[Frameworks] This week [April 1 - 9, 2017] in avant garde cinema
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Sat Apr 1 15:27:39 UTC 2017
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** This week [April 1 - 9, 2017] in avant garde cinema
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Fracto Meets Occulto (#anchor1) [April 1, 10119 Berlin, Germany]
NEW CALLS FOR ENTRIES:
4th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 15, 2017)
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#PostReality (Greece; Deadline: April 05, 2017)
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Moviate Underground Film Festival (Harrisburg, PA 17019; Deadline: April 02, 2017)
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Peripheral ARTeries, Biennial Edition 2017 (London, United Kingdom; Deadline: May 25, 2017)
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DEADLINES APPROACHING:
Fracto (Berlin; Deadline: April 20, 2017)
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Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline: April 15, 2017)
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4th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 15, 2017)
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#PostReality (Greece; Deadline: April 05, 2017)
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Moviate Underground Film Festival (Harrisburg, PA 17019; Deadline: April 02, 2017)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Fracto Meets Occulto (#anchor1) [April 1, 10119 Berlin, Germany]
* Apparitions (#anchor2) [April 1, Edmonton, AB]
* Tony Conrad: Completely In the Present (#anchor3) [April 1, New York, NY]
* April1: Reeves/Street/Theise+: A Roll For Peter (#anchor4) [April 1, San Francisco, California]
* Robert Schaller: Film As / For Music As / For Film (#anchor5) [April 2, Los Angeles, California]
* 29 Spacetime (#anchor6) [April 3, Los Angeles, California]
* Newfilmmakers (#anchor7) [April 5, New York, NY]
* Tucson Noise Symposium: 8 (Bits) of Harsh + Not Breathing (#anchor8) [April 5, Tucson, AZ]
* New York City Found and Lost - Jem Cohen In Person (#anchor9) [April 7, Cambridge]
* Passages 1 - Jem Cohen In Person (#anchor10) [April 8, Cambridge]
* Show &Amp; Tell: Shambhavi Kaul (#anchor11) [April 8, New York, NY]
* April8: Abigail Child's Acts and Intermissions (#anchor12) [April 8, San Francisco, California]
* Museum Hours (#anchor13) [April 9, Cambridge]
* Tony Conrad Tribute: Program 1 (#anchor14) [April 9, New York, NY]
* Tony Conrad Tribute: Program 2 (#anchor15) [April 9, New York, NY]
* Ec: Kenneth Anger Pgm (#anchor16) [April 9, New York, NY]
SATURDAY, APRIL 1, 2017
4/1
10119 Berlin, Germany: ACUD MACHT NEU
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8pm, Veteranenstraße 21
FRACTO MEETS OCCULTO
Join us for a night of films, live performances and music introducing FRACTO, the new format for experimental film screenings at ACUD, whose first edition will take place on May 20th/21st. 20H: doors
4/1
Edmonton, AB: Film and Video Arts Society of Alberta (FAVA)
7 pm, 9722 102 street, 2nd floor
APPARITIONS
55 min | 2 x 16mm hand processed colour + B&W), 2016. 16mm expanded cinema performance by Alex MacKenzie Presented by FAVA & Theatre of the New Heart. Where: FAVA Exhibition Suite (9722 102 St, 2nd Floor). Admission by donation. Inspired by early stereo imaging and the clash and collusion of socioeconomic forces, this work seeks to dismantle cinematic codes while foregrounding projector and light as sculpture: a conscious corruption of and interference with the apparatus to evoke the unexpected, reshaping representation into the realm of material and space. Using colour gels, masking, lens interference and projector movement in tandem with an exploration of binocular disparity, perspective, patterning and the film surface itself, APPARITIONS explores the transitional space between image and abstraction, nature and culture.
4/1
New York, NY: Anthology Film Archives
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4:45 PM,, 32 Second Avenue
TONY CONRAD: COMPLETELY IN THE PRESENT
by Tyler Hubby. U.S. THEATRICAL PREMIERE RUN! DIRECTOR IN PERSON! This extraordinary new film is the Tony Conrad documentary of your dreams, managing to gracefully encapsulate his life and work for those who are new to Conrad even as it contains riches for those who need no introduction to this astoundingly influential and shape-shifting artist. This is largely thanks to the in-depth participation of Conrad himself, whose vast charisma, mischievous charm, and peerlessly comic spirit pervade the film. A visual artist, musician, filmmaker, and educator, who sadly passed away in April 2016, Conrad was one the great American cultural figures of our time, yet to the world at large he remains criminally under-appreciated.
4/1
San Francisco, California: Other Cinema
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8:30 PM, 992 Valencia St.
APRIL1: REEVES/STREET/THEISE+: A ROLL FOR PETER
Last year the film world was saddened by the loss of Peter Hutton, a beloved Bard prof with a singular shooting style: 100’ rolls of b/w silent raw stock, loaded into the Bolex and looking to the land- (and sea-)scape. This project was initiated in which filmmakers were invited to shoot a single roll in remembrance and homage. The touring program—here introduced by Eric Theise--consists of of 45 mins. of single projection and 15 mins. of double-, with contributions from David Gatten, Peter Rose, Lynne Sachs, Robbie Land, Eve Heller, Jacob Burckhardt, Cassandra Bull, Timoleon Wilkins, Dominic Angerame, and very many more. The show’s second section is a half-hour of 16mm *sound* shorts from the project’s principals: Theise (with sax accompanist John Ingle), Jenn Reeves, Mark Street, and Hutton himself (In Marin County).
SUNDAY, APRIL 2, 2017
4/2
Los Angeles, California: Filmforum
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7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd
ROBERT SCHALLER: FILM AS / FOR MUSIC AS / FOR FILM
An evening of works by Robert Schaller featuring live cello by Pierre Derycz in person Including Snow (2017, 16mm B+W Silent, 5 min), Walk (2003/2010/2017, 16mm x 2, Color with Live Cello, 5 min), My Life As A Bee (2002, 16mm Pinhole, Color, Silent), Through (2016, 16mm B+W with Live Cello, 6 min), In the Shadow of Marcus Mountain (2011, 16mm B+W Silent, 6 min), To The Beach (1999, 16mm, Color, Sound, 10 min), and more!
MONDAY, APRIL 3, 2017
4/3
Los Angeles, California: Redcat
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8:30pm, 631 W. 2ND Street
29 SPACETIME
Multimedia Performance Art by Julia Heyward and Perry Hoberman. A poignant song cycle performed live with a series of video vignettes and interactive panoramic projections, 29 SpaceTime taps into both collective myth and personal revelation to connect themes such as the trauma of endless war, digital surveillance, creeping mind control, and the prospect of man-made apocalypse. Trailblazing performance and video artist Julia Heyward joins with interactive installation innovator Perry Hoberman to craft a sprawling yet intimate narrative-part docudrama, part speculative fiction-inspired by the personal experiences and beliefs of residents who live near the Marine Corps desert warfare complex in the Mojave, where the nighttime sky abounds with eerie spectacle. The duo also created the original music.
WEDNESDAY, APRIL 5, 2017
4/5
New York, NY: Anthology Film Archives
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5:30 PM, 32 Second Avenue
NEWFILMMAKERS
For full program listings, visit www.newfilmmakers.com.
4/5
Tucson, AZ: Exploded View Microcinema
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7:30, 197 E Toole Ave
TUCSON NOISE SYMPOSIUM: 8 (BITS) OF HARSH + NOT BREATHING
A mashup night of harsh noise and primitive 8 bit (utopian) video games! Hacking into the evening is Tucson’s twisted techno treasure Matt Rios navigating hardware game glitches. The feature act is an epic re-appropriation of 1984’s Kings Quest video game through the sonic noise of Eric Schlappi, Anthony Sanchez, David Sherman and the all-consuming noise progenitor magus NOT BREATHING (David Wright).
FRIDAY, APRIL 7, 2017
4/7
Cambridge: Harvard Film Archive
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7pm, 24 Quincy Street
NEW YORK CITY FOUND AND LOST - JEM COHEN IN PERSON
Jem Cohen has been walking the streets of New York City for thirty years now, documenting its burgeoning street life. Over those years, however, seemingly endless waves of gentrification and, more recently, security restrictions have changed both the life on the streets and the freedom to film it. This program of short street portraits, some of Cohen's most beautiful and eloquent work, traces those changes. Coney Island End of God the Way It Must Be US 1996, 35mm (orig. Super 8), b/w, 3 min Little Flags US 2000, digital video (orig. Super 8), b/w, 6 min NYC Weights and Measures US 2005, digital video (orig. 16mm), color, 6 min Lost Book Found “And as I became invisible, I started to see things that had once been invisible to me." Informed by his experience as a street vendor in New York, Cohen crafted an homage to Walter Benjamin, whose work he discovered during the film’s construction. The narrator, a pushcart vendor, meets a man who is expert at fishing objects out of
sidewalk gratings, collecting and selling this urban debris. Possessed by the memory a mysterious book he almost purchased from the street fisherman, the narrator begins to see life through the template of this book and its eccentric, obsessive categorization of “places, objects, incidents.” Like the book’s author, Cohen and his stand-in become collectors of the accidental poetry of the street—art that has no calculable value, no official category—and when finally relegated to only memory, no actual substance. Tenderly coalescing Cohen’s preoccupations with urban existence, commodification and the art object, the film is a diaristic wander through the visible to the invisible, loosening the tethers of both to create an entirely unique phenomenon. US 1996, digital video (orig. Super 8 and 16mm), color, 37 min Night Scene New York US 2009, digital video (orig. 16mm), color, 10 min Helianthus Corner Blues US 2014, digital video, color, 3 min Real Birds US 2012, digital video,
color, 11 min
SATURDAY, APRIL 8, 2017
4/8
Cambridge: Harvard Film Archive
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7pm, 24 Quincy Street
PASSAGES 1 - JEM COHEN IN PERSON
Cohen finds endless mystery in the real world: on city streets, throughout museums, inside busses on foggy, anonymous highways. Transformed by his camera, some music and some text, these real places become transformed into passages towards a more mystic side of life. The Passage Clock (For Walter Benjamin) US 2008, digital video (orig. 16mm), b/w, 10 min Amber City US 1999, digital video (orig. 16mm), color, 48 min Blessed Are the Dreams of Men US 2006, digital video (orig. 16mm), color, 9 min Long for the City US 2008, digital video (orig. Super 8), b/w, 9 min
4/8
New York, NY: Anthology Film Archives
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7:30 PM, 32 Second Avenue
SHOW & TELL: SHAMBHAVI KAUL
Born in Jodhpur, India, Shambhavi Kaul lives in the U.S. where she teaches filmmaking at Duke University. As skillful with found footage as with her own gorgeous landscape cinematography and hand-processed 16mm, Kaul's films are marked by a distinctly pensive but playful character. Kaul's cinematic constructions conjure uncanny, science-fictive non-places. They present to us other worlds - our natural world becomes surreal, familiar set pieces and settings in found-footage films are revealed to be hollow and eerie, hints of narrative threads appear and recede. Described as creating "zones of compression and dispersion," her work utilizes strategies of montage and recirculation, inviting an affective response while simultaneously measuring our capacity to know what we encounter. The tensions between the expected and the unknown are in turn disorienting and meditative. Kaul asks the viewer both to look deeply and differently, but to also question our perception of and response
to these mysteries.
4/8
San Francisco, California: Other Cinema
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8:30 PM, 992 Valencia St.
APRIL8: ABIGAIL CHILD'S ACTS AND INTERMISSIONS
Comes now the West Coast premiere of Child’s marvelous re-mediation of the life and work of Emma Goldman, arguably the mother of American Anarchism. Abby is out here from NYC with her hour-long collage-essay, charging the discussion with her enlightened aesthetic of poetry, the archive, and experimental montage. As the Most Dangerous Woman Alive, Goldman’s life is seen as an ongoing negotiation of revolutionary purity and personal freedom, a complexity that Child mirrors in her own formal strategies. She layers multiple fragments of Emma’s liberatory legacy--from archive, from re-enactment, and from observational cinema--her speculative play with the revolutionary ideas extending to the present moment of feminist revolt! Opening: The Future Is Behind You (20 min.), a John Zorn-scored cine-poem which also celebrates Child’s insatiable visual curiosity in the endlessly generative integration of past and present 16mm sources.*$8
SUNDAY, APRIL 9, 2017
4/9
Cambridge: Harvard Film Archive
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7pm, 24 Quincy Street
MUSEUM HOURS
Johann, a guard in Vienna’s Kunsthistorisches Museum, meets Anne, who has traveled from Canada to be with her comatose cousin. Within this alienated atmosphere, the two strangers—portrayed by non actor Bobby Sommer with singer and occasional actress Mary Margaret O’Hara—connect through art and jokes and their unique paths. Unusual entities among cinematic characters, they remain somewhat mysterious to each other and to the audience, and unlike the standard Hollywood fate, their fate is not a romantic one. The romance in Musuem Hours instead emerges in its luxurious philosophical meanderings and in the gently guided exploration of public spaces and private interactions. Cohen opens the narrative up even further by traversing time through the shared experience of art; in particular, that of Pieter Brue gel, whose works also tend to lack a distinct center and, in fact, draw the eye to the more inglorious elements. Rather than elite or esoteric diversions, both Brue gel’s
paintings and Cohen’s experimental film draw the eye back down to Earth to the mysterious, awkward pleasures of our uncelebrated, mortal pursuits. Directed by Jem Cohen. With Mary Margaret O’Hara, Bobby Sommer, Ela Piplits Austria/US 2013, DCP, color, 106 min. English and German with English subtitles
4/9
New York, NY: Anthology Film Archives
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3:00 PM, 32 Second Avenue
TONY CONRAD TRIBUTE: PROGRAM 1
To celebrate the legacy and spirit of Tony Conrad, a group of his friends and supporters have organized numerous events to take place throughout the city during March and April. These events will include a memorial at the Clemente Soto Vélez Cultural and Educational Center on April 8, and performances at ISSUE Project Room on April 7 (featuring Henry Flynt, Dan Conrad, and Lary 7); at the Knockdown Center in Queens on April 8 (with David Grubbs & Eli Keszler, Das Audit, and Mary Jordan); and at (Le) Poisson Rouge on April 9 (with Charlemagne Palestine, Rhys Chatham, C. Spencer Yeh, and HEVM). For more information visit: http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=03a46486e5&e=4e65756555. Here at Anthology we'll be participating by presenting two screenings on the afternoon of Sunday, April 9: one featuring Conrad's seminal THE FLICKER, supplemented with two later 16mm films, STRAIGHT AND NARROW and FILM FEEDBACK; and a second program highlighting some of Conrad's rarely-screened and utterly unique later video
works. Special thanks to Carol Greene, Andrew Lampert, Jay Sanders, and Paige Sarlin. PROGRAM 1: THE FLICKER (1966, 30 min, 16mm. Preserved by Anthology Film Archives with funding provided by The National Film Preservation Foundation.) Conrad's instantly notorious and deservedly canonical filmmaking debut. As astounding and intense an experience today as it was in the mid-1960s, the film is composed of mathematically arranged alternating white and black frames and a mechanical sounding synthesized soundtrack. STRAIGHT AND NARROW (1970, 10 min, 16mm, b&w, sound. Preserved by Anthology Film Archives with funding provided by The National Film Preservation Foundation.) A study in subjective color and visual rhythm. Although it is printed on black-and-white film, the hypnotic pacing of the images will cause viewers to experience a programmed gamut of hallucinatory color effects. FILM FEEDBACK (1974, 15 min, 16mm, b&w, sound. Preserved by Anthology Film Archives with funding
provided by The National Film Preservation Foundation.) "Made with a film-feedback team which I directed at Antioch College. Negative image is shot from a small rear-projection screen, the film comes out of the camera continuously (in the dark room) and is immediately processed, dried, and projected on the screen by the team. What are the qualities of film that may be made visible through feedback?" -T.C. Total running time: ca. 60 min.
4/9
New York, NY: Anthology Film Archives
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4:30 PM, 32 Second Avenue
TONY CONRAD TRIBUTE: PROGRAM 2
To celebrate the legacy and spirit of Tony Conrad, a group of his friends and supporters have organized numerous events to take place throughout the city during March and April. These events will include a memorial at the Clemente Soto Vélez Cultural and Educational Center on April 8, and performances at ISSUE Project Room on April 7 (featuring Henry Flynt, Dan Conrad, and Lary 7); at the Knockdown Center in Queens on April 8 (with David Grubbs & Eli Keszler, Das Audit, and Mary Jordan); and at (Le) Poisson Rouge on April 9 (with Charlemagne Palestine, Rhys Chatham, C. Spencer Yeh, and HEVM). For more information visit: http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9ea9aeed19&e=4e65756555. Here at Anthology we'll be participating by presenting two screenings on the afternoon of Sunday, April 9: one featuring Conrad's seminal THE FLICKER, supplemented with two later 16mm films, STRAIGHT AND NARROW and FILM FEEDBACK; and a second program highlighting some of Conrad's rarely-screened and utterly unique later video
works. Special thanks to Carol Greene, Andrew Lampert, Jay Sanders, and Paige Sarlin. PROGRAM 2: This wide-ranging program includes rare videos that Conrad only showed during his highly memorable in-person appearances. He never properly distributed his videos, which meant that you might see one once and then never again. If you're only familiar with Conrad's structurally and materially minded 16mm films of the 1960s-70s, this program will reveal a radically different, seriously playful side of Conrad's personality. The enormously entertaining titles listed below will be supplemented with other vintage video works as well as documentation of Conrad's riotous performances from the 1970s and 80s. I'VE NEVER BEEN… (2003/11, 4 min, video) LOOKERS (1984, 4-min excerpt, video) HEIGHT 100 (1983, 10 min, video) SCANTY CLAUS (2002, 7 min, video) WEAK BODIES AND STRONG WILLS (1986, 5 min, 16mm-to-video) IN SANTA FE WITH TONY CONRAD AND STEINA VASULKA (2004/11, 4 min, video) Additional
works to be announced. Total running time: ca. 80 min.
4/9
New York, NY: Anthology Film Archives
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7:15 PM, 32 Second Avenue
EC: KENNETH ANGER PGM
FIREWORKS (1947, 15 min, 35mm, b&w) RABBIT'S MOON (1950-70, 15 min, 35mm) EAUX D'ARTIFICE (1953, 13 min, 16mm) KUSTOM KAR KOMMANDOS (1965, 3 min, 16mm) SCORPIO RISING (1963, 30 min, 16mm) Poetry, psychodrama, and the occult meet in these timeless works by one of the pioneers of the American avant-garde film. Total running time: ca. 80 min.
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