[Frameworks] Eulogy Films
Margaret Rorison
margaret.b.rorison at gmail.com
Sun Mar 19 12:14:24 UTC 2017
Thanks, everyone. Keep the recs coming.
I am not necessarily looking for celluloid works, but always welcomed.
Thank you!
MR
-------------------------------------------
http://margaretrorison.com/
http://sightunseenbaltimore.com/
On Sun, Mar 19, 2017 at 8:00 AM, <frameworks-request at jonasmekasfilms.com>
wrote:
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> Today's Topics:
>
> 1. Eulogy Films (Margaret Rorison)
> 2. Re: Eulogy Films (LJ Frezza)
> 3. Re: Eulogy Films (Ken Eisenstein)
> 4. Re: Eulogy Films (Carl E Bogner)
> 5. Re: Eulogy Films (robert harris)
> 6. Re: Eulogy Films (robert harris)
> 7. Re: Eulogy Films (Alex Lake)
> 8. Re: Eulogy Films (John Muse)
> 9. Re: Eulogy Films (Carl E Bogner)
> 10. Re: Eulogy Films (Ross)
> 11. Re: Eulogy Films (Pip Chodorov)
> 12. Re: Eulogy Films (Dominic Angerame)
> 13. This week [March 18 - 26, 2017] in avant garde cinema
> (Flicker weekly listing)
> 14. Re: Eulogy Films (marilyn brakhage)
> 15. Re: Eulogy Films (vanessa renwick)
> 16. 4th ANNUAL FLAMINGO FILM FESTIVAL (Shane Eason)
>
>
> ---------- Forwarded message ----------
> From: Margaret Rorison <margaret.b.rorison at gmail.com>
> To: frameworks at jonasmekasfilms.com
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 11:43:59 -0400
> Subject: [Frameworks] Eulogy Films
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
>
>
> ---------- Forwarded message ----------
> From: LJ Frezza <ljfrezza at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 10:50:25 -0500
> Subject: Re: [Frameworks] Eulogy Films
> I recently caught Sky Hopinka's *I'll Remember You as You Were, not as
> What You'll Become. *Defintely worth checking it out if you haven't seen
> it.
> -LJ
>
> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <
> margaret.b.rorison at gmail.com> wrote:
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ---------- Forwarded message ----------
> From: Ken Eisenstein <ken7eis at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 11:59:54 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com> wrote:
>
>> I recently caught Sky Hopinka's *I'll Remember You as You Were, not as
>> What You'll Become. *Defintely worth checking it out if you haven't seen
>> it.
>> -LJ
>>
>> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <
>> margaret.b.rorison at gmail.com> wrote:
>>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that
>> have been made to honor someone. For example, Nathaniel Dorsky's *August
>> and After*
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/
>> http://sightunseenbaltimore.com/
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> ---------- Forwarded message ----------
> From: Carl E Bogner <crlelbog at uwm.edu>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 16:05:50 +0000
> Subject: Re: [Frameworks] Eulogy Films
>
>
>
> Michele Pearson Clarke’s “All That is Left Unsaid”
>
>
> (Er, but were you asking after film work in particular...)
>
> ------------------------------
> *From:* FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
> Ken Eisenstein <ken7eis at gmail.com>
> *Sent:* Saturday, March 18, 2017 10:59 AM
> *To:* Experimental Film Discussion List
> *Subject:* Re: [Frameworks] Eulogy Films
>
> Gloria!
> Sirius Remembered
>
> On Sat, Mar 18, 2017 at 11:50 AM, LJ Frezza <ljfrezza at gmail.com> wrote:
>
>> I recently caught Sky Hopinka's *I'll Remember You as You Were, not as
>> What You'll Become. *Defintely worth checking it out if you haven't seen
>> it.
>> -LJ
>>
>> On Mar 18, 2017, at 10:43 AM, Margaret Rorison <
>> margaret.b.rorison at gmail.com> wrote:
>>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that
>> have been made to honor someone. For example, Nathaniel Dorsky's *August
>> and After*
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>> -------------------------------------------
>> http://margaretrorison.com/
>> http://sightunseenbaltimore.com/
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> ---------- Forwarded message ----------
> From: robert harris <lagonaboba at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:35:58 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Margaret,
>
> You might consider Alexander Sokurov’s “Elegy” series, for example:
> Maria (Peasant Elegy)
> Elegy
>
> Shigeko Kubota’s “My Father”
>
> my own (Robert Harris)
> “Elegy”
> ELEGY 2009 Color silent 2:45
>
>
> *Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> & Al Robbins. Super 8mm film recorded in 1975*
> distributed by Filmmaker’s Coop
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <
> margaret.b.rorison at gmail.com> wrote:
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> ---------- Forwarded message ----------
> From: robert harris <lagonaboba at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:39:56 -0400
> Subject: Re: [Frameworks] Eulogy Films
> You can also consider:
>
> Patricio Guzmans’s "Nostalgia for the Light”
>
> and
>
> Peter Thompson’s “Universal Hotel”
>
>
>
>
> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <
> margaret.b.rorison at gmail.com> wrote:
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
>
> -------------------------------------------
> http://margaretrorison.com/
> http://sightunseenbaltimore.com/
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> ---------- Forwarded message ----------
> From: Alex Lake <alake.alex.alake at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 16:40:58 +0000
> Subject: Re: [Frameworks] Eulogy Films
> Eric Stewart's Wake is essential in this category.
>
> https://vimeo.com/108488448
> On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com>
> wrote:
>
>> Margaret,
>>
>> You might consider Alexander Sokurov’s “Elegy” series, for example:
>> Maria (Peasant Elegy)
>> Elegy
>>
>> Shigeko Kubota’s “My Father”
>>
>> my own (Robert Harris)
>> “Elegy”
>> ELEGY 2009 Color silent 2:45
>>
>>
>> *Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June
>> Paik, & Al Robbins. Super 8mm film recorded in 1975*
>> distributed by Filmmaker’s Coop
>>
>>
>>
>> On Mar 18, 2017, at 11:43 AM, Margaret Rorison <
>> margaret.b.rorison at gmail.com> wrote:
>>
>> Dear Film Friends,
>>
>> I am curious about film eulogies and would love to know more films that
>> have been made to honor someone. For example, Nathaniel Dorsky's *August
>> and After*
>>
>> I am looking for short films in particular.
>>
>> Poetic gestures of goodbye, final notes, odes...
>>
>> thank you,
>> Margaret Rorison
>>
>>
>> -------------------------------------------
>> http://margaretrorison.com/
>> http://sightunseenbaltimore.com/
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
> ---------- Forwarded message ----------
> From: John Muse <jmuse at sonic.net>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 12:55:04 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Lynne Sachs’ The Last Happy Day: http://www.lynnesachs.com/
> 2009/06/15/the-last-happy-day/
> Alan Berliner’s First Cousin Once Removed: http://alanberliner.com/first_
> cousin.php?pag_id=3
>
> > On Mar 18, 2017, at 12:40 PM, Alex Lake <alake.alex.alake at gmail.com>
> wrote:
> >
> > Eric Stewart's Wake is essential in this category.
> >
> > https://vimeo.com/108488448
> > On Sat, Mar 18, 2017 at 12:36 PM robert harris <lagonaboba at gmail.com>
> wrote:
> > Margaret,
> >
> > You might consider Alexander Sokurov’s “Elegy” series, for example:
> > Maria (Peasant Elegy)
> > Elegy
> >
> > Shigeko Kubota’s “My Father”
> >
> > my own (Robert Harris)
> > “Elegy”
> > ELEGY 2009 Color silent 2:45
> >
> > Elegy for four friends, Shridhar Bapat, Charlotte Moorman, Nam June Paik,
> > & Al Robbins. Super 8mm film recorded in 1975
> > distributed by Filmmaker’s Coop
> >
> >
> >
> > On Mar 18, 2017, at 11:43 AM, Margaret Rorison <
> margaret.b.rorison at gmail.com> wrote:
> >
> >> Dear Film Friends,
> >>
> >> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's August and
> After
> >>
> >> I am looking for short films in particular.
> >>
> >> Poetic gestures of goodbye, final notes, odes...
> >>
> >> thank you,
> >> Margaret Rorison
> >>
> >>
> >> -------------------------------------------
> >> http://margaretrorison.com/
> >> http://sightunseenbaltimore.com/
> >>
> >> _______________________________________________
> >> FrameWorks mailing list
> >> FrameWorks at jonasmekasfilms.com
> >> https://mailman-mail5.webfaction.com/listinfo/frameworks
> >
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
> > _______________________________________________
> > FrameWorks mailing list
> > FrameWorks at jonasmekasfilms.com
> > https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> j/PrM
>
> *************************************************
>
> john muse
> visual media scholar
> haverford college
> he/him/his
> http://www.finleymuse.com
> http://www.haverford.edu/faculty/jmuse
> http://haverford.academia.edu/JohnMuse
>
> *************************************************
>
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Carl E Bogner <crlelbog at uwm.edu>
> To: "frameworks at jonasmekasfilms.com" <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 17:30:18 +0000
> Subject: Re: [Frameworks] Eulogy Films
>
>
> Ahhh, more generalized/communal/generational that you may be interested
> in, but also:
>
> Michael Wallin’s *Decodings* (1988)
>
> Mike Hoolboom’s *Letters from Home *(1996)
>
>
> ------------------------------
> *From:* FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
> Margaret Rorison <margaret.b.rorison at gmail.com>
> *Sent:* Saturday, March 18, 2017 10:43 AM
> *To:* frameworks at jonasmekasfilms.com
> *Subject:* [Frameworks] Eulogy Films
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
> -------------------------------------------
> http://margaretrorison.com/
> <http://margaretrorison.com/>
> Margaret Rorison <http://margaretrorison.com/>
> margaretrorison.com
> One Document for Hope . Funes el memorioso. vindmøller
>
> http://sightunseenbaltimore.com/
> Sight Unseen <http://sightunseenbaltimore.com/>
> sightunseenbaltimore.com
> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The
> Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival
> Tour
>
>
>
>
>
> ---------- Forwarded message ----------
> From: Ross <rossmeckfessel at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 13:56:22 -0400
> Subject: Re: [Frameworks] Eulogy Films
> Mary Helena Clark's "The Dragon is the Frame" (2014)
> https://vimeo.com/115341715
>
> Gunvor Nelson's "Time Being" (1991)
>
> On Mar 18, 2017, at 1:30 PM, Carl E Bogner <crlelbog at uwm.edu> wrote:
>
>
> Ahhh, more generalized/communal/generational that you may be interested
> in, but also:
>
> Michael Wallin’s *Decodings* (1988)
>
> Mike Hoolboom’s *Letters from Home *(1996)
>
>
> ------------------------------
> *From:* FrameWorks <frameworks-bounces at jonasmekasfilms.com> on behalf of
> Margaret Rorison <margaret.b.rorison at gmail.com>
> *Sent:* Saturday, March 18, 2017 10:43 AM
> *To:* frameworks at jonasmekasfilms.com
> *Subject:* [Frameworks] Eulogy Films
>
> Dear Film Friends,
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's *August
> and After*
>
> I am looking for short films in particular.
>
> Poetic gestures of goodbye, final notes, odes...
>
> thank you,
> Margaret Rorison
>
> -------------------------------------------
> http://margaretrorison.com/
> <http://margaretrorison.com/>
> Margaret Rorison <http://margaretrorison.com/>
> margaretrorison.com
> One Document for Hope . Funes el memorioso. vindmøller
>
> http://sightunseenbaltimore.com/
> Sight Unseen <http://sightunseenbaltimore.com/>
> sightunseenbaltimore.com
> 5/30 - Arab Experimental Films: Reflections on Situated Time . 4/6 - The
> Body Extended: Works by Scott Stark . 12/14 - 52nd Ann Arbor Film Festival
> Tour
>
>
>
> _______________________________________________
> FrameWorks mailing list
> FrameWorks at jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ---------- Forwarded message ----------
> From: Pip Chodorov <frameworks at re-voir.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sun, 19 Mar 2017 03:09:14 +0900
> Subject: Re: [Frameworks] Eulogy Films
> Jim Hubbard's "Memento Mori" (1995, 17 min)
>
> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>
> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>
>
>
>
> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>
> I am curious about film eulogies and would love to know more films that
> have been made to honor someone. For example, Nathaniel Dorsky's* August
> and After*
>
>
>
> ---------- Forwarded message ----------
> From: Dominic Angerame <dominic.angerame at gmail.com>
> To: Experimental Film Discussion List <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 11:48:58 -0700
> Subject: Re: [Frameworks] Eulogy Films
> Allan Ross, Chicago Filmmakers, Grandfather Trilogy
>
> On Sat, Mar 18, 2017 at 11:09 AM, Pip Chodorov <frameworks at re-voir.com>
> wrote:
>
>> Jim Hubbard's "Memento Mori" (1995, 17 min)
>>
>> Peter Friedman's "Silverlake Life: The View from Here" (1993, 99 min)
>>
>> Friedl Kubelka vom Groller "Bliss" (2011, 3 mim)
>>
>>
>>
>>
>> At 11:43 -0400 18/03/17, Margaret Rorison wrote:
>>
>> I am curious about film eulogies and would love to know more films that
>> have been made to honor someone. For example, Nathaniel Dorsky's* August
>> and After*
>>
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks at jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> ---------- Forwarded message ----------
> From: Flicker weekly listing <thisweek at hi-beam.net>
> To: <frameworks at jonasmekasfilms.com>
> Cc:
> Bcc:
> Date: Sat, 18 Mar 2017 19:29:42 +0000
> Subject: [Frameworks] This week [March 18 - 26, 2017] in avant garde cinema
>
>
> [image: links]
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=44e536adee&e=4e65756555>
>
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9c39fd8b80&e=4e65756555>
> This week [March 18 - 26, 2017] in avant garde cinema
>
> Enter your event announcements by going to the Flicker Weekly Listing Form
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=89645cbf7b&e=4e65756555>
> .
>
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> To unsubscribe see the link at the bottom of this email.
>
>
> *Journey Into Darkness Films & Performances De Kerry Laitala ii
> <#m_-1131861096527883028_anchor1> [March 18, Barcelona, Spain]*
> *NEW FILM/VIDEO: NON-FEATURE:*
> "Demonstration" by Mary Billyou
> http://hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=577.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9de0d219d9&e=4e65756555>
>
> *NEW CALLS FOR ENTRIES:*
> Fracto (Berlin; Deadline: April 20, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcf4af82f3&e=4e65756555>
> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA;
> Deadline: April 15, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f27e8659&e=4e65756555>
>
> *DEADLINES APPROACHING:*
> Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March
> 31, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1915.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b430b981f2&e=4e65756555>
> Fracto (Berlin; Deadline: April 20, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1921.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=425cac9e0b&e=4e65756555>
> Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA;
> Deadline: April 15, 2017)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1922.ann
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b1dcf59acc&e=4e65756555>
>
> Events are sorted alphabetically *BY CITY* within each *DATE*.
>
> This week's programs (summary):
>
> - Journey Into Darkness Films & Performances De Kerry Laitala ii
> <#m_-1131861096527883028_anchor1> [March 18, Barcelona, Spain]
> - José Val Del Omar Program 3 <#m_-1131861096527883028_anchor2> [March
> 18, New York, New York]
> - José Val Del Omar Program 2 <#m_-1131861096527883028_anchor3> [March
> 18, New York, New York]
> - Mar18: Cox/Baldwin + A. Coppola + Tabar + Rourke
> <#m_-1131861096527883028_anchor4> [March 18, San Francisco,
> California]
> - Light Industry At Bridget Donahue: Carbon Life
> <#m_-1131861096527883028_anchor5> [March 19, New York, New York 10002]
> - José Val Del Omar Program 3 <#m_-1131861096527883028_anchor6> [March
> 19, New York, New York]
> - José Val Del Omar Program 1 <#m_-1131861096527883028_anchor7> [March
> 19, New York, New York]
> - Fracto <#m_-1131861096527883028_anchor8> [March 20, Berlin, Germany]
> - Fracto <#m_-1131861096527883028_anchor9> [March 20, Berlin, Germany]
> - Essential Cinema: Warhol/Watson/Weber/Whitney Program
> <#m_-1131861096527883028_anchor10> [March 20, New York, New York]
> - Iris Film Collective Responds To the Image Before Us
> <#m_-1131861096527883028_anchor11> [March 20, Vancouver, British
> Columbia]
> - Transparent Things, Landscape Dissolves: Screening and Talk With
> Filmmaker Paul Clipson <#m_-1131861096527883028_anchor12> [March 22,
> London, England]
> - Essential Cinema: John and ivy & Salvador Dali
> <#m_-1131861096527883028_anchor13> [March 22, New York, New York]
> - Doris Wishman's Double Agent 73 <#m_-1131861096527883028_anchor14>
> [March 22, Tucson, AZ]
> - Paul Clipson With Shinya Sugimoto & Jeremy Young: Total Fiction
> <#m_-1131861096527883028_anchor15> [March 23, London, England]
> - Roger Beebe: Films For One To Eight Projectors
> <#m_-1131861096527883028_anchor16> [March 24, Knoxville, TN]
> - The 2017 West virginia Mountaineer Short Film Festival
> <#m_-1131861096527883028_anchor17> [March 24, Morgantown]
> - Paul Clipson W/ Shinya Sugimoto & Jeremy Young Presents Total
> Fiction + Nathaniel Robin Mann <#m_-1131861096527883028_anchor18>
> [March 24, Salford]
> - When I Stop Looking: Short Films and Small Prints By Todd Edward
> Herman <#m_-1131861096527883028_anchor19> [March 25, Boulder,
> Colorado]
> - Paul Clipson, Shinya Sugimoto & Jeremy Young: Total Fiction / +
> Nathaniel Mann <#m_-1131861096527883028_anchor20> [March 25, Bradford]
> - Flicker & Wow: Kids! <#m_-1131861096527883028_anchor21> [March 25,
> Knoxville, TN]
> - Kevin Jerome Everson: the Surface Below
> <#m_-1131861096527883028_anchor22> [March 25, Knoxville, TN]
> - Janie Geiser: Double vision <#m_-1131861096527883028_anchor23>
> [March 25, Knoxville, TN]
> - Jem Cohen: World Without End (No Reported Incidents)
> <#m_-1131861096527883028_anchor24> [March 25, Knoxville, TN]
> - New Works Salon Xxxviii <#m_-1131861096527883028_anchor25> [March
> 25, Los Angeles, California]
> - Mar25: Gendreau + Waxy Tomb + Harper + Pad's 3-D
> <#m_-1131861096527883028_anchor26> [March 25, San Francisco,
> California]
> - Paul Clipson With Shinya Sugimoto & Jeremy Young Present Total
> Fiction + Nathaniel Mann <#m_-1131861096527883028_anchor27> [March 26,
> Colchester]
> - Flicker and Wow 1 <#m_-1131861096527883028_anchor28> [March 26,
> Knoxville, TN]
> - Meredith Monk: Book of Days <#m_-1131861096527883028_anchor29>
> [March 26, Knoxville, TN]
> - Jem Cohen: Lost Book Found <#m_-1131861096527883028_anchor30> [March
> 26, Knoxville, TN]
> - Flicker & Wow 2 <#m_-1131861096527883028_anchor31> [March 26,
> Knoxville, TN]
>
> *SATURDAY, MARCH 18, 2017*
>
> 3/18
> Barcelona, Spain: *Crater Lab*
> 8:30pm, Carrer Sant Guillem 17
> *JOURNEY INTO DARKNESS FILMS & PERFORMANCES DE KERRY LAITALA II*
> JOURNEY INTO DARKNESS Films & performances de KERRY LAITALA IICrater Lab,
> en colaboración con Xcentric, presenta un doble programa de pelÃculas y
> performances de cine expandido de la artista de San Francisco Kerry
> Laitala. La cineasta impartirà un workshop de cinegramas en 16mm -
> LIGHSTRUCK - los dÃas 17,18 y 19 en Crater-Lab.
>
> 3/18
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d5089ad0b5&e=4e65756555>
> 6:00 pm, 32 2nd Ave.
> *JOSé VAL DEL OMAR PROGRAM 3*
> March 18: Presented by Mónica Savirón WATER-MIRROR OF GRANADA and FIRE IN
> CASTILLE feature a characteristic end title that illustrates Val del Omar’s
> continuous research and inexhaustible creativity: instead of “The End,” we
> read “Never Ending.” Indeed, he never stopped creating. In the late 1970s
> he set up a laboratory named PLAT (Picto – Luminic – Audio – Tactile) in
> Madrid, and continued experimenting with video and multimedia equipment.
> VARIATIONS ON A POMEGRANATE is the only preserved piece from this period.
> Val del Omar’s “Never Ending” film philosophy found a relevant continuity
> in the many contemporary artists, musicians, and filmmakers who produced
> works under his creative influence. For example Eugeni Bonet, an important
> visual artist, theorist, and curator, met Val del Omar in 1980 and years
> later made the film THROW YOUR WATCH TO THE WATER (2004), a creative
> reinterpretation of Val del Omar’s filmic materials. He would also organize
> the first retrospective of his work at the Pompidou Museum (Paris) in 1982,
> as well as the first exhibition entirely devoted to his trajectory in the
> Reina Sofia Museum (Madrid) in 2010. José Val del Omar VARIATIONS ON A
> POMEGRANATE / VARIACIONES SOBRE UNA GRANADA (1975, 3 min, 35mm-to-digital)
> & Eugeni Bonet THROW YOUR WATCH INTO THE WATER / TIRA TU RELOJ AL AGUA
> (2004, 88 min, digital)
>
> 3/18
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0cfa01c03a&e=4e65756555>
> 8:30 pm, 32 2nd Ave.
> *JOSé VAL DEL OMAR PROGRAM 2*
> See notes for March 17, 7:30 pm.
>
> 3/18
> San Francisco, California: *Other Cinema*
> http://www.othercinema.com/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3b6a8349d2&e=4e65756555>
> 8:30 PM, 992 Valencia St.
> *MAR18: COX/BALDWIN + A. COPPOLA + TABAR + ROURKE*
> The first of OC’s three OPTRONICA events! In Crossroads of the Other, Alex
> Coppola concocts a score--with turntables and sampler--for a jaw-dropping
> artifact of amateur ethnography (Trinidad ’49). David Cox and Craig Baldwin
> re-animate a 35mm filmstrip of Jules Verne’s 20,000 Leagues under the Sea,
> with text-to-vox FX and ChromaDepth stereoscopy. Baldwin doubles back to
> double-project his Crazed Crystals over Cyrus Tabar’s cracked~abstrakt
> track. ALSO: Jeremy Rourke’s smashing live-performance Kitchen
> Tintinnabulation, Bruce Haack oscillating Mr. Rogers, and Vicki (PLU)
> Bennett’s Citation City. PLUS DJ Spooky’s Memory Palace (with Michael
> Niemeyer for the Internet Archive), Quintron’s Drum Buddy, and free
> series-launch champagne!*$8.88
>
> *SUNDAY, MARCH 19, 2017*
>
> 3/19
> New York, New York 10002: *Light Industry*
> http://www.lightindustry.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=edc5b6beba&e=4e65756555>
> 7pm, 99 Bowery
> *LIGHT INDUSTRY AT BRIDGET DONAHUE: CARBON LIFE*
> Curated by Mary Helena Clark. Likeness (Prologue: Remnant Branch), Michael
> Guidetti, 2017, digital projection, 6 mins. JACKSHOES, Dana Michel, 2011,
> digital projection, 6 mins. Elegy, Joe Gibbons, 1991, digital projection,
> 11 mins. Portrait of Evan Parker (Silver/Gold), Neil Henderson, 2010,
> digital projection, 11 mins. Mobile Men, Apichatpong Weerasethakul, 2008,
> digital projection, 4 mins. When I Was a Monster, Anne McGuire, 1996,
> digital projection, 6 mins. Delphi Falls (excerpt), Mary Helena Clark,
> 2017, digital projection, 9 mins. Lightning, Paul and Marlene Kos, 1975,
> digital projection, 2 mins.
>
> 3/19
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bcce2455a9&e=4e65756555>
> 6:00 pm, 32 2nd Ave.
> *JOSé VAL DEL OMAR PROGRAM 3*
> See notes for March 18th, 6:00 pm.
>
> 3/19
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bd60a0301a&e=4e65756555>
> 8:30 pm, 32 2nd Ave.
> *JOSé VAL DEL OMAR PROGRAM 1*
> See notes for March 16th, 7:30 pm.
>
> *MONDAY, MARCH 20, 2017*
>
> 3/20
> Berlin, Germany: *Fracto*
> http://fractofilm.com/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=37104b20f7&e=4e65756555>
> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler
> Platz
> *FRACTO*
> Fracto is a 2 day encounter inviting filmmakers to present their work and
> discuss contemporary means of audiovisual experimentation, on May 20th/21st
> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant
> stream of seemingly self-propagating moving images we have become
> accustomed to a mediatized experience of reality, where time and space lose
> their coordinates. Exceeding an entirely negative conception of today’s
> perceptual landscape, how can the reconfiguration of audiovisual media and
> technologies therein be a productive foundation for new means of
> ever-changing and heterogeneous narratives? How can this landscape be
> reflected, dissolved or disrupted in film itself? What are the appropriate
> means of sorting and resetting these influences, and what – if any – other
> modes of representation emerge between mere categories of newness and
> obsolescence, documentary, fictional, poetic, latent or evident imagery?
>
> 3/20
> Berlin, Germany: *Fracto*
> http://fractofilm.com/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=af2180b000&e=4e65756555>
> n.a., ACUD MACHT NEU, Veteranenstraße 21 10119 Berlin Mitte U8 Rosenthaler
> Platz
> *FRACTO*
> Fracto is a 2 day encounter inviting filmmakers to present their work and
> discuss contemporary means of audiovisual experimentation, on May 20th/21st
> at ACUD macht neu, Berlin. In times of ever-present cameras and a constant
> stream of seemingly self-propagating moving images we have become
> accustomed to a mediatized experience of reality, where time and space lose
> their coordinates. Exceeding an entirely negative conception of today’s
> perceptual landscape, how can the reconfiguration of audiovisual media and
> technologies therein be a productive foundation for new means of
> ever-changing and heterogeneous narratives? How can this landscape be
> reflected, dissolved or disrupted in film itself? What are the appropriate
> means of sorting and resetting these influences, and what – if any – other
> modes of representation emerge between mere categories of newness and
> obsolescence, documentary, fictional, poetic, latent or evident imagery?
>
> 3/20
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a79e4e735f&e=4e65756555>
> 7:30 pm, 32 2nd Ave.
> *ESSENTIAL CINEMA: WARHOL/WATSON/WEBER/WHITNEY PROGRAM*
> Andy Warhol EAT (1963, 35 min, 16mm, b&w, silent) James Sibley Watson &
> Melville Webber FALL OF THE HOUSE OF USHER (1928, 13 min, 16mm, b&w,
> silent) John & James Whitney FILM EXERCISES 1-5 (1943-45, 18 min, 16mm)
> James Whitney LAPIS (1963-66, 10 min, 16mm) Total running time: ca. 80 min.
>
> 3/20
> Vancouver, British Columbia: *Iris Film Collective*
> http://thecinematheque.ca/the-image-before-us-take-three/
> the-iris-film-collective-responds-to-the-image-before-us
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f96460dc65&e=4e65756555>
> 7pm, 1131 Howe St
> *IRIS FILM COLLECTIVE RESPONDS TO THE IMAGE BEFORE US*
> This program of work by Iris Film Collective includes sixteen short films
> screening in a number of formats, including super 8 and dual-channel 16mm.
> Made in and around B.C., this collection constitutes a multiform experience
> of place: recreational life in Opening Day; an alternate tour of abandoned
> monuments and plazas that Expo left behind in Legacies; a fence
> impenetrable but revealing in 86 SE Marine Drive. Colin Browne’s 1986 essay
> film The Image Before Us, which inspired The Cinematheque’s “Image Before
> Us” series, asks what aren’t we seeing in the movies about Vancouver. This
> program also hints at something beyond the frame that cannot be filmed or
> heard, something inexpressible in words, images, or sounds alone.
>
> *WEDNESDAY, MARCH 22, 2017*
>
> 3/22
> London, England: *no.w.here*
> http://www.no-w-here.org.uk/index.php?cat=1&subCat=docdetail&&id=484
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5a615a3e9f&e=4e65756555>
> 7-10pm, no.w.here project space, First Floor, 316 - 318 Bethnal Green
> Road, London, E2 0AG.
> *TRANSPARENT THINGS, LANDSCAPE DISSOLVES: SCREENING AND TALK WITH
> FILMMAKER PAUL CLIPSON*
> Paul Clipson is a San Francisco-based filmmaker who often collaborates
> with sound artists and musicians on films, live performances, and
> installations. His Super 8 and 16mm films aim to bring to light visual
> preoccupations that reveal themselves while working in a stream of
> consciousness manner, combining densely layered, in-camera edited studies
> of figurative and abstract environments, in a process that encourages
> unplanned-for results, responding to and conversing with the temporal
> qualities of musical composition and live performance. His work has
> screened around the world in festivals and at sound and film events such as
> the International Film Festival Rotterdam, The New York Film Festival, and
> the Cinémathèque Française. http://www.withinmirrors.org/ Program: SPHINX
> ON THE SEINE (2009) 16mm (* shot on Super 8mm), color/B&W, 7.5 minutes,
> music by Jefre Cantu-Ledesma, CHORUS (2010) 16mm (*shot on Super 8mm),
> color, 7 minutes, music by Gregg Kowalsky, UNION (2011) 16mm (*shot on
> Super 8mm), color/B&W, 14.5 minutes, music by Jefre Cantu-Ledesma, ANOTHER
> VOID (2012) 16mm (*shot on Super 8mm), color, 11 minutes, music by Jefre
> Cantu-Ledesma LIGHT YEAR (2013) 16mm, color, 10 minutes, music by Tashi
> Wada, DISPORTING WITH A SHADOW (2015) 16mm, color/B&W, 4 minutes, music by
> Alex Cobb, THE LIQUID CASKET / WILDERNESS OF MIRRORS (2014) 16mm,
> color/B&W, 7.5 minutes, music by Lawrence English, MADE OF AIR (2014) 16mm,
> color/B&W, 11 minutes, music by Grouper, LIGHTHOUSE (2015) 16mm, color/B&W,
> 5 minutes, music by King Midas Sound/Fennesz. All films screened on 16mm by
> the filmmaker.
>
> 3/22
> New York, New York: *Anthology Film Archives*
> http://www.anthologyfilmarchives.org/
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=85cb604e4b&e=4e65756555>
> 7:30 pm, 32 2nd Ave.
> *ESSENTIAL CINEMA: JOHN AND IVY & SALVADOR DALI*
> JOHN AND IVY (1965, 33 min, 16mm, b&w) “One of Warhol’s early experiments
> in sound filmmaking, JOHN AND IVY is a one-reel ‘documentary’ film showing
> Ivy Nicolson, John Palmer, and their children at home during a major
> snowstorm in January 1965. The film is shot with a stationary camera which
> points through a doorway into their squalid tenement kitchen. The stars
> wander around the kitchen, talking, cooking, and occasionally embracing
> while a live radio plays both classical and rock music; the sound quality
> is very poor.” –Callie Angell & SALVADOR DALI (1966, 22 min, 16mm, b&w,
> silent) “A silent ‘EPI Background’ reel, intended for projection behind the
> Velvet Underground during performances of the Exploding Plastic Inevitable.
> SALVADOR DALI contains original SCREEN TESTS of the mustachioed Dali,
> followed by Nico, Sterling Morrison, and Lou Reed. The film ends with two
> WHIP DANCE rolls, in which Gerard Malanga and Mary Woronov perform their
> S&M dance routine from the EPI for Warhol’s camera.” –Callie Angell
>
> 3/22
> Tucson, AZ: *Exploded View Microcinema*
> http://explodedviewgallery.org
> <http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=377281776c&e=4e65756555>
> 7:30, 197 E Toole Ave
> *DORIS WISHMAN’S DOUBLE AGENT 73*
> (GIRL CRUSH SERIES) A beautiful American spy (played by the fabulous
> Chesty Morgan) can murder men by smothering them with her enormous breasts.
> This trashy 70s sexploitation film, directed by the legendary Doris
> Wishman, is a feminist cult classic. Enjoy Wishman’s bizarre experimental
> cinematography, far-out plot twists and wild 1970’s camp! With special
> opening performance by local queer trans* lesbian woman of color
> stripperformance artist Rambo Reza!
>
> *THURSDAY, MARCH 23, 2017*
>
> 3/23
> London, England: *no.w.here and Thirty Three Thirty Three*
> https://www.eventbrite.co.uk/e/paul-clipson-with-shinya-
> sugimoto-jeremy-young-total-fiction-2017-tickets-32119858361
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7de7c0a47d&e=4e65756555>
> 19:30-22:00, The Old Church Stoke Newington London N16 9ES United Kingdom
> *PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION*
> Taking its name from Shinya Sugimoto & Jeremy Young's forthcoming LP
> featuring cellist Julia Kent, Total Fiction is live score performance to a
> 16mm film projection by Paul Clipson. Like all of Clipson's film collage
> works, this will be frenetic, it will span movements both in stark black
> and white and bright analog color, and the score will be disbursed in a
> series of chapters. Improvisation, for Sugimoto and Young, is like fiction,
> and they will work to bring out auditory characters, narratives, themes and
> transitional arcs from the celluloid, while at times challenging the
> pictures to provide new meaning in new sonic contexts from space to space.
> Shinya Sugimoto performs on piano and Max MSP triggered processing, while
> Young will be utilizing his analog electronics such as reel-to-reel tape
> loops, oscillators, AM radio and contact mic'd objects and surfaces to
> build textural and tonal colour palettes throughout the evening.
>
> *FRIDAY, MARCH 24, 2017*
>
> 3/24
> Knoxville, TN: *The Public Cinema*
> www.publiccinema.org
> 1:15pm, Knoxville Museum of Art
> *ROGER BEEBE: FILMS FOR ONE TO EIGHT PROJECTORS*
> Films for One to Eight Projectors is an immersive audio/visual experience
> that Creative Loafing called “both erudite and punk, lo-fi yet high-brow
> shorts that wrestle with a disfigured, contemporary American landscape.”
> Works to be screened: SOUNDFILM Overture (2015, 1:00, 16mm), TB TX Dance
> (2006/2007, 3:00, 16mm x 2), AAAAA Motion Picture (2010, 11min, 16mm x 2),
> Tiger Tiger (2016, 4:00, 16mm/HD) SOUNDFILM Coda (2015/2017, 7:00, 16mm x
> 6), Beginnings (2010/2011, 5:00, Digital Audio) Last Light of a Dying Star
> (2008/2011, 26:00, 16mm x 6 and super 8mm x 1).
>
> 3/24
> Morgantown: *West Virginia Mountaineer Short Film Festival*
> www.mountaineershortfilmfest.org
> 6:00 pm, Metropolitan Theatre
> *THE 2017 WEST VIRGINIA MOUNTAINEER SHORT FILM FESTIVAL*
> Call for entries: 2017 West Virginia Mountaineer Short Film Festival,
> March 23 – March 26, 2017. We seek independent, unique and compelling work
> in film, video, animation and virtual reality. Entry Fee: $10. Student: $5.
> Under 18: Free. Categories of Competition: Documentary Short, Narrative
> Short, Animation, Experimental, Student, Political Division Thematic Entry
> (works that broadly explore the notion of Health, especially in a
> contemporary, natural, cultural or political context. Deadline for Entries:
> March 1, 2017. Visit the Festival website: www.mountaineershortfilmfest.
> org for additional information and entry form. Contact: wvmsff at gmail.com
> for further information. Maximum running time of 20 minutes; Works must
> have been completed after 1/1/2015. Maximum of 2 entries per person. A
> separate entry form is required for each entry. Filmmakers and artists
> accepted to the festival permit the use of stills and/or clips from
> accepted works in promotional and public relations materials. Submit your
> work through: FilmFreeway, or by filling out the online entry form
> available at our website. Mailed-in entries are not accepted this year. If
> submitting using the online form, all works must be available for download
> (Vimeo, WeTransfer or Dropbox etc.) at screening quality and full
> resolution. Please insure that the link to the online version of your film
> or project is active until the date of the festival.
>
> 3/24
> Salford: *Islington Mill*
> http://www.islingtonmill.com/events/paul-clipson-w-shinya-
> sugimoto-jeremy-young-presents-total-fiction-2017/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3e63ead548&e=4e65756555>
> 7-11pm, James Street Salford M3 5HW, UK
> *PAUL CLIPSON W/ SHINYA SUGIMOTO & JEREMY YOUNG PRESENTS TOTAL FICTION +
> NATHANIEL ROBIN MANN*
> A 16mm film projection event with live improvised sound performance.
>
> *SATURDAY, MARCH 25, 2017*
>
> 3/25
> Boulder, Colorado: *Month of Photography / Seidel City Gallery*
> http://www.mopdenver.com/mop-2017-programs-2/#/seidel-city-boulder/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d014aa5a2c&e=4e65756555>
> 7pm - 10pm, 3205 Longhorn Road, Boulder, CO 80302
> *WHEN I STOP LOOKING: SHORT FILMS AND SMALL PRINTS BY TODD EDWARD HERMAN*
> Todd Edward Herman's haunting imagery suggests mysteriously entwined
> narratives, drawing no clear lines between fiction and fact. Herman
> utilizes photography, videography and painting as departure points for
> thirty exquisitely printed limited edition prints. Dealing with themes of
> the body and transience, representational taboos, spectatorship and
> complicity, his work looks to a rare beauty, making no claims to
> journalistic inquiry. Among the selected films screening at Seidel City
> will be Herman's award winning short film *Cabinet*, a visceral and
> poetic documentary on death, mourning and life beginning anew. Also
> screening will be Herman's *When I Stop Looking*, a film that looks
> beyond the imprint of appearances, invoking the intensely private worlds of
> those portrayed, each of whom lives with significant facial and cranial
> conditions; a vivid affirmation of existence comes forward, before anything
> else. Todd Edward Herman has been the recipient of many awards for his
> work including the San Francisco International Film Festival's New Vision
> Award, the Art Council of Northern Ireland's Artist in Residence Award,
> Grants from the San Francisco Film Arts Foundation, a Western States
> Regional Media Arts Fellowship, Taipei Artist Village Residency, and the
> San Francisco Art Commission's Emerging Curator Award. He has presented his
> work at such venues as the International Film Festival Rotterdam, San
> Francisco International Film Festival, Southbank Centre, Anthology Film
> Archives, San Francisco Cinematheque, and Pacific Film Archives.
>
> 3/25
> Bradford: *Fuse Art Space*
> http://www.wearefuse.co/project/165/paul-clipson-
> shinya-sugimoto-jeremy-young-total-fiction-2017/
> <http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f0f13f353f&e=4e65756555>
> 20:00, 5-7 Rawson Place, Bradford BD1 3QQ
> *PAUL CLIPSON, SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION / + NATHANIEL
> MANN*
> A 16mm film projection event with live improvised sound/music performance.
>
> 3/25
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 10:30am, Knoxville Museum of Art
> *FLICKER & WOW: KIDS!*
> A selection of short works of experimental animation curated for kids.
> Screening as part of Big Ears. Works to be screened: Mothlight (Stan
> Brakhage, 1963, 16mm), Duck Amuck (Chuck Jones, 1953, digital), Blue
> Movement (Haruka Mitani and Michael Lyons, 2016, digital), Begone Dull Care
> (Evelyn Lambart and Norman McLaren, 1949, 16mm), Glistening Thrills (Jodie
> Mack, 2013, digital).
>
> 3/25
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 12:15pm, Knoxville Museum of Art
> *KEVIN JEROME EVERSON: THE SURFACE BELOW*
> This program, curated for Big Ears from Everson’s large body of work (more
> than 100 shorts and features), reveals Kevin Jerome Everson’s interest in
> digging beneath the surface, in every sense of the word. Works to be
> screened: Ring (2008, 1:30), Tygers (2014, 2:00), Auditioning for Nathaniel
> (2016, 13:30), R-15 (2017, 5:10), Smooth Surface (2015, 2:50), Production
> Material Handler (2015, 2:31), Fe26 (2014, 7:21), Ears, Nose and Throat
> (2016, 10:30). ARTIST IN ATTENDANCE
>
> 3/25
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 2pm, Knoxville Museum of Art
> *JANIE GEISER: DOUBLE VISION*
> Named one of the world’s top avant-garde filmmakers on Film Comment’s
> “Best of the Decade” list, Janie Geiser will join Big Ears for a program of
> recent short films, Double Vision. Works to be screened: Kriminalistik
> (2014, 4:00), Ghost Algebra (2009, 7:30), Kindless Villain (2010, 5:00),
> The Floor of the World (2010, 9:10), Arbor (2012, 7:05), The Hummingbird
> Wars (2015, 11:15), Cathode Garden (2015, 7:45), Flowers of the Sky (2016,
> 9:15)
>
> 3/25
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 6:15pm, Regal Riviera 8
> *JEM COHEN: WORLD WITHOUT END (NO REPORTED INCIDENTS)*
> Quite close to London, but for many, a million miles away, Southend-on-Sea
> is a town along the Thames estuary. World Without End (No Reported
> Incidents), the new documentary from Jem Cohen, is a portrait of this
> place–everyday streets, everyday birds, unflagging tides, mud, and sky. But
> it is also about humanity and history, about prize-winning Indian curries,
> an encyclopedic universe of hats, and a nearly lost world of proto-punk
> music. ARTIST IN ATTENDANCE.
>
> 3/25
> Los Angeles, California: *Echo Park Film Center*
> http://www.echoparkfilmcenter.org/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b777daa6e4&e=4e65756555>
> 8 pm , 1200 N Alvarado St
> *NEW WORKS SALON XXXVIII*
> The New Works Salons series is a casual forum for the presentation and
> discussion of new works in film, video, sound, and performance, with local
> and visiting artists often in-person to introduce their work. This program
> will include works by Christina Battle, Gelare Koshkgozaran, Azadeh Navai,
> Julie Sadowski, Penelope Uribe-Abee, and Walter Vargas. Christina Battle’s
> Notes to Self is an ongoing series of videos documenting a simple,
> repetitive act as a way to mimic our fleeting engagement with social media
> status updates. Fragments of text, in the form of notes to myself, are set
> on fire with varying degrees of success. Unlike social media updates, the
> fate of these updates are controlled and finite, existing only for a few
> seconds before being completely destroyed. The notes, which range from
> humourous reminders and revelations to recollections about larger societal
> events, are simple in both form and execution, allowing for a critical and
> considered viewing response. Gelare Khoshgozaran will show her work An
> Analog Poem for Super 8 and voice, which was commissioned by Echo Park Film
> Center. Azadeh Navai will show her 16mm film Remembering the Pentagons, a
> slow, rhythmic, and contemplative journey into her earliest childhood
> memories. With an old 16mm Bolex and a hand-made pinhole camera, Navai
> returns to Tehran and Esfahan, Iran, where the perceptions and
> recollections of places, emotions, and scents serve as vehicles through
> which she exposes a deeply personal landscape. She asks — what is the
> texture of memory? In what ways does time — the light, wind, and air of
> history — wear upon the monuments and the images of the past? Born in
> Tehran during the Iran-Iraq war, Navai seeks to access a time of personal
> turmoil both for her family and for her birth country in this poetic
> capturing of place, history and memory. Penelope Uribe-Abee will show her
> new work Practice: a video, video sketch, and/or exercise mainly crafted
> out of personal heartbreak and coping. This video was made as an effort to
> make more personal, insular work while still preserving the idea of
> emotional accessibility in an audience. This is one part in a series of
> depicted analogies that explore how basic actions and gestures like playing
> the drums can serve as representations for actions with larger emotional
> implications: like falling in love. Walter Vargas will show Kru steez all
> no , a Super 8 double projection with coordinated memes high on the current
> meme economy @ time of showing #bulb #democracy #doesitreallywork #inheat.
> Julie Sadowski is a Polish-American artist living in Los Angeles. She is
> simultaneously excited and severely overwhelmed with the excess of images
> in the world, including those she created herself. She attempts to create
> order out of the chaos of the visible world by employing her own subjective
> systems of logic.
>
> 3/25
> San Francisco, California: *Other Cinema*
> http://www.othercinema.com/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=60a38762d7&e=4e65756555>
> 8:30 PM, 992 Valencia St.
> *MAR25: GENDREAU + WAXY TOMB + HARPER + PAD'S 3-D*
> Michael Gendreau premieres his triple-turntable piece LOUPS, pairing his
> wicked vinyl locked-grooves with the parataxical triple projections of
> Craig Baldwin’s16mm loops! ALSO: Afterbirth:The Shape of Light--Julz LC’s
> live-molded clay plays with optical parameters to render a phantasmagoria
> of projected light, in a tribute to Joey Casio’s immersive dream. In
> BUG.TV at OC:Live from the Achives, Joshua Harper conducts a live
> inter-dimensional interview with an alien observer in an underground
> operating theater of the mind. AND anchoring this second OPTRONICA show is
> stereoscopic superstar Pad McGlaughlin, whose 4eyes and Strata use
> polarized light to conjure up an extra dimension. Whoa! AND additional
> works by Jordan Belson, Winston Hacking, and Mary Ellen Bute; of course the
> Dream Machine is in full effect!*$8.88
>
> *SUNDAY, MARCH 26, 2017*
>
> 3/26
> Colchester: *Colchester Arts Centre*
> http://www.colchesterartscentre.com/events/gigs/paul-clipson-with-
> shinya-sugimoto-jeremy-young-present-total-fiction-2017-nathaniel-mann/
> <http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0295f6846c&e=4e65756555>
> Doors at 7pm, Colchester Arts Centre Church Street Colchester Essex CO1
> 1NF
> *PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG PRESENT TOTAL FICTION +
> NATHANIEL MANN*
> A 16mm film projection event with live improvised sound/music performance.
> Nathaniel Mann is a composer, sound artist and performer. He was the
> Embedded Composer in Residence at Oxford University’s Pitt Rivers Museum
> and Oxford Contemporary Music for 20 months. During this time he garnered a
> reputation for creating diverse and engaging responses to the museum and
> its collections. Described as “a fluid unfolding of the museum experience”
> (ATTN: Magazine) his wide reaching works incorporate site specific
> performances, interventions and installations. He is best known for his
> work with avant-folk ensemble Dead Rat Orchestra, who specialize in site
> specific performances and concept driven tours of unorthodox locations,
> challenging traditional concert settings. He has written for Tate, BBC
> Scotland & London Contemporary Orchestra. His Donkey Symphony (with Lara
> Baladi) won the Gran Nile Award at the Cairo Biennale 2008 and was
> performed by Ukraine’s State Camera Orchestra “Kievskaya Kamerata”.
>
> 3/26
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 1:30 pm, Tennessee Theatre
> *FLICKER AND WOW 1 *
> One of two programs of recent avant-garde short films curated for Big
> Ears. Empyrean by Kalpana Subramanian (6:20, Digital) An abstract,
> meditative piece, Empyrean was “filmed” at the altar of celluloid cinema.
> Using a mobile phone camera, Subramanian intercepted mediated light from
> the projector during screenings of various 16mm prints of films by Stan
> Brakhage (1933-2003). The film is part of her larger, art-based research
> project, Light Mediated: Eyes on Brakhage, which explores the poetics of
> the moving image. Them Apples by Adam R. Levine (2:40, 16mm) Using the
> parallel temporal forms of the three-minute pop song and the 16mm camera
> roll, Them Apples runs The Beatles’ “Back In The U.S.S.R.” through iTunes
> Visualizer to create an optical sound experiment in which synaesthesia and
> pop cultural memory are turned back on themselves. 1_ _ _ _1 by Karissa
> Hahn (3:00, Digital) One roll of super 8. A ‘collaboration’ or rather, a
> collusion of sorts. As for my volition . . . I fall, you falter. Thinking
> about “A Young Girl Defending Herself against Eros” by William Adolphe
> Bouguereau, 1880. Thinking about . . . suspense/tension, taking us down
> with me. Deux Champs (Two Fields) by Kevin Obsatz (7:50, Digital) In 1953,
> a young photographer named Victor Obsatz created a double-exposed portrait
> of Marcel Duchamp by mistake. 55 years later that photo appeared in the
> pages of Smithsonian Magazine and was featured at a Duchamp retrospective.
> Deux Champs (Two Fields) is a hand-processed reflection on the distant
> memory of that day and everything that has happened since. As Without So
> Within by Manuela De Laborde (24:20, 16mm) De Laborde has usefully
> described the making of As Without So Within as “returning to Montessori.”
> Built from closeup images of handmade “props” (her preferred term), the
> film reveals, reworks, and illuminates several fundamental components of
> experimental filmmaking: abstraction, sculpture, and the material of
> celluloid itself. Koropokkuru by Akiko Maruyama and Philippe Roy (4:10,
> Digital) A moving portrayal of an ineffable force that can be humanlike or
> embody itself within displayed objects. Inspired by concepts from the
> Koropokkuru folktale within Japanese Ainu culture, as well as The Invisible
> Man.
>
> 3/26
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 10am, Tennessee Theatre
> *MEREDITH MONK: BOOK OF DAYS*
> A rare 35mm public screening of Meredith Monk's 1989 feature film BOOK OF
> DAYS. “Meredith Monk has been an anomaly for much of her 27-year career as
> a composer and choreographer, creating dances that were operas, operas that
> were dances and mythic theater pieces that were operas and dances. To
> complicate matters, Ms. Monk is also a filmmaker. In Book of Days, she has
> created a film that is essentially a moving picture." -- Jennifer Dunning,
> The New York Times
>
> 3/26
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 3pm, Regal Riviera 8
> *JEM COHEN: LOST BOOK FOUND*
> The result of over five years of Super-8 and 16mm filming on New York City
> streets, Lost Book Found melds documentary and narrative into a complex
> meditation on city life. The piece revolves around a mysterious notebook
> filled with obsessive listings of places, objects, and incidents. These
> listings serve as the key to a hidden city: a city of unconsidered
> geographies and layered artifacts—the relics of low-level capitalism and
> the debris of countless forgotten narratives.
>
> 3/26
> Knoxville, TN: *The Public Cinema / Big Ears Festival*
> www.publiccinema.org/bigears
> 4pm, Knoxville Museum of Art
> *FLICKER & WOW 2*
> The second of two programs of recent avant-garde short films curated for
> Big Ears. Parallel Inquiries by Christina C Nguyen (9:25, 16mm) sound from
> image / image from color // inquiries into the analog film system Nova
> Remnants by Stefan Grabowski (10:30, Digital) A nova remnant consists of
> matter left behind by a cataclysmic nuclear explosion, causing the intense
> and sudden brightening of a star. Due to the relatively short time-span
> over which they occur, nova remnants generally no longer exist by the time
> their light reaches us on Earth. Ghost Comb. by Ryland Walker Knight (7:15,
> Digital) A meditation on life as text, and how we may outlive our finite
> selves in the realm of the imaginary. Spotlight on a Brick Wall by Alee
> Peoples and Mike Stoltz (8:00, 16mm) A performance film that navigates
> expectations of both the audience and the makers. A series of false starts.
> Dub treatment on the laugh track. Little Orphant Annie by Bill Morrison
> (7:00, Digital) Little Orphant Annie is a re-edit of a silent film of the
> same title from 1918, directed by Colin Campbell. Two reels from an
> original nitrate print were scanned and re-edited to make the new film,
> which follows the structure of the poem written by James Whitcomb Riley in
> 1885. Riley is heard reciting his poem in a recording made in 1912. The
> poem is also heard read by Kelli Shay Hix in 2016, who additionally wrote
> and performs the song, “The Swimmer.” One Roll in the Blackness by Chris
> Kennedy (3:10, 16mm) Keiji Haino, live in Toronto, June 22, 2011. A single
> roll of film, shot one frame at a time. Special thanks to Keiji Haino and
> Adam Rosen.
> ------------------------------
>
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