[Frameworks] Creative crisis in experimental cinema

kirstenl kirstenedit at gmail.com
Sat Jun 4 02:45:45 UTC 2022


On Fri, Jun 3, 2022 at 6:15 PM Colinet andré <andre.colinet at telenet.be>
wrote:

> Nicely summarized mr. Camper.
>
> Makes me want to see the movie again.
>
> All the best.
>
> André Colinet
>
>
>
> Envoyé à partir de Courrier
> <https://go.microsoft.com/fwlink/?LinkId=550986> pour Windows
>
>
>
> *De : *Fred Camper <f at fredcamper.com>
> *Envoyé le :*jeudi 2 juin 2022 17:25
> *À : *frameworks at film-gallery.org
> *Objet :*Re: [Frameworks] Creative crisis in experimental cinema
>
>
>
> Albert,
>
> In the examples you give, "creative crisis" is  the plot. There is a film
> in which the cinematic style, the use of camera movement and composition
> and rhythm and editing and light, depict a first-person protagonist trying
> to enter the world of light, to dance with light, to become light. This is
> a striving perfect for cinematic exploration. In this film, the protagonist
> fails, leading inevitably to its "tragic" ending. This film grows in
> significance when you understand that not long after, in subsequent films,
> the same filmmaker succeeds at what he had depicted himself failing at.
>
> This film is Stan Brakhage's *Anticipation of the Night*.
>
> Its predecessors include Maya Deren's *Meshes of the Afternoon *and
> Kennith Anger's *Fireworks*.
>
> Fred Camper
> Chicago
>
>
> --
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> Frameworks at film-gallery.org
> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
>
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