[Frameworks] 25th Media City Film Festival Offers Access to 70+ Cinematic Treasures: Feb. 8 – Mar. 1, 2022

Mon Feb 14 21:00:35 UTC 2022

MEDIA CITY FILM FESTIVAL OFFERS UNPRECEDENTED ACCESS TO CINEMATIC TREASURES. OVER 70 FILMS STREAMING GLOBALLY FOR FREE IN CELEBRATION OF ITS 25TH ANNIVERSARY 

Media City Film Festival (MCFF), Windsor-Detroit’s annual international festival for film and digital art, announces the full scope of its 25th anniversary virtual edition: February 8–March 1, 2022.

In an act of global solidarity, all 70+ films featuring some of cinema’s most ardent pioneers are available to view for free in full open access globally for the duration of this amazing virtual event: mediacityfilmfestival.com <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fmediacityfilmfestival.com%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=HXvB1JWyFfCTZuFJ8RwvkLv9gkq7t4SxY7vFgOUiul8%3D&reserved=0>

MCFF 2022 features an eclectic selection of films streaming across three sections: International, Spotlight and Regional. Audiences will gain unfettered access to incredible new works, world premieres, restorations, amateur films, and historical masterpieces from legendary artists and filmmakers including Tracey Moffatt, Sergei Parajanov, Sky Hopinka, Ulysses Jenkins, Cecilia Vicuña, Carolee Schneemann, Tony Cokes, Ute Aurand, Karpo Godina, and dozens more. Highlights hail from Windsor-Detroit, Colombia, Hong Kong, Indonesia, Armenia, Brazil, Sri Lanka, across Canada and around the world.   

Guggenheim Fellow and Princess Grace Award recipient Sky Hopinka <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.nytimes.com%2F2020%2F11%2F12%2Farts%2Fdesign%2Fsky-hopinka-art-review.html&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=%2FRHLV9RRsVF3MHCQRYL7DsmET9ZI%2FWr5FR%2Fq6D%2FyjUI%3D&reserved=0> (Ho-Chunk/Pechanga) returns to the festival with his latest, Kicking the Clouds (2022), fresh from its Sundance <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.filmcomment.com%2Fblog%2Fsundance-dispatch-1-the-shorts-program%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=ED2wb%2BHNXyven6D52s1J%2F9U1UdSXolFWWPgskj5LtAU%3D&reserved=0> world premiere. Rich in metaphor and highly poetic, the film is a moving portrait of the director’s family lineage, centered on the voices and experiences of its matriarchs. Utilizing a 50-year-old recording of his grandmother learning the Pechanga language from her mother, Hopinka beautifully interweaves poetic verse, family dialogue, and vivid renderings of the Pacific Northwest landscape to honour the lives of three remarkable women. Sky is a previous MCFF award winner (2014). His recent breakout feature maɬni <https://na01.safelinks.protection.outlook.com/?url=https://grasshopperfilm.com/film/malni/&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=hoJHbGpmUBUEi8JfhqNm4vxT+0a1TDrf2WudLUEjQAM=&reserved=0> (2020) was supported by MCFF’s Chrysalis Fellowship. “In Mr. Hopinka’s art, wherever a tribe gathers is a place to be,” writes the New York Times.

MCFF presents the virtual premiere of a new digitization of Sodom (1989-1994) by the late, great American filmmaker Luther Price <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.nytimes.com%2F2020%2F07%2F19%2Farts%2Fluther-price-dead.html&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=BQ7B4JXXTvwA%2BoT0EuRPKBze7pN80MhgeN6j0CuXR5Y%3D&reserved=0>. This digitization has been minted by Anthology Film Archives <https://na01.safelinks.protection.outlook.com/?url=http://anthologyfilmarchives.org/about/reopening&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=UiGlQ+SXRl9P/ygN/+WE26USKgi7KJrhzsGxgD+IIyI=&reserved=0> from their recent film restoration expressly for this event. Dubbed “the magician of cinema,” and celebrated by the likes of Federico Fellini, Luis Buñuel, and Andrei Tarkovsky, acclaimed Armenian director Sergei Parajanov <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.calvertjournal.com%2Ffeatures%2Fshow%2F12437%2Fwhere-to-start-with-sergei-parajanov&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=P6ZX5O3hhBSRoG3facBrywxudc3%2FEqAWIfrdnM96fSQ%3D&reserved=0> makes an appearance with three recently restored films, courtesy of partners The Hamo Bek-Nazarov Project <https://na01.safelinks.protection.outlook.com/?url=http://hamobeknazarov.com/&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=+OTq4iuiOWFrNsKJ4rJUAhZZVTJMERYahC9TvZymvVo=&reserved=0>, National Oleksandr Dovzhenko Film Center <https://na01.safelinks.protection.outlook.com/?url=https://dovzhenkocentre.org/en/about/&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=DQoqTLIQ0alBGtJKIC9Xq7wbIZZYPzMSd1cuzc+3lG4=&reserved=0>, National Cinema Center of Armenia <https://na01.safelinks.protection.outlook.com/?url=https://ncca.am/en/&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=s1E8Ex2muJLQ1ZnTHqqK5PLhxanSEJg4vf8XyALDc2A=&reserved=0>, Georgian Film <https://na01.safelinks.protection.outlook.com/?url=http://www.georgianfilm.ge/?page_id=12&lang=en&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=rBid3XNgABY78d/Vye8H8b7nwn1ivR54UyAeRTdrZWo=&reserved=0>, and Fixafilm <https://na01.safelinks.protection.outlook.com/?url=https://www.fixafilm.pl/en/&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=d5nfkl+lC3jheKLb3JE7BoZd+nfReB3+21YyJThA15M=&reserved=0> with support from Kino Klassika <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.kinoklassikafoundation.org%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=U%2B4AH3OVZGaf2Cp78mI%2FVZvxwvJjvGPaa4UJv9IXiUA%3D&reserved=0>. Work by feminist icon Carolee Schneemann <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.nytimes.com%2F2019%2F03%2F10%2Fobituaries%2Fcarolee-schneemann-dead-at-79.html&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=gEWNavbNMcU1QChAImdq6vTFlxy%2FPPFZ9HXnHcrYGpA%3D&reserved=0>, Slovenian director Karpo Godina <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.moma.org%2Fcalendar%2Ffilm%2F5011&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=4hFJGZ%2ByZJd%2FEI%2BfREd74IKi4UoYoXUfySe6SAZR%2FIo%3D&reserved=0>, Dame of the Order of Australia Tracey Moffatt <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.mca.com.au%2Fartists-works%2Fartists%2Ftracey-moffatt%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=qhdZW9x7eOgLPuZmr3spIuMVl1nCRxG0M352ZdH5D4A%3D&reserved=0>, and L.Franklin Gilliam’s newly restored Now Pretend (1992), courtesy of Cinenova <https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fwww.cinenova.org%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=EXtJ0ucWPFSdD2oNpPe4Hfrbl%2FpU9isbagFEbaVE07I%3D&reserved=0>, are among the many international gems on view. 

Closer to home, Daïchi Saïto <https://na01.safelinks.protection.outlook.com/?url=https://www.artforum.com/print/202107/ara-osterweil-on-daichi-saito-s-earthearthearth-86315&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306308895%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0=%7C3000&sdata=vkkiP8P3S6IXU4vx83U+N8l2bAU92XJW/Sklc+bpZ3w=&reserved=0>’s 35mm masterpiece earthearthearth (2021) has been blazing a global trail in recent months, garnering unanimous praise from critics the world over during its in-person release at festivals including TIFF and NYFF. Funded and produced by MCFF as part of a commissioning project in the expanses of the Atacama Desert and the Andean Mountains in Chile and Argentina, its screening at the festival represents the first opportunity for global audiences to see it online without restrictions. “A major film from a singular artist, earthearthearth is a pulsing, painterly tour de force” (MUBI).

MCFF 2022 ARTISTS: ★ Morgan Quaintance ★ Peter Tscherkassky ★ Onyeka Igwe ★ Malena Szlam ★ Pablo Álvarez Mesa ★ Chris Kennedy ★ Ana Vaz ★ Cecilia Vicuña ★ Mary Helena Clark ★ Ute Aurand ★ Ulysses Jenkins ★ Michael Robinson ★ Ben Russell ★ Carolee Schneemann ★ Rajee Samarasinghe ★ Suneil Sanzgiri ★ Ben Rivers ★ Eva Giolo ★ Beatriz Santiago Muñoz ★ John Price ★ Lindsay McIntyre ★ Sky Hopinka ★ Jayne Parker ★ Ross Meckfessel ★ Friedl vom Gröller (Kubelka) ★ Zachary Epcar ★ Parastoo Anoushahpour ★ Faraz Anoushahpour ★ Ryan Ferko ★ Alexandra Cuesta ★ Tracey Moffatt ★ Pablo Mazzolo ★ Kevin Jerome Everson ★ Riar Rizaldi ★ Shireen Seno ★ Rhea Storr ★ Simon Liu ★ Sílvia das Fadas ★ Thirza Cuthand ★ Sergei Parajanov ★ Luther Price ★ L.Franklin Gilliam ★ Tony Cokes ★ Ximena Cuevas ★ Tânia Dinis ★ Michael Hubbard ★ The ManosBuckius Cooperative ★ bree gant ★ Sally Lawton ★ Michele Goulette ★ Scott Northrup ★ Jack Cronin ★ Derek Jenkins ★ Bawaadan Collective ★ Joseph Bernard ★ Christopher Bissonnette ★ Garth Jackson ★ Kayla Anderson ★ Natasha Beste ★ Paul Echeverria ★ Daïchi Saïto ★ Karpo Godina ★

The festival’s rich and varied virtual program also includes much more and will be available to view through March 1, 2022. MCFF’s new site construction was expertly developed, designed, and managed by Spellerberg Associates <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fspellerberg.org%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=PsoguQ8vhJ4EzQPIaWHoscYJA2jr6WR5P%2BnsgPk%2F1Uc%3D&reserved=0>, Hour Studio <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fhour.studio%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=b1RY34F%2FbJG0tkjjLbiu8RQOcM5%2BRWdbPpkzA2dm4IQ%3D&reserved=0>, and CineSend <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcinesend.com%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=Df8AQgLhIaOCKZqwo9hc7oS2HGQdBkgHsU1fJgvCg44%3D&reserved=0> for your screening pleasure: mediacityfilmfestival.com <https://na01.safelinks.protection.outlook.com/?url=http%3A%2F%2Fmediacityfilmfestival.com%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=zQQdfKSwepNMWWfaOFkHtNA4RxoC%2Fr7J0xiQ7VLv2Io%3D&reserved=0>

Media Contact / Image & Interview Requests:
Oona Mosna, MCFF Artistic Director: mediacity at houseoftoast.ca <mailto:mediacity at houseoftoast.ca> 
Oliver Dickens, MCFF Assistant Director: mediacityassistant at gmail.com <mailto:mediacityassistant at gmail.com>
Nadja Pelkey, MCFF Production Manager: mcffproduction at gmail.com <mailto:mcffproduction at gmail.com>

About MCFF <https://mediacityfilmfestival.us14.list-manage.com/track/click?u=262e8b0cc301b73e2f2ac4df1&id=6ccc376ccb&e=d44c9ed8d5>: Media City Film Festival is an international festival of film and digital art dedicated to the creation, exhibition, and dissemination of the cinematic arts in Windsor/Detroit since 1994. Its 25th anniversary virtual edition is completely free to view online, offering public audiences around the world industry-level access to rare cinematic gems. This is made possible with generous support from The Academy of Motion Picture Arts and Sciences <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.oscars.org%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=e%2FHwPEgLAQjS327qEzoNoCy1LKeDb8a4s2A4xCFyCTY%3D&reserved=0>, Canada Council for the Arts <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fcanadacouncil.ca%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=c4s2ao2bsxydVXVCj2szSkd1iLb8ErjPu6mS5MHQ5WQ%3D&reserved=0>, Ontario Trillium Foundation <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.otf.ca%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=FYcyaWSrKkm9Q%2Bf2YrT6YvOItjWonKJ6NRO2wta8amQ%3D&reserved=0>, Ontario Arts Council <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.arts.on.ca%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=D3keITcnVumsKnCGxISVfDFr0x6u%2BqSc7UzJvh2qVIM%3D&reserved=0>, Knight Arts Foundation <https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fknightfoundation.org%2Fprograms%2Farts%2F&data=04%7C01%7C%7C9a94ea07c969484a785108d9ebf6c02e%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C637800267306465119%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000&sdata=bRjCLHL%2Bqzb96ia4Sm9tpKTnDnfmcNzQB7CE%2Fw%2BokUE%3D&reserved=0>, along with support from private donors, sponsors, members, audiences, artists, and viewers like you. 

Image credit: Arabesques on the Theme of Pirosmani (1985) © Estate Sergei Parajanov and Georgian Film.
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