[Frameworks] This week [September 17 - 26, 2016] in avant garde cinema

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** This week [September 17 - 26, 2016] in avant garde cinema
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I Touched Her Legs & We Chose the Milky Way (#anchor6) [September 19, Columbus, OH]
NEW FILM/VIDEO: NON-FEATURE:
"Jeanne et Mathilde" by Visto desde el zaguán
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NEW CALLS FOR ENTRIES:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2016)
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Black Light Film + Video Series (Richmond, VA USA; Deadline: October 09, 2016)
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Ann Arbor Film Festival (Ann Arbor, MI; Deadline: October 01, 2016)
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Oscillation Transia (USA; Deadline: November 12, 2016)
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DEADLINES APPROACHING:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 01, 2016)
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the8fest (Toronto, Canada; Deadline: September 30, 2016)
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8th Cairo Video Festival (Cairo, Egypt; Deadline: September 30, 2016)
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Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2016)
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Black Light Film + Video Series (Richmond, VA USA; Deadline: October 09, 2016)
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Ann Arbor Film Festival (Ann Arbor, MI; Deadline: October 01, 2016)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* The Camera: Je, La Camera: Babette Mangolte In Person! (#anchor1) [September 17, Austin, Texas 78752]
* Germaine Dulac Program (#anchor2) [September 17, New York, New York]
* Vazquez & Galindo's Grrrr! + Molero's Videofilia (#anchor3) [September 17, San Francisco, California]
* Perpetual Motion, Program Two: Ghosts In the Machines (#anchor4) [September 17, San Francisco, California]
* Chantal Akerman: Early Works: News From Home (#anchor5) [September 18, Austin, Texas 78752]
* I Touched Her Legs & We Chose the Milky Way (#anchor6) [September 19, Columbus, OH]
* Films and Performances At Farewell Books (#anchor7) [September 20, Austin, Texas 78702]
* Films of Ken Jacobs, Artist In Person! (#anchor8) [September 21, Austin, TX]
* Screening Films By Women: (#anchor9) [September 21, New York, New York]
* Radical Dances of Life- Jack Walsh's Yvonne Rainer: Feelings Are Facts (#anchor10) [September 21, Tucson]
* Visions | 22+23.09.16 | Ojoboca : Other Selves (#anchor11) [September 22, Montréal]
* Yalkut & Moorman Program 1 (#anchor12) [September 22, New York, New York]
* Yalkut & Moorman Program 2 (#anchor13) [September 22, New York, New York]
* Avant 2016: So Is This (#anchor14) [September 23, Karlstad, Sweden]
* New Peruvian Cinema: videofilia (#anchor15) [September 23, Los Angeles, California]
* Event #1 - Paul Clipson: A Collection of Super 8 & 16mm Films (#anchor16) [September 24, Akron]
* Live! Ken Jacobs Nervous Magic Lantern W/ Dinmachine Plus Guests Hosted By Amoda and Antumbrae Intermedia Events (#anchor17) [September 24, Austin, Texas 78702]
* #anchor18Trinh T. Minh-Ha: Forgetting vietnam (#anchor19) [September 24, Los Angeles, California]
* Sept.24: Hidden Rhythms + Jeremy Rourke + Colburn + (#anchor20) [September 24, San Francisco, California]
* Filming Oil Refineries In Texas: Screening and Roundtable With Tania Mouraud (#anchor21) [September 25, Houston, Texas 77005]
* The Films of Eva Marie RøDbro (#anchor22) [September 25, Los Angeles, California]
* Essential Cinema: Kubelka/Len Lye Program (#anchor23) [September 25, New York, New York]
* Germaine Dulac Program (#anchor24) [September 25, New York, New York]
* Essential Cinema: Kuchar Program (#anchor25) [September 25, New York, New York]
* Liahona, 2013 (#anchor26) [September 26, Columbus, OH]
* Laura Kraning: Spectral Landscapes (#anchor27) [September 26, Los Angeles, CA]

SATURDAY, SEPTEMBER 17, 2016

9/17
Austin, Texas 78752: Experimental Response Cinema
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7pm, AFS Cinema, 6226 Middle Fiskville Rd
THE CAMERA: JE, LA CAMERA: BABETTE MANGOLTE IN PERSON!
USA, 1977, Digital, 88 min. In French with English Subtitles During her early years, Chantal Akerman’s closest collaborator was her cinematographer, Babette Mangolte, who shot many of Akerman’s best films. Mangolte is an important film artist in her own right, and her film THE CAMERA: JE, LA CAMERA: I is both a document of the creative ferment of the time and a self portrait of Mangolte, who will join us for this very special screening.

9/17
New York, New York: Anthology Film Archives
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9:00 pm, 32 2nd Ave.
GERMAINE DULAC PROGRAM
9:00 PM WOMAN WITH A MOVIE CAMERA: GERMAINE DULAC & ROSA PORTEN PGM Share + This screening is part of: WOMAN WITH A MOVIE CAMERA: FEMALE FILM DIRECTORS BEFORE 1950 Film Notes Germaine Dulac THE SMILING MADAME BEUDET / LA SOURIANTE MADAME BEUDET (1923, 40 min, 16mm, b&w, silent) MADAME BEUDET explores the relationship of a bored couple in a dreary provincial town from the woman’s point of view. Basing her film on a play by Andre Obey and Denys Amiel, the director translates into cinema their aesthetic of the “theater of silence,” a theory that the silences engulfing characters could be more articulate than their speech. Silent actions betray the conflicts in the marriage, and inanimate objects are made to carry psychological meaning. Dulac shows us Madame Beudet’s view of her husband through a distorting lens, or her own romantic imagination in abstract visions. Germaine Dulac THE SEASHELL AND THE CLERGYMAN / LA COQUILLE ET LE CLERGYMAN (France, 1928, 39 min, 16mm, b&w,
silent. Written by Antonin Artaud.) This famous early surrealist film is packed with Freudian references, and at the same time represents a spirited attack on the Church. Originally a drama critic, always a feminist, the filmmaker Germaine Dulac employed a fantastic symbolism to probe the mind of a cleric whose religious vows deny his normal sexual impulses. Nevertheless, it was originally banned by the British Board of Censors, which issued the statement that, “The film is so cryptic as to be almost meaningless. If there is a meaning, it is doubtless objectionable.” Rosa Porten & Franz Eckstein (credited together under the pseudonym “Dr. R. Portegg”) THE LATEST VARIETY SENSATION / DER NEUESTE STERN VOM VARIÉTÉ (Germany 1917, 32 min, 35mm-to-digital. Digital restoration courtesy of EYE Film Museum.) “This nearly complete comedy…is a most recent discovery and a rare item among the surviving Rosa Porten films. Porten wrote, co-directed, and played the role of the variety
artiste Stella Orlanda, an intrepid young woman maneuvering between bourgeois mentality and the free spirit attributed to popular stage people.” –Annette Förster, IL CINEMA RITROVATO Total running time: ca. 115 min. The screening on Sun, Sept 25 will be introduced by Joy Schaefer & Sofia Varino of the Woman with a Movie Camera project!

9/17
San Francisco, California: OtherFilm
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8:30 PM, 992 Valencia St.
VAZQUEZ & GALINDO’S GRRRR! + MOLERO’S VIDEOFILIA
Flying up from Lima is Rotterdam’s Tiger Award-winner Juan Daniel Molero, with the US theatrical premiere of this long-overdue look at the contemporary lives and loves of Peruvian youths, coming of age in the globalized era of the internet, cybersex, and psychedelic drugs. Hooking up online, his slacker teens trip into a delusional world of Google Glass porn, Mayan Apocalypse, conspiracy theories, and real corruption in the post-modern Latino metropolis. OPENING are local brujos Gustavo Vazquez and Guillermo Galindo, live-mixing Mexican horror, sci-fi, Santo, and even Z musicals, their soundtracks processed in situ through Gal*in_dog’s analog-synth rig. The big-screen mash-up is fronted by Gustavo’s perverse dance moves and mischievous mis-translations. *$6.66

9/17
San Francisco, California: San Francisco Cinematheque
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8:00 PM, 2665 Mission Street
PERPETUAL MOTION, PROGRAM TWO: GHOSTS IN THE MACHINES
Perpetual Motion—a series devoted almost exclusively to live experiential artworks exploring the analog basics of cinema—“goes electric” for one night only with works exploring the attractive/repulsive allure of the electronic signal. Program Two presents Michael A. Morris's series Hermeneutics (1-3), whose graceful fusions are followed by Scott Arford's TV-IV, an aggressive collision of semi-compatible technologies. The program is concluded with Hyper by Montreal's Le Révélateur (Sabrina Ratté & Roger Tellier-Craig) an immersive and architectural audio/visual hybrid located at the liminal edges between virtual and concrete space.

SUNDAY, SEPTEMBER 18, 2016

9/18
Austin, Texas 78752: Experimental Response Cinema
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2pm, AFS Cinema, 6226 Middle Fiskville Rd
CHANTAL AKERMAN: EARLY WORKS: NEWS FROM HOME
France, 1977, DCP, 85 min. In French with English Subtitles. As a transplanted Belgian, whose parents were Polish-Jewish refugees, Chantal Akerman has always been concerned with a sense of place. In this film, she shows us real-time vistas of her adopted home, New York City, while she reads letters from her mother back in Belgium.

MONDAY, SEPTEMBER 19, 2016

9/19
Columbus, OH: Beeler Gallery Film Series
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8pm, 60 Cleveland Ave.
I TOUCHED HER LEGS & WE CHOSE THE MILKY WAY
Prior to the screening, there will be a live foley performance by the artist Kelly Kirshtner. Filmmaker Eva Rødbro will then introduce the films, and a Q&A will follow the screening. About the films: I Touched Her Legs is an extraordinary portrait of a group of Southern teens hanging out in cars, rooms, and neighborhood yards in humid pool-party weather. Through subtly glancing shots taken at oblique angles and in brief bursts, I Touched Her Legs reaches directly into the soul of this small band of friends and explains everything that is important without a single dull expository declaration on their circumstances. Danish photographer and director Eva Rødbro (born 1980) lives and works in Copenhagen.

TUESDAY, SEPTEMBER 20, 2016

9/20
Austin, Texas 78702: Farewell Books
6:30 PM - 8:30 PM, 913 E Cesar Chavez St
FILMS AND PERFORMANCES AT FAREWELL BOOKS
Come out to Farewell Books this Tuesday night for an evening of films and performances brought to you by a group of filmmakers and artists touring from California! Screenings start at 7pm sharp and will be over be 8:30 so please be on time and bring donations for the touring acts! "Ain't Nothing Like Being Free" is the second documentary film by John Meyer: a uniquely juxtaposed showcase of dreamers, adventurers, and madmen set in the swampy environs of central Florida. Time is spent with a priest who claims to have visited heaven three times, an amateur physic archaeologist in search of Ponce De Leon's cabin, a group of rappers from Orlando, and a self-proclaimed redneck turned actor. trailer: http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f12be611c3&e=4e65756555 watch?v=EAVwx-FHXBwhttps://www.facebook.com/ aintnothinglikebeingfree/ Oracle Plus: Psychic sisters Miel and Steph Lister experiment with moving and touchable images. Drawing dreams behind your eyelids, Oracle Plus penetrates the psyche with synchronized
psychedelic pseudo-science performance. From Oakland, CA via Florida.https://www.youtube.com/ watch?v=gu2l04EdNAw&feature =youtu.behttps://www.youtube.com/ watch?v=2-0EwzIi11s&feature =youtu.be Dungeon Bronco Vidz 2016. A paradisiacal Wreckage. Collaged re-working of Video Artist Jenny Bronco's last 4 years of lo-fi home video, processed, and re-processed. Doors slam, people pee, tapes burn, and sometimes you hear a Grateful Dead song

WEDNESDAY, SEPTEMBER 21, 2016

9/21
Austin, TX: Experimental Response Cinema
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7:30pm, AFS Cinema, 6226 Middle Fiskville Rd
FILMS OF KEN JACOBS, ARTIST IN PERSON!
Experimental Response Cinema presents in collaboration with Austin Film Society the films of Ken Jacobs with Ken Jacobs live in person! Ken Jacobs is an essential figure in the history of American avant-garde film. A leader in cinematic and now digital experimentation since the late 1950s, he explores the mechanics of the moving image and the very act of viewing. Jacobs investigates the cinematic experience in its entirety, from production to projection. Whether undertaking archaeological journeys to the dawn of cinema or scrutinizing the interstices of new digital technologies, Jacobs’ work investigates, provokes, and draws power from the mysteries of the nature of human vision. New York Street Trolleys 1900. 1999, 10:30 min, b&w, sound. Capitalism: Slavery. 2006, 3 min, color, silent. Capitalism: Child Labor. 2006, 14 min, color, sound Music: Rick Reed. Assisted by Erik Nelson. Another Occupation. 2010-11, 15:45 min, color, sound, HD video Music: Rick Reed. Digital Editing:
Nisi Jacobs Seeking The Monkey King 2011, 39:42 min, color, 5.1 surround sound, HD video

9/21
New York, New York: http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4b1021e2ef&e=4e65756555 / http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=80c23d4c58&e=4e65756555
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fa21beb0ea&e=4e65756555 and http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5e2fefc98f&e=4e65756555
6PM, anthology film arcives
SCREENING FILMS BY WOMEN:
THUNDERBOLT; Heidi Phillips; Canada; 3:30; OLD WEST LODGE; Heidi Phillips;16.00; THE GLASS THRESHOLD (El umbral de cristal); Ana Rodríguez León; Spain; 25.00; MERRY GO ROUND; Yuko Takebe; Japan/USA; 5.02; FRIDAY MOSQUE; Azadeh Navai; Iran/USA; 7:43

9/21
Tucson: Exploded View Microcinema
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7:30, 197 E Toole Ave
RADICAL DANCES OF LIFE- JACK WALSH’S YVONNE RAINER: FEELINGS ARE FACTS
A fascinating new documentary on the life and career of Yvonne Rainer, Feelings Are Facts tells the captivating story of one of America's most radical and important artists. In 1962, as a founding member of Judson Dance Theater, Rainer revolutionized modern dance by introducing everyday movements like walking and running into the dance lexicon. Abandoning choreography in the ‘70s, Rainer introduced narrative techniques into American avant-garde film, turning that genre on its head, too. In the film, we follow Rainer, now 81 and returned to choreography, as she continues to create vibrant, courageous, unpredictable dances that invite audiences to question basic assumptions about art and performance.

THURSDAY, SEPTEMBER 22, 2016

9/22
Montréal: VISIONS
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20H00, [la lumière | 7080, rue Alexandra, #506, Montréal]
VISIONS | 22+23.09.16 | OJOBOCA : OTHER SELVES
In collaboration with la lumière collective, VISIONS presents: OTHER SELVES : two evenings of films and performances by OJOBOCA ////// HORRORISM FOR BEGINNERS, BEGINNERS FOR HORRORISM | 22.09.16 ////// TWO STUDIES ON TRAUMATOSCOPY | 23.09.16 ////// 16mm Programmes | Filmmakers present ////// Full details : www.visionsmtl.com/ojoboca.html

9/22
New York, New York: Anthology Film Archives
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7:00 pm, 32 2nd Ave.
YALKUT & MOORMAN PROGRAM 1
A wholly unique figure from the heyday of the NY underground, Jud Yalkut (1938-2013) was a multi-media pioneer whose radical films and videos remain as trippy and innovative today as they were back then. Born and raised in NYC, Yalkut studied literature before turning to experimental cinema in the early 1960s. A member of the groundbreaking intermedia collective USCO and an early creative partner of Nam June Paik, Yalkut documented a who’s who of important artists while also making his own distinguished films and videos. Artist Charlotte Moorman (1933-91), a close friend and collaborator, was a reoccurring and central figure in Yalkut’s work. In addition to documenting her own performances on numerous occasions, Yalkut was also a frequent participant in many iterations of her now-legendary Annual New York Avant Garde Festivals (1963-80). These two programs, presented in concert with NYU Grey Art Gallery’s “A Feast of Astonishments: Charlotte Moorman and the Avant-Garde,
1960s-1980s,” and in collaboration with Electronic Arts Intermix (EAI), showcase Yalkut’s expansive film journals and diaries, with a particular focus on Charlotte Moorman and the art scene of the era. Special thanks to Peg Rice; Lucy Oakley (NYU Grey Art Gallery); Rebecca Cleman & Jon Dieringer (EAI); and Chris Hughes & Laura Major (Colorlab). All films and videos directed by Jud Yalkut. PROGRAM 1: US DOWN BY THE RIVERSIDE (1966, 3 min, 16mm) “USCO light, Beatles sound. A visionary realization of the USCO Riverside Museum installation exhibition in New York, the show which introduced the word ‘Be-In’ to the English language.” –Jud Yalkut METAMEDIA (1966-71, 50 min, 16mm, silent. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation.) A Film Journal of Intermedia and the Avant-Garde, 1966-70, including: Timothy Leary’s Celebration “The Resurrection of Christ” (1966); Ken Dewey’s “Red, White, and Blue Car Collision” (1967); EXPO ’67,
Montreal, Canada; Yayoi Kusama at the Cooper Square Playhouse (1968); Hermann Nitsch’s “Orgy-Mystery Theater” (1968); Carolee Schneemann’s “Illinois Central Transposed” (1968); the 7th Annual New York Avant Garde Festival on Ward’s Island (1969); and the “Television as a Creative Medium” exhibition at Howard Wise Gallery (1969) with a performance by Charlotte Moorman. JOHN CAGE MUSHROOM HUNTING IN STONY POINT (1972-73, 8 min, 16mm, silent. Preserved by Anthology Film Archives with support from the National Film Preservation Foundation.) “Filmic impressions of composer John Cage, mushroom hunting on his home ground of Stony Point, New York; visiting his home for the last time; radiating love towards his friends; and buying fruits and vegetables at the farm market before returning to New York City.” –Jud Yalkut Total running time: ca. 65 min.

9/22
New York, New York: Anthology Film Archives
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8:45 pm, 32 2nd Ave.
YALKUT & MOORMAN PROGRAM 2
PROGRAM 2: 4TH ANNUAL NEW YORK AVANT GARDE FESTIVAL (1966-72, 27 min, video) 7TH ANNUAL NEW YORK AVANT GARDE FESTIVAL (1969, 3 min, video) Founded and directed by Charlotte Moorman, the Annual Avant Garde Festivals of New York began in 1963 as open forums for the presentation of experimental music, which was emerging out of the Fluxus movement and Happenings. By 1971, these evening salons of inventive musical works were expanded to incorporate electronic music, dance, performance, kinetic art, and video art. For more than a decade, these carnivalesque productions were held at such wildly diverse locations as Shea Stadium, Wards and Mill Rock Islands in the East River, the World Trade Center, the decks of the Staten Island Ferry, and on a train en route to Buffalo from Grand Central Station. Yalkut’s rare historical documents include material recorded at the 4th and 7th Avant Garde Festivals. The 4th Festival in 1966 was held outdoors in Central Park, and featured over 65
events with artists, musicians, and performers, including Allan Kaprow, Dick Higgins, Al Hansen, Christo, Shigeko Kubota, Joseph Beuys, and Alison Knowles, among many others. The 7th Avant Garde Festival was presented in 1969 on two islands, Wards and Mill Rock, in the East River. Here Yalkut documents performances on Wards Island, beneath one of Buckminster Fuller’s famous geodesic domes. THE CHOCOLATE CELLO (1973, 30 min, video) Yalkut documents the “chocolating” of Charlotte Moorman at the Clocktower in New York City on Easter Sunday, 1973. This project was based on a concept by artist Jim McWilliams, who devised other performance events for Moorman, including the FLYING CELLO. Total running time: ca. 65 min.

FRIDAY, SEPTEMBER 23, 2016

9/23
Karlstad, Sweden: AVANT
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8.30 PM, Cinema Arenan; Kristinehman Art Museum
AVANT 2016: SO IS THIS
The 13th edition of AVANT is a tribute to Michael Snow’s film So Is This. A film that consists only of text and challenges the idea that film, or language, refers to a surrounding world. This, in So Is This, is simply the event that unfolds when the film takes place. Besides Michael Snow (Canada) the filmmakers Els van Riel (Belgium), Esther Urlus (Netherlands) and Elke Groen (Austria) are invited. All three deals with film as an event and with the material specificity of film; van Riel with time, Urlus with the materiality of film colour, and Groen with the actual memory of the film material. AVANT begins on Friday evening at Kristinehamn Art Museum with a screening of So Is This after which follows the opening of Els van Riel’s installations Five Screens and OMER. Saturday opens at cinema Arenan in Karlstad with a screening of Snow’s La Région Centrale. After this follows two programs with films by Esther Urlus and Elke Groen. AVANT has been organized since 2002 and the
13th edition is a collaboration between Världsalltet, Kristinehamn Art Museum, Karlstad and Stockholm University. So Is This is sponsored by Karlstad University, Karlstad Municipality, Kristinehamn Art Museum and Region Värmland.

9/23
Los Angeles, California: Echo Park Film Center
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8:00 pm, Echo Park Film Center, 1200 N. Alvarado St.
NEW PERUVIAN CINEMA: VIDEOFILIA
Los Angeles Premiere! Filmmaker Juan Daniel F. Molero in person from Peru! The world was supposed to end but it didn’t. Luz is still alive. She’s a teenage misfit who spends her first days out of school wandering through the Internet and seeking for new and weird experiences. She meets Junior online who captures her attention, he’s an older slacker obsessed with conspiracy theories, videogames and porn. After cybersex is done the only thing left is the encounter in flesh, but on the eve of that meeting unusual events unfold and other odd characters appear in this psychedelic tragicomedy that takes place in a Lima of spiritual decay, media overload, glitches and pre-Inca ruins. Tickets: An Echo Park Film Center screening with $5 donation for all attendees, co-presented by Los Angeles Filmforum

SATURDAY, SEPTEMBER 24, 2016

9/24
Akron: Rubicon Cinema
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8pm, Blue Sky Studio, 943 Dopler St.,, Akron, Ohio 44303
EVENT #1 - PAUL CLIPSON: A COLLECTION OF SUPER 8 & 16MM FILMS
Clipson's super 8 and 16mm films combine densely layered in-camera edited studies of figurative and abstract environments...conversing with temporal qualities of musical composition and live performance. The program will include: Absteigend (2012) Super 8mm, B&W, 7 minutes, music by Evan Caminiti, Union (2010) Super 8mm, sound, 14 min., color/b&w, music by Jefre Cantu-Ledesma, Another Void (2013) Super 8mm, color, 10 minutes, music by Jefre Cantu-Ledesma, Landscape Dissolves (2012) Super 8mm, color/B&W, 6 minutes, music by Alex Cobb, Other States (2013) Super 8mm, color, 7 minutes, music by Jefre Cantu-Ledesma, Bright Mirror (2013) Super 8mm, color/B&W, 9 minutes, music by Jefre Cantu-Ledesma, The Liquid Casket / Wilderness of Mirrors (2014) 16mm, color/B&W, 7.5 minutes, music by Lawrence English, Made of Air (2014) 16mm, color/B&W, 11 minutes, music by Grouper, Lighthouse (2015) 16mm, color/B&W, 5 minutes, music by King Midas Sound/Fennesz. Rubicon will host a Q&A with
Clipson after the show.

9/24
Austin, Texas 78702: Antumbrae Intermedia Events
8 PM - 9:30 PM, 2400 E Cesar Chavez Suite 202
LIVE! KEN JACOBS NERVOUS MAGIC LANTERN W/ DINMACHINE PLUS GUESTS HOSTED BY AMODA AND ANTUMBRAE INTERMEDIA EVENTS
Ken Jacobs Nervous Magic Lantern LIVE Abstract 3D light projections from a unique self-built projector system operated by the filmmaker with live original scores by diNMachine, Steve Parker, Rick Reed and Tara Bhattacharya Reed. Curated by Tara Bhattacharya Reed / Rick Reed. @Antumbrae Intermedia Events + Installations and AMODA (Austin Museum of Digital Art) with thanks to Todd Simmons.https://www.facebook.com/ Antumbrae Optic Antics Festival information: http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=82aae199df&e=4e65756555 Price: https:// www.eventbrite.com/e/ nervous-magic-lantern-perfo rmance-tickets-27518761356 #tickets Before the invention of celluloid, travelling showmen would mesmerise audiences with magic lantern shows, using the simple apparatus of a lamp, lens and painted slides to illustrate phantasmagorical stories or moralist tales. Far from being a novelty revival of Victorian parlour entertainment, Ken Jacobs' Nervous Magic Lantern is astonishingly radical. Projecting hand-crafted, impasto collages with
a bright theatrical lamp, Jacobs sculpts light into organic, abstract forms and uses flicker to propel them into deep space, conjuring 3D illusions and unimaginable visual phenomena...performed in collaboration with experimental musicians. "Along with magician's assistant Flo, I have presented live film-performance since 1975 but other spectacles before that, including 3D shadowplay (with shadows reaching into the audience), in an ongoing investigation of "expanded cinema". This will be a performance with the Nervous Magic Lantern, a device so elemental it puts us in the running with the very earliest inventors of cinema. You will see Abstract Expressionism in depth, monster-creations of dark and light forming and reforming without film or electronics, live! and without 3D spectacles but with 3D available to be seen even by the single-eyed. A projection of evolving and moving, twisting and turning dimensional forms that could've happened before the invention of film, though
Abstract-Expressionism had to come first to prepare minds. Light will pulse throughout, not to everyone's pleasure, but no pulse/no hallucination. (Do not prepare with drugs, the Nervous Magic Lantern is the drug.") -Ken Jacobs, 2014

9/24
Los Angeles, California: Redcat
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d1847c9d6e&e=4e65756555
8:30pm, 631 W. 2ND Street
TRINH T. MINH-HA: FORGETTING VIETNAM
Forty years after the Vietnam War, what remains, for those living in exile, and for those who stayed, of the country once called đất nứớc vạn xuân-the land of 10,000 springs? Mythologically born of a fragile equilibrium between land and water, Vietnam now faces a balancing act no less precarious. Is she doomed to become a Benjaminian image, in touristic snapshots, in diasporic nostalgia? Or is she reborn in a to-and-fro between traditions linked to the solid earth, and the liquid changes of rapid globalization? Through exquisitely composed images and a shimmering soundtrack, Trinh T. Minh-ha (re)constructs the country of her birth as lost in multiple layers of remembrance and oblivion, while the specter of America's most divisive war remains both present and all too easy to forget.South Korea/Vietnam/USA, 2015, digital, 90 min. Directed, Written and Edited: Trinh T. Minh-ha. In person: Trinh T. Minh-ha

9/24
San Francisco, California: OtherFilm
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f3906e5b69&e=4e65756555
8:30 PM, 992 Valencia St.
SEPT.24: HIDDEN RHYTHMS + JEREMY ROURKE + COLBURN +
An eye-poppin’ program of Pixilation Prodigies that includes TWO live performances!!: Bryan Boyce, Adrianne Finelli, and octogenerian Jackie Jones stage a shadow-play that animates the Hidden Rhythms of the grand dame’s singing saw…AND Jeremy Rourke debuts his Djerassi-seeded magnum opus Falling Piano Piece, another record-toppling live-musical animation, a genre he practicallyre-invents every outing! PLUS North American premiere of Martha Colburn’s sex-ed Pug Adventures, West Coast debut of Kelly Gallagher’s latest (on Lucy Parsons), Kelly Sears’ In the Vicinity, Janie Geiser’s Ghost Algebra, Ja’Tovia Gary/Alice Coltrane’s An Ecstatic Experience, James Braithwaite’s I Met the Walrus, and a pair of brain-fryers by Jake Fried. Free toast’n’jam of course. *$8.88

SUNDAY, SEPTEMBER 25, 2016

9/25
Houston, Texas 77005: Rice Cinema
5:30 PM - 7 PM , 6100 Main St
FILMING OIL REFINERIES IN TEXAS: SCREENING AND ROUNDTABLE WITH TANIA MOURAUD
In conjunction with her new exhibition "Everyday Ogres" at The University of Texas at Austin’s Visual Arts Center, visiting French artist Tania Mouraud will present and discuss a selection of her works, including the newly commissioned video and sound installation FATA MORGANA. Filmed at night at an oil refinery in Pasadena, TX, FATA MORGANA captures a haunting vision of Texas’ metal cities filled with toxic smoke and threatening power. It follows from Mouraud's other videos, which bring to life the immensity of environmental industrial sites around the world to audiences often removed from a direct experience of such sites’ force and intensity. Mouraud will be joined by Rice Professors Dominic Boyer and Joseph Campana and by curator Allison Myers for a roundtable conversation after the screening.

9/25
Los Angeles, California: Filmforum
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=00d509fbc4&e=4e65756555
7:30 pm, LACE, 6522 Hollywood Blvd.
THE FILMS OF EVA MARIE RøDBRO
Filmmaker Eva Marie Rødbro in person from Denmark! Note the change from our usual location. With a skillful eye and generous spirit, photographer and filmmaker Eva Marie Rødbro fashions an intimate and utterly unique view into the lives of various contemporary youths from her native Denmark to the American South. Her films remind us of the fervor, awkwardness and often painful experience of adolescent life while savoring the sweet, contemplative moments that are often overlooked in memories. For her first ever in-person program in Los Angeles, Filmforum surveys Rødbro’s films made over the past eight years, showcasing her remarkable ability to construct intoxicating narratives from acutely recorded observations, and marked by a startling intimacy with her subjects. - Becca Keating, Los Angeles Filmforum, 2016 Tickets: $10 general, $6 students/seniors; free for Filmforum members. Available in advance from Brown Paper Tickets at http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ef89e37fab&e=4e65756555 or at the door.

9/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a4733b78dc&e=4e65756555
5:45 pm, 32 2nd Ave.
ESSENTIAL CINEMA: KUBELKA/LEN LYE PROGRAM
Peter Kubelka MOSAIK IM VERTRAUEN / MOSAIC IN CONFIDENCE (1955, 16 min, 35mm, b&w/color) ADEBAR (1957, 1 min, 35mm, b&w) SCHWECHATER (1958, 1 min, 35mm) ARNULF RAINER (1960, 7 min, 35mm, b&w) UNSERE AFRIKAREISE / OUR TRIP TO AFRICA (1966, 12 min, 16mm) PAUSE (1977, 12 min, 16mm) [PAUSE is not part of the Essential Cinema collection, but we include it here as a special bonus.] “Peter Kubelka is the perfectionist of the film medium; and, as I honor that quality above all others at this time finding such a lack of it now elsewhere, I would simply like to say: Peter Kubelka is the world’s greatest filmmaker – which is to say, simply: see his films!…by all means/above all else…etcetera.” –Stan Brakhage Len Lye TUSALAVA (1929, 10 min, 16mm, b&w, silent) TRADE TATTOO (1937, 5 min, 16mm) RHYTHM (1957, 1 min, 16mm, b&w) FREE RADICALS (1958/79, 4 min, 16mm, b&w) A giant of experimental animation, Len Lye was born in New Zealand in 1901. He moved to England in the 1920s and subsequently
to New York in 1944, where he spent the last 40 years of his life. A pioneer of ‘scratch’ or ‘direct’ filmmaking, Lye used various tools to mark patterns, shapes, and images directly onto the film’s surface, and often explored the dynamic energy of abstract images propelled into life by lively jazz scores or Pacific-inspired rhythms. Total running time: ca. 55 min.

9/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e097dd50e0&e=4e65756555
6:00 pm, 32 2nd Ave.
GERMAINE DULAC PROGRAM
See notes for Sept. 17, 9:00 pm.

9/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=82ffc38d10&e=4e65756555
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: KUCHAR PROGRAM
All films preserved by Anthology with support from the National Film Preservation Foundation. George & Mike Kuchar THE NAKED AND THE NUDE (1957, 36 min, 8mm-to-16mm) The oldest surviving Kuchar mini-epic, this patriotic WWII period piece (made by high schoolers) chronicles the desires and destinies of carnal appetites on the front line. “Big…Rousing…Memorable! The incredible war saga of our own boys in a Jap-infested jungle in the Botanical Gardens. Hear Lloyd Thorner sing the title song. You’ll come out whistling from both ends.” –G.K. George & Mike Kuchar PUSSY ON A HOT TIN ROOF (1961, 14 min, 8mm-to-16mm) “It glows with the embers of desire! It smokes with the revelation of men and women longing for robust temptations that will make them sizzle into maturity with a furnace-blast of unrestrained animalism. A film for young and old to enjoy.” –G.K. Mike Kuchar BORN OF THE WIND (1962, 24 min, 8mm-to-16mm) Preserved by Anthology through the Avant-Garde Masters program funded
by the Film Foundation and administered by the National Film Preservation Foundation. Special thanks to Cineric, Inc. “A tender and realistic story of a scientist who falls in love with a mummy he has restored to life… 2,000 years as a mummy couldn’t quench her thirst for love!” –G.K. George & Mike Kuchar TOOTSIES IN AUTUMN (1963, 15 min, 8mm-to-16mm) A cautionary tale about past-their-prime thespians caught up in a typically Kucharian vortex of madness. Total running time: ca. 95 min. [THE NAKED AND THE NUDE and BORN OF THE WIND are not part of the Essential Cinema collection, but they are included here as a special bonus.]

MONDAY, SEPTEMBER 26, 2016

9/26
Columbus, OH: Beeler Gallery Film Series
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cbbad86b8e&e=4e65756555
8pm, 60 Cleveland Ave.
LIAHONA, 2013
Liahona is an experimental documentary examining the culture, history, and lived experience of the Church of Jesus Christ of Latter-Day Saints, often referred to as the Mormon faith. The film creates a portrait of Mormonism through documentation of LDS cultural dominance in Utah, the suppressed history of folk magic in the early church, landmark Mormon life experiences, and Sanders’ personal history and connection to the church. Director: Talena Sanders. Runtime: 70 minutes. Filmmaker Talena Sanders will introduce the film, and a Q&A will follow the screening.

9/26
Los Angeles, CA: Redcat
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a232d8caab&e=4e65756555
8:30 PM - 11:30 PM, Roy and Edna Disney Theater
LAURA KRANING: SPECTRAL LANDSCAPES
"Esoteric archeology." - Visions du Réel "A spectral quality characterizes all the images and sounds." - Millenium Film Journal. Los Angeles Premieres. Laura Kraning combines richly detailed imagery and sound to transform unseen places into liminal landscapes of the imagination. Plays of light and movement specific to each location summon what is absent in the visible-the past that continues to haunt the present. Her program of shorts takes us to the last Los Angeles drive-in, a flood-control dam with a fire-scarred history, a boatyard of bygone dramas, a mirrored field of watchful machines. Her work has previously screened at the New York, Ann Arbor, Edinburgh, Rotterdam and Visions du Réel festivals, among other venues. In person: Laura Kraning
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