is presenting new, site-specific work for Shapeshifters at her
> familiar intersection of film, music and public art, this time with new
> inventions in microcinema, movement, and a powerful desire to banish
> imagery that exists in her subconscious == with improvised indoor and
> outdoor projection by *Alfonso Alvarez*, video processing by *Ian Winters*,
> live sound by musician-composers *Wayne Grim* and *Adria Otte*, and swept
> cinema by filmmaker *Jeremy Rourke*, poet and performance artist *Sasha
> Hom* and special guests.
>
> 7/10
> San Francisco, California 94102: *San Francisco Cinematheque*
> http://www.sfcinematheque.org
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5e984df2d0&e=4e65756555>
> 7:30 PM , Center for New Music, 55 Taylor St
> *LIGHTSHIP 103: FILMS BY ALEX CUNNINGHAM AND ANNA KIPERVASER*
> Alex Cunningham and Anna Kipervaser In Person. The works of filmmakers
> Alex Cunningham and Anna Kipervaser embody a murmuring and agreeable poetic
> dialog in which portentous landscapes, introspective travelogue and
> whispers of narrative reflect contemplative luminous spirituality. As part
> of their West Coast tour, Cunningham and Kipervaser appear in person to
> present this interwoven screening of their works. SCREENING by Alex
> Cunningham: THEIA, a troubled love story of the moon and the her lost
> partner; RAINING RAGAS nos. 1–6, a series of in-camera 16mm celluloid
> ragas, filmed in Kerala and West Bengal, 2015; and ZENITHS AND NADIRS: THE
> OSCILLATIONS OF BEGINNING AND SO ALWAYS is “an attempted and failed
> documentary of the birth story of earth” which reaches from the celestial
> firmament to the unstable ground. SCREENING by Anna Kipervaser: THE ORDER
> OF REVELATION: 1-5 is a direct celluloid translation of the Quran, evoking
> the silent visual literature of David Gatten. HORTUS CONCLUSUS —the
> enclosed garden—evokes The Song of Songs while exploring microcosmic
> worlds. SUHAIL AND THE ONE HAVING CROSSED OVER evokes a cosmology of
> transition, resurrection and tragic separation drawing from the artist’s
> travels in the Middle East.
>
> *MONDAY, JULY 11, 2016*
>
> 7/11
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5489b25e11&e=4e65756555>
> 9:00 pm, New York, NY.
> *TENTATIVELY A CONVENIENCE PROGRAM 2*
> THIS WILL EXPLAIN 2013, 84 min, digital
>
> *THURSDAY, JULY 14, 2016*
>
> 7/14
> Brooklyn, New York 11211: *UnionDocs*
> http://www.uniondocs.org
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=663c4f3f58&e=4e65756555>
> 7:30 PM - 10 PM, 322 Union Ave
> *THE NEW BLACK*
> UnionDocs and BK at 24fps are thrilled to present Yoruba Richen's film The
> New Black this month! The New Black is a documentary that tells the story
> of how the African American community is grappling with the gay rights
> issue in light of the recent gay marriage movement and the fight over civil
> rights. The film documents activists, families and clergy on both sides of
> the campaign to legalize gay marriage and examines homophobia in the black
> community's institutional pillar - the black church - and reveals the
> Christian right wing's strategy of exploiting this phenomenon in order to
> pursue an anti-gay political agenda. The New Black takes viewers into the
> pews and onto the streets and provides a seat at the kitchen table as it
> tells the story of the historic fight to win marriage equality in Maryland
> and charts the evolution of this divisive issue within the black community.
> This event is co-presented with Skylight Pictures and Witness. Director,
> Yoruba Richen along with subject, Karess Taylor-Hughes and Michell Britto,
> an advocate for the Ali Forney Center, will all be in attendance for
> discussion following the film.
>
> 7/14
> London, England: *Edge of Frame*
> http://www.edgeofframe.co.uk/events/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c73ac48a1&e=4e65756555>
> 20:00, DIY Space for London, 96-108 Ormside Street SE15 1TF
> *EDGE OF FRAME PROGRAMME TWO: WITH SPECIAL GUEST CHRIS KING *
> Edge of Frame presents a programme of films channeling patterns of
> interference and compression, electronic disruption and televisual
> overdose, with a live audio-visual performance from artist Chris King. The
> programme will include work by Karissa Hahn, Sabrina Ratté, Jodie Mack, Amy
> Lockhart, Peter Burr and others. Chris King uses electronic video and audio
> synthesis techniques to perform live visual music. His blog Video Circuits
> explores early abstract and synthetic image making practices. Edge of Frame
> seeks to provide a space for artists working at the intersection of
> experimental animation, artists’ moving image and experimental film. Visit
> www.edgeofframe.co.uk/events for more details. Entry £3.00 on the door
> DIY Space for London, 96-108 Ormside Street SE15 1TF Please note: DIY Space
> for London is a member's club, open to members and their guests only.
> Membership only costs £2 and takes 48 hours to take effect. Join and pay at
> diyspaceforlondon.org
>
> 7/14
> New York, NY: *MAD | Museum of Arts and Design*
> 7 PM, 2 Columbus Circle
> *FIVE ARTISTS: BILLBOBBILLBILLBOB (GUNVOR NELSON AND DOROTHY WILEY, 1971,
> USA) // EYE ON A DIRECTOR: CANYON CINEMA*
> Five Artists: Billbobbillbillbob (Gunvor Nelson and Dorothy Wiley, 1971,
> USA) 70 min, 16mm Projection Five Artists is a loving portrait of
> quintessential California artists: The painters, sculptors and filmmakers
> William Allen, William Geis, Robert Hudson, Robert Nelson and William T.
> Wiley. A collaboration between two of Canyon Cinema’s founders, Gunvor
> Nelson and Dorothy Wiley, the film takes a personal look at the lives of
> these close friends: at home with their families, at work in the studio,
> teaching, fishing, drawing together, at parties, openings and elsewhere.
> Alternating between color and black-and-white footage, Nelson and Wiley use
> non-synchronous comments and music by the artists mixed with impressions by
> friends and acquaintances—creating a delicate collage of the complexities
> of everyday life, family relationships and the circle to which they all
> belonged. One of five works co-authored by Gunvor Nelson and Dorothy Wiley,
> Five Artists reflects the communal spirit that has become synonymous with
> the early days of Canyon Cinema.
>
> *FRIDAY, JULY 15, 2016*
>
> 7/15
> Austin, Texas 78702: *Experimental Response Cinema*
> http://ercatx.org
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4099289bfa&e=4e65756555>
> 8 PM - 10 PM, grayDUCK Gallery, 2213 E Cesar Chavez St
> *LIGHTSHIP 103: WORKS BY ANNA KIPERVASER AND ALEX CUNNINGHAM*
> Experimental Response Cinema is pleased to present Lightship 103, an
> in-person screening of experimental videos and 16mm films by Anna
> Kipervaser and Alex Cunningham. The program includes Kipervaser's The Order
> of Revelation: 1-5, a 16mm silent film "translating the Quran from Arabic
> to Visual, in the order in which it was revealed rather than the order in
> which it was canonized." Kipervaser and Cunningham each explore
> intersections between abstraction and translation, structure and poetry,
> internal and external realities, between what is and what is understood.
> Anna Kipervaser is a Ukrainian-born multimedia artist. Her work spans
> multiple disciplines including experimental and documentary moving image
> works in both 16mm film and HD video, the focus of which is grounded in
> mythology, translation. Alex Cunningham is an experimental and documentary
> filmmaker currently based in North Carolina. Program: The Order of
> Revelation: 1-5 Anna Kipervaser (16mm, 14min) Zeniths and Nadirs: the
> oscillations of beginning, and so always. Alex Cunningham (16mm, 8min)
> Theia Alex Cunningham (Digital, 9min) Hortus Conclusus Anna Kipervaser
> (Digital, 6min) Raining Ragas nos. 1-6 Alex Cunningham (16mm, 18min) Suhail
> and The One Having Crossed Over Anna Kipervaser (Digital, 6min) He Begins,
> She Returns Anna Kipervaser (Digital, 2min) Borderlove Alex Cunningham
> (16mm, 18min)
>
> 7/15
> Paris, France: *La Cinémathèque fran&ccedilaise*
> 7:30 PM - 9:30 PM, 51 rue de Bercy
> *ROMANI III. PARTICIPATORY REPRESENTATIONS*
> To the visual regime of the majority of images - that, since the end of
> the 19th century, have pulled back the comprehension of Romani families
> into social and moral miserabilism - are opposed the way that documentary
> filmmakers such as Pilar Arcila & Jean-Marc Lamoure (El Patio de Robella,
> 2007 ; The Cock and the Swallow, 2008) look at, listen and pay attention to
> these families. With them, the encounter becomes a common enterprise: Le
> Pendule de Costel (Costel's Pendulum, 2013) establishes an editing method
> that is neither alternating nor parallel, but that we could qualify as
> auxiliary, between her own Super 8 images and the digital ones of a gypsy
> family. The result is a high density visual experience that is at the same
> time ethical and aesthetic.
>
> 7/15
> Paris, France: *La Cinémathèque fran&ccedilaise*
> 9:30 PM - 11:30 PM, 51 rue de Bercy
> *ROMANI IV. ROMANI CREATIONS*
> The Romani Cinema presented here claims on the contrary plurality,
> complexity and creative initiatives from the Romani families. To begin
> with, films have affirmed a culture of contact between Romani families and
> avant-gardes. This contact culture, which appeared with literary
> bohemianism in the 19th century, lasts into the 21st century, as films by
> Daniel Gontz, TomáÅ¡ DoruÅ¡ka or Mona VÄƒtÄƒmanu and Florin Tudor show it.
> Their films oppose ostracism and discrimination based on the show that is
> expulsion and the overpowering longevity of silver halide photography. As
> of the end of the 1970s, a properly Romani contemporary art form is
> developed. It is represented by the works of Katelan Foisy, Delaine Le Bas,
> Damian James Le Bas, Phillip Osborne, as well as the female authors of the
> collective film "Sárral kevert vér" (2014), produced by Romedia Foundation.
> Their work features the way Romani communities experience time - as a
> collective memory, highly poetic, searching for remnants and signs of the
> English-Romani culture at the heart of the modern, urban space. These works
> are also the traces of a memory and culture that were lost following the
> genocide and the migratory movements it induced.
>
> 7/15
> San Francisco, California: *Adobe Books*
> http://www.adobebooks.com/home/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7b7b1ebd2f&e=4e65756555>
> 7pm, 3130 24th Street
> *LIVE MUSIC AND FILM! HEADBOGGLE W/ PAUL CLIPSON/EARTH JERKS?TENDER
> BUTTONS*
> This evening features electronic instrument maestros in the form of three
> Bay Area acts who are known to charm with their strangeness & and
> textures... Plus an added visual treat! Tender Buttons is a trio of Tania
> Chen, Tom Djll & Gino Robair utilizing a range of electronic devices. Who
> knows what Earth Jerks, neighborly Chris Dixon, has in his suitcase,
> whatever it is, it's atomic. Throbbing tones and beating frequencies create
> a glacial wall of sonic color. In Stereo! The night will wind down (or wind
> up?) with Derek “Headboggle” Gedalecia pairing with abstract filmmaker Paul
> Clipson's 16mm films. Free/suggested donation.
>
> *SATURDAY, JULY 16, 2016*
>
> 7/16
> Los Angeles, California: *Lethal Amounts*
> 8 PM til closing, 1226 West 7th
> *THE SINEMA OF NICK ZEDD*
> *The Bogus Man* starring Grier Lankton, David McDermott, Rafik;* Thrust
> In Me* starring Nick Zedd, Margot Damien, Don Houston;* Police State*
> starring Nick Zedd, Willoughby Sharp, Rockets Redglare, Flip Crowley;*
> War Is Menstrual Envy excerpt* starring Annie Sprinkle, Kembra Pfahler,
> Ray;* Ecstasy In Entropy* starring Annie Sprinkle, Brenda Bergman, Nick
> Bohn, Daryl Free, World Famous BOB; * Why Do You Exist* starring Mike
> Diana, World Famous BOB, Kembra Pfahler, Little Annie, Solange Monnier,
> Daryl Free, Dr. Ducky Doolittle;* Tom Thum*b starring Steen Jorgensen,
> Gritt Uldall Jessen, Kajtek Zedd;* Thus Spake Zarathustra* starring Nick
> Zedd, Rev Pat Moonblood, Saint Rev Jen;* Paintings 2009-11, No Plague
> Like Home* starring Saint Rev Jen, Vox;* Demonic Sweaters* starring Gio
> Guzman, Diriak Romay, Jose Luis Cruz, Ivania, Odiosa Athena, Zerak Zedd;
> Admission $10
>
> 7/16
> Montreal, Quebec h2x2v1: *Cinema Excentris*
> 9 PM, 3536 St-Laurent
> *VISIONS 16.07.15 = ROBERT TODD | SHORTS*
> VISIONS en collaboration avec Double Negative Collective présente LA
> POETIQUE DE L'ESPACE : LES FILMS DE ROBERT TODD (16mm, 70mins) 16.07.15 |
> 21h | Cinema Excentris | En présence du cinéaste | Filmmaker present copies
> 16mm | 16mm prints sans dialogues | no dialogue "A specialist in lyrical
> 16mm filmmaking as well as a sound and visual artist, Robert Todd
> continually produces short works that resist categorization." « Spécialiste
> de la réalisation de films lyriques tournés en 16mm et artiste en arts
> sonores et visuels, Robert Todd réalise incessamment de courts films qui
> résistent à toute catégorisation. »
>
> 7/16
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ba66f0bd38&e=4e65756555>
> 6:15 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> Given the blatant parallels between voyeurism and the cinema, it is no
> surprise that artists have used it as a point of departure for works that
> can be in turn hilarious and sobering. Burt Bar’s THE WOMAN NEXT DOOR
> utilizes refined shots, minimal dialogue, and an ambient soundtrack to
> create a stripped-down examination of isolation and voyeurism as we follow
> a man’s evolution from curious neighbor to a full-fledged voyeur. Barr
> explains, “The man’s life is so restrictive, that every sound she makes,
> every glimpse of her becomes a monumental event.” The title reveals the
> basic premise for Joe Gibbons’s SPYING, a brilliant and perverse work
> described by J. Hoberman as, “An exercise in applied voyeurism – a
> hilariously perverse MAN WITH A MOVIE CAMERA.” Michel Auder’s THE
> CONVERSATION, BROOKLYN finds him eavesdropping on two women as they talk
> about their lives, sex, drugs, motherhood, and more. Auder has said, “That
> really might be the most transgressive video I ever made because you really
> see those two young women talking…. They are about to be women, and they
> are talking right there on my stoop and I can hear them from my studio and
> I just put my camera out and it just happened.” Burt Barr THE WOMAN NEXT
> DOOR (1984, 19 min, video) Joe Gibbons SPYING (1977-78, 31.5 min, Super
> 8mm-to-16mm. Preserved by Bard College with support from the National Film
> Preservation Foundation.) Michel Auder THE CONVERSATION, BROOKLYN (2003, 4
> min, digital) Total running time: ca. 60 min.
>
> *SUNDAY, JULY 17, 2016*
>
> 7/17
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fadd9b9e29&e=4e65756555>
> 8:00 pm, New York, NY.
> *ICP: BARR/GIBBONS/AUDER PROGRAM*
> See notes for July 16, 6:15 pm.
> ------------------------------
>
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> ---------- Forwarded message ----------
> From: Morgan Hoyle-Combs <mhoylecombs at yahoo.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Date: Sat, 9 Jul 2016 19:52:58 -0700
> Subject: [Frameworks] Rephotographing 16mm
> Hello all,
>
> One of my 16mm films came out a little too dense. It was a Double X roll
> processed as a reversal but the end result was rather dark. There's still
> images but they need to be blown out. Is there a way to rephotograph the
> roll to give it more contrast? Could this be done via optical printer?
>
> Let me know whatever helps!
>
> -Morgan
>
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