[Frameworks] This week [January 7 - 15, 2017] in avant garde cinema

Sat Jan 7 16:36:42 UTC 2017

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** This week [January 7 - 15, 2017] in avant garde cinema
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Four Women, by Julie Dash: Claiming Space: Collage In Cinema (#anchor3) [January 12, Los Angeles, California]
NEW FILM/VIDEO: NON-FEATURE:
"EXIT" by David King
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DEADLINES APPROACHING:
Boston Underground Film Festival (Cambridge, MA, USA; Deadline: January 09, 2017)
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Flatpack Film Festival (Birmingham, UK; Deadline: January 20, 2017)
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aDifferent festival (Milwaukee, WI, USA; Deadline: January 15, 2017)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* Lsff: New Shorts: Experiments: Celluloid Traces (#anchor1) [January 8, London, England]
* The Illinois Parables (#anchor2) [January 11, Knoxville, TN]
* Claiming Space: Collage In Cinema (#anchor3) [January 12, Los Angeles, California]
* A Roll For Peter (#anchor4) [January 13, Durham, North Carolina]
* "Unpresidented: the Inaugural Show" (#anchor5) [January 14, Los Angeles, California]
* A Distant Echo, By George Clark (#anchor6) [January 15, Los Angeles, California]

SUNDAY, JANUARY 8, 2017

1/8
London, England: ICA
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2pm, The Mall
LSFF: NEW SHORTS: EXPERIMENTS: CELLULOID TRACES
Embrace your nostalgia of all things analogue in this varied programme of textural experiments with the crackling aesthetic of Super 8, found footage dug from the archives and the familiar fuzziness of early VHS. The projector itself becomes performance with work from Bea Haut as a live 16mm piece with audience participation, and exciting new work by artists Lucy Harris, Jessica Sarah Rinland, Mark Jenkin and Emmaalouise Smith. Programme: Pending, Bea Haut, 3 Mins. Model Village, Lucy Harris, 4 mins. Silent House, David Leister, 3 mins. 1960::Movie::Still, Stuart Pound, 2 mins. Moving Across Opposite Directions, Guli Silberstein, 6 mins. Dear Marianne, Mark Jenkin, 6 mins. 31 Days, Stuart Moore, 4 mins. The Peregrine, Oliver Eglin, 3 mins. And Yet, They Still Look To The Sky…, Emmaalouise Smith, 5 mins. The Road To Zennor, Mark Jenkin, 2 mins. Widows, Susu Laroche, 4 mins. The Lady With The Long Brown Hair, Mark Jenkin, 1 min. Soramimi, Daisy Dickinson and Julia Laird, 3
mins. The Flight Of An Ostrich (Schools Interior), Jessica Sarah Rinland, 4 mins. Artefacts From An Imagined Documentary (Proposed) Three, Duncan Ganley, 4 mins. Obsolete & Discontinued (Here’s Something For You To Play With), Helen Nias, 2 mins. The Essential Cornishman, Mark Jenkin, 6 mins. The Rules Of The Game, Julia Dogra-Brazell, 3 mins. Memory Lane, Alberto Varet Pascual, 4 mins. Batum, Kamila Kuc 9 mins. To Be A Ghost, Stuart Pound, 2 mins. Overthrow, Matty Groves, 4 mins. The programme runs for 84 minutes.

WEDNESDAY, JANUARY 11, 2017

1/11
Knoxville, TN: The Public Cinema
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7:30, The Pilot Light
THE ILLINOIS PARABLES
Deborah Stratman's experimental documentary comprised of regional vignettes about faith, force, technology, and exodus. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism and resistance, all occurring somewhere in the state of Illinois. The state is a convenient structural ruse, allowing its histories to become allegories that explore how we’re shaped by conviction and ideology. The Parables consider what might constitute a liturgical form. Not a sermon, but a form that questions what morality catalyzes, and what belief might teach us about nationhood. In our desire to explain the unknown, who or what do we end up blaming or endorsing?

THURSDAY, JANUARY 12, 2017

1/12
Los Angeles, California: Filmforum
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7:00 pm, MOCA Grand Avenue, Ahmanson Auditorium, 250 South Grand Avenue
CLAIMING SPACE: COLLAGE IN CINEMA
In conjunction with MOCA's exhibition Mickalene Thomas: Do I Look Like a Lady?, Los Angeles Filmforum at MOCA presents a program of experimental films and videos — including the West Coast Premiere of Ephraim Asili’s Kindah as well as films by Santiago Alvarez, Barbara McCullough, Ja’Tovia M. Gary, Jean-Luc Godard, Lewis Klahr, and Betye Saar—that use collage, music, and montage as a way to claim space, create consciousness, or embody a filmic erotics. Klahr and McCullough will be in person to discuss their works.

FRIDAY, JANUARY 13, 2017

1/13
Durham, North Carolina: UNEXPOSED
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8pm, 105 Hood St, Suite 5
A ROLL FOR PETER
UNEXPOSED Microcinema is excited to bring the tribute program A Roll for Peter to Durham, North Carolina as part of the tour Eric Theise is coordinating. /// Many filmmakers and artists were deeply affected by Peter's death on June 25, 2016. Twenty-plus former students, colleagues, and admirers of Peter Hutton answered the invitation of Jennifer Reeves and Mark Street to shoot A ROLL FOR PETER. The parameters were simple: shoot a single 100 ft roll of black and white 16mm film. The rolls are strung together with black leader separating the rolls as Peter often separated the single shots in his films. ------------- More info and a list of participating filmmakers is available here: http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1fc3fda274&e=4e65756555

SATURDAY, JANUARY 14, 2017

1/14
Los Angeles, California: Los Angeles Center for Digital Art
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6 - 9 PM, 104 E 4th Street
"UNPRESIDENTED: THE INAUGURAL SHOW"
Run dates: January 12 - February 11, 2017 Reception: Saturday January 14, 6-9pm Art walk preview: Thursday January 12 THE INAUGURAL SHOW An open exhibit freely expressing impressions and feelings regarding the inauguration of the 45th #notmypresident of the United States. Featuring: Taly Oehler Roy Anthony Shabla Ania Catherine Jared Fortunato Lee Sanger Goldin/Figures of Action And a two-panel video installation by M. Woods (Commodity Trading Parts 1 & 2) Other artists include: Frank Synowicz Toban Nichols Lucinda Luvass Pistolwish Jennifer Sharpe Olivia Accardo Roy Anthony Shabla Thomas McMahan

SUNDAY, JANUARY 15, 2017

1/15
Los Angeles, California: Filmforum
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7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd
A DISTANT ECHO, BY GEORGE CLARK
Filmmaker George Clark in person! Los Angeles premiere! Filmforum kicks off our 42nd year with our friend George Clark, who is returning to Los Angeles to present his feature film A Distant Echo. Mythic, quiet, and beautifully shot on 35mm film in the deserts of California, Clark’s film explores themes of culture, cultural excavation and appropriation, and the construction of history. Playing with movement and light in natural settings, with a glorious score, layered with a dialogue of two explorers, the film re-enacts the negotiations of an archaeologist from Cairo with members of an Egyptian tribe who guard ancient culture hidden in tombs lost in the desert.
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