[Frameworks] |||||| EAR AS OTHER on Tour ||||||

[Alexis Hazelwood]

See you on January 15th!

On Thu, Jan 7, 2016 at 1:10 PM, Kevin T Allen <kevintallen at gmail.com> wrote:

> Dear Frameworkers,
>
> I am heading West to present a collection of my "sound-films" next week.
> If you or anyone you know resides on the left coast, please help me spread
> the word. See below for details.
>
> Thanks!
> Kevin
>
> |||||||||||||||||||||||||||||||||
>
> SEATTLE
> Saturday - Jan. 9th @ 7:30pm
> Northwest Film Forum <http://www.nwfilmforum.org/live/page/calendar/3797>
>
> SANTA CRUZ
> Thursday - Jan. 14th @ 7pm
> UCSC Center for Documentary Arts & Research
> <http://cdar.ucsc.edu/index.php/2015/11/01/ear-as-other-the-sound-films-of-kevin-t-allen>
>
> SAN FRANCISCO
> Friday - Jan. 15th @ 7:30pm
> San Francisco Cinematheque
> <http://www.sfcinematheque.org/screenings/calculating-odds-and-the-possibility-of-miracles/>
>
> *"The work of filmmaker, sound artist and radio producer Kevin T.
> Allen weds exquisite Super-8mm photography to masterful contact microphone
> soundscapes to create films as deeply invested in the secret lives of
> material objects as in the cultures, landscapes and persons they intimately
> depict."* Steve Polta, SF Cinematheque.
> ​
> *Also don't miss this workshop at Northwest Film Forum:*
> EXPANDED RECORDING TECHNIQUES FOR NONFICTION SOUND
> <http://nwfilmforum.org/live/page/workshops/84#3779>
> Saturday, January 9th @ 5pm
> This seminar begins at ground zero, introducing students to the
> fundamentals of working with sound as a raw material. We investigate the
> distinctions between sonic, acoustic and aural approaches as they apply to
> nonfiction practice. We discuss and demonstrate the crucial connection
> between sound and space and how it may be best exploited within
> moving-image work. We examine the role of extreme low frequencies and
> psychoacoustics in forming an embodied experience with sound. Through
> practical samples from his own sonic experiments in the field, the artist
> will introduce students to low-cost and DIY expanded recording strategies,
> including handmade binaural devices, piezo contact microphones,
> hydrophones, and VLF receivers.
>
> *Kevin T. Allen* is a filmmaker, sound artist and radio producer whose
> practice ranges from the ethnographic to the experimental. He has exhibited
> at numerous venues, including MoMA, Ethnographic Terminalia, Flaherty NYC,
> Margaret Mead Film Festival, Berlin Directors Lounge and Ann Arbor Film
> Festival. His sound work has been featured at museums and festivals,
> including the Canadian Centre for Architecture, Third Coast International
> Audio Festival and Deep Wireless Festival of Radio Art. He has made
> ethnographically imbued films in Vietnam, Sri Lanka, India, Peru, Bolivia,
> Argentina, the Wild West, and the migrant farm worker community of
> Immokalee, Florida. Recent research has lead him to find culture not
> exclusively in human forms, but also inherent in physical landscapes and
> material objects. His work is funded through the Jerome Foundation. He is
> an assistant professor at The New School in NYC where teaches documentary
> practice and experimental filmmaking. He is currently at work on an
> asynchronous exploration of glass making.
> ............................................................
>
> --
> Kevin T. Allen | kevin at smallgauge.org
> smallgauge.org | phonoscopy.com
>
> _______________________________________________
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>
>


-- 
*Alexis Hazelwood *
*Filmmaker | Videographer | Editor*
*C *808.542.5295
*E *alexisannehazelwood at gmail.com

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