[Frameworks] Films about the clock

[Albert Alcoz]

Thank you for those new suggestions.

Roger Beebe, maybe what is happening nowadays is that those artists
interested on "that kind of rigid formal investigation", around the clock,
easy to link with structural film, have changed their mediums. This is
something Tyler Maxin has already noted. Instead of cinema or video they
use some other digital tools for their projects. I'm thinking this
realizing what's behind a piece like *Zero Noon* (2013) by Rafael
Lozano-Hammer: "a digital clock that shows the current time according to
eccentric metrics". (http://www.lozano-hemmer.com/zero_noon.php) or *The
Pirate Cinema* (2012-214) by Nicolas Maigret (
http://peripheriques.free.fr/blog/index.php?/works/2012-the-pirate-cinema-/)

Best,
Albert

On Tue, Oct 30, 2018 at 1:01 AM Peter Snowdon <peter at redrice.net> wrote:

> Boris Lehman, La chute des heures (1990). Nothing but clocks for 8
> minutes:-)
>
> Envoyé de mon iPad
>
> Le 27 oct. 2018 à 14:07, Albert Alcoz <albertalcoz at gmail.com> a écrit :
>
> Hello frameworkers,
>
>
>
> I’m trying to write a short article in spanish about different notions of
> time concerning contemporary experimental film and video. Since the concept
> of “time related to cinema” is almost impossible to delimit I have decided
> to concentrate just about the clock.
>
>
>
> So, i’m searching films and videos where the clock is an important
> object/issue for the development of the piece. By now I have just found
> appropiation works as *60 Seconds* (2002) by Christoph Girardet and *The
> Clock* (2012) by Christian Marclay but i’m sure there are dozens.
>
>
>
> There’s a brilliant film by Chris Gallagher named *Time Being* (2009)
> that could also be useful to theorize some ideas but I need some more
> titles.
>
>
>
> Any suggestions?
>
>
>
> Thank you all,
>
>
>
> Best,
>
> Albert
>
> --
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> http://albertalcoz.com/ <http://www.albertalcoz.com/>
>
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-- 
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